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CHAPTER 3 Hong Kong Music Ecosphere
Abstract The people of Hong Kong experienced their deepest sense of insecurity and anxiety after the handover of sovereignty to Beijing. Time and again, the incapacity and lack of credibility of the SAR government has been manifested in various new policies or incidents. Hong Kong people’s anger and discontent with the government have reached to the peak. On July 1, 2003, the sixth anniversary of the hand-over of Hong Kong to China, 500,000 demonstrators poured through the streets of Hong Kong to voice their concerns over the proposed legislation of Article 23 and their dissatisfaction to the SAR government. And the studies of politics and social movement are still dominated by accounts of open confrontations in the form of large scale and organized rebellions and protests. If we shift our focus on the terrain of everyday life, we can find that the youth voice out their discontents by different ways, such as various kinds of media. This research aims to fill the gap and explore the relationship between popular culture and politics of the youth in Hong Kong after 1997 by using one of the local bands KingLyChee as a case study. Politically, it aims at discovering the hidden voices of the youth and argues that the youth are not seen as passive victims of structural factors such as education system, market and family. Rather they are active and strategic actors who are capable of negotiating with and responding to the social change of Hong Kong society via employing popular culture like music by which the youth obtain their pleasure of producing their own meanings of social experience and the pleasure of avoiding the social discipline of the power-bloc. -
We're a Proud Sponsor of the San Diego Asian Film Festival
21ST ANNUAL SAN DIEGO SAN ASIAN SAN DIEGO FILM DIEGO ASIAN FILM FESTIVAL 2020 FESTIVAL ASIAN PRESENTED BY: / OCT FILM 23—31 WWW.PACARTS.ORG @PACARTSMOVEMENT 2020 FESTIVAL SDAFF.ORG 23—31 23—31 22020020 FESTIVAL OCTOBER OCTOBER FILM PRESENTED ASIAN DIEGO BY PACIFIC SAN ARTS 125 FILMS 50 Q&AS MOVEMENT 34 LANGUAGES 24 COUNTRIES About the design: 2020 is the year of eyes. That’s all we see of anybody, whether peering over masks. Or from the protests in HK and US, masses of people looking back hard at our leaders. Or staring at screens for school, work, and now, the worlds of The Boat People 42 Inches From Covid 45 Providence 42 film. This year’s kinetic graphics are inspired by the “dazzle [email protected] [email protected] [email protected] camouflage” used on boats in WWI to create visual confusion A Bright Summer Diary 42 Junipero Serra 45 Radical Care: The Auntie Sewing Squad 9 through hypervisibility, a strategy later adopted by modern [email protected] [email protected] [email protected] day activists to deter facial recognition. Lastly, on our print publications is ZXX, an anti-surveillance typeface designed Can't judge~Corona and the Japanese Kama'āina (Child of the Land) 41 Red Aninsri; Or, Tiptoeing on by Sang Mun as a call-to-action to raise questions about our government 20XX version~ 47 [email protected] The Still Trembling Berlin Wall 44 [email protected] [email protected] online privacy. This typeface purposefully misdirects information Kapaemahu 41 and confuses text scanning software. -