Robert Hudson CV
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VAL BRITTON CURRICULUM VITAE Born 1977 in Livingston, NJ
VAL BRITTON CURRICULUM VITAE Born 1977 in Livingston, NJ Lives and works in San Francisco, CA EDUCATION 2006 M.F.A. California College of the Arts, San Francisco, CA 1999 B.F.A. Rhode Island School of Design, Providence, RI French Coursework, Brown University, Providence, RI Study Abroad, Edinburgh College of Art / Edinburgh Printmakers Workshop, Scotland, UK SOLO AND TWO-PERSON EXHIBITIONS 2018 Hired: Wage Gap Report, Minnesota Street Project, San Francisco, CA 2016 Navigator, Patti and Rusty Rueff Galleries, Purdue University, West Lafayette, IN Transmissions, Gallery Wendi Norris, San Francisco, CA 2014 Val Britton: Passage, Gallery Wendi Norris, San Francisco, CA 2013 Cosmology, Foley Gallery, New York, NY Terra Incognita, CES Contemporary, Laguna Beach, CA Intimate Immensity, San Jose Institute of Contemporary Art, San Jose, CA 2012 The Continental Interior, San Francisco Arts Commission Gallery, San Francisco, CA Kala Art Institute: Val Britton, Addison Street Window Gallery, Berkeley, California, CA Infinite Loop: Art + Sound by Val Britton and John Colpitts, Secret Project Robot, Brooklyn, NY 2010 Index to Selected Stars: Recology Artist in Residence Program, Recology, San Francisco, CA 2009 The Echo Fields: Val Britton + Michael Meyers, Johansson Projects, Oakland, CA 2007 Near and Far: New Work by Val Britton, 301 Bocana Gallery, San Francisco, CA SELECT GROUP EXHIBITIONS 2018 Art Dubai, Dubai, United Arab Emirates 2017 Facebook AIR 5-Year Anniversary Show, The Lab, San Francisco, CA Seeking Civilization: Art and Cartography, -
Robert Whyte Oral History Transcript
i San Francisco Museum of Modern Art Regional Oral History Office 75th Anniversary The Bancroft Library Oral History Project University of California, Berkeley SFMOMA 75th Anniversary: ROBERT WHYTE SFMOMA Staff, 1967-1987 Supervisor of Education, 1967- Director of Education, 1980- Interviews conducted by Lisa Rubens in 2006—2007 Copyright © 2008 by San Francisco Museum of Modern Art Funding for the Oral History Project provided in part by Koret Foundation. ii Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the nation. Oral History is a method of collecting historical information through tape-recorded interviews between a narrator with firsthand knowledge of historically significant events and a well-informed interviewer, with the goal of preserving substantive additions to the historical record. The tape recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is bound with photographs and illustrative materials and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ********************************* All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Robert Whyte, dated May 18, 2008. This manuscript is made available for research purposes. -
2000.541Ekxbtha
Memo to the Planning Commission DIRECTOR’S REPORT: AUGUST 31, 2017 Date: August 21, 2017 Case No.: 2000.541EKXBCTHA Project Address: 350 BUSH STREET Zoning: C-3-O (Downtown-Office) 250-S Height and Bulk District Block/Lot: 0269/028 Project Sponsor: Daniel Frattin Reuben, Junius & Rose One Bush Street, Suite 600 San Francisco, CA 94104 Staff Contact: Christy Alexander – (415) 575-8724 [email protected] Recommendation: Informational Only BACKGROUND10 On November 1, 2001, the Planning Commission approved Case No. 2000.541EKXBCTHA for a newly constructed 19-story office building addition to the existing Mining Exchange Building at 350 Bush Street which is located between Montgomery Street and Kearny Street downtown. The project includes 20,400 sf of retail space in two galleria levels and 344,540 sf of office space. Pursuant to Planning Code Section 429, the Project required a public art component valued at an amount equal to one percent of the hard construction costs for the Project as determined by the Director of the Department of Building Inspection. The Project Sponsor has commissioned two artists to provide on-site public art to satisfy this requirement. CURRENT PROPOSAL The artists selected for the public art installations at 350 Bush Street are Zhan Wang and Christopher Brown. As discussed in his biography (attached), Mr. Wang is a Beijing-born sculptor who was a sculpture major at the China Central Academy of Fine Art. His work has appeared in museum exhibitions at the Shanghai Pujiang OCT Ten Year Public Art Project, Shanghai; Mori Art Museum, Tokyo; Shanghai Museum of Contemporary Art, Shanghai; Asian Art Museum, San Francisco; the Milwaukee Art Museum, Milwaukee; National Museum of China, Beijing; and the Ullens Center for Contemporary Art, Beijing. -
Maria Porges COMPLETE LIST of PUBLICATIONS
Maria Porges COMPLETE LIST OF PUBLICATIONS Catalogue essays “Radiance: Lino Tagliapietra,” exhibition at Montague Gallery San Francisco CA (2019) “Spaces Between: Irene Nelson/ Nancy Selvin,” exhibition at Gearbox Gallery, Oakland CA (2019) “Collaboration: Valerie Otani/ Elizabeth Stanek/ Andree Singer Thompson” (2019) “Unapologetic,” Libby Black/ Taravat Talepasand/ Josephine Taylor at Gallery 16, SF CA (2019) Sheldon Greenberg, for catalogue on current work (2019) “Howard Hersh,” for catalogue accompanying solo show at Peninsula Art Museum, Burlingame CA (2019) “Deborah Miller: Guns and Butter,” multiple venues (2018) “Millionyearseeds: Yoshitomo Saito,” Colorado Contemporary Art Center, Colorado Springs CO (2018) “Nancy Mintz: Tropism,” Traywick Contemporary, Albany CA (2018) “Vanessa Woods: collage,” Jack Fischer Gallery, SF CA (2017) “A place for wild spirits: Bill Stanisich’s Land’s End,” Andra Norris Gallery, Burlingame, CA (2017) “A Year of Knots: Windy Chien,” Themes + Projects Gallery, SF CA (2017) “Hung Liu: Painting history,” Rena Bransten Gallery, SF CA (2017) “DS Friedman: Something from everything,” Berkeley CA (2016) “Susanna Bluhm,” G. Gibson Gallery, Seattle WA (2016) “Janet Bogardus, Towers and Piers, Fairfax CA (2016) “Graylands,” for Deborah Miller solo exhibition, San Pablo CA (2016) “Making It Up: Rebekah Goldstein,” for ‘Another Way In’ at Jack Geary Gallery, NY (2015) “Sara Bright: Frescoes,” George Lawson Gallery, SF CA (2015) “Modi: art and life, interrupted,” Permodur Carlsson retrospective at Listasafn Art -
Reciprocal Museum List
RECIPROCAL MUSEUM LIST DIA members at the Affiliate level and above receive reciprocal member benefits at more than 1,000 museums and cultural institutions in the U.S. and throughout North America, including free admission and member discounts. This list includes organizations affiliated with NARM (North American Reciprocal Museum) and ROAM (Reciprocal Organization of American Museums). Please note, some museums may restrict benefits. Please contact the institution for more information prior to your visit to avoid any confusion. UPDATED: 10/28/2020 DIA Reciprocal Museums updated 10/28/2020 State City Museum AK Anchorage Anchorage Museum at Rasmuson Center AK Haines Sheldon Museum and Cultural Center AK Homer Pratt Museum AK Kodiak Kodiak Historical Society & Baranov Museum AK Palmer Palmer Museum of History and Art AK Valdez Valdez Museum & Historical Archive AL Auburn Jule Collins Smith Museum of Fine Art AL Birmingham Abroms-Engel Institute for the Visual Arts (AEIVA), UAB AL Birmingham Birmingham Civil Rights Institute AL Birmingham Birmingham Museum of Art AL Birmingham Vulcan Park and Museum AL Decatur Carnegie Visual Arts Center AL Huntsville The Huntsville Museum of Art AL Mobile Alabama Contemporary Art Center AL Mobile Mobile Museum of Art AL Montgomery Montgomery Museum of Fine Arts AL Northport Kentuck Museum AL Talladega Jemison Carnegie Heritage Hall Museum and Arts Center AR Bentonville Crystal Bridges Museum of American Art AR El Dorado South Arkansas Arts Center AR Fort Smith Fort Smith Regional Art Museum AR Little Rock -
Kathryn Dunlevie
H O O K S – E P S T E I N G A L L E R I E S 2631 Colquitt Houston, TX 77098 713.522.0718 KATHRYN DUNLEVIE EDUCATION 1983 California College of Arts and Crafts, Oakland, CA 1980 Taller de Artes Creativas, Madrid, Spain 1975 Boston Museum of Fine Arts, Museum School, Boston, MA 1974 Rice University, Houston, Texas: Bachelor of Arts, cum laude 1973 Universite de Paris, Paris, France SELECTED SOLO EXHIBITIONS 2020 FotoFest 2020: Women of Wonder, Hooks-Epstein Galleries, Houston, TX 2018 FotoFest 2018: The Taxidermist’s Imaginarium, Hooks-Epstein Galleries, Houston, TX (upcoming) 2016 FotoFest 2016: Miskick Krewes, Hooks-Epstein Galleries, Houston, TX 2014 FotoFest 2014: Detectives of Fiction and Women of Mystery, Hooks-Epstein Galleries, Houston, TX 2012 FotoFest 2012: Cover Versions, Hooks-Epstein Galleries, Houston, TX 2011 Kathryn Dunlevie, Stanford Art Spaces, Stanford University, Stanford, CA 2010 Al Fresco, K. Saari Gallery, Steamboat Springs, CO 2009 Syncopated Spaces, Hooks-Epstein Galleries, Houston, TX Kathryn Dunlevie, Armstrong Atlantic, Savannah, GA 2008 FotoFest 2008: Matter Unmasked, Hooks-Epstein Galleries, Houston, TX 2006 Double Take, Chelsea Art Gallery, Palo Alto, CA FotoFest 2006: More than Meets the Eye, Hooks-Epstein Galleries, Houston, TX 2005 Arts Council Silicon Valley Fellowships in Photography, Triton Museum of Art, Santa Clara, CA 2004 FotoFest 2004: Glimpses, Hooks-Epstein Galleries, Houston, TX Not at First Glance, Gallery TPW, Toronto, Canada 2003 Urban Entrée, Anita Seipp Gallery, Palo Alto, CA 2002 Double -
Semina Rerum Irène Preiswerk Cäcilienstrasse 3 CH-8032 Zürich Telefon 01/251 26 39 Fax 01/251 34 19 [email protected]
semina rerum Irène Preiswerk Cäcilienstrasse 3 CH-8032 Zürich Telefon 01/251 26 39 Fax 01/251 34 19 [email protected] Lukas Felzmann 1959 Born in Zürich, Switzerland 1976 College in Zürich (Kantonales Lehrerseminar) 1984 MFA : Masters Of Fine Arts / Photography, San Francisco Art Institute individual exhibitions: 2008 Ghostpile, Stanford Art Gallery, Stanford University 2006 Landfall, Contemporary Arts Forum Alexandria, Egypt 2005 Cluster, Palo Alto ART Center, Palo Alto CA Fotographien; Lukas Felzmann, Schloss Bonndorf, Germany 2004 Lukas Felzmann: LANDFALL, Fotozentrum Winterthur, Swiss Foundation of Photography (Retrospective with Monograph) The Farallon Islands Project, Mills College Art Museum , Oakland FELZMANN, Photograpien, Armin Vogt/Stasia Hutter Gallerie, Basel 2000 Lukas Felzmann, Photographs, McKesson Building, S.F. 1997 River's Edge,Photographs and Sculptures, Hosfelt Gallery, A New Biennial, Festival International de Arte Ciudad de Medellin 1995 Cultura y Naturaleza, Sensores de Vida, Museo de Antioquia, Columbia Counterspace, Special Project Space, Haines Gallery S.F. 1992 Muse and Restraint, Installation at the Friends of Photography S.F. Fragments of Flight, Olga Dollar Gallery, San Francisco The Silent Flight, Moore College of Art and Design, Philadelphia 1991 Room for Endangered Species, Headlands Center for the Arts Library, Headlands Center for the Arts 1990 Sculptures and Photographs, Installation at Southern Exposure Gallery, S.F. 1989 Fall and Desire, Installation at XS Gallery, Nevada 1986 Songs of Land and -
Curriculum Vitae
38 Walker Street New York, NY 10013 tel: 212-564-8480 www.georgeadamsgallery.com ENRIQUE CHAGOYA BORN: Mexico City, Mexico, 1953. LIVES: Stanford, CA. EDUCATION: University of California, Berkeley, M.F.A., 1987. University of California, Berkeley, M.A., 1986. San Francisco Art Institute, B.F.A., 1984. Universidad Nacional Autonoma de Mexico, Political Economy, 1972-75. AWARDS: John Simon Guggenheim Memorial Fellowship, 2021. National Academy of Design Inductee, 2020. Artadia Foundation Grant, 2005. Biennial Award, The Louis Comfort Tiffany Foundation, New York City, 1997. Academy Award for Visual Arts, American Academy of Arts and Letters, New York City, 1997. Public art commission for new SFO international terminal, San Francisco Art Commission, 1997. Eureka Fellowship, Fleishacker Foundation, San Francisco, 1996. Artist fellowship and residency at Giverny, France, Lila Wallace Foundation/Foundation Monet, 1995. NEA Fellowship for works on paper, 1993. WESTAF/NEA Fellowship for works on paper, 1992. Eisner Prize in Art, UC Berkeley, 1986. Distinguished Alumni, San Francisco Art Institute, 1985. Bronze Roller, outstanding printmaking student, San Francisco Art Institute, 1984. SOLO EXHIBITIONS: “Enrique Chagoya: The Seven Deadly Sins and Utopiàs Coloniales,” Anglim Trimble Gallery, San Francisco, CA, 2020-21. “Aliens,” Triton Museum of Art, Santa Clara, CA, 2020. “Everyone is an Alienígeno: Enrique Chagoya,” Florida Gulf Coast University Art Galleries, Fort Myers, FL, 2019. “Enrique Chagoya: Reverse Anthropology,” Hallie Ford Museum of Art, Williamette University, Salem, OR, 2018- 19. "Enrique Chagoya: Reimagining the New World," Nevada Museum of Art, Reno, NV, 2018. "Then and Now: Aliens Sans Frontières," George Adams Gallery, New York, NY, 2018. "Enrique Chagoya: Aliens Sans Frontières," Rockefeller Arts Center, Fredonia, NY, 2018. -
Fletcher Benton
FLETCHER BENTON 1931 Born in Jackson, Ohio EDUCATION 1956 B.F.A., Miami University, Oxford, Ohio TEACHING 1959 California College of Arts and Crafts, Oakland 1966 – 1967 San Francisco Art Institute 1967 – 1986 California State University, San Jose SOLO EXHIBITIONS 2015 French Art Colony, Gallipolis, OH Lifetime Achievement Award, 4th Annual Palm Springs Fine Art Fair, Palm Springs, California Art, Design & Architecture Museum UC Santa Barbara 2013 de Saisset Museum, Santa Clara University, Santa Clara, CA Sonoma Valley Museum of Art, Sonoma, CA Lillian E. Jones Museum, Jackson, Ohio 2012 Modernism, San Francisco Naples Museum of Art, Naples, Florida 2011 Galerie B. Haasner, Wiesbaden, Germany The Georg Kolbe Museum, Berlin 2010 KANEKO – Open Space for Your Mind, Omaha, Nebraska Smith-Andersen Editions, Palo Alto, California Sonoma Valley Museum of Art, Sonoma, California Nevada Museum of Art, Reno, Nevada 2009 Albright-Knox Art Gallery, Buffalo, New York 2008 SNZ Galerie, Wiesbaden, Germany Galerie B. Haasner, Wiesbaden, Germany Jean Albano Art Gallery, Chicago Anne Reed Gallery, Ketchum, Idaho 2007 Imago Galleries, Palm Desert, California Joslyn Art Museum, Omaha, Nebraska 2006 Galerie B. Haasner, Wiesbaden, Germany Palo Alto City Hall, California Riva Yares Gallery, Scottsdale, Arizona Tasende Gallery, La Jolla, California 2005 Gallery Camino Real, Boca Raton, Florida Imago Galleries, Palm Desert, California Tasende Gallery, West Hollywood 2004 Imago Galleries, Palm Desert, California Riva Yares Gallery, Scottsdale, Arizona 2003 Heidi Neuhoff Gallery, New York Tasende Gallery, West Hollywood 2002 Tasende Gallery, La Jolla, California San Antonio Museum of Art, Texas Galerie B. Haasner, Wiesbaden, Germany 2002 2001 The Art Show, 7th Regiment Armory, New York Tasende Gallery, La Jolla, California Tasende Gallery, West Hollywood Galerie B. -
Part 1 a Note from the Director
di Rosa Center for Contemporary Art 5200 Sonoma Highway Napa, CA 94559 707-226-5991 dirosaart.org BE NOT @dirosaart / #BeNotStill Executive Director: Robert Sain Exhibition and Graphic Designer: Jon Sueda Editor: Lindsey Westbrook Printer: Solstice Press, Oakland Images: Courtesy the artists and di Rosa Center for Contemporary Art STILL: LIVING IN UN- CERTAIN TIMES Part 1 A Note from the Director This is a milestone moment for di Rosa, which has recently recast itself as a center for contemporary art with a focus on the power of ideas, pursued through new commissions and a fresh approach to our rich collection of seminal Bay Area work. We aspire to spark both experimentation and social engagement. As we collectively try to make sense of today’s polarized culture, conflicting values, distortions of truth, denials of science, and pervasive strains of anti- intellectualism, now all heightened in California by the trauma of the devastating wildfires, we at di Rosa feel compelled to show why art matters. We need to demonstrate how artists can be a resource and an asset to the pressing concerns of our time. And we need to rethink the role of cultural organizations and the civic dimension they can embrace by serving as a convener on both the local and the global stage, bringing together multiple perspectives and people from all ages and walks of life. In pursuit of such lofty and necessary goals, di Rosa is pleased to present the landmark exhibition Be Not Still: Living in Uncertain Times. We regard it as a launchpad for a future that dares to make art essential to the human experience. -
Abbreviated C.V. ENRIQUE CHAGOYA [email protected]
Abbreviated C.V. ENRIQUE CHAGOYA [email protected] EDUCATION MFA University of California, Berkeley, 1987 MA University of California, Berkeley, 1986 BFA San Francisco Art Institute, Printmaking Major 1984 SELECTED TEACHING EXPERIENCE/Recent Academic Contribitions 1995-Present Stanford University, Department of Art, Stanford, CA Professor: Painting, Drawing, Printmaking, Graduate Seminar. 2013-Academic Contributions Chair, Search Committee for Emerging Practices Design Key Note speaker for theCenter for Latin American Studies commencement. 2012-Academic Contributions: Chair, Search Committee for Emerging Practices in Design appointment Area Head, Art Practice Participated in Human Rights of Indigenous Peoples in Latin America Conference, May 8th. Lecture at the Cantor Arts Center, May 10th Curated MFA exhibitions at school and San Francisco 2011-Academic Contributions: Member of the Search Committee for Design appointment. Member of the Committee for the promotion of Prof. Barbaro Martinez- Ruiz Curated an exhibition for Adjunct Faculty Kevin Bean at school gallery Lectured at the Center for Latin American Studies in October 1997 San Francisco Art Institute, San Francisco, CA Visiting Lecturer, fall semester: Hidden History of Latin-American Art 1991-95 California State University, Hayward, CA Assistant Professor: Painting, Drawing, Printmaking, Art Criticism 1990-91 UC Berkeley, Art Department, Berkeley, CA Full-time Lecturer: Painting, Drawing, Printmaking, Graduate Critiques SELECTED AWARDS 2010 • Kala Master Artist Award, Kala Institute, Berkeley CA 2006 • Artadia, San Francisco Artist Grant, New York, NY • American Academy of Art and Design Biennial, Elliot Medal New York, NY • San Francisco Art Institute, President’s Award for Excellence San Francisco, CA 1998 • Dean’s Award in the Humanities, Stanford University, Stanford, CA 1997 • Biennial Award, The Louis Comfort Tiffany Foundation, New York, NY • Academy Award in Visual Arts, American Academy of Arts and Letters, New York, NY 1996 • Public art commission for new SFO international terminal,. -
Oral History Office 75Th Anniversary the Bancroft Library Oral History Project University of California, Berkeley
San Francisco Museum of Modern Art Regional Oral History Office 75th Anniversary The Bancroft Library Oral History Project University of California, Berkeley SFMOMA 75th Anniversary AGNES BOURNE SFMOMA Board of Trustees, 1984-1985, 1987-1991 Ex Officio Trustee, SECA, 1984-1985 Trustee, 1987-1991 Interview conducted by Richard Cándida Smith and Janet Bishop in 2009 Copyright © 2010 by San Francisco Museum of Modern Art Funding for the Oral History Project provided in part by Koret Foundation. ii Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the nation. Oral History is a method of collecting historical information through tape-recorded interviews between a narrator with firsthand knowledge of historically significant events and a well-informed interviewer, with the goal of preserving substantive additions to the historical record. The tape recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is bound with photographs and illustrative materials and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ********************************* All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Agnes Bourne, dated February 1, 2010.