little simz stillness in wonderland album full download rar stillness in wonderland album full download rar. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 66a264667c0ac3e3 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Little simz stillness in wonderland album full download rar. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 66a26466eea8759b • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Little Simz – Stillness In Wonderland. “I don’t belong anywhere, not even my own town”. So says London-born artist Little Simz in her song “Doorways + Trust Issues”, taken from her sophomore album “ Stillness in Wonderland “. The truth is Simz ‘s music certainly sounds like London, just not in the way much of London currently sounds like London – this isn’t the rough- and-ready beats of Skepta , with his punkish jagged edges. Simz ‘s beats frequently sound sleek and polished not unlike those of your typical current American rapper. Her music has none of the actual grime of grime. These beats lack grime’s 8-bit lo-fi evocation of grey skies and greyer housing estates. However, on top of these beats we have Simz ‘s distinctively London cadence. This then, gives her work a simultaneously provincial feeling and a vague internationalism. Little Simz is both looking out away from the UK and reflecting back on her environment: grime and garage are influences on her music but so are Lauryn Hill and . She might be more immediately accessible than someone like Stormzy but the foreignness of Stormzy ‘s Londonsisms probably provide part of the thrill for many of his overseas fans. As a recent Noisey article suggested, she might even be more popular in the States than she is in the UK. Indeed, her Spotify recommended related artists generally consists of hipster- friendly US alt-rap rather than other UK heavyweights like Wiley or Jme . With “Stillness In Wonderland”, Little Simz proves she has one of the most distinctive voices in rap right now and that she certainly should be regarded as one of the finest in the UK. Little Simz ‘ “Stillness In Wonderland” seems to follow a similar series of lyrical concepts to Kendrick ‘s “To Pimp A Butterfly” . She discusses how her life has changed since international tours and recognition from Jay-Z and Kendrick himself, but she also deals with the fact that much of her personal issues are very much still there despite fame’s supposedly transformational powers. Both Kendrick and Simz deal with the fact that rappers generally aim to be superstars to escape a tough upbringing but end up under immense pressure from labels and the press, frequently finding themselves unsatisfied after achieving their life goal. Simz joins rappers like Danny Brown and Kanye in discussing the fact that fame isn’t the all-healing solution to personal problems that the rap world often believes it to be. One of the things that is notable about “Stillness In Wonderland”, in comparison to her debut album “A Curious Tale of Trials + Persons”, is Simz ‘s willingness to cede space to collaborators. She finds herself, not unlike Kanye , using her collaborators to create some of the album’s best moments. One of these great moments is “King Of Hearts” where Chip (formerly Chipmunk ) steals the show with little more than a mean attitude. The one problem with this track is that Simz and Chip ‘s voice complement each other so well that it’s a shame they don’t do some Run The Jewels -style bar-trading. Another fine moment comes from Californian guest vocalist SiR on “One In Rotation + Wide Awake”. While it might sound like he’s trying a little too hard to sound like Anderson. Paak , his hooks are nonetheless impressive. Little Simz seems much more comfortable making cross-Atlantic pairings than many other UK or US rappers. The highest profile, but in my ears least notable, feature is The Internet ‘s Syd on “Shotgun” who provides an unremarkable hook to the track. My commendation for her strength in finding collaborators shouldn’t in any way be seen as a slight against Simz ‘s own talents as a rapper or lyricist. She is a commanding presence on every track she’s on and has one of the most distinctive voices in rap right now. She certainly should be regarded as one of the finest in the UK. “Stillness In Wonderland” is overall a consistently strong to good as an album but it might be the sort of thing that’s difficult to hook in any casual listeners. The strongest songs are certainly the aforementioned “One in Rotation + Wide Awake” and “King Of Hearts” but neither seem big enough to break Little Simz . Although UK rap artists have historically struggled to have hits without significantly altering their material, now is certainly a good time to try. Post Author. Ed Ledsham. Ed Ledsham knows he’s not as smart as he thinks he is. He’s an essayist and reviewer who grew up in England but lives in Australia. He is also a contributor to Drowned In Sound. You can follow him at @eledsh on Twitter. Stillness in Wonderland. The prolific rapper Little Simz returns with a concept album that references Alice in Wonderland . Featured Tracks: Rapper Simbi Ajikawo, who records as Little Simz, is by all measures on an upward trajectory, with comparisons to iconoclasts like Lauryn Hill and praise from craft-minded virtuosos like Kendrick Lamar (the latter said Simz “might be the illest doing it now.”) By last year’s A Curious Tale of Trials + Persons , she’d experienced enough fame to be ambivalent about it—“the type of music that ain’t never gonna sell,” she rapped on “Wings.” But sell it did, enough for Simz’s next album to feature notably well-curated guests (though not Lamar; that collaboration will probably be pretty great whenever it inevitably happens). All of which served to set her up nicely for her new album, which is…a concept album based on Alice in Wonderland . The reference to the children’s story is a metaphor, naturally—“It’s about situations I’m still trying to get my head around, and places where I’m still trying to figure out who to trust, or who not to trust,” Little Simz told Vice in late 2016. (The exact situations are a bit amorphous—in other interviews she’s suggested the music industry, or escaping into art, or escapism in general.) But the conceit is the biggest problem—there’s a limit to how many takes can be drawn from a book of Victorian math jokes and accompanying film of Disneyfied drugginess. Alice is also more suited to satire or farce—Carroll’s original idea—than serious subjects or earnest introspection, the two modes of this album. “LMPD,” the first track, features a conscious Chronixx verse on Bob Marley, Black Lives Matter, and pineal glands, followed by a birdsong-flecked interlude featuring a spacey, pitch-shifted Cheshire Cat that evokes, depending on how charitable one is, reggae or a spa. A point is being made here, but perhaps not the intended one. On Stillness in Wonderland, befitting the title, Simz eschews the vivid psychedelia of peers like Janelle Monáe in favor of a muted, atmospheric approach. There are a couple of overt references—a “white rabbit” clip recurs throughout, and “King of Hearts” takes advantage of Alice ’s most confrontational character to let Simz take off heads with Chip (still atoning for his kiddie-grime past as Chipmunk) and . But for the most part, the wonder is in the arrangements. Much of Stillness features gorgeous production; touchstones might be early Martina Topley-Bird or last year’s KING album. But Stillness in Wonderland comes off more as a sparsely edited mixtape than a self-contained album: heavy on atmosphere, light on songs. Simz is remarkably prolific—this is her 11th release—and the album often feels fragmentary: tracks have five ideas in the space where one should be, promising experiments are shoehorned into a concept that perhaps might not have been there. On “Picture Perfect,” she plays Wonderland MC over jaunty brass; if only there was more to say besides “Wonderland is amazing, ain’t it?” Unusually for such an introspective album, the guest spots are welcome respite.“Poison Ivy” is a standout, a duet with longterm collaborator Tilla about a toxic-yet-compelling relationship, personified in a distorted, prickly guitar line tried to build an alluring soul duet atop. On “Shotgun,” there’s a gossamer hook by the always-welcome Syd, and then there’s ’s Rihanna-polished swagger on “Bad to the Bone.” It’s probably not coincidental that these two tracks are both more polished, with a radio-pop sheen totally out of place with the proggier stuff, and contain relatively few Alice references; Simz’s grappling with fame may well be a holding pattern. “I don’t want to be an overnight sensation/I’m tryin’ to make a record you can’t stop playin’,” SiR says on “One in Rotation”; there’s some false dichotomy shit going on here, and then the track cuts off, abruptly, as if snapped out of a dream. Little Simz’s Stillness In Wonderland Is The Year’s Last Great Album. The U.K. rapper grapples with uncertainty, escapism, and how to stay real in a world that’s full of tragedy. “Imagination is the only weapon in the war against reality,” the always-smiling Cheshire Cat says in Alice’s Adventures in Wonderland , Lewis Carroll’s 19th century novel. Those words still resonate 150 years later; fantasy can heal by providing an escape. But on her second studio album, Stillness in Wonderland (and in its accompanying short film), U.K. rapper Little Simz feels conflicted about adopting that full-blown escapist mentality. Sure, imagination can help us cope — but should we always be dreaming? Since self-releasing her debut album in late 2015, Simz has been living in her own Wonderland of sorts. This year, she’s toured with Lauryn Hill and Nas, and became the first British MC to ever make Forbes ’s 30 Under 30 list — all as an independent, unsigned artist. Her world’s bigger than it used to be, and a little more surreal. Read Next: Little Simz shares new song “Rollin Stone” While she was working on her new record, Simz happened to catch the Disney animated classic Alice in Wonderland on the studio TV. The film inspired Simz to think about all the different real-life rabbit holes she's found herself disappearing into. One was the music industry: a world of excitement and ego. Another was her mind; she’s an introvert who suffers from anxiety. Another was the music itself. “I think everyone should have their own wonderland,” said Simz over the phone in December, a week before the album's release. “I don’t think it’s necessary to isolate yourself, but [you should have] that little happy place that is only for you.” On “LMPD,” the opening track of Stillness , Simz makes it clear what she's looking to escape from. “The people that are meant to be protecting us are killing us,” she repeats, the words stark over a sparse beat. Jamaican singer Chronixx joins her with a sobering declaration: “Luther King is still patiently waiting for his dreams to come true.” Stillness can be loosely cut into two halves. Its first part is bright and optimistic. On “Shotgun,” Simz’s playfully confrontational verses bounce up against a sunshine-flecked hook sung by The Internet’s Syd. Embodying the dreamscape theme, the songs have a richer texture than Simz's usual stuff, all guitar melodies, delicate backing vocals, and, at one point, a swaggering saxophone. But while the lure of escaping into Wonderland can be tempting, Simz is always conscious of the importance of staying grounded. “I don't want to not know what's real and what's not,” she said. “That's what happens sometimes in the industry; things faze you or blind you.” The record’s second half is darker. After the eerie strings that open “King of Hearts,” Simz’s voice gets notably lower, and grime MCs Chip and Ghetts add some world-weariness and manic lyricism, respectively. The album’s most somber moment, “Poison Ivy,” is also Simz’s most personal track to date. Over a downtempo guitar beat, Simz sings about the lies we tell ourselves in unhealthy relationships. “That's how my last relationship was,” she said of the track, which she produced herself. “It was toxic. I knew it, he did as well; the idea of it was a lot more appealing than the actual thing itself.” By the closing track, “No More Wonderland,” Simz has fully abandoned the daydream motif. Her verses are heavy and depressive. “Sick and tired of being sick tired, nowhere to go,” she raps. But the song ends with a hopeful, proactive declaration: "Real shit’s happening, and my people need me.” It might be a tough road ahead, but at least she’s moving forward. "I think about what I want to talk about very carefully," Simz said when asked if it was difficult to write songs in a year as traumatic as 2016. "I'm aware that if you have some influential power, whether it's on a grand scale or very minuscule, it is some sort of power, so I hold a responsibility to speak openly and truthfully.” Across Stillness , Simz's need to be real clashes with the urge to create a nurturing safe space for the listener, and for herself. In its grappling, the album has echoes of Solange Knowles’s A Seat At The Table . Neither Solange nor Simz comes to a concrete conclusion about how to live in a world that’s confusing and cruel, but both offer a place to escape into for a little while — without ever losing sight of truth. For Simz, imagination is a weapon, but she wants to make real change in the real world too. She raps about that goal emphatically over the laid-back groove of “Zone 3”: “There’s gonna be a revolution, better partake.”