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An N U Al R Ep O R T 2018 Annual Report
ANNUAL REPORT 2018 ANNUAL REPORT The Annual Report in English is a translation of the French Document de référence provided for information purposes. This translation is qualified in its entirety by reference to the Document de référence. The Annual Report is available on the Company’s website www.vivendi.com II –— VIVENDI –— ANNUAL REPORT 2018 –— –— VIVENDI –— ANNUAL REPORT 2018 –— 01 Content QUESTIONS FOR YANNICK BOLLORÉ AND ARNAUD DE PUYFONTAINE 02 PROFILE OF THE GROUP — STRATEGY AND VALUE CREATION — BUSINESSES, FINANCIAL COMMUNICATION, TAX POLICY AND REGULATORY ENVIRONMENT — NON-FINANCIAL PERFORMANCE 04 1. Profile of the Group 06 1 2. Strategy and Value Creation 12 3. Businesses – Financial Communication – Tax Policy and Regulatory Environment 24 4. Non-financial Performance 48 RISK FACTORS — INTERNAL CONTROL AND RISK MANAGEMENT — COMPLIANCE POLICY 96 1. Risk Factors 98 2. Internal Control and Risk Management 102 2 3. Compliance Policy 108 CORPORATE GOVERNANCE OF VIVENDI — COMPENSATION OF CORPORATE OFFICERS OF VIVENDI — GENERAL INFORMATION ABOUT THE COMPANY 112 1. Corporate Governance of Vivendi 114 2. Compensation of Corporate Officers of Vivendi 150 3 3. General Information about the Company 184 FINANCIAL REPORT — STATUTORY AUDITORS’ REPORT ON THE CONSOLIDATED FINANCIAL STATEMENTS — CONSOLIDATED FINANCIAL STATEMENTS — STATUTORY AUDITORS’ REPORT ON THE FINANCIAL STATEMENTS — STATUTORY FINANCIAL STATEMENTS 196 Key Consolidated Financial Data for the last five years 198 4 I – 2018 Financial Report 199 II – Appendix to the Financial Report 222 III – Audited Consolidated Financial Statements for the year ended December 31, 2018 223 IV – 2018 Statutory Financial Statements 319 RECENT EVENTS — OUTLOOK 358 1. Recent Events 360 5 2. Outlook 361 RESPONSIBILITY FOR AUDITING THE FINANCIAL STATEMENTS 362 1. -
Finding Aid to the Historymakers ® Video Oral History with Johnny Pate
Finding Aid to The HistoryMakers ® Video Oral History with Johnny Pate Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Pate, Johnny Title: The HistoryMakers® Video Oral History Interview with Johnny Pate, Dates: September 30, 2004 Bulk Dates: 2004 Physical 5 Betacame SP videocasettes (2:29:11). Description: Abstract: Jazz bassist and music arranger Johnny Pate (1923 - ) formed the Johnny Pate Trio and Combo, and was house bassist for Chicago’s The Blue Note. Johnny Pate’s bass solo on “Satin Doll” is featured on the album "Duke Ellington Live at The Blue Note," and he has collaborated with Curtis Mayfield, produced the Impressions’s hits “Amen,” “We’re A Winner” and “Keep On Pushin’.” and arranged for B.B. King, Gene Chandler and Jerry Butler. Pate was interviewed by The HistoryMakers® on September 30, 2004, in Las Vegas, Nevada. This collection is comprised of the original video footage of the interview. Identification: A2004_188 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Jazz bassist, rhythm and blues arranger John W. Pate, Sr., “Johnny Pate,” was born December 5, 1923 in blue collar Chicago Heights, Illinois. Pate took an interest in the family’s upright piano and learned from the church organist who boarded with them. He attended Lincoln Elementary School, Washington Junior High and graduated from Bloom Township High School in 1942. Drafted into the United graduated from Bloom Township High School in 1942. Drafted into the United States Army, Pate joined the 218th AGF Army Band where he took up the tuba and played the upright bass in the jazz orchestra. -
University of Oklahoma Graduate College Performing Gender: Hell Hath No Fury Like a Woman Horned a Thesis Submitted to the Gradu
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE PERFORMING GENDER: HELL HATH NO FURY LIKE A WOMAN HORNED A THESIS SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of MASTER OF ARTS By GLENN FLANSBURG Norman, Oklahoma 2021 PERFORMING GENDER: HELL HATH NO FURY LIKE A WOMAN HORNED A THESIS APPROVED FOR THE GAYLORD COLLEGE OF JOURNALISM AND MASS COMMUNICATION BY THE COMMITTEE CONSISTING OF Dr. Ralph Beliveau, Chair Dr. Meta Carstarphen Dr. Casey Gerber © Copyright by GLENN FLANSBURG 2021 All Rights Reserved. iv TABLE OF CONTENTS Abstract ........................................................................................................................................... vi Introduction .................................................................................................................................... 1 Heavy Metal Reigns…and Quickly Dies ....................................................................................... 1 Music as Discourse ...................................................................................................................... 2 The Hegemony of Heavy Metal .................................................................................................. 2 Theory ......................................................................................................................................... 3 Encoding/Decoding Theory ..................................................................................................... 3 Feminist Communication -
Aaron Harrison
Before the UNITED STATES COPYRIGHT ROYALTY JUDGES Library of Congress Washington, D.C. ) In re ) ) DETERMINATION OF ROYALTY ) DOCKET NO. 14-CRB-0001-WR RATES AND TERMS FOR ) (2016-2020) EPHEMERAL RECORDING AND ) DIGITAL PERFORMANCE OF SOUND ) RECORDINGS (WEB IV) ) ) TESTIMONY OF AARON HARRISON Senior Vice President, Business & Legal Affairs, Global Digital Business, UMG Recordings, Inc. PUBLIC VERSION Witness for SoundExchange, Inc. PUBLIC VERSION BACKGROUND 1. I am Senior Vice President, Business & Legal Affairs, Global Digital Business, UMG Recordings, Inc. (“UMG Recordings”), a position I have held since 2013. UMG Recordings, Inc. is the primary recorded music company in the United States for the Universal Music Group. Universal Music Group (hereafter, “Universal”) is the colloquial name for the group of music related companies owned by Vivendi S.A. Together, these companies comprise the world’s largest recorded music company. Along with other members of the Business & Legal Affairs team in the Global Digital Business department, I negotiate deals with various digital music services that use Universal’s repertoire of sound recordings. Such services include on-demand and customized streaming services, download and ringtone stores, locker services, and various types of subscription services. I have negotiated deals on Universal’s behalf for the past nine years. During that time, I have negotiated more than 100 agreements with digital music services. 2. Prior to assuming my current position, I was Vice President, Business & Legal Affairs, eLabs, UMG Recordings. I began my employment with UMG Recordings in 2005 as Director, Business & Legal Affairs, eLabs. Prior to joining UMG Recordings, I was an attorney with the law firm Manatt, Phelps & Phillips, LLP, where my practice focused primarily on talent representation and advising companies in the acquisition of intellectual property and branded entertainment rights. -
Jim Robitaille CV 2016
JIM ROBITAILLE CURRICULUM VITAE PERSONAL INFORMATION Name: James Robitaille Date of birth: 04-25-1960 Place of birth: New Bedford, Massachusetts, United States Ability: Guitarist for electric, acoustic & extended range guitars in all styles Other skills: Composer, arranger, bassist, percussionist, educator, and author Professional Experience 2016 Future Forward Events Conference, Weyquasset Resort Unexpected Joy, world premiere, Wellfleet Harbor Actors Theater 1980 - present International performances and or recordings as a sideman, and leader sharing the stage with many regional and Internationally renowned artists including: Dave Liebman (Miles Davis, Elvin Jones, Chick Corea), Karl Berger (Ornette Coleman, Dave Holland), Bob Moses (Charles Mingus, Pat Metheny, Jaco Pastorious), Esperanza Spalding, Oscar Stagnaro (Paquito D’Riveira), Kate McGarry, Gerry Gibbs, John Lockwood, Julian Lage, Santi Debriano, Bruno Raberg, Joe Beck, and The Dizzy Gillespie Alumni All-Stars. 1985- present Weyquasset Resort, Harwich, MA Ocean Edge Resort, Brewster, MA Seacrest Resort, Falmouth, MA Wychmere Harbor Resort, Harwich, MA World Trade Center, Boston, MA Park Plaza Hotel, Boston, Ma. Copley Square Hotel, Boston, MA The Wang Center, Boston, MA The Zeiterion Theater, New Bedford, MA Chatham Bars Resort, Chatham, MA Breakers Mansion, Newport, R.I. Rosecliff Mansion, Newport, R.I Ocean Cliff, Newport, R.I Whitecliffs Resort, Sagamore, MA Boston Omni Parker House Hotel State Room, Boston, MA Ritz Carlton, Boston, MA Marriot Hotel, Boston, MA Marriot Hotel & Resort, Providence, R.I Red Jacket Resort, Yarmouthport, MA Boston Copley Plaza Hotel Blue Water Resort, Yarmouth, MA Hyannis Yacht Club, Hyannis, MA Sankaty Head Resort, Nantucket, MA Ryles Jazz Club Internationale, Cambridge, MA Johnny, D’s, Somerville, MA The Beehive, Boston, MA University of Massachusetts Dartmouth Jazz Festival Provincetown Jazz festival Falmouth Jazz Festival Providence Water Place Park Jazz Festival West Bank Bistro, New London, CT Providence Biltmore Hotel, Providence, R.I. -
The Impressions, Circa 1960: Clockwise from Top: Fred Cash, Richard Brooks> Curtis Mayfield, Arthur Brooks, and Sam (Pooden
The Impressions, circa 1960: Clockwise from top: Fred Cash, Richard Brooks> Curtis Mayfield, Arthur Brooks, and Sam (Pooden. Inset: Original lead singer Jerry Butler. PERFORMERS Curtis Mayfield and the Impressions BY J O E M cE W E N from the union of two friends, Jerry Butler and Curtis Mayfield of Chicago, Illinois. The two had sung together in church as adolescents, and had traveled with the Northern Jubilee Gospel Singers and the Traveling Souls Spiritual Church. It was Butler who con vinced his friend Mayfield to leave his own struggling group, the Alfatones, and join him, Sam Gooden, and brothers Richard and Arthur Brooks— the remnants of another strug gling vocal group called the Roosters. According to legend, an impressive performance at Major Lance, Walter Jackson, and Jan Bradley; he also a Chicago fashion show brought the quintet to the at wrote music that seemed to speak for the entire civil tention of Falcon Records, and their debut single was rights movement. A succession of singles that began in recorded shortly thereafter. “For Your 1964 with “Keep On Pushing” and Precious Love” by “The Impressions SELECTED the moody masterpiece “People Get featuring Jerry Butler” (as the label DISCOGRAPHY Ready” stretched through such exu read) was dominated by Butler’s reso berant wellsprings of inspiration as nant baritone lead, while Mayfield’s For Your Precious Love.......................... Impressions “We’re A Winner” and Mayfield solo (July 1958, Falcon-Abner) fragile tenor wailed innocently in the recordings like “(Don’t Worry) If background. Several follow-ups He Will Break Your Heart......................Jerry Butler There’s A Hell Below We’re All Going (October 1960, Veejay) failed, Butler left to pursue a solo ca To Go” and “Move On Up,” placing reer, and the Impressions floundered. -
BANG! the BERT BERNS STORY Narrated by Stevie Van Zandt PRESS NOTES
Presents BANG! THE BERT BERNS STORY Narrated by Stevie Van Zandt PRESS NOTES A film by Brett Berns 2016 / USA / Color / Documentary / 95 minutes / English www.BANGTheBertBernsStory.com Copyright © 2016 [HCTN, LLC] All Rights Reserved SHORT SYNOPSIS Music meets the Mob in this biographical documentary, narrated by Stevie Van Zandt, about the life and career of Bert Berns, the most important songwriter and record producer from the sixties that you never heard of. His hits include Twist and Shout, Hang On Sloopy, Brown Eyed Girl, Here Comes The Night and Piece Of My Heart. He helped launch the careers of Van Morrison and Neil Diamond and produced some of the greatest soul music ever made. Filmmaker Brett Berns brings his late father's story to the screen through interviews with those who knew him best and rare performance footage. Included in the film are interviews with Ronald Isley, Ben E. King, Solomon Burke, Van Morrison, Keith Richards and Paul McCartney. LONG SYNOPSIS Music meets the Mob in this biographical documentary, narrated by Stevie Van Zandt, about the life and career of Bert Berns, the most important songwriter and record producer from the sixties that you never heard of. His hits include Twist and Shout, Hang On Sloopy, Brown Eyed Girl, Under The Boardwalk, Everybody Needs Somebody To Love, Cry Baby, Tell Him, Cry To Me, Here Comes The Night and Piece of My Heart. He launched the careers of Van Morrison and Neil Diamond, and was the only record man of his time to achieve the trifecta of songwriter, producer and label chief. -
Melanie Safka Candles in the Rain Mp3, Flac, Wma
Melanie Safka Candles in the Rain mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Candles in the Rain Country: Australia Released: 1989 MP3 version RAR size: 1703 mb FLAC version RAR size: 1338 mb WMA version RAR size: 1355 mb Rating: 4.9 Votes: 885 Other Formats: MIDI MP2 AA VOC AU DMF TTA Tracklist 1 Candles In The Rain 1:42 2 Lay Down (candles In The Rain) 2:49 3 Carolina In My Mind 3:37 4 Citiest People 2:32 5 What Have They Done To My Song Ma 4:02 6 Please Love Me 3:29 7 In The Hour 3:58 8 Ears To The Ground 1:48 9 Alexander Beetle 2:55 10 The Good Guys 3:08 11 loving baby girl 4:20 12 Ruby Tuesday 4:31 13 leftover wine 5:08 14 getting out 1:18 Companies, etc. Record Company – EMI Credits Producer – Peter Schekeryk Songwriter – Keith Richards, Mick Jagger Notes Released : 24 July 1989 Barcode and Other Identifiers Barcode: 5099970148022 Other versions Category Artist Title (Format) Label Category Country Year Buddah BDS 5060, Candles In The Rain BDS 5060, Melanie Records, US 1970 BDS/5060 (LP, Album) BDS/5060 Buddah Records 2TA CD 2, TWO Candles In The Rain 2TA CD 2, TWO Melanie 2TA, 2TA UK 1990 TACD 2 (CD, Album, RE) TACD 2 Candles In The Rain 2318 006 Melanie Buddah Records 2318 006 Scandinavia 1970 (LP, Album) Buddah BDS. 5060, Candles In The Rain BDS. 5060, Melanie Records, Canada 1970 BDS/5060 (LP, Album, Gat) BDS/5060 Buddah Records Buddah BDS 5060, Candles In The Rain BDS 5060, Melanie Records, US 1973 BDS/5060 (LP, Album, RP) BDS/5060 Buddah Records Related Music albums to Candles in the Rain by Melanie Safka Melanie - Gold Melanie - Golden Hour Of Melanie Melanie - Ruby Tuesday Melanie With The Edwin Hawkins Singers - Lay Down (Candles In The Rain) Melanie - The Very Best Of Melanie Melanie - The Best Of Melanie Melanie - Spotlight On Melanie Melanie - Candles In The Rain. -
Biography and Film of His Life
Phil Upchurch 1 A prolific guitarist whose distinctively funky, blues-steeped jazz style has graced well over a thousand recordings across the popular music spectrum, the legendary Phil Upchurch has also recorded 27 albums of his own leadership, as well as movie soundtracks. Jazz enthusiasts love and respect Phil Upchurch for his singular approach to composition. In developing his sound, Phil demonstrates no allegiance to any of his contemporaries and is indisputably one of the best in his field. He goes from classical to jazz to contemporary funk as easy as walking from one room to another. He is also an amazing electric bassist. In honor of Upchurch’s instrumental mastery, D’Angelico Guitars is soon to release a Second Edition of his signature Phil Upchurch Guitar. Adding to his media profile is Phil’s newfound second career as a fresh face for television advertising. Phil's most recent on-camera commercials have been Secured Horizon, "AARP," Tropicana and Verizon Wireless. He also has had, Cameo filmappearances in, “His Eyes Are Watching God” and White Men Can’t Jump” to name a few. Phil Upchurch has been a prominent figure in the blues, soul, R&B and jazz circles for more than 50 years. In addition to his work with the legendary Jimmy Smith, Upchurch has performed and recorded, in the United States and internationally, with some of the music industry’s biggest names. His talents have teamed him with musical legends such as Quincy Jones, Bob Dylan, Julio Iglesias, Ray Charles, Ramsey Lewis, Carmen McRae, George Benson, Donny Hathaway, Chaka Khan, Michael Jackson, Carmen McRae, Marlena Shaw, Eddie Harris, Brother Jack McDuff, Joe Williams, Stan Getz, Cannonball Adderley, Herbie Hancock, Grover Washington, Jr. -
名前 アーティスト アルバム ジャンル 分 年 21 Johnny Cash & Carl
名前 アーティスト アルバム ジャンル 分 年 21 Johnny Cash & Carl Perkins The First Years/The Heart And Soul Of Carl Perkins カントリー 3.4 1755 Steve Riley & The Mamou Playboys Live! カントリー 3.0 1929 Merle Haggard Chill Factor Country 3.6 1987 1976 Alan Jackson Good Time Country & Folk4.2 2008 1999 The Wilkinsons Here And Now カントリー 3.5 2000 (A Day In The Life Of A) Single Mother Victoria Shaw In Full View Country & Folk3.1 1995 (A Day In The Life Of A) Single Mother Victoria Shaw In Full View (P) 1995 カントリー 3.1 1995 (After Sweet Memories) Play Born To Lose Again Ronnie Milsap The Golden Country Hits 15 Green,Green Grass Of Home カントリー 3.0 (Blank Track) Dixie Chicks Fly カントリー 0.1 2001 (Ghost) Riders In The Sky Johnny Cash The Essential Johnny Cash (Disc 2) カントリー 3.7 2002 (Give It To) The Needy Mary Lee's Corvette 700 Miles Rock 4.3 2003 (Give It To) The Needy Mary Lee's Corvette 700 Miles ロック 4.3 2003 (Hey Won't You Play) Another Somebody Done SomebodyB.J. Wrong Thomas Song Greatest Hits- B. J. Thomas ロック 3.4 (Hey Won't You Play) Another Somebody Done SomebodyB.J.Thomas Wrong Song The Golden Country Hits 11 I Fall To Pieces カントリー 3.4 (Hey Won't You Play) Another Somebody Done SomebodyBillie Wrong Jo Spears Song The Ultimate Collection Country & Folk3.3 1975 (Hey Won't You Play) Another Somebody Done SomebodyThe Wrong Golden Song Country Hits 550 The Golden Country Hits Sing Along -Special Karaoke Best 51-(Ii) Country & Folk3.5 (I Can't Help You) I'm Falling Too Skeeter Davis RCA Country Hall Of Fame カントリー 2.8 (I Never Promised You A) Rose Garden Billie Jo Spears -
Rental Song List
Song no Title 1 Syndicate 2 Love Me 3 Vanilla Twilight 4 History 5 Blah Blah Blah 6 Odd One 7 There Goes My Baby 8 Didn't You Know How Much I Love You 9 Rude Boy 10 The Good Life 11 Billionaire 12 Between The Lines 13 He Really Thinks He's Got It 14 If It's Love 15 Mockingbird 16 Your Love 17 Crazy Town 18 You Look Better When I'm Drunk 19 Animal 20 September 21 It's Gonna Be 22 Dynamite 23 Misery 24 Beauty In The World 25 Crow & The Butterfly 26 DJ Got Us Fallin' In Love 27 Touch 28 Someone Else Calling You Baby 29 If I Die Young 30 Just The Way You Are 31 Like A G6 32 Dog Days Are Over 33 Home 34 Little Lion Man 35 Nightmare 36 Hot Tottie 37 Jizzle 38 Lovin Her Was Easier 39 A Little Naughty Is Nice 40 Radioactive 41 One In A Million 42 What's My Name 43 Raise Your Glass 44 Hey Baby (Drop It ToThe Floor) 45 Marry Me 46 1983 47 Right Thru Me 48 Coal Miner's Daughter 49 Maybe 50 S & M 51 For The First Time 52 The Cave 53 Coming Home 54 Fu**in' Perfect 55 Rolling In The Deep 56 Courage 57 You Lie 58 Me & Tennessee 59 Walk Away 60 Diamond Eyes 61 Raining Men 62 I Do 63 Someone Like You 64 Ballad Of Mona Lisa 65 Set Fire To The Rain 66 Just Can't Get Enough 67 I'm A Honky Tonk Girl 68 Give Me Everything 69 Roll Away Your Stone 70 Good Man 71 Make You Feel My Love 72 Catch Me 73 Number One Hit 74 Party Rock Anthem 75 Moves Like Jagger 76 Made In America 77 Drive All Night 78 God Gave Me You 79 Northern Girl 80 The Kind You Can't Afford 81 Nasty 82 Criminal 83 Sexy & I Know It 84 Drowning Again 85 Buss It Wide Open 86 Saturday Night 87 Pumped -
The Role of Music in European Integration Discourses on Intellectual Europe
The Role of Music in European Integration Discourses on Intellectual Europe ALLEA ALLEuropean A cademies Published on behalf of ALLEA Series Editor: Günter Stock, President of ALLEA Volume 2 The Role of Music in European Integration Conciliating Eurocentrism and Multiculturalism Edited by Albrecht Riethmüller ISBN 978-3-11-047752-8 e-ISBN (PDF) 978-3-11-047959-1 e-ISBN (EPUB) 978-3-11-047755-9 ISSN 2364-1398 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.dnb.de. © 2017 Walter de Gruyter GmbH, Berlin/Boston Cover: www.tagul.com Typesetting: Konvertus, Haarlem Printing: CPI books GmbH, Leck ♾ Printed on acid free paper Printed in Germany www.degruyter.com Foreword by the Series Editor There is a debate on the future of Europe that is currently in progress, and with it comes a perceived scepticism and lack of commitment towards the idea of European integration that increasingly manifests itself in politics, the media, culture and society. The question, however, remains as to what extent this report- ed scepticism truly reflects people’s opinions and feelings about Europe. We all consider it normal to cross borders within Europe, often while using the same money, as well as to take part in exchange programmes, invest in enterprises across Europe and appeal to European institutions if national regulations, for example, do not meet our expectations.