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University of Florida Thesis Or Dissertation Formatting
THE TELEVISED SOUTH: AN ANALYSIS OF THE DOMINANT READINGS OF SELECT PRIME-TIME PROGRAMS FROM THE REGION By COLIN PATRICK KEARNEY A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2020 © 2020 Colin P. Kearney To my family ACKNOWLEDGMENTS A Doctor of Philosophy signals another rite of passage in a career of educational learning. With that thought in mind, I must first thank the individuals who made this rite possible. Over the past 23 years, I have been most fortunate to be a student of the following teachers: Lori Hocker, Linda Franke, Dandridge Penick, Vickie Hickman, Amy Henson, Karen Hull, Sonya Cauley, Eileen Head, Anice Machado, Teresa Torrence, Rosemary Powell, Becky Hill, Nellie Reynolds, Mike Gibson, Jane Mortenson, Nancy Badertscher, Susan Harvey, Julie Lipscomb, Linda Wood, Kim Pollock, Elizabeth Hellmuth, Vicki Black, Jeff Melton, Daniel DeVier, Rusty Ford, Bryan Tolley, Jennifer Hall, Casey Wineman, Elaine Shanks, Paulette Morant, Cat Tobin, Brian Freeland, Cindy Jones, Lee McLaughlin, Phyllis Parker, Sue Seaman, Amanda Evans, David Smith, Greer Stene, Davina Copsy, Brian Baker, Laura Shull, Elizabeth Ramsey, Joann Blouin, Linda Fort, Judah Brownstein, Beth Lollis, Dennis Moore, Nathan Unroe, Bob Csongei, Troy Bogino, Christine Haynes, Rebecca Scales, Robert Sims, Ian Ward, Emily Watson-Adams, Marek Sojka, Paula Nadler, Marlene Cohen, Sheryl Friedley, James Gardner, Peter Becker, Rebecca Ericsson, -
St. Francis Xavier Parish 220 S
Welcome to St. Francis Xavier Parish 220 S. Michigan Street, De Pere, WI 54115 Sunday, June 3, 2018 The Most Holy Body and Blood of Christ Fr. Richard Getchel Fr. Binu Varghese, O. Praem. Deacon Jim Gauthier Robin !erese Pastoral Associate SteveValerie Donovan Oswalt CoordinatorPastoral Minister of Youth Ministry Valerie Oswalt Mass Facililtator Schedule of Youth Ministry Weekends ...............Saturday: 4:00pm Mass ScheduleSunday: 9:00am & 11:00am WeekendsWeekdays ...............Saturday:.................................7:30am 4:00pm Holy DaysSunday: ......... Consult 9:00am the & 11:00am bulletin Weekdays .................................7:30am Holy Days ......... Consult the bulletin Visit our Website www.stfrancisdepere.org Visit our Website www.stfrancisdepere.org Mission Statement We, the people of St. Francis Xavier Catholic Parish in De Pere, Wisconsin, united with the Diocesan Church of Green Bay and the universal Roman Catholic Church are a Eucharistic Community committed to worship, to education, to social service and to sharing our time, talent, and our treasure. The Sanctuary Candle in Church and at Xavier House is lit Live the Liturgy - June 3-9 in memory of Inspiration for the Week Pirmin Schmitz As we gather today to rea!rm our faith in the real presence of Christ in the Eucharist, we are reminded that we are at the request of Cyrilla Schmitz. also the Body of Christ. #e mission of the Gospel calls us to be Christ for others. Every time we receive the Body Mass Intentions (and Blood) of Christ, we are asked to become what we eat. Monday, June 4 We must be willing to step aside from our preoccupations 7:30am ( SF X) † Roland Hockers and concerns so that we can be Christ for others. -
CLASSIC TV and FAITH: IV - the ANDY GRIFFITH SHOW ‘PRIDE GOETH BEFORE the FALL!’” Karen F
“CLASSIC TV AND FAITH: IV - THE ANDY GRIFFITH SHOW ‘PRIDE GOETH BEFORE THE FALL!’” Karen F. Bunnell Elkton United Methodist Church July 29, 2012 Proverbs 16:1-5, 18-20 Luke 12: 32-34 Anybody here watch the British Open golf tournament on television last weekend? Well, I did and it was something that I and the millions of others who watched it will never forget. Why? Because there was a golfer, a very gifted young golfer by the name of Adam Scott, who was playing unbelievable golf - I mean, on Saturday the announcers kept saying, “He’s giving a clinic on how to play golf.” He was doing everything right. Going into the last day, he had a pretty good lead, and going into the last part of the last round, he was up by four strokes. That’s huge! And then, he fell apart. Bogey after bogey after bogey, until on the very last hole, he missed a putt - and lost the whole thing! It was one of the greatest collapses in golf history! It was incredibly sad, and took the bloom off the rose for Ernie Els, who ended up winning, but who also is a good friend of Adam Scott. He couldn’t completely rejoice, because he felt so bad for his friend. It reminded me of something I once read about that had happened to the great Arnold Palmer a number of years ago. It was the final hole of the 1961 Masters Tournament and Palmer had a one-stroke lead. He had just hit a great tee shot off of the 18th tee, the last hole, and was walking down the fairway to hit his next shot. -
Excerpt from a Cuban in Mayberry
Interlude THE ROAD TO MAYBERRY Nobody's from no place. ANDY TAYLOR, " STRANGER IN TOWN" (1.1_2) HE DEBUT EPISODE OF THE ANDY GRIFFITH SHOW T was broadcast on October 3, 1960. Two weeks later, in Havana, my family's food wholesaling business-we called it el almacen, the warehouse-was confiscated by the Castro regime. A few days after that, on October 24, 1960, I left Cuba with my parents, my two brothers, and my sister on an overnight ferry to Key West called, of all things, The City of Havana. I was eleven years old. My parents were in their late thirties. That evening CBS broadcast the fourth epi sode of TAGS, "Ellie Comes to Town." It strikes me as fitting and a little eerie that as Ellie was settling into Mayberry, I was beginning my own road to the Friendly Town. The story of how I became an undocumented Mayberrian, the town's resident alien, began on that Monday. Like hundreds of thousands of other Cubans, we settled in Miami. Except that we didn't truly settle, since we were planning to return to Cuba to pick up where the island's turbulent history had left us off. We saw ourselves as people passing through, transients rather than settlers. Unlike immigrants, we didn't come to America looking for a better life. We had a good one in Cuba. America was a rest stop before we turned around and headed back home. The im migrant lives in the fast lane. He is in a hurry-in a hurry to get a job, learn the language, lay down roots. -
Common Optometry Cases in “Mayberry”
9/7/2020 Disclosures: Common Optometry CooperVision Cases in “Mayberry” Maculogix IntegraSciences Lessons I Learned From These Cases Frances Bynum, OD COPE 65581-GO 1 2 Case 1: Opie Taylor Case 1: Opie Taylor Hit in the eye with air soft gun Hit in the eye with air soft gun VA: OD: 20/20 SLE: subconjunctival heme in the temporal corner Cornea: clear A/C: clear, no cells Posterior Pole: clear MHx: unremarkable Would you dilate this patient? (Grandmother brought child in) 3 4 Case 1: Opie Taylor Case 1: Opie Taylor Hit in the eye with air soft gun Hit in the eye with air soft gun Commotio retinae Commotio retinae (caused by blunt trauma to the eye) (caused by blunt trauma to the eye) Treatment: Treatment: usually none Prognosis: Prognosis: good, but look for choroidal rupture or RPE break Might use OCT to look for small break 5 6 1 9/7/2020 Case 1: Opie Taylor Case 1: Opie Taylor Hit in the eye with air soft gun Hit in the eye with air soft gun 7 8 Case 2: Barney Fife Case 2: Barney Fife Sudden spot in vision Sudden spot in vision CC: Sudden Spot in his vision this morning VA: OD: 20/20 OS: 20/20 IOP: 12/12 icare @ 8:12am MHx: HTN (uncontrolled at times) Meds: HTN OHx: Toric MF contacts, mild crossing changes consistent with HTN history DFE: heme @ disc 9 10 Case 2: Barney Fife Case 2: Barney Fife Sudden spot in vision Sudden spot in vision BP: 135/85 LA seated @ 8:15am BP: 135/85 LA seated @ 8:15am Management: ??? Management: ??? Upon further questioning……. -
Jimi Hendrix Songs for Groovy Children: the Fillmore East Concerts
Jimi Hendrix Songs For Groovy Children: The Fillmore East Concerts (19075982772) Expansive CD & LP Box Sets Present All Four Historic Hendrix Band of Gypsys Performances At The Fillmore East Newly Mixed by Eddie Kramer Songs For Groovy Children includes more than two dozen previously unreleased tracks October 1, 2019-New York, NY-Experience Hendrix L.L.C. and Legacy Recordings, a division of Sony Music Entertainment, are proud to release Songs For Groovy Children: The Fillmore East Concerts by Jimi Hendrix, on CD and digital November 22, with a vinyl release to follow on December 13. This collection assembles all four historic debut concerts by the legendary guitarist in their original performance sequence. The 5 CD or 8 vinyl set boasts over two dozen tracks that have either never before been released commercially or have been newly pressed and newly remixed. Those who pre-order the digital version will instantly receive the previously unreleased track “Message To Love,” from the New Year’s Eve second set performance on the collection. Pre-order Songs For Groovy Children here: https://jimihendrix.lnk.to/groovy Watch Songs Of Groovy Children album trailer: https://jimihendrix.lnk.to/groovyvid Over the course of four extraordinary years, Jimi Hendrix placed his indelible stamp upon popular music with breathtaking velocity. Measured alongside his triumphs at Monterey Pop and Woodstock, Hendrix’s legendary Fillmore East concerts illustrated a critical turning point in a radiant career filled with indefinite possibilities. The revolutionary impact Jimi Hendrix, Billy Cox and Buddy Miles had upon the boundaries and definitions of rock, R&B, and funk can be traced to four concerts over the course of two captivating evenings. -
CBS, Rural Sitcoms, and the Image of the South, 1957-1971 Sara K
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 Rube tube : CBS, rural sitcoms, and the image of the south, 1957-1971 Sara K. Eskridge Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Eskridge, Sara K., "Rube tube : CBS, rural sitcoms, and the image of the south, 1957-1971" (2013). LSU Doctoral Dissertations. 3154. https://digitalcommons.lsu.edu/gradschool_dissertations/3154 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. RUBE TUBE: CBS, RURAL SITCOMS, AND THE IMAGE OF THE SOUTH, 1957-1971 A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Sara K. Eskridge B.A., Mary Washington College, 2003 M.A., Virginia Commonwealth University, 2006 May 2013 Acknowledgements Many thanks to all of those who helped me envision, research, and complete this project. First of all, a thank you to the Middleton Library at Louisiana State University, where I found most of the secondary source materials for this dissertation, as well as some of the primary sources. I especially thank Joseph Nicholson, the LSU history subject librarian, who helped me with a number of specific inquiries. -
Formatting Bios Program Booklet__11-2 ANCHORED EH
FEED THE FIRE A Cyber Symposium in Honor of Geri Allen Thursday, 5 November 2020, 9:30 am–5:30 pm EST An online event free and open to the public Registration requested at http://bit.ly/GeriAllen Keynote with Terri Lyne Carrington, Angela Davis, and Gina Dent, moderated by Farah Jasmine Griffin Poetry reading by Fred Moten | Solo piano performance by Courtney Bryan Geri Allen, Wright Museum of African American History, Detroit, 2011; © Barbara Weinberg Barefield Department of Music Jazz Studies Program Columbia University: Center for Jazz Studies; Institute for Research on Women, Gender, and Sexuality; Departments of Music and English & Comparative Literature Barnard College: Barnard Center for Research on Women; Women’s, Gender, and Sexuality Studies; Department of Africana Studies University of Pittsburgh: Gender, Sexuality, and Women’s Studies Program; Humanities Center GERI ANTOINETTE ALLEN was born on June 12, 1957. She began playing the piano at the age of seven. As a child, she studied classical music with Patricia Wilhelm, who also nourished her interests in jazz. Her music studies continued through high school, Detroit’s legendary Cass Tech, where she studied with trumpet player Marcus Belgrave; and then at Howard University, where she studied with John Malachi, at the same time taking private lessons from Kenny Barron. In 1979, she earned one of the first BAs in Jazz Studies at Howard. She completed an MA in Ethnomusicology in 1983 at University of Pittsburgh, where she studied with Nathan Davis. When Davis retired in 2013, she succeeded him as Director of Jazz Studies, after teaching at Howard, the New England © Barbara Weinberg Barefield Conservatory, and the University of Michigan. -
(12) United States Patent (10) Patent N0.: US 7,609,410 B2 Lapstun Et A]
US007609410B2 (12) United States Patent (10) Patent N0.: US 7,609,410 B2 Lapstun et a]. (45) Date of Patent: Oct. 27, 2009 (54) MOBILE TELECOMMUNICATION DEVICE 5,051,736 A 9/1991 Bennett et al. WITH INTEGRAL PRINTER MECHANISM 5,465,080 A 11/1995 Liddiard et al. AND SENSING MEANS (75) Inventors: Paul Lapstun, Balmain (AU); Kia Silverbrook, Balmain (AU); Tobin (Continued) Allen King, Balmain (AU) FOREIGN PATENT DOCUMENTS (73) Assignee: Silverbrook Research Pty Ltd, Balmain, New South Wales (AU) EP 0274571 7/1988 ( * ) Notice: Subject to any disclaimer, the term of this patent is extended or adjusted under 35 USC 154(b) by 978 days. (Continued) (21) Appl.No.: 10/917,436 OTHER PUBLICATIONS Dymetman, M., and Copperman, M., Intelligent Paper; in Electronic (22) Filed: Aug. 13, 2004 Publishing, Artistic Imaging, and Digital Typography, Proceedings ofEP ’98, Mar/Apr. 1998, SpringerVerlag LNCS 1375, pp. 392-406. (65) Prior Publication Data US 2005/0040350 A1 Feb. 24, 2005 Primary ExamineriDov Popovici Assistant ExamineriThierry L Pham Related US. Application Data (57) ABSTRACT (63) Continuation of application No. 09/722,147, ?led on Nov. 25, 2000, now Pat. No. 6,946,672. (30) Foreign Application Priority Data A mobile telecommunications device is disclosed. The mobile telecommunications device includes an image sensor Dec. 1, 1999 (AU) ................................... .. PQ4392 for sensing coded data from a printed interface whilst the mobile telecommunications device is used to physically inter (51) Int. Cl. act with the printed interface. The mobile telecommunica G06K 15/00 (2006.01) tions device also includes a processor con?gured to decode G06F 3/12 (2006.01) the sensed coded data. -
In Search of Lost Chords: Joni Mitchell, the Last Waltz, and the Refuge of the Road
103 5 In Search of Lost Chords: Joni Mitchell, Th e Last Waltz , and the Refuge of the Road Gustavus Stadler Murray Lerner’s fi lm Message to Love: Th e Isle of Wight Festival 1970 documents Joni Mitchell’s confrontation with an unruly crowd at an increasingly chaotic three-day concert, where an audience of 200,000 watched performances by acts like Jimi Hendrix, Th e Who, and Th e Doors. Her few minutes on screen will never fi t as neatly with glib proclamations of the “end of the 60s” as the events at the free concert at Tracy, California’s Altamont Speedway, organized by the Rolling Stones and documented in the far more canonical fi lm Gimme Shelter . But Message to Love’s depiction of Mitchell’s confrontation with the festival audience carries some of the same force. In both fi lms, dreams seeded at the Woodstock Music & Art Fair of 1969 turn into nightmares. Like Gimme Shelter , Lerner’s fi lm charts the breakdown of business-as-usual at a huge, outdoor, multi-artist concert. But in Message to Love , Woodstock’s shadow looms more literally; just aft er Mitchell fi nishes playing her eponymous anthem of tribute to the already legendary aff air, her microphone is commandeered by an apparently acid-baked hippie named Yogi Joe, who rather incoherently attempts to speak up for a group of people protesting outside the festival, demanding that it be made free. 1 Mitchell’s manager fi nally pulls Joe off stage, prompting a chorus of boos and jeers from the audience. -
Chinese Whispers: Jimi Hendrix, Fame and “The Star Spangled Banner” 1
49 th Parallel No.17, Spring 2006 Chinese Whispers: Jimi Hendrix, Fame and “The Star Spangled Banner” 1 Marios Elles * Macquarie University, Sydney, Australia ------------------------------------------------------------------------------------------------------------ Drawing on Halbwach’s notion of collective memory the paper reassess some of the key turning points in Hendrix’s legacy. Highlighting the contingent nature of Hendrix’s rise to fame through to its peak in 1968, the paper illustrates how, despite the fact that Hendrix continued to grow as a musician, from 1969 onwards his business and personal affairs were increasingly in disarray. In fact he was telling Rolling Stone in May of that year, that he needed to take a year off ("Hendrix's One Year Retirement Plan"). Secondly, I show that Hendrix’s Woodstock performance did not represent the high point of the festival either artistically or in terms of crowd numbers, and that rather than being regarded as iconic at the time, Hendrix’s rendering of the anthem was regarded as controversial by his opponents and as a theatrical display of music virtuosity by his supporters. I also demonstrate how Hendrix’s flirtation with the American anthem represented part of a wider cultural phenomenon at the time. ------------------------------------------------------------------------------------------------------------ * Marios Elles is a PhD student at Macquarie University, Sydney, Australia. He is currently researching and writing his thesis on Jimi Hendrix. He has presented papers on Hendrix at the 6 th Conference of the ESA Research Network for the Sociology of the Arts , The Art of Comparison, Rotterdam, The Netherlands in 2004 and at The Australian Sociological Association (TASA) Tasmania University, Hobart in 2005. -
Barney Fife Youtube Preamble
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