associated musicians of greater New York www.Local802afm.org AprilAllegro 2020 l Volume 120, No. 4

WE WILL GET THROUGH THIS TOGETHER MUSICIAN RESOURCES FOR A CRITICAL TIME n YOUR UNION STAFF

LOCAL 802 OFFICERS FIELD REPRESENTATIVES Adam Krauthamer, President Theresa Couture Karen Fisher, Financial Vice President Marisa Friedman Andy Schwartz, Recording Vice President Shane Gasteyer Executive Board Bob Pawlo www.Local802afm.org Janet Axelrod, Lynne Cohen, Todd Weeks Monica Davis, Pete Donovan, Elise Frawley, Kyle Hoyt, Morris Local 802 MUSICIANS HEALTH Fund Kainuma, Caryl Paisner, Bobby Shankin Administrator Gloria McCormick Trial Board Cenovia Cummins, Sylvia D’Avanzo, Allegro Javier Gándara, Bill Hayes, Mikael Elsila (Editor, Advertising Joanna Maurer, Mary Ann McSweeney, Manager and Graphic Designer) Warren Odze, Louise Owen, Dan Peck HEADQUARTERS: 322 West 48th Street, Delegates to AFM Convention New York, NY 10036 Adam Krauthamer, Pete Donovan, Phone: (212) 245-4802 Javier Gándara, Bill Hayes, Dean LeBlanc, Caryl Paisner Web site: www.Local802afm.org EVEN DURING A CRISIS, Delegates to New york city OFFICE HOURS: Daily 9:30 a.m. to Central Labor Council 5:30 p.m., except Saturdays, Sundays, IT’S IMPORTANT TO COUNT Adam Krauthamer, Bill Hayes, and holidays Caryl Paisner DUES WINDOW closes at 3 p.m. EVERY NEW YORKER Delegates to New York State AFL-CIO CHECKS WINDOW closes at 4:30 p.m. ven as the coronavirus crisis interrupts our lives in unimaginable ways, we (5:30 p.m. on Wednesdays) Adam Krauthamer, Lynne Cohen can help each other by focusing on a positive future. The 2020 U.S. Census – Delegate to United Hebrew Trades ALLEGRO (ISSN 0002-5704) is published which is happening right now – can affect future arts funding in a positive way, and that’s something good to focus on at the present. By now, you should Bobby Shankin monthly (except for a combined July/ E have received via snail mail an invitation to participate in the census. You have three Supervising Officers August issue) at an annual subscription options for responding: online, by phone or by mail. The questions are simple and Adam Krauthamer: Radio City, rate of $30 for non-members in the U.S. all your personal information is kept confidential. The Census Bureau is bound by Lincoln Center Orchestras, Theatres, and $35 out of country, by Local 802, federal law to protect your information and your data is used only for statistical purposes. Learn more at 2020CENSUS.GOV. Organizing Associated Musicians of Greater New York, For various reasons, in past years a significant number of New Yorkers haven’t Karen Fisher: Single Engagement 322 West 48th Street, New York, NY 10036. participated in the census. Without a complete count, our city’s fair share of con- Concerts, Symphony, Opera, Ballet, Periodicals postage paid at New York, NY gressional representation is at stake, as are billions of dollars in federal funding for Music Performance Trust Fund and additional offices (USPS #013-880). health, education, transportation, infrastructure such as bridges and tunnels, and Andy Schwartz: Electronic Media, POSTMASTER: Send address changes to many other programs that New Yorkers rely on. Single Engagement Club Dates, Hotels, Specifically for the arts community, the census has the potential to seriously im- ALLEGRO, Local 802, 322 West 48th Street, Nightclubs, Jazz, Latin, Music Education, pact the distribution of dollars from the federal cultural agencies. But population- Musicians’ Emergency Relief Fund New York, NY 10036. based funding allocations also exist throughout the government, including in the Departments of Education, Housing and Urban Development, Agriculture and oth- MANAGING DIRECTOR AND Allegro is printed at Bayard Printing Group, ers, all of which also have pockets of funds that go to the arts. Additionally, special SENIOR ADVISER which is a union shop. government grants are given to areas with large populations of historically marginal- Jon Kantor ized communities. If the census doesn’t get an accurate count of these populations, To reach Local 802: (212) 245-4802 then arts organizations engaged with those populations could be hindered in the communications and To reach Allegro: (646) 765-9663 or amount of money they can get through government grants. markETING associate [email protected] or For all these reasons, it’s critical that our members participate in the census, and Maria DiPasquale Allegro, Local 802, 322 West 48th Street, that we as union members engage with our friends, family, and communities to make sure that every person is counted. The NYC Central Labor Council and the Consortium MUSIC PREP ADMINISTRATOR New York, NY 10036 for Worker Education are leading the Labor Counts 2020 initiative in NYC, getting David Will union members and our communities involved in taking the census. You can sign Personnel Administrator up for updates from Labor Counts Census 2020 by texting NYCLABORCOUNTS to 87787. It’s up to us to shape the future of our communities! And if you haven’t Lisa Mejia taken the 2020 U.S. Census yet, start at 2020CENSUS.GOV right now!

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April 2020 | Allegro 3 n NEWS & VIEWS WE WILL GET THROUGH THIS TOGETHER l Maintaining union health care Here’s another thing to think about. tips, life hacks and even job opportuni- through the Local 802 Shortfall Health Many musicians live on the margin to ties. president’s Funds (for rostered members of certain begin with, but there’s always someone Local 802 will continue to be your ally orchestras) who’s in a worse situation. As anxious as during this crisis. Although our building report l Our demands and petitions for relief we are right now, let’s also try to keep in is now closed due to the stay-at-home ADAM KRAUTHAMER from our elected leaders, including my mind the things that we can be grateful order and will remain closed for the fore- own statements to the media for in this moment. One thing that I am seeable future, we are open for the lim- l A growing compilation of emergen- grateful for is the outpouring of support ited business we can process remotely cy relief and coronavirus resources. (See from our own community for the Local and are working around the clock to be even more at www.Local802afm.org/ 802 Musicians’ Emergency Relief Fund. the best advocate possible under these [email protected] resource-center) Please donate at www.Local802erf.org. circumstances. You can always reach me (212) 245-4802, ext. 100 If you’re a member who works on Since the 802 office is closed until fur- personally at (212) 245-4802, ext. 100 Broadway, check the “COVID-19 Broad- ther notice, we strongly encourage donat- or use our website (www.Local802afm. way Updates” button in the member por- ing online. If you can’t donate, you can org) or Facebook page (www.Facebook. here are no words to describe tal at info.local802afm.org for the most still help spread the word by sharing our com/Local802AFM) to reach us quickly. the evolving crisis that all of us recent bargaining unit updates. posts on Facebook, Twitter or Instagram. Please hang in there, stay focused on are experiencing right now. The As bad as this situation is, remember I would also like to thank the many what is really important, hug your loved Tpain and confusion are possibly that everyone is in the same boat. We all workers who are on the front lines and ones, and we will get through this togeth- at the highest level that many of us have want the coronavirus to be eradicated, who are exposing themselves so that so- er. Most of all stay hopeful! Having hope ever felt, and I don’t have to list all the to get back to work, and to get kids back ciety can continue. I’m thinking not just gives us all the courage to survive any many ways our lives are changed for the in school. As a society, we have enough of health care workers but also those who hardship – and musicians are survivors. moment. I think the most useful ap- people power to demand relief from our work for the post office and delivery com- proach is to focus on the positive things elected officials, and they realize that. We panies and those who work in grocery FOCUSING ON THE FUTURE that we can do for each other as a union must use this collective power with one stores, pharmacies, gas stations, public Even as the coronavirus crisis con- and as fellow musicians. I also want us to voice to call on every level of government transportation, warehouses and other sumes our lives, there will be light at stay focused on the big picture and have to support. See www.bitly.com/local- places deemed essential services. the end of the tunnel and Local 802 is hope for the future. 802-coronavirus and www.facebook. We know in reality that this crisis won’t continuing to work on current projects com/Local802AFM for the latest peti- last forever. Scientists are working on so that when the crisis passes, we are UNION UPDATES tions and actions you can take. treatments and early vaccines right now. strategically ahead of the curve. To that First, be advised that the Local 802 As I write these words, new coronavi- end, I encourage you read the other building is closed until further notice, THE BIG PICTURE rus cases in certain hotspots around the articles in this issue of Allegro, includ- in compliance with Gov. Cuomo’s stay- I’d like to focus on the big picture for world are already decreasing. There will ing an important look at what classical at-home order that went into effect on a moment. As painful as our situation is be a time when we’ll be able to look back committees can do (page 5), a preview March 22. However, your business rep- for our jobs, please remember experts on this. The question will be, can we learn of negotiations with the New School on resentatives continue to be available to have said that more than two million from this experience so that we’re better behalf of part-time jazz faculty (page 20), you remotely during Local 802’s business Americans are literally at risk of dying prepared as a society (or as a union) next a celebration of Jazz Appreciation Month hours of Monday through Friday, 9:30 if we don’t contain the coronavirus. An- time? What can we do better? with some very welcome news that Local a.m. to 5:30 p.m., to answer any contract other report said that New York doesn’t I want to encourage all of us to keep up 802 member Reggie Workman has won questions. Find the staff directory at own enough ventilators if thousands of our mental, physical, musical, and spiri- the esteemed title of Jazz Master from www.local802afm.org/leadership. people were to be admitted to area hos- tual practices. Please remember to reach the National Endowment for the Arts We are constantly updating the Local pitals. We’re being asked to think not just out to each other especially to those mu- (page 31), tax tips for musicians (page 802 coronavirus action page, which is at about our own health, but also about the sicians who you know are more isolated. 36), an inspiring article by Don Greene www.bitly.com/local-802-coronavirus. most vulnerable in society, including On social media, there are hundreds of about how musicians can choose to cope There you’ll find the most up-to-date in- older people: our parents, grandparents opportunities to connect with fellow mu- during this crisis (page 14), special cover- formation on: and elders. It is now clear that younger sicians. (See page 8 for one site developed age about Earth Day activism from our l Applying for help through the Local people are vulnerable too. Our job is to by Local 802 member Steve Behnke.) community (pages 18 and 19), some great 802 Musicians’ Emergency Relief Fund “flatten the curve,” to limit the exponen- There are ways to give and take lessons news that the NYU Broadway Percussion l Applying for unemployment ben- tial growth of the virus -- and the stakes and classes via platforms like Skype and Summit is open for registration (page efits through New York state are literally life or death. Zoom. There are places to share financial 26), and more.

4 Allegro | April 2020 n NEWS & VIEWS COMING TOGETHER AS LEADERS

made in committee impact not just committee. Union officials must also and new members. As a committee us personally, but also our colleagues ensure that negotiations do not run member, you will become intimately and sometimes the entire musical afoul of labor law. familiar with the inner workings of the community. This first in a series of Union staff may also help with the orchestra and will have learned some karen essays will attempt to clarify what mechanics of committee elections labor law and negotiation strategies fisher committee work involves in the hope and writing bylaws. While committee along the way. In an ideal world, every that newer committee members will work is protected activity, it is often member of the orchestra would serve gain an understanding of what to the union’s job to deliver difficult mes- a term, as this work gives one the tools expect when asked to serve. sages to management so that commit- to truly understand the contract. For Karen Fisher is the financial vice president tee members and other individuals will example, a provision may seem un- of Local 802 and the supervisor of the Why do we need committees? not feel targeted. necessary or outdated until you learn union’s concert department Simply, committee members are the bargaining history and discover the [email protected] advocates for their colleagues and are How are committees formed? reason it was negotiated into the con- (212) 245-4802, ext. 105 the rank-and-file representatives of the Members are elected by their peers. If tract in the first place. This kind of in- union in the workplace. Since union the orchestra doesn’t stipulate a proce- sight only comes from being involved reps or officers cannot be present on dure in its bylaws, the process is usually in the process. New committee mem- he week of March 9, 2020 began every job, committees must, from described in the collective bargaining bers, however, bring fresh ideas and the most extraordinary and sur- time to time, become intermediaries agreement. Most committees consist of perspectives to the table. The best way real time for our country since when conflict or contract questions an odd number of musicians, usually to secure the future of the orchestra is T9/11. The precautions taken to arise and be responsible for making three or five people, in case of a tie in to pass institutional knowledge to the stem the spread of COVID-19 extended quick decisions. All complaints, an internal vote. The supervisor of the next generation. to the widespread closure of nearly ev- problems, grievances and questions concert department and sometimes a It is advantageous, but not neces- ery arts institution in the country. When funnel through the committee to Local 802 business rep completes the sary, for committee members to come news of the cancellations started coming the union and then – if appropriate team. from different sections of the orchestra. in to Local 802, we immediately began – to management. For this reason, Each committee makes its own rules. Contractual clauses dealing with string working to mitigate the financial dam- committee members must have a Who will be the chair and what role seating, doubling and cartage can best age to our members. We gathered re- good understanding of the terms of will they play in meetings and at the be addressed by musicians who are af- sources and reached out to our employ- their contract and have institutional bargaining table? How long will the fected by those provisions. Also, those ers, many of whom stepped up and are knowledge of the orchestra, its members serve? Will there be a rota- with ability in math, spreadsheets, compensating musicians for lost work mission and its bargaining history. tion of new members and how often writing, organization and research are and health benefits. Nevertheless, I have Most importantly, committees must will there be elections? Will there be extremely helpful when dividing up great concern for our freelance commu- be actively involved and present in alternates and how involved will they responsibilities. nity and for the financial viability of our contract negotiations to ensure that be? What are the expectations of each Our committees are the backbone orchestras. The world will certainly look your union is fairly representing the member? of our union and are our partners in different when this is over, but musi- interests of the musicians. achieving the best outcome for the or- cians are resilient and resourceful. The Who should serve? chestra. I hope that after learning more human impulse to create music together What is the role of the union? This one can be tricky. Not everyone about committee work, some of you will never disappear. The union plays many roles, includ- has the interest, time or stomach for will reconsider your perception and As the bad news spread, I remained ing guiding the committee in all as- committee work. Any musician with a become involved in the decisions that in contact with our orchestra commit- pects of contract interpretations, com- personal, familial or fiduciary interest govern your life at work. tees, all of whom have been incredibly municating directly with management with management should step down. In a future column, I’ll discuss how helpful, understanding and proactive. and sometimes being the impartial me- Some may assume that the most se- committees prepare for negotiations Besides fielding questions from col- diator in helping the committee reach nior or most militant members of the and their role in the day-to-day life of leagues and helping me disseminate consensus. Minor issues, especially orchestra are best suited for this role. the orchestra. information quickly and efficiently, interpersonal conflict between musi- This is not necessarily true! Commit- they have been busy behind the scenes cians, can be resolved internally with ment, honesty, integrity and diplomacy CORONAVIRUS ACTION CENTER advocating for their orchestra mem- the help of the union and the commit- are more important than possessing I started this column by talking about bers’ health and wellbeing. I could not tee. In contract negotiations, union of- the loudest voice. Committee work the coronavirus. Let me conclude by be more grateful for their wisdom and ficials (i.e. myself in many cases) lead takes time, patience, problem-solving saying that Local 802 is putting many responsiveness. the negotiation and usher through and leadership skills, and a willingness safeguards and resources in place to Even during normal times, the proposals and other contract-related to listen. It is perfectly fine to say “no” help musicians navigate the crisis. idea of serving on an orchestra documents from the first meeting to if you are nominated to serve and feel Please keep watching www.bitly.com/ committee may seem daunting to the the final, ratified contract. But every- that it is not right for you. Local-802-coronavirus for updates. I uninitiated. Certainly, committee work thing must be done in conjunction The most effective committees con- wish you all good health and a quick is a heavy responsibility. Decisions with – and with the approval of – the sist of a mix of both seasoned veterans return to work.

April 2020 | Allegro 5 n MEMBERSHIP ALERT Local 802’s Musicians’ Emergency Relief Fund helps our members who are in dire need right now WHEN TIMES ARE TOUGH WE SUPPORT EACH OTHER Musicians often live without a safety net. That’s where we come in.

The Local 802 Musicians’ Emergency Relief Fund is a nonprofit organization whose mission is to provide Local 802 members with reliable assistance in times of need – like catastrophic illness, dramatic career downturns or financial hardship. We provide counseling, grants and more. To donate, please visit www.Local802erf.org/donate-now To apply for help, start at www.Local802erf.org/how-to-apply

Learn more at www.Local802erf.org

6 Allegro | April 2020 n NEWS & VIEWS Are you teaching online during the coronavirus crisis? You can use LS-1 contracts to get onto the union’s health plan! PLUS!

re you teaching online what CAN be filed l Health contributions must be 15 Three other ways during the coronavirus crisis, You can file regular private lessons percent of the gross wages reported. to maintain your using Skype, Zoom or another as well as institutional teaching, master We’ll explain this when you contact us. Aplatform? Do you need to classes and clinics. l If you’re eligible to do pension, health coverage contribute a little more to get Local 802 then pension contributions must be an CAN I PAY INTO MY PENSION ALSO? during the health benefits? LS-1 contracts offer the amount between 4.80 percent to 17.99 opportunity to take advantage of Local The pension fund does not accept LS- percent of the gross wages reported. coronavirus crisis 802’s health plan. You can use these 1’s for private teaching engagements, We’ll explain this when you contact us. contracts to maintain or supplement with two exceptions. Private teaching 1. Local 802 has negotiated a l your current benefits. contributions for pension will be ac- Work dues are 2 percent of gross health benefits shortfall fund in cepted for pension if you are incorpo- wages (for teaching engagements), several of our orchestra contracts to THERE IS A NEED FOR rated (i.e. an LLC or “S”-corporation or or 3.5 percent of gross wages (for help freelance orchestra musicians ONLINE MUSIC LESSONS! something similar) and if the teaching performances). We’ll explain this when maintain their health insurance. Kids who are motivated musicians re- income runs through your corporation. you contact us. The musicians on the primary ally want to continue their lessons dur- Private teaching contributions for pen- l Proof of engagement includes hiring lists of certain orchestras ing this crisis. Parents who are working sion will also be accepted if you are hired paperwork like canceled checks, may apply for contributions from from home need something for their by a school or instituation and they contracts, invoices, schedules of the funds as long as they have kids to to do. And musicians need to re- agree to sign the LS-1 contract as your lessons, etc. We’ll explain this when you at least some contributions in place their lost income. Teaching online employer. contact us. the plan for the covered period. is a win-win for everyone. For more information, send an WHAT DO MY STUDENTS NEED TO DO? e-mail to Karen Fisher at Kfisher@ When do I have to submit the checks WHAT DOES THE LOCAL 802 Each student or school needs to sign a Local802afm.org. (NOTE: the TO THE PENSION AND HEALTH FUNDS? HEALTH PLAN COVER? separate LS-1 contract. We’ll give you all earliest date to begin requests is See www.local802afm.org/local- the info. See below. Health Fund: Submit by Jan. 15 of July 1.) 802-healthcare for a complete each year for any engagements between summary of coverage. Coverage is What do I need in order July 1 and Dec. 31. Submit by July 15 of 2. The COBRA law allows workers available for single people, married to submit the LS-1? each year for any engagements between to continue their health plan for people and families. Below is where you can find the info, Jan. 1 and June 30. a certain amount of time (at their but please contact Local 802 before you Pension: All pension payments must own expense) if they lose it. Contact Why DO I NEED TO GET MY PRIVATE do anything. Contact info is at the end be submitted no later than 30 days after the Local 802 health fund at (212) STUDENTS INVOLVED? WHY can’t I just BUY of the article. the engagement date. 245-4802 at ext. 171, 172, 173 or HEALTH CARE DIRECTLY FROM THE UNION? l Blank LS-1 contracts are available at 178 (leave a voicemail and we’ll get The Local 802 health benefits fund is a www.Local802afm.org. Select ABOUT FINAL REMINDER back to you promptly). federally regulated fund that is required LOCAL 802 from the top menu, then Nothing can be processed until all by law to have a collective bargaining CONTRACTS, then scroll down to find 3. If you’ve lost your health signed and completed paperwork is agreement with an employer in order “Solo Performance and Private Teaching coverage unexpectedly, you to accept benefit contributions. LS-1 (LS-1 contract).” Print it out and contact us. received by us, along with all checks. may be able to buy ACA contracts serve as mini contracts that l You must be an active member (Obamacare) coverage now. Start allow your private students to act as your of Local 802 to use an LS-1 contract, CONTACT US FIRST! at www.healthcare.gov for more employer (which, of course, they are) in and all work dues must be paid in full. If you have any questions about LS-1 information. Losing your health care order to make health contributions on You can verify your union status at: contracts, please e-mail Bettina Covo at is considered a “qualifying event.” your behalf. https://info.local802afm.org. [email protected]

April 2020 | Allegro 7 n NEWS & VIEWS HOW MUSICIANS ARE HELPING EACH OTHER

Local 802 member Steven Behnke has created a Facebook resource group because, he tells Allegro, “it’s really important musicians have a digital home while we’re going through one of the greatest challenges our community has ever faced.” Behnke works with other administrators in the group, including Local 802 Executive Board member Janet Axelrod, Local 802 members Nikki Abissi, Gökce Erem, Jim Lutz, Erin Paul, David Stern, Ron Wasserman and Adam Wolfe, and fellow musicians Chanell Crichlow, Ryan Fisk, Will Marinelli, Justin Nurin, Amelia Robinson and Ed Windels. “Every day until the music returns, we’re going to have a daily group video chat from 5 to 5:30 p.m.,” Behnke says. “This will be a way of keeping our mental health in check while having some fun. It is also a great way of keeping informed.” Start at the Facebook link below then click the EVENTS button and look for the group video chat. Here are some screen shots from the discussion happening at www.facebook.com/groups/nycmusicianscovid19

8 Allegro | April 2020 n NEWS & VIEWS More screen shots from the discussion happening at www.facebook.com/groups/nycmusicianscovid19

April 2020 | Allegro 9 n MEMBERSHIP ALERT

faQs for the un- and underinsured

the samuel J. friedman health center for the performing arts

What if i have no insurance? What is the eligibility criteria for We see the uninsured. If you are not in the the subsiDy? performing arts or entertainment industry, you If you are uninsured, or have a plan with a will be charged the full cost of the visit. If you have deductible of at least $2,000 for primary care documented proof of earnings in the industry and (i.e. underinsured), and you are a member of the meet certain income guidelines, you may be eligible entertainment industry, you may be eligible for an for a subsidy through The Actors Fund. Actors Fund subsidy for up to three primary care visits per year. This means that The Actors Fund hoW much Does it cost? will subsidize the cost of your office visit. In order If you have insurance coverage, check your insurance to qualify for this subsidy, you must meet all of the card or summary of benefits. It should say what a following criteria: primary care visit or specialist visit will cost. 1. Be a member of the performing arts and entertainment industry: If you are underinsured—meaning you have a • Entertainment industry earnings of $3,000 a Bronze, Silver or Gold level plan with at least a $2,000 year for three out of the last five years or deductible for primary care—or you are uninsured, • $5,000 a year for 10 out of the last 20 years you may be eligible for a subsidy for your visit. 2. Have documented annual income between $24,120 and $60,000. Only those who can provide documented proof of earnings in the entertainment industry and meet note: if your income is below $24,120 and you live certain income guidelines are eligible for the subsidy. in New York, you are eligible for comprehensive Questions? Please call The Actors Fund’s Artists coverage through Medicaid or the Essential Plan. If Health Insurance Resource Center at 917.281.5975 you live outside of New York, please contact us. If and our counselors can provide guidance. your income is above $60,000, you will be charged the full cost of the visit. See below for more information on the subsidy. If you require more than three visits per calendar are the services at the frieDman year, additional medical and financial need health center incluDeD in the Dues requirements will apply. paiD through my union membership? No. The services provided at The Friedman are i make unDer $24,120, but i am separate from any benefits you receive as a union not eligible for meDicaiD or the member. essential plan. What shoulD i Do? Make an appointment with The Actors Fund’s Artists Health Insurance Resource Center by calling 917.281.5975. Our counselors will be happy to meet with you to help review your situation.

10 Allegro | April 2020 n MEMBERSHIP ALERT i’D like to apply for a subsiDy. Do i 2. entertainment industry income documents have to be screeneD beforehanD? • W2 forms Yes. Make an appointment with The Actors Fund’s • 1099 forms Artists Health Insurance Resource Center by calling • Contracts 917.281.5975. Our counselors will be happy to meet • Pay stubs with you to review your situation well in advance of • Union printouts your appointment. • Letters from employer on company letterhead showing what you were paid The eligibility screening should take 20-30 minutes. You must bring the necessary documents (see What if i Don’t Qualify for a subsiDy? below). Subsidy eligibility lasts for 12 months from Make an appointment with The Actors Fund’s the date of your first appointment. After that, you Artists Health Insurance Resource Center by calling must re-apply. 917.281.5975. Our counselors will be happy to meet with you to help review your situation. What Documents Do i neeD to prove i’m eligible for the subsiDy? What if i have meDicaiD? There are two types of criteria to prove eligibility for We don’t accept Medicaid Managed Care plans or a subsidy: general income criteria and entertainment “straight Medicaid.” We currently take the Essential industry income criteria. Both must be provided. Plan Empire Blue Cross Health Plus. Please contact the Artists Health Insurance Resource Center at 1. general income documents 917.281.5975. Our counselors can provide you preferred documents include: with information on how to search your insurance • Most recent income tax return and, network for providers. • Most recent bank statement that’s a lot to process. if those documents aren’t available you may i’m still confuseD. help! substitute for the previous year: Don’t worry. The Actors Fund is here to help. • W2 forms • 1099 forms To make an appointment at The Friedman • Contracts Health Center for the Performing Arts, please call • Pay stubs 212.489.1939 or visit actorsfund.org/healthcenter • Union earnings statements; or to make an appointment online. • Letters from employers on company letterhead showing what you were paid For questions about your health insurance needs, whether you are insured or not, or for guidance and “income” is anything listed in the income support to enroll in a health insurance plan, call The section of your 1040 tax return (first page), which Actors Fund’s Artists Health Insurance Resource includes: Center at 917.281.5975. • Employment and self-employment • Unemployment • Residuals • Trusts • Pensions • Social Security benefits • Interest • Dividends • Capital gains • Alimony, and • Rental income April 2020 | Allegro 11 n advertising

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April 2020 | Allegro 13 n NEWS & VIEWS A strategic plan for musicians during a crisis

crisis can understandably cause us to span of time. After that, it was mainly here’s what I will suggest for not only feel anxious, worrisome and depressed, about recovering from the attack surviving the ordeal, but growing and WINNING ON especially if you don’t have a strategic and repairing the damage done. even thriving as a result of it. STAGE plan for dealing effectively with a crisis Unfortunately, we are just starting to You have a choice. A few months like the current situation. experience the potential damage. It’s from now, you could be much better DR. DON GREENE, PHD For more than 30 years, I’ve worked going to get worse before it gets better, as a musician or you could be an out- Winningonstage.com with emergency first responders, SWAT and it won’t end soon. Many things of-shape musician. It will depend on officers and disaster relief teams to cope are going to be out of your control, your mindset and how you approach effectively with disasters. After the no matter what you do. However, for the unexpected time off from your he CORONAVIRUS crisis is World Trade Center bombings on 9/11, the time being, you need to focus on usual gigs. an indescribable disaster for I was in charge of crisis intervention in what you can control, which is your If you fall into a self-pity or victim professional musicians in New York for Merrill Lynch. response to the situation. mentality, which is really easy to TNew York. It’s compounded As bad as that was for the traders First of all, follow the do right now, you will feel helpless. by the simple fact that most of us on Wall Street, the present conditions recommendations of the health You won’t be able to deal well with are not trained to deal with chaos, are worse for musicians. All of those professionals in your community the situation. That will cause you to catastrophic change and tragedy. The terrible events happened in a short until this passes. In the meantime, become more anxious and depressed,

Dr. Don Greene, a peak performance psychologist, has taught his comprehensive approach to peak performance mastery at Juilliard, Colburn School, New World Symphony, Los Angeles Opera Young Artists Program, Vail Ski School, Perlman Music Program, and the U.S. Olympic Training Center. During his 32-year career, he has coached more than 1,000 performers to win professional auditions and has guided countless solo performers to successful careers. Some of the performing artists with whom Dr. Greene has worked have won jobs with the Metropolitan Opera Orchestra, Concertgebouw Orchestra, New York Philharmonic, Chicago Symphony, San Francisco Opera, Montreal Symphony, Pittsburgh Symphony, National Symphony, Cincinnati Symphony, Pacific Northwest Ballet, and the Dance Theatre of Harlem, to name just a few. Of the Olympic track and field athletes he worked with up until and through the 2016 games in Rio, 14 won medals, including five gold. Dr. Greene has authored ten books including “Audition Success,” “Fight Your Fear & Win,” “Performance Success,” and most recently “College Prep for Musicians.” In 2017, Dr. Greene was named a TED Educator and collaborated with musician Dr. Annie Bosler to produce the TED-Ed talk “How to practice effectively…for just about anything.” The video went viral and received over 25 million views across Facebook and YouTube. For more information, visit winningonstage.com, winninginsports.com and collegeprepformusicians.com.

14 Allegro | April 2020 n NEWS & VIEWS and it will zap your energy. You won’t slowly and then increase your heart feel like practicing and your skills will rate by about 20 percent by climbing deteriorate, causing real damage. You stairs, doing jumping jacks, or jogging do not want to allow that to happen. in place. However, it’s better to start by THE METROPOLITAN OPERA You need an effective approach to the going outside. The fresh air and direct Yannick Nézet-Séguin current situation with a plan of action. natural light will signal your body and Jeanette Lerman-Neubauer Music Director You need to set up a calendar to brain that it’s time to wake up. Stretch schedule your practice time and other slowly and then take a brisk walk or activities for the next two months. jog for at least 20 minutes. As you do, Announces the following vacancy Due to the lack of structure provided breathe deeply. by your usual work, you need to create After you return, sit quietly for a daily, weekly and monthly events to few minutes, so you can check in navigate through the extra time that with how you are feeling and what’s you’ll have. You should also establish presently on your mind. Decide on specific goals to accompany those the most important things for you to activities. do during the day. Write them out and The long term goal is to play better then imagine yourself accomplishing than you do right now. Arrange for a them. Be grateful for the opportunity SECTION performance online at the end of each you have to improve and count your month to demonstrate your progress blessings that you are healthy. to your friends and fans. You should Your new morning routine is very also set weekly goals for your practice, important, so Just Do It. No excuses. It with a recorded, solo performance at won’t take long for you to realize how the end of the week to monitor your effective it can be to get you off to an progress. On a daily basis, one of the energized start in the right frame of CELLO best things to do is establish and follow mind and with an uplifted emotional a routine in the morning soon after state. You need to commit to doing your you get up. morning routine every day of the week A good morning routine will kick except one weekend day of your choice. Audition to be held in the fall of 2020 start your day and set you up to make That’s when you need to recover and the best of every day. The ritual will get ready for the next week. quickly get your energy flowing after In addition to your morning Resume deadline is May 1, 2020 you wake up, make your body more routine and daily practice, there are supple and hopefully put you in a good other productive uses of the extra mood. It involves getting up a little time you have. This is a good time to early, but you have the time now. I’d schedule remote lessons and catch ONLY HIGHLY QUALIFIED APPLICANTS recommend that you begin the routine up on e-mails, texts, phone calls and tomorrow morning. unfinished projects around the house. You will need to get up about 30 You want to keep active during this Please send one-page resume as a PDF file to: minutes early. As soon as possible, time and not become a couch potato. drink at least eight ounces of water Find new rep to work on, get your to gear up your body’s metabolism. instrument in good shape, or improve Within a few minutes, splash cold water your practice environment. [email protected] vigorously in your face at least seven You can also explore new creative times. This will shock your nervous outlets, such as composing, drawing, or mail to: system and release adrenaline into painting and writing. During these your bloodstream. That will wake you few months you can also catch up on up right away. Or, you can take a short, books that you’ve been meaning to cool shower (not cold). The discomfort read, movies you’ve wanted to watch Rachel E. Hocking, Orchestra Office will release endorphins, which will and touch base with friends and loved Metropolitan Opera House make you feel better, especially after ones, without actual contact. Also 30 Lincoln Center Plaza you turn the water off. remember to schedule pleasurable Get outside within a few minutes, down time for yourself and try to keep New York, New York 10023 before you have time to talk yourself your sense of humor. I hope you stay out of it. (Even in those areas that are safe and positive during this time. locked down, it seems that outdoor An Equal Opportunity Employer personal exercise with appropriate Dr. Don Greene is offering stress social distancing is still allowed.) If counseling to performing artists at a the weather is really bad, you can do discounted rate. Please visit this link for the first part of the routine indoors. more information: www.winningonstage. Get your body supple by stretching com/covid19

April 2020 | Allegro 15 It’s music to your ears

What if you could hear sounds you haven’t heard in years? What if you could protect your greatest asset before you lose it?

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photo by “thepalmer” via istockphoto.com “thepalmer” by photo Dr. Ellen Finkelstein, Au.D. [email protected] Doctor of Audiology www.EastSideHearing.com To discuss your instrument or bow without obligation, please email: [email protected]

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162 East 78th Street, New York, NY 10075 (212) 327-1155 [email protected] www.EastSideHearing.com New York www.tarisio.com London n EARTH DAY 2020 MEMBER TO MEMBER ‘Let’s get active and make some noise!’

By Marc Schmied [email protected]

S A musician/activist in If you love the Earth, 2020, I find myself celebrat- ing the 50th anniversary of aEarth Day and hopeful for the prospect of change through the Novem- now’s the time ber elections. In past issues of Allegro, I’ve written about my involvement in the climate movement with the group At the risk of stating the obvious, a key as well. How many people reading this cians are activists who use their music 350.org and what we can do as indi- goal of the environmental movement article know who their state senator to get their message across in a way that viduals to reduce our carbon footprint. is voting Trump out of office and sup- or city council member is – and how mere words cannot. Woody Guthrie and This time, I’d like to “zoom out” and porting a candidate with a clear vision of they vote? I didn’t know myself until Pete Seeger are two of our past elders talk about our collective political power. how to transition away from fossil fuels getting involved as an activist. (There who showed us how to do it. We can’t The establishment of Earth Day on and move this country quickly towards are plenty of online tools to find a list afford to be silent in this struggle. Let’s April 22, 1970 was one year after the common sense, sustainable energy poli- of all of your representatives., including get active and make some noise! Cuyahoga River CAUGHT ON FIRE (!), cies, such as the Green New Deal. federal, state and local. One good site is which provided a much needed wake- With President Trump talking at www.commoncause.org/find-your- up call to act on behalf of the health of about bringing back coal mining jobs, representative.) the planet. The effort was spearheaded drilling for oil in our national parks and I started to become politically aware by two senators – Republican Pete Mc- distributing paper towels as a solution (and angry) during the George W. Bush Closkey (Republican) and Democrat to help hurricane victims, it was clear years, and after Barack Obama was Gaylord Nelson – and inspired by the that the environmental movement was elected, I basically checked out, trust- effectiveness of the student anti-war going to have to look elsewhere for sane ing that he would make decisions that movement of 1960s. The establishment energy policies. The movement turned I agreed with, so there was no need to of Earth Day led to the creation of the to state and local leaders to take action. keep tabs on his policies. This was, of Environmental Protection Agency and Governor Cuomo has acted as a bulwark course, a mistake. Our leaders need to the passage of the Clean Air Act, Clean against Trump’s actions by banning know that we’re watching them so that Water Act and Endangered Species Act. fracking and offshore drilling and they take our opinions into account. All of this was done to counteract pol- announcing New York State’s resolve Getting angry and complaining about lution, which now seems like an almost to honor the Paris Climate Accords. our politicians doesn’t accomplish any- quaint problem compared to the threat Additionally, New York State recently thing. Communicating with and even posed today by global climate change. passed the Climate and Community getting to know your local politicians Fast forward 50 years later. In the Protection Act, making our state a puts you and your issue on their radar. Marc Schmied, a member of Local interests of cronyism and profit, the leader in clean energy policy. This bill After all, they need our votes! 802 since 1996, is a bassist, wannabe president of the United States has rolled had failed several times in the state So why should we care about climate comedian and environmental activist back or destroyed much of this effort to senate, and its passage only became a change as musicians? Because we’re also with 350Brooklyn.org. The opinions maintain a sustainable world. President possibility after the Democrats won a human beings. Our planet is in trouble of writers in Allegro do not necessarily Trump has also dealt a heavy blow to majority in Albany in 2018. So while and the clock is ticking. Political pres- reflect the opinions of the staff, members the international climate movement by our federal politicians get most of the sure is necessary to get our leaders to or officers of Local 802. To submit a story announcing that the U.S. will withdraw attention, it is in our best interest to act. As musicians, we’re in the emotion to Allegro, send an e-mail to Allegro@ from the 2015 Paris Climate Accords. keep the pressure on our local leaders communication business. Many musi- Local802afm.org.

18 Allegro | April 2020 n earth day 2020 MUSIC + SUSTAINABILITY EARTH DAY AND VIRTUAL GREEN IN THE AGE OF #GREENQUARANTINE

By Krissy Linacre and sustainable crafts. All sessions will be hosted by members of the theatre arth Day’s 50th anniversary and environmental community and is right around the corner, and are open to the public. To register, as we all practice social distanc- visit www.broadwaygreen.com/ Eing to flatten the curve of the greenquarantine. COVID-19 pandemic, we are forced to seek creative ways to engage in social The Broadway Green Alliance com- solidarity to celebrate this milestone in munity is made up of musicians, ac- new, virtual ways. The Broadway Green tors, stage managers, students, patrons Alliance is gearing up to do just that by and many others affiliated with theatre providing learning opportunities aimed and the arts. We work with volunteer at facilitating a Green Quarantine. For “Green Captains” in productions, the- the past 50 years, people from around atres and schools across the country the world have come together on April who are leading the way for green the- 22 to raise public awareness about en- atre. A Green Captain can be anyone vironmental issues and shine a light on on the production who may facilitate the actions that contribute to a healthier in-house recycling collections, send out planet. Actions typically include plant- green-themed newsletters filled with ing a tree, picking up trash in the com- eco-tips and industry best practices, munity or even hosting a recycling drive. or even pledge to a single-use plastic- Even though public Earth Day events free production, like Beth Malone and have been canceled, many are quickly Transport Group did for their produc- adapting to the new status quo in order tion of “The Unsinkable Molly Brown.” to bring people together online this year. The Broadway Green Alliance supports Since our mission at the Broadway all of our Green Captains as they navi- Green Alliance is to educate, motivate gate the possibilities for implementing and inspire the entire theatre these greener practices. GO GREEN! Local 802 member Erin Benim Mayland serves as a “Green Captain” through the community and its patrons to adopt The Green Captain at “Hamilton” is Broadway Green Alliance at her show “Hamilton.” environmentally friendlier practices, Local 802 member Erin Benim Mayland, we remain committed to serving as the pictured on this page. Erin is incredibly through nyc.gov/compostproject and er from the cumulative effect of billions theatre industry’s green anchor amidst engaged in green initiatives at her show. grownyc.org/compost/locations. of small actions, progress comes when this challenging time. This global As a mother of a toddler, she draws in- Erin also spearheaded our participa- we pledge to adopt sustainable practic- health crisis – like the climate crisis – spiration from Greta Thunberg and oth- tion in the D’Addario String Recycling es and find more ways to decrease our forces us to think about the resilience, er young activists. Program with TerraCycle. Anyone from carbon footprint. What actions will you community and hope needed in the face “I am relatively new to all of this, but Local 802 – or any musician at all – can take this Earth Day? Whether you join of a global challenge. We encourage you I have found that picking one small ac- recycle any type of instrument string (in- us for a #GreenQuarantine virtual learn- to get involved in the rapidly evolving tion and incorporating it into my life has cluding orchestral strings) at the Broad- ing or crafting session, make a plan to online community of changemakers kept me inspired to add new green hab- way Green Alliance office (165 West 46th recycle your used instrument strings, go – like www.earthdayinitiative.org its in sort of a positive feedback loop,” Street, Suite 1312, between Sixth and a day without single-use plastic, or get – which are hosting virtual Earth Erin told us. Seventh Ave.) or at participating show inspired by what others in the commu- Day events. Additionally, the BGA is She added, “Things that I thought dropoff points. For more information, nity are doing, the Broadway Green Alli- offering free virtual sessions aimed at would be a pain, like composting, visit www.broadwaygreen.com. ance supports you wherever you may be harnessing creative ways to remain turned out to be not a big deal, and that At the Broadway Green Alliance, we on your green journey. connected to each other and the earth. was also true for ditching paper towels. encourage our community to commit We will host weekly #GreenQuarantine Even with a toddler and a full time job, to being greener and doing better each Krissy Linacre is the assistant director virtual classroom sessions on Zoom it feels doable, much to my surprise!” day. As climate change does not result of the Broadway Green Alliance. For more covering a wide range of green topics Composting is available in NYC from one large negative action but rath- info, see www.broadwaygreen.com.

April 2020 | Allegro 19 n NEWS & VIEWS photo: ALE X TROESCH photo: JUNKO ARITA DAVID LOPATO ARUN LUTHRA DIANE MOSER GENE PERLA JAZZ FACULTY STEP UP It’s all about respect! We part-time faculty at the School of Jazz and Contemporary Music at the New School’s College of Performing Arts first won a contract with Local 802 in 1998. At the time, faculty had received only one raise in over 10 years and had no health benefits, pension or job security. Now, 22 years later, we’re set to begin our next contract negotiations. Since our first union contract, the School of Jazz has continued to grow and thrive, has continued to enhance its reputation as one the world’s premier jazz conservatories, and has consistently generated a profit for the New School’s bottom line. All of this while providing fair wages, health benefits, pension payments and job security for its part-time faculty. The success and prominence of the School of Jazz’s former students and alumni speaks to the school’s stellar reputation and to its faculty’s excellence. Many former students and alumni are now established major artists and are Grammy nominees or winners – among them Jazzmeia Horn, Becca Stevens, Brad Mehldau, Keyon Harrold, Larry Goldings, Cécile McLorin Salvant, James Francies, Greg Kurstin and Chris Potter. We part-time faculty are the heart and soul of the school and are the foundation upon which this reputation and excellence are built. Central to these upcoming negotiations are the part-time faculty’s deep commitment to the artistic and cultural traditions that we’re charged with passing on to our students – as well as our profound dedication to our students’ education and artistic growth. Fostering a workplace where the faculty are valued as highly skilled and dedicated artists and professionals is essential to achieving the best possible education for the New School’s students. The School of Jazz’s part-time faculty are united in our hope that our long record of success and dedication to our students – and to the musical traditions we serve – will continue to provide the foundation for a contract which will further improve on the part-time faculty’s and the New School’s many years of success and cooperation. – Junko Arita, David Lopato, Arun Luthra, Diane Moser and Gene Perla* *These dedicated Local 802 members serve as the shop stewards of the New School’s School of Jazz and Contemporary Music’s part-time faculty bargaining unit. (For their bios, please visit www.NewSchool.edu/jazz/faculty/junko-arita, www.DavidLopato.com, www.ArunLuthra. net, www.DianeMoserMusic.com and www.Perla.org.) We asked some New School teaching artists to reflect on what they’ve learned. Get inspired by their answers on the next page..

20 Allegro | April 2020 n NEWS & VIEWS ‘WHAT THE NEW SCHOOL UNION CONTRACT MEANS TO ME’ As negotiations approach, part-time jazz faculty reflect on the power of a union contract

“Having union representation has the union fully, I deeply appreciate its are now taking a pension or are building “I do feel it was a great thing to allowed the New School jazz faculty efforts, and I invite all my New School up their pensions.” negotiate this contract with the help of to bargain collectively to achieve vast colleagues to be active participants in – Jimmy Owens Local 802 to make sure we get the best improvements in academic working our union efforts.” we can get and that we can keep on conditions that individually would have –Amy London “Having health insurance through the looking out for each other as a group. been impossible for me to acquire on my union contract has been really beneficial It helped us secure a better deal. It’s own. Local 802 has been instrumental “Our contract at the New School, for me and for my family. It’s made a of most importance right now to have in negotiating better faculty wages, which has existed for over 20 years, huge difference for me to have that peace a body that represents all of us and in job security, access to health care has become a model for part-time of mind. And the other thing I love is which we feel we can express our voices and retirement plans, employer music faculties all over the country. that I don’t have to bargain individually and feel safe doing that.” contributions to our union pension plan, It has enabled musician-teachers and for my own pay. It’s all spelled out in the – Grégoire Maret representation on academic committees administrators to work together in win/ contract. That’s a nice feeling because and many other advances related to our win harmony and for the benefit of all musicians sometimes find it difficult to employment. Thank you, Local 802!” concerned, including the students.” bargain and sometimes we undervalue “My dealings with the union have – Armen Donelian –Bill Kirchner ourselves. But we deserve to get paid been very positive from the start. They fairly, and it’s nice knowing the union are always responsive and attentive to “I’m extremely grateful to Local “In terms of health benefits, it’s backs us up and goes to the mat for us.” the needs and concerns of the musicians, 802. I’m an original faculty member benefitted me immensely. I happen to be – Allison Miller as both teachers at the New School and on the negotiating committee and diabetic, so obviously I’m on meds and it’s as performers.” I’ve continued to be an active faculty helped me with the cost of them greatly. “I’m grateful for the representation – Mary Halvorson member and involved in all negotiations. Everyone who’s part of the jazz program Local 802 has provided for the part-time I’m grateful to 802 for many reasons, has access to these same benefits that also faculty at the New School for Jazz. We “This school, this program and this most importantly for the health benefits. cover doctor, hospital visits, etc. Can you wouldn’t have the important benefits union contract were started by musicians I’ve been the sole provider of health imagine being a musician without any and guarantees that we do without their for musicians. When I broke my pinky, insurance for my family since 1998, and health coverage? It’s like a horror story. help and commitment.” the Local 802 contract saved my ass I’m very grateful for the insurance and We’re fortunate that Local 802 fought so – Steve Cardenas with health insurance. That’s when I benefits. I’m also grateful to Recording strongly on our behalf for these benefits. started understanding the value of our Vice President Andy Schwartz, Principal It’s a fantastic success story.” “The contract is good because over contract. Just by teaching two courses Business Representative Todd Weeks and – Bobby Sanabria the last 22 years it has contributed to per academic year, we are eligible for full former Senior Business Representative our pension fund.” medical coverage – which includes my Sarah Koshar for all of their hard work, as “The positive part of a contract is to –Andrew Cyrille husband, Omar Hakim. This is thanks to well as former Local 802 Vice President give people a sense of being involved our union contract. That’s what I want Bill Dennison and Local 802 counsel with management of the program. For “I’ve been a member of the AFM Harvey Mars for all of their efforts on that, we get health insurance, pension, beginning when I was 15 years old in San our young faculty to know.” our behalf. I’m very proud to be a long- and a say in how the program is run. Fransisco. It’s been a long and worthy – Rachel Z time New School jazz faculty member That’s the most important part of having relationship. When I moved back to (since 1992), and I’m honored to work a contract. If you add the fact that the New York from Europe, I was pleased “I believe that the best thing about the alongside such esteemed musicians New School has jazz faculty who were to hear that the part-time New School contract is that everybody in the faculty and educators, and I appreciate the not vested in the pension because of the jazz faculty were covered under an 802 is getting along and agreeing in harmony camaraderie and mutual support I’ve kind of work they do, the contract gives contract.” about what’s supposed to happen.” experienced among the faculty. I support them pension contributions and they – Ed Neumeister – Billy Harper April 2020 | Allegro 21 n advertising

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22 Allegro | April 2020 n NEWS & VIEWS PICKING UP THE PIECES When federal laws fail workers, we can encourage states and cities to do what it takes

hile the Trump National Labor Relations Board is doing all it can to dismantle legal Wthe vast protections afforded to workers by prior labor corner boards, those of us who live in more harvey mars, liberal or progressive states (like New esq. York) have some advantages. State and local laws are being passed to soften Harvey Mars is counsel to Local some of the damage being done on the 802. Legal questions from members federal level. For instance, the New York are welcome. E-mail them to City Paid Sick Leave Law and New York State Paid Family Leave Law provide HsmLaborLaw@HarveyMarsAttorney. leave time that far exceed minimum com. Harvey Mars’s previous articles standards under federal law. The same in this series are archived at www. can be said for New York State’s efforts HarveyMarsAttorney.com. (Click on to curtail sexual harassment though “Publications & Articles” from the top recent amendments the legislature has menu.) Nothing here or in previous made to current anti-discrimination articles should be construed as formal laws. In this article I highlight other legal advice given in the context of an progressive legislative advancements attorney-client relationship. enacted in New York that bear mention. First, on Feb. 6, 2020, Gov. Cuomo signed into law an amendment to the unemployment compensation law that ment, if you are compelled to work a significantly reduces the amount of time non-union gig in NYC, you should be a striking or locked-out worker has to aware of this law and its proscriptions. wait before becoming eligible to receive The crux of the law says that musi- wikipedia unemployment benefits. Prior to the cians and other freelancers may be en- The New York State legislature has passed progressive state laws. amendment, striking workers had to wait titled to double pay if payment is more eight weeks before they could start re- than 30 days late (or not paid at all). ten down. The law went into effect on largely along party lines. The law now ceiving unemployment benefits. The new The law also protects workers from re- May 15, 2017 and contains a two- year goes to the Republican-controlled law reduces the waiting period by more taliation and harassment if they file a statute of limitations for the initiation Senate, where it is unfortunately than half, to three weeks. This reduction complaint seeking a remedy for non- of a claim under its terms. A copy of expected to fail. will substantially lessen the financial payment. Thus, a worker who sues for this law can be found here at www1. Organized labor can only hope that hardship placed upon employees who non-payment cannot be denied future nyc.gov/assets/dca/downloads/pdf/ with a change of administration, legis- are forced to engage in a strike. While no employment by that contractor because about/Freelance-Law.pdf lation such as the PRO Act has a chance one wants to strike, it is somewhat com- they had initiated a suit. It should be Finally, on the federal legislative front, to see the light of day. That is why we forting to know that that unemployment noted that this law only covers indi- the House of Representatives passed must do whatever it takes to get out payments will happen sooner. viduals and not organizations that the PRO Act (HR 2474), a federal law New York City has also enacted the comprise more than one person. The that would substantially enhance the the vote this November during the U.S. Freelance Isn’t Free Act, a law that law applies to contracts where you’re National Labor Relations Act. I wrote presidential elections. However, until provides considerable protection to paid $800 or more, either as a one- about this law previously here in my then, we can continue to encourage our non-union workers and independent time payment or over as many as 120 December column (www.Local802afm. states and cities to make sure that work- contractors. While the best protection a days. In most cases, the law requires org/allegro/articles/legal-corner- ers enjoy the legal protections, security musician could have is a union agree- that the contract in question was writ- december-2019). The law was passed and justice that they deserve.

April 2020 | Allegro 23 n advertising

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April 2020 | Allegro 25 n NEWS & VIEWS Registration for this year’s NYU Broadway Percussion Seminar is OPEN! Get the chance to learn inside tips from Local 802 members about how to play percussion in musical theatre

Here’s some very welcome good news! As Allegro goes to press, registration for this year’s NYU Broadway Percussion Seminar is OPEN! Hosted by the NYU Steinhardt Percussion Studies Program, the NYU Broadway Percussion Seminar offers classes with special guest percussionists, contractors and conductors from the world of Broadway. There will be sessions presented on drum set, percussion, mallet percussion, timpani and Latin percussion by the Local 802 percussionists who developed the Broadway books!

For high school, college and professional percussionists, the NYU Broadway Percussion Seminar is a five-day intensive study of the skills, experience, and know-how of the world of Broadway percussion. Panel discussions will be held with leading percussionists, conductors and contractors who are actively pursuing musical careers on Broadway. Students will have the opportunity to attend two Broadway shows, offering the opportunity for each participant to experience to sit in a live Broadway pit, during an actual Broadway show! They will also dine with the Broadway percussionists after a matinee performance.

The NYU Broadway Percussion Seminar will take place June 14 to June 18, and the registration deadline is April 15. Register at: www.steinhardt.nyu.edu/programs/percussion-studies/summer-workshops/nyu-broadway-percussion-seminar

For those who want to know more about the NYU Broadway Percussion Seminar, below is an inside look at what happened last June…

By Sean Millman process for “Stomp” and talked about scene for years before landing his live, giving them just seconds to pull the skills of improvisation, comedy and first Broadway production. The most up the right music! Saporito also talked ercussionists look forward thinking on your feet. important message Samuels had for about his decades of experience in with anticipation to each June Monday morning featured two the students was playing on Broadway Broadway pits and in recording studios when the NYU Percussion Studies new presenters to the NYU Broadway is so incredibly difficult that you have to for albums, jingles and film scores. PProgram – along with Jonathan Percussion Seminar in Sean McDaniel be unbelievably passionate about it in Tuesday morning began with Kory Haas and Sean Statser – host the NYU and Dave Mancuso of the Disney hit order to stay in it long enough and work Grossman presenting “My Fair Lady,” Broadway Percussion Seminar. This is “Frozen.” The pair of veterans gave hard enough to see the payoff. playing both drums and percussion an incredible opportunity for young the yearly “Broadway 101” session, Monday night was a double on what is commonly known as a percussionists from across the country introducing the attendees to the world presentation from Matt Beaumont and combined book. Grossman talked about to network and learn from Broadway under the stage. McDaniel coached Jim Saporito. Beaumont presented on the choreography needed to get around regulars and subs about the musical and players through issues of balance and the audition process of the Radio City his almost claustrophobic setup and his professional skills of a successful career groove in his drum parts, while Mancuso Orchestra, the history of the Radio tricks of the trade to make instrument playing theatre at the highest level. explained some of the tricks he uses to City contract and the reality of what switches possible – including attaching Last year’s NYU Broadway Percussion create complex shaker patterns and playing the show is like. Each attendee a mallet directly to the bass drum and Seminar started on a Sunday night get around his expansive setup – even played through the audition excerpts for rearranging the order of his chimes! with Haas and Statser going over the including two Dresden-style timpani! feedback from Beaumont and their peers, Grossman also brought the video of schedule for the week and what to That afternoon was spent with Josh before Beaumont himself demonstrated conductor Ted Sperling – music director expect and NYU alumnus Sean Perham Samuels, a return presenter to the his performance of the audition. of NYU’s new Broadway Orchestra – for presenting “Stomp,” the Off Broadway NYU Broadway Percussion Seminar. Saporito presented on his experience him and the students to play along phenomenon that recently celebrating Samuels had presented previously playing percussion for the Tony Awards with, giving the most realistic possible its 25th year at the Orpheum Theatre. about playing at Radio City Music Hall, broadcast, which the attendees had feel to playing through the show. Perham has been a member of the New but this session focused on his current watched together on Sunday night after The afternoon session was on “Ain’t York cast for over a year and is one of hit Broadway show “Beetlejuice.” Perham’s clinic. He talked about the Too Proud” with Dr. Javier Diaz – newly- three recent NYU percussion graduates Samuels talked about his long and process of pre-taping some cues and appointed member of the percussion to earn a position with the storied determined career through playing on playing others live – and the fact that faculty at NYU. Diaz is well known production. Perham took attendees cruise ships, Radio City and working the orchestra never knows who will win as a Latin specialist, but also talked through a simulation of the audition his way through the New York freelance the awards until they see it on the stage about his symphonic background,

26 Allegro | April 2020 n NEWS & VIEWS OPEN!

THEY WANT TO PLAY PERCUSSION ON BROADWAY: NYU Broadway Percussion Seminar participants with Jonathan Haas and Sean Statser

including playing with the Los Angeles to mimic the regular’s work as perfectly some issues like the effect of negotiated throughout the week, along with a Philharmonic during his undergraduate as possible, regardless of personal style. residuals on where certain recording yearly guest in Broadway contractor degree. This convergence of skills has Blanco also left the attendees with one work is being done. This discussion John Miller. This year also included led to an exciting career for Diaz, playing message that was received loud and always proves to be one of the most a new face in retired business owner tumbao and guaguanco one night and clear – if you want to work these days as insightful and eye-opening experiences Mike Balter, known in the percussion Puccini the next. Diaz talked about the a Broadway percussionist, learn how to for the participants coming from around community for the mallet company deceptive difficulty within his seemingly play hand drums! the world and to have the opportunity to he founded which bears his name. simple book and the many examples Wednesday started with a session spend time with Local 802 experts and Jon Epcar, drummer of the Tina Fey of him adding something to the music about college admissions brought veterans is invaluable. musical “Mean Girls” also attended that isn’t on the page to make the show by members of the NYU admissions In what is becoming an NYU Broadway the enthralling three-hour session on come alive. His creativity and limb department, including recent NYU Percussion Seminar tradition, Thursday what it really takes to make a Broadway independence allows him to sound like Percussion Program graduate Declan began with the week’s final presentation career happen. The discussion also multiple players, which along with the Zhang. Shortly after however, came the of “Beautiful,” featuring Joe Passaro on talked about how to effectively get the drummer and a second percussionist main event of the week – the whole percussion and Ray Marchica (sub for attention of a contractor and strategies drives the Broadway version of the NYU Broadway Percussion Seminar Clint de Ganon) on drum chair. Marchica for navigating a personal life, marriage music of the Temptations. went up to Times Square! Each of the 27 talked about matching his sound to de and family in such an unpredictable The night session was the annual attendees of the program saw two shows Ganon’s by playing the same parts and work environment. “Super Sub” clinic about the most on Wednesday: one from the house not playing rim shots on the snare This was yet another remarkable common entry to playing on Broadway, and one from the literal “room where drum in places where that might be edition of the NYU Broadway Percussion working as a substitute player. This it happens” – in the pits and isolation his musical instinct. Passaro spoke at Seminar, made possible by Local 802, year’s session was given by Andy Blanco, rooms with the players. length about technique on handheld NYU Steinhardt, NYU Percussion Faculty who was subbing five shows at the time. The dinner break between the matinee tambourine, shaker and hand drums, Jonathan Haas and Sean Statser, the Blanco brought with him excerpts from and evening brought everyone together his choreography during fast instrument presenters and of course the attendees, “King Kong,” “The Cher Show,” “The Lion for New York pizza and an in-depth changes and places in the book where he who came more prepared and interested King,” “Frozen” and more! Talking about discussion with Local 802 officers Karen was able to give the orchestrator more than ever. It was a great week and we the difficulties of working as a sub, with Fisher and Andrew Schwartz. They talked than was expected through creative at NYU can’t wait to do it again this none of the job security of a regular and about the collective bargaining role of problem solving. Marchica and Passaro summer! needing to keep track of multiple shows Local 802 and its place within the context also passed on many stories of their The deadline to register is April 15. at once, Blanco expertly demonstrated of the AFM, while Haas added some lives in the Broadway trenches, which Register now at www.steinhardt.nyu. the versatility required of the role. He also historical context about the role of unions were fascinating and enlightening to the edu/programs/percussion-studies/ talked about the difference in mindset. As in the larger labor history of the United young audience. summer-workshops/nyu-broadway- a regular, he spoke about how creativity States as a whole. The conversation And the NYU Broadway Percussion percussion-seminar and working with the show’s creators included the changing landscape of music Seminar came to a close Thursday are an essential skill to add something business and the effects of streaming on afternoon with the roundtable session, Sean Millman is a Ph.D. candidate in to the production, while a sub’s goal is the livelihood of working musicians – and which brings back the presenters from percussion performance at NYU.

April 2020 | Allegro 27 n NEWS & VIEWS JAZZ APPRECIATION MONTH Jazz in that ‘other America’

By su terry and all the servers are also artists and [email protected] performers who occasionally sit in with the band or perform between sets of rumpeter and Local 802 mem- jazz. Cuenca is a big tourist destination, ber Walt Szymanski likes to go and the clientele of the society consists mountain climbing. In 2010 of tourists and locals, including the Tthe Detroit native and former artistic elite of the city. The current U.S. resident of Brooklyn started looking ambassador and his wife (as well as the for mountains in the country of Ecua- previous two ambassadors) make it a dor, located in the northwestern part of point to drop by the society whenever South America, bordered on the west they are in town. The Jazz Society of by the Pacific Ocean. Have horn, will Ecuador is a living example of “if you travel, of course, and soon, through- build it, they will come.” out Ecuador, the word was out that a I have not yet visited every country in great trumpeter was in town. This led South America, but my sources tell me to a professorship at the Berklee sister- there is a jazz club in La Paz, Bolivia; school Universidad de San Francisco, several in Buenos Aires; a Blue Note and the musical directorship of Teatro club in Rio de Janeiro; and more than Sucre Nacional, both located in Quito, ten clubs that feature jazz in São Paulo. the nation’s capital. When I was in Medellin, Colombia a Some years ago I remember having couple of years ago, I played in several lunch with Walt at Dizzy’s, our favor- small clubs with excellent players, some ite diner in Brooklyn. Ecuador was the of whom are on the college jazz depart- main topic of discussion, as he had al- ment faculty at University EAFIT. ready relocated there and I was getting In Peru, there is reportedly a club in ready to do the same. “I didn’t initially Lima called the Jazz Zone, which I have go there to play music,” he told me. “I not visited. However, I did manage to just wanted to hike in the mountains, find a very good band at a little place go to the beach, and chill out. At first I in Cuzco which featured a guitarist, didn’t know anything about the music saxophonist, bassist and cajón player. scene there.” The band was playing a bizarre mix of When I began spending winters 70s American pop music and contem- in Cuenca, the third largest city in porary jazz. The cajón player made his Ecuador, there was virtually no jazz box drum with snares sound like an en- Saxophonist Su Terry (pictured in the middle) moved to Ecuador and is now a member scene at all apart from some gigs with tire drum kit. of the thriving jazz scene there. the few players who were there at the The unlikely location of Punta del time, including guitarist Cory Sea, Este, Uruguay is the home of a jazz festi- nual festival that brings in thousands of of them have truly absorbed this mu- percussionist Danilo Abad (now in val put together almost singlehandedly tourists and contributes to the economy sic which has a completely different Buenos Aires) and bassist Christian by Francisco Yobino every year since of the area, there’s something wrong. rhythmic feel, harmonic development Torres, who was also the principal bassist 1996. Jazz fans don’t get more ardent In Chile, the go-to spot would be Club and melodic sense from what they have with the Cuenca Symphony Orchestra. than Francisco. The entrance to his de Jazz de Santiago, located in the na- grown up with. As far as the audiences, But in 2012 everything changed. Jim ranch is festooned with flags for the fes- tion’s capital city. This venue has ex- I find them very open to listening to and Gala, a Bill-Evans inspired pianist from tival, and his living room is paneled ceil- isted for more than 60 years and has a appreciating jazz. At a recent concert in Rochester, relocated to Cuenca from ing to floor with jazz posters and record reputation for presenting the top play- Cuenca, in the middle of August which the Philippines. Having had experience jackets. In a conversation with him a ers internationally since its inception. A is vacation month and locals go out of running clubs for his father and later few years ago, he mentioned to me that variety of styles are represented, includ- town, we drew 800 people. on his own, his dream was to create a he obtains all the sponsors himself and ing Dixieland, mainstream, bebop and There are also unique opportunities national jazz organization. Eight years receives no help from the government. blues. in South America to explore various fu- later the Jazz Society of Ecuador is still This type of situation, which certainly I look forward to discovering more sions of jazz with local music and mu- thriving, thanks to Jim and his dedicated occurs not only in South America, has jazz spots in the future. In general I’m sicians. Guitarist Donald Regnier and staff. It’s truly a society, where staff and always puzzled me. When the govern- impressed with the Latin American jazz vocalist Maria Tejada, based in Quito, performers drop by on their nights off, ment doesn’t realize the value of an an- musicians I’ve played with here; many are doing just that: creating a fascinat-

28 Allegro | April 2020 n NEWS & VIEWS ing and complex repertoire that displays audience, to an elevated dimension. its roots in American, Ecuadorian and (I think the smoke machine on stage Brazilian music. Local 802 member Walt helped with that.) There is also a fla- HELP FOR MUSICIANS Szymanski has taken a different route: menco group here with which I often with his group Zulu Kings, he mentored perform. It’s fun to bring a jazz concep- his young Ecuadorian colleagues in the tion to this passionate and lyrical genre DURING THE synthesis of New Orleans second line that originated in the Iberian peninsula. culture with Andean rhythms and sen- I find it interesting that jazz, a North sibilities. Jazz the Roots is an Ecuador- American art form which derives much CORONAVIRUS CRISIS ian group that mixes jazz with reggae. of its development from a persecuted The group Pies en la Tierra, also based past, finds its best partners in genres in Quito, just finished a successful Euro- which came about in a similar way. pean tour doing their specialty brand of Now that many so-called popular music 1. Start at the Local 802 coronavirus Andean/jazz fusion. genres are being codified and presented I sometimes have the chance to per- as courses of study in universities, it’s update page at form with Ecuadorian musicians who even more important to remember specialize in very traditional, shamanic those historical events and social at- www.bitly.com/local-802-coronavirus sound palettes ranging from various titudes which on one hand were un- types of wood flutes and hand percus- fortunate, but on the other hand did sion to condor feathers, and even leaves contribute, albeit unintentionally, to a from plants. Ethnomusicologist Carlos flowering of music and other art forms Freire and I have jammed together, he that continue to offer humanity much 2. Go to the Local 802 Musicians on the above-mentioned instruments pleasure and fulfillment of the spirit. and myself on clarinet, to great effect. In closing, I can only say – come visit Emergency Relief Fund at Last year I was invited to play with the us at the Jazz Society of Ecuador, and legendary group Altiplano led by Mauri- bring your ax! www.Local802erf.org/how-to-apply cio Visencio, at the Carlos Cueva Tama- riz theatre in Cuenca. The combination Saxophonist Su Terry first joined of native flutes and percussion with the Local 802 in 1985. Follow her writings saxophone took all of us, including the at.medium.com/@suterry 3. Looking for counseling? Help with Coronavirus update from abroad substance abuse? Someone to talk to Like musicians worldwide, our gigs and tours have been canceled here about affordable housing or health in Ecuador. To help compensate, the minister of culture has announced a program called Desde Mi Casa (“From My House”), which will allocate funds for Ecuadorian musicians to broadcast performances from their insurance? We’ve got you covered! homes. Public reaction to this announcement, however, has not been favorable. While some people support the initiative, there are many The Actors Fund provides all kinds more who say it is a waste of money that could be spent providing food and medical supplies. They say you can watch concerts on YouTube, so of free social services to professional why should the government pay musicians when the funds can be used elsewhere for “more important” things. entertainers, including members of Local Apparently very few consider how little Ecuadorian musicians are paid, and how scarce the work is, even in normal times. This situation is not 802. Members of Local 802 can call on unique to Ecuador, of course. Professional musicians worldwide continue to fight this same battle, a battle we have been fighting for decades, the Actors Fund for almost any kind of perhaps centuries. Music is a calling for which relatively few are chosen. Music is a mission we chose to accept. Music is a responsibility we are free help you can imagine. For financial proud to bear. It’s possible the tremendous contribution musicians make to society will aid, start at www.Local802erf.org/ never be valued in our lifetime, yet music’s flag is one we are proud to wave. We musicians will continue to entertain, uplift, deepen and enrich how-to-apply. For counseling and other people’s souls. We will continue to hone our craft so the music we make will be worthy. We will continue to express the gift of music we have help, start at (212) 221-7300, ext. 119 or been given, with all our ability and passion. Ain’t no stoppin’ us now! – Su Terry [email protected].

April 2020 | Allegro 29 n women’s history month

30 Allegro | April 2020 n JAZZ APPRECIATION MONTH

Reggie Workman honored as N.E.A. jazz master for 2020 photo: www.reggieworkmanmusic.com/biography photo: pril is jazz appreciation College of Performing Arts in New York Lee, Butch Morris, David Murray, Sam 1990 cofounded MADLOM, a nonprofit month, and longtime Local City, where he has been teaching since Rivers and Cecil Taylor. performing arts laboratory for students 802 member Reggie Workman 1987. (Separately, the part-time faculty Workman led his own groups – the from ages 3 to 18. At the New School, Ahas been awarded the title of at the New School are covered by a Lo- Reggie Workman Ensemble and Top Workman has implemented programs Jazz Master, the highest honor in jazz, cal 802 contract. See story on page 20.) Shelf – as well as appearing in collab- such as the Bass Ensemble Workshops, by the National Endowment for the Arts Workman started on piano at first orative groups, such as the Super Jazz the Futuristic Music Ensemble, the Col- for 2020. Workman is the only Local but eventually settled on bass by high Trio with pianist Tommy Flanagan and trane Ensemble and the Jazz Master 802 member who was awarded the title school. After working with Freddie Cole drummer Joe Chambers, Trio 3 with Class Series. In addition to teaching, this year. (This year’s other honorees and Gigi Gryce throughout 1958, he be- saxophonist Oliver Lake and drummer he mentors students as well, sharing were Roscoe Mitchell, Bobby McFerrin came a member of the John Coltrane Andrew Cyrille and Brew with drum- his extensive knowledge of jazz his- and Dorthaan Kirk.) Quartet in 1961, participating in such mer Gerry Hemingway and kotoist Miya tory and music. Some of the students Masaoka. “It is indeed a humbling and inspir- legendary recordings as “Live at the Vil- he has worked with have gone on to ing experience to be acknowledged and lage Vanguard,” “My Favorite Things” Workman branched out into the pro- become highly acclaimed artists in their awarded by the NEA, one of our nation’s and “Africa/Brass.” From 1962 to 1964, duction side of music, such as staging own right, such as Lakeisha Benjamin, most prestigious institutions, which has Workman played in Art Blakey’s Jazz the Artists Alliance series in 1985 and Avishai Cohen, James Francies, Robert been known for years to be supportive Messengers with one of the great line- later the Sculptured Sounds Music Fes- Glasper, Roy Hargrove, Jose James and of this nation’s artists,” said Workman. ups for the band. He then worked with tival, an artist-driven festival of futuris- He added, “I am glad to join the il- Yusef Lateef‘s group before becoming tic concepts in music as well as physi- Brad Mehldau. lustrious NEA alums as we collectively the go-to bassist for Blue Note records cal theatre productions. He launched Workman has received numerous work toward the world’s harmonious throughout the 1960s and early 1970s the African-American Legacy Project, awards for his achievements as a mu- existence through music.” due to his ability to play in any style. a celebration of the legacy of African- sician and jazz educator, including the Workman is one of the premier bass- He appeared on many recordings for American composers that participated Life Achievement Award by the Jazz ists in jazz, performing in mainstream Booker Ervin, Abbey Lincoln, Lee Mor- in workshops and concerts at Lincoln Foundation of America, the citation of jazz as well as in the avant-garde scene gan, Max Roach, Archie Shepp, Wayne Center and the Harlem School for the excellence from the International As- and a member of two of jazz’s most im- Shorter and Mal Waldron, among oth- Arts and presented selections of John sociation of Jazz Educators and the Mid portant groups: the John Coltrane Quar- ers. He also worked with many of the Coltrane’s Africa/Brass sessions. Atlantic Arts Foundation’s 1999 Living tet and Art Blakey‘s Jazz Messengers. He major players in avant-garde jazz, such In 1970, Workman cofounded the Legacy Award. also is a professor at the New School’s as Marilyn Crispell, Andrew Hill, Jeanee historic Collective Black Artists and in – from the NEA

April 2020 | Allegro 31 n advertising Allegro-Final_Revised:Ideal Music 10/8/15 10:55 AM Page 1

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32 Allegro | April 2020 n JAZZ APPRECIATION MONTH LOCAL 802 ARTIST RIGHTS CAUCUS ENCOURAGING JAZZ APPRECIATION IN THE DIGITAL AGE

By Ken Hatfield

s we celebrate Jazz Appre- ciation Month, I ask my fel- WHAT’S LOST IN THE DIGITAL low jazz musicians to reflect WORLD: Check out the Aupon how appreciation of differences between the original our music has actually diminished in liner notes of the 1965 Wes the decades since the digital paradigm Montgomery album “Smokin’ at shift dramatically altered the landscape the Half Note” (left) where all of how we create and how folks access of the musicians are listed (Wes our recorded music. Montgomery, Wynton Kelly, In his manifesto “You Are Not a Gad- Paul Chambers and Jimmy get,” Jaron Lanier describes a phenom- Cobb), and the digital liner enon he calls “lock-in,” in which design notes for a track from the same flaws and biases of an inventor can be- album on Spotify (right), which come encoded in an invention. Then, hardly contain any credits. once new technology reaches critical mass of standardization and market share, its involvement in people’s ev- ers has been raised in a world devoid of that sideman info I might have passed this puts jazz at a disadvantage in the eryday lives produces such an accep- comparable information regarding the on it as I stood before one of those old- marketplace. So we have to support tance of those flaws and biases that players in bands whose music they dig. fashioned record bins that were a staple those platforms that support us. If there we’re not only stuck with them, they They can of course find this info some- of my youth. currently are none, we need to make can redefine our perceived reality. where on the web, but doesn’t that ne- So, what can we do about this “over- our voices heard. It is possible that in a For example, when Karlheinz Bran- gate the convenience that made online sight”? This may be one of those places crowded marketplace, some streaming denburg invented the humble MP3 file digital formats so irresistible in the first where the marketplace could actually platform may realize that fairer pay- format, he limited the metadata fields place? Few streaming services ever list work for us. If we communicate that ments, better quality audio, listing per- in a manner that prohibits including the player info, and many online broad- we want player info connected with the tinent info like the players and basing information most jazz fans care a great casters with curated programs never tracks we stream, and if we support the payments on length of time folks actu- deal about – namely the identity of the tell you who the players are. This has streamers that make it available, we may ally spend listening may be a successful players creating the music. Generally, undermined our ability to bring in new see a change in that part of the industry. business model. When such a platform all you get with the most popular digi- or younger fans by the means that older For example, there now exists a classi- emerges, we all should support it. Such tal audio file formats are the song title, fans became connoisseurs of our music. cal streaming service called Idagio that support could help us begin growing the featured artist and possibly the When I first encountered the album offers higher quality (uncompressed) our audience again! songwriter and composer. Omitting “Smokin’ at the Half Note” (see screen audio files, includes player information, the players’ names in player-driven shot above) in a record shop, I paused and even pays fees to musicians based Guitarist Ken Hatfield is the co-chair music like jazz removes some of the before buying it. I already knew Wes on length of recording, not on number of the Local 802 Artist Rights Caucus. He fun of being a fan of our music. This Montgomery, but knowing that Wynton of streams. Most streamers pay based on has been a member of Local 802 since info is comparable to the details sport Kelly, Paul Chambers and Jimmy Cobb number of streams (which limits pay- 1977. Reach him at www.KenHatfield. fans find so engaging. Imagine being a were the rhythm section (and were also ments for music longer than an average com. Meetup info for the next meeting of fan of the New York Yankees and not Miles Davis’ rhythm section) told me pop song) and then skew payments to the Local 802 Artist Rights Caucus will knowing who the players on the team without hearing the recording that it favor the biggest stars. Many also use be posted at www.local802afm.org/local- are. That is virtually unthinkable. Yet would be something special. It exceed- compressed audio formats that squeeze 802-events. For more info, e-mail us at an entire generation of music consum- ed my wildest expectations. Yet without the dynamics out of our music. All of [email protected]..

April 2020 | Allegro 33 n NEWS & VIEWS

A ray of light in an uncertain time Local 802 member Martin Agee uses his music to provide comfort to animals, which he describes as “my favorite audience”

34 Allegro | April 2020 n NEWS & VIEWS

By Martin Agee been rescued from various circumstanc- I did it because I needed to find heal- [email protected] es of neglect, abuse or both. Often they ing, and the dogs (and Jack) gave me will come in with acute physical injury that and more. And at the same time I here are audiences of music or trauma that requires treatment, care hoped that it might help my new and lovers out there who have been and close monitoring by the doctors unexpected audience heal too. And waiting to hear their first live and staff at the facility. These men and while I can’t speak for the dogs, I can Tconcert. And while their love women are dedicated professionals who tell you that for me, the experience has of music is palpable, sadly many of care deeply about the helpless souls been not only one of healing, but of af- them have never heard so much as a that have been brought in from who- firmation, joy and regeneration during phrase or musical note. When they fi- knows-what kind of life on the streets a difficult time. And now, in spite of my nally do, their response is a wonderful or at the hands of some abuser. It is an busy and often chaotic schedule as a and breathtaking thing to see. It calms outpost of hope for the helpless and less professional musician, I still try to find them. It nourishes them and touches fortunate among us. time every week or two to drop by the them at their very core. They hear mu- Ever since the story of my playing for ASPCA with my violin in hand. sic in a way that many of us do not. And dogs was first told, I’ve been asked how Dottie isn’t there now, which makes it has been said that for some of them all of this came about. How did a profes- me sad and happy at the same time. Sad who have lived at the edge of an abyss, sional musician find himself playing for because I really fell for that sweet girl it has literally helped save their lives. dogs in an animal shelter? And…why? and wanted her to come home and live Take Dottie, for example. The first The answer is quite simple, really. I with me. Happy, because I know she has time I met her, she was in a recovery needed my animal fix. It was long over- Martin Agee’s cat Jack was accustomed to moved on to a loving home in Maine, ward for physical and emotional trauma. due. Those who know me are aware of hearing music all the time! where her new adoptive owner tells me Although she was unable to speak to me the deep attachment to animals I’ve had she runs on the beach and sleeps on a about her ordeal, I talked to her in my my entire life. My daughter’s experienc- and comforted by volunteers – kind pillow with Bach and Handel playing most calming voice and asked her if she es riding horses and the adoption of an human beings who literally sit nearby softly in the background. had ever listened to music. It seemed to ex-racing greyhound (“Melody”…that and just read to them from a book or a © Martin Agee 2020 interest her, so I took my violin out of its was her racing name) kept me happily magazine or an iPad. Many of the dogs case. Judging from the quizzical look on connected with the animals I loved for that enter the ASPCA Animal Recovery Martin Agee has been a member of Dottie’s face, I don’t think she had ever many years. But the loss of Melody to Center have suffered from cruelty Local 802 since 1981. In January, he was seen one. But as my bow touched the cancer in 2007 weighed heavily on me. and severe neglect. Some lack basic recognized by Daily Points of Light (www. strings, her reaction was immediate and For years I searched for a way to process socialization skills such as walking on a pointsoflight.org), the world’s leading wonderful. She looked up at me with the unfathomable, until finally one day leash or being handled and since many organization dedicated to the promotion searching eyes and started wagging her in 2016 when the idea of volunteering of them are not yet ready for physical of volunteerism and was presented with a tail. And when I finished playing a Lar- at an animal shelter came up. interaction, there is no direct contact. Daily Point of Light Award in recognition go by Handel, she barked in approval. Knowing that it might well be in- The dogs are separated from the human of his work as a volunteer at the ASPCA (See her picture below.) tensely emotional for me to work volunteers by glass doors and windows, in New York City. His work there was Dottie, a small gray terrier mix, was around so many animals deserving but they are able to listen and watch. recently featured on NBC’s TODAY Show being housed at the American Society of new and loving homes, it was with This socialization technique increases and related stories were published by USA for the Prevention of Cruelty to Animals trepidation that I applied to the ASPCA the likelihood that an animal will be Today, New York Daily News and Scripps on the Upper East Side. The ASPCA’s to become a volunteer. I embarked on ready for adoption down the road, by Networks, among many others. Animal Recovery Center is a facility for a rigorous training process and soon decreasing stress and making them the rehabilitation of animals that have became an adoptions counselor, a role comfortable with new sights, sounds that involved matching potential adopt- and people. I have to admit that the ers with an appropriate cat or dog. A idea of reading “War and Peace” to hole in my heart was starting to mend abused dogs appealed to me on some as I saw deserving animals moving on to level, but I asked if I could try playing new and brighter chapters in their pre- Handel and Bach for them instead. I was cious lives. But in those early months, I immediately given the go-ahead. never once imagined playing the violin Six months later I was still giving for them (although I will admit that on concerts to my new favorite audience my application to become a volunteer as they barked and wagged their tails in I half-jokingly wrote that I could play the Animal Recovery Center and I ad- music for cats and dogs). opted Jack, a big 11-year-old black-and- Then one day I learned about a white boy cat with a Dali-esque mus- remarkable project, called the ASPCA tache and spots like a Dalmatian. (See Storytelling Program. Aimed primarily picture above.) I only had him a short at animals who are recovering two years, but we became best buddies in the ASPCA Animal Recovery during the time he had left. Center, it is considered a vital part Except for when I practiced, that of their rehabilitation and ultimate is. I still haven’t figured out where he Martin Agee earned a Daily Point of Light reintroduction to society as adoptable was hiding when the violin came out Award in January for his unique volunteer Say hello to Dottie, who loves music pets. Traumatized dogs are soothed of the case. work of playing music to animals.

April 2020 | Allegro 35 n NEWS & VIEWS

TAX TIME! via istockphoto.com : DRAGONIMAGES PHOTO Are you in the groove when it comes to your taxes? Check out our annual tax tips for musicians and see if you’re on the money

ach year, as the tax deadline circumstances. As the tax rules and approaches, Allegro publishes interpretations are complex and CORONAVIRUS TAX UPDATE updated tax tips for musicians change frequently, the information Eprovided by Local 802’s contained in these articles may not The coronavirus crisis has affected musicians in many accounting firm, Gould, Kobrick & always be up to date. painful ways. For tax purposes, any loss of income caused Schlapp P.C. These articles focus For 2019 the following tax law on important aspects of the tax law changes were enacted: by the crisis this year (tax year 2020) will affect next year’s and those that specifically affect ll You are not required to have tax filing (due April 2021). We’ll discuss the ramifications musicians. For additional information minimum essential health coverage on deductions, exemptions or filing through an employer plan, a in our article next year. status, see a tax advisor or visit www.irs. government program, or any other gov. This article and all accompanying plan because the penalty for not doing articles do not constitute tax advice so has been repealed. To help those For this year’s tax filing (which covers tax year 2019), the federal or an accountant-client relationship. of modest means pay premiums for tax filing deadline has been extended to July 15, 2020 You should consult with your tax coverage obtained from a government professional regarding your specific exchange (Marketplace), there’s a

36 Allegro | April 2020 n NEWS & VIEWS

premium tax credit. Eligibility for capital gain rate applies in 2019 when out in 2018 or after (loans issued prior Deduction for this advanceable, refundable tax taxable income exceeds $434,550 to 2018 are not affected by this rule). “qualified business income” credit depends on your household for singles, $461,700 for heads of Interest on home equity loans that are Taxpayers are allowed a deduction Income and other factors. The credit households, $488,850 for married not used to buy, build, or substantially equal to 20% of “qualified business is available even though there is persons filing jointly and qualifying improve the home that secures the income,” otherwise known as “pass- no individual mandate penalty on widows/widowers, and $244,425 for debt, are not deductible regardless of through” income (i.e., income from the federal level (some states have married persons filing separately. when the debt was incurred. partnerships, S corporations, LLCs, their own penalty). If you claimed There is no federal deduction for and sole proprietorships). The income the credit in advance when you “Kiddie Tax” rules miscellaneous itemized deductions must be from a trade or business within obtained coverage for 2019, you have The net unearned income of a child such as tax preparation, investment the U.S. Investment income does not to reconcile what you already applied subject to the rules is taxed at the expenses, union dues, and qualify, nor do amounts received toward your premiums with what you capital gain and ordinary income rates unreimbursed employee expenses. from an S corporation as reasonable are actually entitled to; the difference that apply to trusts and estates. (The (Union members in the State of New compensation or from a partnership is reported on your tax return. If you new Setting Every Community Up for York may have the opportunity to as a guaranteed payment for services did not receive the credit in advance Retirement Enhancement (SECURE) deduct union dues on their NY return provided to the trade or business. The but are eligible for a credit, you can Act in section 501 of Title V of Division if they itemize deductions on their NY deduction is not used in computing claim it on your return. If you do O of the legislation, which was approved return. This applies even if you are not adjusted gross income, just taxable not claim the premium tax credit by the House on December 17, 2019 and able to utilize itemized deductions on income. For taxpayers with taxable and qualify for Trade Adjustment by the Senate on December 19, 2019, your federal return). income above $160,725 ($321,400 for Assistance, you may qualify for the repeals the change to the Kiddie Tax, Medical expenses are deductible to joint filers), (1) a limitation based on health coverage tax credit of 72.5% of reverting to the rules that were in effect the extent they exceed 7.5% of adjusted W-2 wages paid by the business and premiums. before 2018. This change is effective for gross income for all taxpayers. depreciable tangible property used ll For 2019, Form 1040 has been tax years that begin after December 31, Long-term care premiums may in the business is phased in, and (2) redesigned and some schedules have 2019. However, the legislation allows be deductible as a medical expense. income from service related businesses been condensed. For seniors age 65 taxpayers to elect to have the change The maximum amount of age-based (such as health, law, consulting, and older, there is a new optional apply retroactively to the 2018 and/or long-term care premiums that can athletics, performing artists, financial Form 1040-SR, which may be used 2019 tax years, if beneficial to them, be included as deductible medical or brokerage services, or where the regardless of filing status or income. by filing amended federal income tax expenses for 2019 (subject to the AGI principal asset is the reputation or Its use is discretionary, and Form 1040 returns to claim a refund of any excess floor) is $420 if you are age 40 or skill of one or more employees or can be filed instead. tax). younger at the end of 2019; $790 for owners) is phased out of qualified ll The Tax Cuts and Jobs Act is now those age 41 through 50; $1,580 for business income. in its second year. The rules remain Exemptions those age 51 through 60; $4,220 for the same with some inflationary dollar Taxpayers cannot claim personal those age 61 through 70; and $5,270 Child and family tax credit amount changes. or dependency exemptions on their for those over age 70. The credit for qualifying children (i.e., This year’s article will begin with a federal tax return. The itemized deduction for casualty children under 17) is $2,000 per child. reminder of the applicable provisions and theft losses only applies to losses A nonrefundable $500 credit is also of the Act. Standard deduction incurred in a federally declared disaster. available for a taxpayer’s dependents The standard deduction has been Charitable contributions are limited who are not qualifying children. The Tax rates adjusted for inflation and is $24,400 to 60% of adjusted gross income (AGI). adjusted gross income level at which The seven tax brackets are the same for joint filers and qualifying widows/ the credits begin to be phased out is Are you in the groove when it comes to your taxes? Check out our as in 2018: 10%, 12%, 22%, 24%, 32%, widowers, $18,350 for heads of Alternative minimum tax (AMT) $200,000 ($400,000 for joint filers). 35% and 37%. The applicable dollar household, and $12,200 for single and exemption. annual tax tips for musicians and see if you’re on the money amounts associated with these tax married taxpayers filing separately. The AMT exemption has been Estate and gift tax exemption rates depends on filing status and The additional standard deduction for adjusted for inflation and is $111,700 For decedents dying, and gifts have been adjusted for inflation. The being 65 or older or blind is $1,650 if filing for joint filers and qualifying widows/ made, in 2019, the estate and gift top rate applies to taxable income as single or head of household ($3,300 if widowers ($55,850 for married tax exemption has been adjusted for above $510,300 for single and head 65 and blind). If married filing jointly, the taxpayers filing separately), and inflation and is now $11,400,000. The of household taxpayers, $612,350 for additional standard deduction is $1,300 $71,700 for single and head of annual gift tax exclusion is the same married couples filing jointly, and if one spouse is 65 or older or blind, and household taxpayers. The exemption $15,000 per donee for gifts of cash $306,175 for married taxpayers filing $2,600 if both spouses are at least 65 (or starts phasing out for taxpayers with or present interests. The top tax rate separate returns. one is 65 and blind, or both are blind and alternative minimum taxable income remains at 40%. The rates applicable to net capital under age 65). over $1,020,600 million for joint filers gains and qualified dividends were and qualifying widows/widowers and Tax breaks for educational expenses not changed. Qualified dividends and Itemized deductions over $510,300 for all others. ll American Opportunity credit: long-term capital gains may escape The itemized deduction for state and $2,500 limit per student (phased out tax entirely under the 0% rate or be local income tax and property taxes is Alimony with income between $160,000 and subject to capital gain rates of 15% or limited to a combined total of $10,000. For post-2018 divorce decrees and $180,000 for married filing jointly 20% depending on filing status, taxable Mortgage interest on loans used separation agreements, alimony will taxpayers and $80,000 and $90,000 income, and how much of the taxable to acquire a principal residence and not be deductible by the paying spouse for all other taxpayers). income consists of qualified dividends a second home is only deductible on and will not be taxable to the receiving ll Lifetime Learning credit: $2,000 and eligible long-term gains. The 20% debt up to $750,000 for loans taken spouse. continued on page 38

April 2020 | Allegro 37 n NEWS & VIEWS TAX TIPS FOR MUSICIANS

FROM page 37 and other compensation including net for modified adjusted gross income If these limits were exceeded you must limit per taxpayer (income limit cut-off self-employment earnings in excess between $211,160 and $251,160. The receive a corrective distribution to avoid at $116,000 and $136,000 for married of $250,000 if married filing jointly, credit is claimed on Form 8839. penalties and interest. filing jointly taxpayers and $58,000 and $125,000 if married filing separately, or l For 2019 the maximum earned l Taxpayers with interests in foreign $68,000 for all other taxpayers). $200,000 if single, head of house-hold income tax credit is $3,526 for one bank accounts or other foreign financial ll Student loan interest deduction: or qualifying widow(er), are subject to qualifying child, $5,828 for two accounts or assets may have to file Form Up to $2,500 per taxpayer (phased the 0.9 % additional Medicare tax. This qualifying children, $6,557 for three or TD F90-22.1 (FBAR) or Form 8938, or out with income between $140,000 tax is calculated on Form 8959. more qualifying children, or $529 for possibly both. Substantial penalties may and $170,000 for married filing jointly l On Schedule SE for 2019, self- taxpayers who have no qualifying child. apply if a required form is not filed. taxpayers and $70,000 and $85,000 for employment tax of 15.3 % applies to The earned income limits and adjusted l The definition of a high-deductible all other taxpayers). earnings of up to $132,900 after the gross income limits have been adjusted health plan, which is a prerequisite to ll Coverdell Education Savings earnings are reduced by 7.65 %. The for inflation in 2019 and depend on funding a Health Savings Account Account (ESA) contributions: $2,000 15.3 % rate equals 12.4 % for Social filing status and/or earned income and/ (HSA), means a policy with a minimum annual limit (phased out with income Security (6.2 % employee share and or adjusted gross income. deductible for 2019 of $1,350 for self- between $190,000 and $220,000 for 6.2 % employer share) plus 2.9 % l All unemployment compensation only coverage and a maximum out- married filing jointly taxpayers and for Medicare. If net earnings exceed is taxable in 2019. of-pocket cap on co-payments and $95,000 and $110,000 for all other $132,900, the 2.9 % Medicare rate l The standard mileage rate for other amounts of $6,750. These limits taxpayers). applies to the entire amount. One-half business use of your car is 58 cents are doubled for family coverage. The ll Tuition and Fee Deduction: $4,000 of the self-employment tax may be per mile for 2019. The rate for medical contributions to a HSA are capped at (with tier 1 limit cut-off of $130,000 claimed as an above-the-line deduction expense deductions is 20 cents per mile. $3,500 for self-only coverage or $7,000 for married filing jointly taxpayers and on Form 1040 (as an adjustment to For charitable volunteers, the mileage for family coverage. $65,000 for all other taxpayers). gross income). rate is 14 cents per mile. l In 2019, if the claimed value of a ll Tuition and Fee Deduction: $2,000 l In 2019, you may again be subject l A Required Minimum Distribution donated car exceeds $500, a qualifying (with tier 2 limit cut-off of $160,000 to the Net Investment Income Tax (RMD) must be received by April 1 of written acknowledgment should be for married filing jointly taxpayers and (NIIT). The tax rate and thresholds have the year following the year in which you obtained from the charity and be $80,000 for all other taxpayers). not changed and are as follows: 3.8 % of reach age 70½ from your traditional reported to you on Form 1098-C. If the the smaller of (a) your net investment IRA account(s). If a RMD is not received charitable organization sells the vehicle Specifically for musicians income or (b) the excess of your within the required period, the IRS can without having put it to significant use The following outline focuses on modified adjusted gross income over: impose a penalty of up to 50 % on the or improving it, the deduction may be important aspects of the tax law $125,000 if married filing separately, amount not received. (For years after limited. and those that specifically affect $250,000 if married filing jointly or 2019 the RMD age has been increased l If a new car is placed in service in musicians. For additional information qualifying widow(er), or $200,000 if to age 72). 2019 and used over 50 % for business, on deductions, exemptions or filing single or head of household. This tax is l The filing deadline for 2019 bonus depreciation allows an $18,100 status, see a tax advisor or visit www. calculated on Form 8960. individual returns is April 15, 2020. A first-year depreciation limit. The irs.gov. Here is a quick overview of some l If you have a same-sex spouse six-month automatic extension to file depreciation limit is $10,100 if bonus highlights. whom you lawfully married in a state your tax return may be obtained by depreciation is not allowed. There are l To help those of modest means (or foreign country) that recognizes filing Form 4868 by this date. different rules for larger vehicles (SUV’s, there is a Premium Tax Credit. This same-sex marriage, you and your l For 2019, the contribution limit vans and trucks weighing 6,000 lbs. Premium Tax Credit – also known as spouse are treated as married for all for traditional individual retirement but not more than 14,000 lbs.) that PTC – is a refundable credit that helps federal tax purposes and must use the accounts (“IRAs”) and Roth IRAs has are more complicated (consult your eligible individuals and families cover married filing jointly or married filing been adjusted for inflation to $6,000 tax advisor). The limits are reduced for the premiums for their health insurance separately filing status on your 2019 or $7,000 for those ages 50 or older. personal use. purchased through the Health Insurance return, even if you and your spouse now The deduction is phased-out for active l There are certain 2019 tax breaks Marketplace. To get this credit, you live in a state (or foreign country) that participants covered by an employer and credits that you may be eligible must meet certain requirements and file does not recognize same-sex marriage. pension plan at certain income levels, for (subject to income and other a tax return. Eligibility depends on your Answers to frequently asked questions depending on your filing status. limitations) including (but not limited household income and other factors. (FAQs) for individuals of the same sex l For 2019 the elective deferral limits to) mortgage insurance premiums, l For 2019, the tax rate on the who are married under state law are for 401(k), 403(b) and 457 plans have education expenses (including student employee portion of Social Security available at www.irs.gov/uac/answers- been adjusted for inflation to $19,000. loan interest and higher education is 6.2 % on wages up to $132,900, to-frequently-asked-questions-for- If you are age 50 or older, additional tuition), child care expenses and health so Social Security tax withholdings same-sex-married-couples “catch-up” contributions of $6,000 care expenses. Be sure to mention these should not exceed $8,239.80. Medicare l For 2019, the limit on the adoption are permissible. For simple IRA’s the to your tax preparer if any of these apply tax remains at 1.45 % and is withheld credit as well as the exclusion for elective deferral limits are $13,000 with to you in 2019. from all wages regardless of amount. employer-paid adoption assistance an additional “catch-up” contribution l Eligibility for savers credit: the “High income” workers, with wages is $14,080. The credit is phased out of $3,000 for those over 50 years old. adjusted gross income brackets for

38 Allegro | April 2020 n NEWS & VIEWS the 10%, 20%, and 50% credits were actions taken against you for a year you INCOME & RELATED EXPENSES and must be reported as income on increased for 2019. No credit is allowed did not file a tax return; IRS records Professional musicians may have Form 1040. when AGI exceeds $32,000 for single indicate you received wages or other income from which tax has been taxpayers, $48,000 for heads of income from an employer for whom withheld (W-2) or income from self- RECORDING households, and $64,000 for married you did not work. employment where neither tax nor Self-employed and freelance persons filing jointly. If you are a victim of identity theft, the Social Security has been deducted musicians (those not getting a W-2 and l Identity protection services Federal Trade Commission recommends (usually reported on Form 1099-Misc). filing a Schedule C) may deduct the received without cost, before or after these steps: If the musician is self-employed, all costs of recording, including the cost of a data security breach, are excludable l File a complaint with the FTC at allowable travel and other expenses renting a studio, hiring other musicians, from income; however, cash received in identitytheft.gov. should be deducted on Schedule C hiring graphic designers, printing, lieu of such services or proceeds received l Contact one of the three major before the adjusted gross income is packaging, and the cost of any materials under an identity theft insurance policy credit bureaus to place a ‘fraud alert’ on entered on page 1 of the tax return. (including blank CDs, cases, inserts, are not excludable. your credit records: If the musician has only W-2 wages, etc.). NOTE: The recording must be o Equifax, www.Equifax.com, the new tax act has eliminated the ability made for sale (i.e. there must be a profit TAXPAYER GUIDE TO IDENTITY THEFT 1-800-525-6285 to deduct these costs. If possible, it may motive). Also see internet expenses that For 2019, the IRS, the states and the o Experian, www.Experian.com, be advantageous to receive income you can deduct, listed further below. tax industry continue to use safeguards 1-888-397-3742 from your trade as an independent and take actions to combat tax-related o TransUnion, www.TransUnion. contractor rather than as an employee. OTHER EXPENSES identity theft. Many of these safeguards com, 1-800-680-7289 The employer may not be willing to do Also deductible for self-employed will be invisible to you, but invaluable to l Contact your financial institutions, this and independent contractor rules musicians are expenses incurred in the fight against these criminal syndicates. and close any financial or credit accounts are complicated and looked at closely practice of your profession. In addition If you prepare your own return with tax opened without your permission or by the IRS, so discuss this with your tax to the travel expenses discussed above, software, you will see log-on standards. tampered with by identity thieves. professional. they include: Some states also have taken additional If your SSN is compromised and Reimbursements for expenses (e.g., l Union dues, assessments and steps. See your state revenue agency’s you know or suspect you are a victim travel and entertainment) received initiation fees; web site for additional details. of tax-related identity theft, the IRS under an accountable plan should l Commissions paid to agents and Tax-related identity theft occurs recommends these additional steps: not be reported on the musician’s booking offices; when someone uses your stolen Social l Respond immediately to any IRS Form W-2, and are not reported as l Dues to other professional Security Number (“SSN”) to file a tax notice; call the number provided or, if income. Generally, reimbursements societies; return claiming a fraudulent refund. You instructed, go to IDVerify.irs.gov. are considered received under an l Rehearsal hall, studio or office may be unaware that this has happened l Complete IRS Form 14039, Identity accountable plan if: rental; until you e-file your return and discover Theft Affidavit, if your e-filed return is l They are made for deductible l Sheet music, transcriptions, that a return already has been filed rejected because of a duplicate filing business expenses; arrangements, records, manuscript using your SSN. Or, the IRS may send under your SSN or you are instructed to l The employee accounts for the paper, etc.; you a letter saying it has identified a do so. Use a fillable form at IRS.gov, print, expenses to the employer; and l Stationery, printing, and postage suspicious return using your SSN. then attach the form to your return and l The employee returns any excess used in business; Be alert to possible tax-related identity mail according to instructions. reimbursement. l Land line used for business (a theft if you are contacted by the IRS or If you previously contacted the IRS and Reimbursements received under a portion of your land line may be your tax professional/provider about: did not have a resolution, contact the non-accountable plan (any plan other deducted) AND costs associated with more than one tax return was filed IRS Identity Protection Specialized Unit than an accountable plan) are subject your cell phone, as long as the calls are using your SSN; you owe additional for specialized assistance at 1-800-908- to withholding and employment taxes made for business purposes; tax, refund offset or have had collection 4490. They have teams available to assist. and are shown as wages on Form W-2 continued on page 40

If you make less than $16K as a musician, check out this tax tip!

If you earn less than $16,000 for the to gross income. To qualify, you must 3. Your adjusted gross income is not If you meet all of the above require- year as a musician, you may be eligi- meet all of the following require- more than $16,000 before deducting ments, you should first complete ble to deduct business expenses as an ments: these business expenses. Form 2106 or 2106-EZ. Then you in- “above the line” deduction, meaning 1. During the tax year, you perform If you are married, you must file clude your performing-arts-related that it can directly reduce your adjust- services in the performing arts as an a joint return unless you lived apart expenses from Form 2106, line 10, or ed gross income. This could be an ad- employee for at least two employers from your spouse at all times during Form 2106-EZ, line 6, in the total on vantage for musicians. The following and you receive at least $200 each the tax year. If you file a joint return, Schedule 1 of Form 1040. information is from IRS publication from any two of these employers. you must figure requirements (1) and 463 (see www.irs.gov): 2. Your related performing-arts busi- (2) separately for both you and your If you do not meet all of the above If you are a performing artist, you ness expenses are more than 10 % of spouse. However, requirement (3) ap- requirements, you do not qualify to may qualify to deduct your employee your gross income from the perfor- plies to your and your spouse’s com- deduct your expenses as an adjust- business expenses as an adjustment mance of those services. bined adjusted gross income. ment to gross income.

April 2020 | Allegro 39 n NEWS & VIEWS TAX TIPS FOR MUSICIANS FROM page 39 safe-harbor method for calculating if the instruments are so bulky and a good log or diary. l Books and subscriptions to home office deductions on schedule C. heavy that it is impossible to use public Numerous other items are deductible professional journals; transportation. by the professional musician. Among l Advertising and photographs for TRAVEL EXPENSES The costs of transporting instruments these are education expenses, promotion; The deductibility of long-distance to and from work are deductible only if accounting fees, and fees for investment l Other promotional expenses; travel involving railroad or plane fares extra costs were incurred. advice. l Gifts (not exceeding $25 per is fairly clear. The fares, plus related If you are playing more than one With regard to education, you may recipient); costs – such as taxis to or from the job during the day, you may use the take a deduction for any training or l Repairs and upkeep of instruments; depot, baggage-handling charges and business mileage formula described coaching that sharpens your present l Insurance on instruments; passports for business trips – are all above for travel between jobs. job or professional skills, or meets l Substitutes’ pay; deductible as travel expenses. Again, except for any additional the expressed requirements of your l Legal expenses for drawing up If you were away from home expenses, there is no auto deduction employer for you to retain your job. contracts of employment; overnight, you may also deduct all of for travel to the first job or home from You may also be able to deduct the cost l Rental of instruments; and the following expenses: 50% of meals the last. of a course if you are entering a new l Depreciation of instruments or and entertainment (see additional notes specialty within the music field. recording equipment. and caution at end); 100% of travel EXPENSES FOR UNIFORMS Note - Unfortunately, after the l Costs of your internet service and lodging; laundry and cleaning; The cost of uniforms and other Tax Cuts and Jobs Act (“the TCJA”), provider, website designer, website reasonable tips to bellhops and other apparel, including their cleaning, starting January 1, 2018, entertainment, expenses, domain hosting bill or hotel employees; and transportation at laundering, and repair, is deductible amusement, or recreation expenses for anything related to the internet that is your destination. only if the garments are specially clients and business associates are no related to your business. Also, you may Musicians may also use their own required in order for you to keep your longer allowed as business deductions. be able to deduct the cost of buying cars for business travel. The deductible job and are not adaptable to general or Business meals provided to clients and a computer if it is used for business items involved include: depreciation of continued wear, to the extent that they business associates are discussed below. purposes, and you may also be able to the cost of the auto; gas, oil and tires; could replace your regular clothing. The IRS issued guidance clarifying deduct a portion of the depreciation on insurance, license and registration fees; You may not deduct the cost of that taxpayers may generally continue your computer each year. parking expenses (e.g., garage rental ordinary clothes used as work clothes to deduct 50% of the food and beverage l Contributions made to formal or parking meters); and parkway or on the grounds that they get harder use expenses associated with operating pension or profit-sharing plans for bridge tolls. The point to remember in than customary garments, that they are their trade or business, despite changes themselves and their employees. deducting auto expenses is that after soiled after a day’s work and cannot to the meal and entertainment expense The procedures for this are quite you have totaled all of these costs, you be worn socially, or that they were deduction under Sec. 274 made by the complicated, and we advise that must subtract that portion used for purchased for your convenience to save TCJA. professional assistance be obtained. personal purposes. wear and tear on your better clothes. Under the interim guidance, taxpayers l The following items – home office The regulations call for an allocation That your job requires you to wear may deduct 50% of an otherwise and travel expenses and expenses for based upon both time and mileage expensive clothing is not, according to allowable business meal expense if: uniforms – were omitted from the above used, and this is often the most difficult the IRS, a basis for deducting the cost of l The expense is an ordinary and list. A word of caution is needed as to part of the calculation. the clothes, if the clothing is suitable for necessary business expense under Sec. their deductibility. An alternate method involves wear off the job. 162(a) that is paid or incurred during computing the amount of business Deductions have been allowed to the tax year when carrying on any trade HOME OFFICE EXPENSES mileage and then multiplying those musicians for formal wear and the costs of or business; You may claim a deduction if you miles driven by 58 cents per mile (for theatrical clothing and accessories, if these l The expense is not lavish or use your home office exclusively and 2019). You may still deduct direct costs items are not suitable for ordinary use. extravagant under the circumstances; regularly for the administration or such as parking and tolls (but not l The taxpayer, or an employee of management activities of your business depreciation, gas or oil). JOB EXPENSES & EDUCATION the taxpayer, is present when the food and you have no other fixed location The real problem in travel expenses is Bills are required as proof for all job or beverages are furnished; where you conduct such activities. determining what portion of local travel expense items exceeding $75. l The food and beverages are “Exclusive use” means that the office (that is, not away from home overnight) There are many items of a lesser provided to a current or potential space cannot be used for personal is deductible. amount – such as tips and taxi fares – business customer, client, consultant, purposes. Home office expenses in In no case are personal meals where no proof may be obtained. or similar business contact; and excess of your net business income as a deductible if the musician does not Detailed records must be kept of these l For food and beverages provided musician are not deductible. The rules sleep away from home. expenses (and of business mileage if a during or at an entertainment activity, for the home office expense deduction The regulations say that commuting car is involved) through a careful diary they are purchased separately from the go beyond this general description costs are not deductible. This means or log. Keeping such records takes entertainment, or the cost of the food and should be discussed with your tax that if the musician travels only from time and effort. If your return is ever and beverages is stated separately from preparer. home to the hall and back again, the examined, however, you could lose the cost of the entertainment on one or The IRS has now provided an optional costs of travel are not deductible – even your entire deduction in the absence of more bills, invoices, or receipts.

40 Allegro | April 2020 n advertising

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42 Allegro | April 2020 n NEWS & VIEWS MEMBER TO MEMBER Rock in musical theatre

By Joseph Church for the theatre. It’s no wonder that rock is also a primary focus. Hopefully, [email protected] younger audiences are enjoying the mistaken assumption that rock is Broadway now more than ever. the enemy of healthy singing will be lthough I’ve sung all my life, I Most Broadway theatregoers today, dispelled. don’t consider myself a singer. even the older ones, now think of Rock only modifies the way singers I know that’s an odd statement rock as the norm of popular music produce sound – your technique won’t Acoming from someone who and therefore of the theatre. need an overhaul. All vocal production just wrote a book on singing. What I Still, rock took a firm hold in is the product of a physiology that am is a musician who freely uses his the theatre rather slowly and we everyone shares, modified by variables voice in his career as a music director, still hear a good deal of older- belonging to individuals – singers and composer and arranger – and as a vocal fashioned music and pastiche in characters – and the songs themselves. coach and professor. On the podium, musicals. Whereas it’s true that When performing rock in the theatre, conductors use their singing voices to musical theatre is traditionally you are extending vocal techniques you demonstrate an articulation, a dynamic, conservative, it has also sometimes already use. a rhythmic feel or a phrasing. Vocal been quite forward-thinking. It There are many exercises in the book coaches, naturally, refer to their own was only natural that rock would that engender good singing habits vocal production and musicianship to eventually migrate into new and long-term vocal health, using the help a singer understand and enact a theatre scores. To some extent, elements of rock music as a foundation. song. I know that many of my musical musical theatre music has always The exercises emphasize proper colleagues of all varieties will identify. reflected the pop music of its time breathing and breath control, effective In truth, almost everyone sings. (despite all the throwbacks), but articulation of text, rhythmic accuracy, Most people, obviously, do not sing rock, with its deliberately anti- timbre and placement and many other professionally, but singing is inherently establishment stance, took a little issues, all with an eye toward stylistic and universally human. Even some not- getting used to. The prevalence of authenticity. so-good singers have achieved great rock, soft rock, funk, pop, rap and rock is now reflected, as well, in most Writing this book became over time success as singing actors, entertainers countless other genres are all now part music and musical theatre training more than an attempt to examine an as- or creative artists. This is true in rock, of the expanse we call rock. programs, which have recently begun yet-unexamined topic. As I looked ever and it’s true in musical theatre, too. This Rock has had quite a robust lifespan to include rock in their curricula. more deeply into the songs and stories is just one parallel between rock and (despite taking all those drugs) and the Younger singers, though and many that shaped my life and the lives of many musical theatre. There are many others, millennial generation has further lifted of their coaches, too, are now removed musicians and actors, it became a music and there are just as many differences. sales off the charts. What’s more, almost from “original” rock – rock, that is, appreciation. My wish is that every My new book “Rock in the Musical every rock style ever born is still alive at its points of origin – by one and reader will have a similar experience and Theatre: A Guide for Singers” and well somewhere. It seems there sometimes two generations. They may that they will learn something along the addresses these differences and works will never be a shortage of rock songs. be unfamiliar with the cultural and way. Rock has evolved into something to reconcile them. It also outlines the And now, we hear these songs and these musical history that made rock such an more than the “soundtrack of our lives” commonalities and how they can work styles on Broadway and stages around extreme break from earlier song styles, – now, it defines our lives. That’s why we to the performer’s advantage. The the world. and they may not fully understand make it into musicals. book provides students, professional The variety of rock styles we’ve recently the musical language of the melodies singers and coaches at all levels with heard on Broadway is remarkable. they are interpreting. They may lack Joseph Church, a member of Local 802 information on the aesthetics, theory There’s the rap of “Hamilton,” the awareness of the upheavals in society since 1983, is best known for his work and performance practices most electronic dance music (and a whole and belief systems that accompanied as music director and supervisor of two relevant to singing rock on the musical lot more) of “Natasha & Pierre,” groovy the shift to rock music and how it groundbreaking Broadway musicals, theatre stage. folk-rock in “Dear Evan Hansen,” salsa influenced the sorts of characters “The Who’s Tommy” and “The Lion King.” In the book, rock is defined very in “On Your Feet” and just about every they will portray on stage. My book Also an active composer, he has written broadly, inclusive of almost all popular pop style ever conceived in “Moulin combines theoretical and pragmatic for film, television, the concert stage and music from the 1950s onward – music Rouge,” to name just a few. And then approaches to these topics, using over 30 plays and musicals. The opinions that was first dubbed “rock ‘n’ roll” there are all the jukebox musicals, extensive musical examples, detailed of writers in Allegro do not necessarily and rapidly grew more sophisticated, most of which are built around a rock repertoire lists, analytical studies, and reflect the opinions of the staff, members branching out into a myriad of new, artist or songwriter. On top of that, rock chronicles of coaching sessions showing or officers of Local 802. To submit a story musically revolutionary styles. Soul, musicians such as Cyndi Lauper and the aesthetics and theory in practice. to Allegro, send an e-mail to Allegro@ country rock, progressive rock, hard Sara Bareilles are themselves writing Of course, the technique of singing Local802afm.org.

April 2020 | Allegro 43 n meet our members why we joined the union To join Local 802, visit www.Local802afm.org/join-today

Grégoire Maret NICOLAS MIRABILE ARIANA CAPPON

I re-joined Local 802 when I started regularly in even more ensembles, includ- My goal is to work as a chamber musi- at the Union City Music Project. I think teaching at the New School. As a union ing chamber music groups. My favorite cian while performing and teaching in a that music is important because its power musician, I want to be treated fairly when recent performance was a production of variety of settings. My most favorite re- to move people is limitless. It can expose I work. As a chromatic harmonica player, Verdi’s “Aida.” I’d been waiting for nearly cent gig was a concert I gave at Columbia the stuff that’s in our hearts and minds I’m touring all the time, but my musical 20 years to be able to play in that opera, University; I loved curating a program more than anything else, and I’ve found goal in NYC is to teach more and continue and I was finally able to release all the ex- of works by Brahms and Prokofiev and that the process of understanding, com- working in clubs and theatres. One of my pression and energy that I’d gathered and working in detail with two extremely municating and listening makes us more favorite musical memories was my most stored in anticipation. I began violin with artistic pianists. I particularly enjoy honest and compassionate. recent European tour last summer. Every Suzuki lessons as a young child, then working in small ensembles because the Ariana Cappon gig was just amazing. I grew up in Swit- took up the viola when the intermediate process of interpreting and performing [email protected] zerland and came to NYC in 1996 to study orchestra at Third Street Music School music together is so complex and rich. I at the New School. I ended up working needed violinists to play viola. I’d always played in a piano trio for two years and I re-joined Local 802 after I recently had with Herbie Hancock, Pat Metheny, Ravi loved lower-pitched strings anyway, and most recently I completed a contract as the chance to do some musical theater Coltrane, Terri Lyne Carrington, Cas- the viola’s tone and mystery fascinated part of a piano quintet with the RWS En- work under a union contract. I’ve been a sandra Wilson and many other world- me. Music has carried me through the tertainment Group’s Lincoln Center Stage professional musician since I was 23 years famous artists. Music is a big part of my most difficult parts of my life as well as for Holland America Line. Outside of clas- old and have traveled extensively, touring life and has always been. I love to grow as some of the happiest. I have an innate sical music, I played for two years with an with rock bands, cover bands, pop sing- an artist and explore different universes spiritual connection with music; harmo- Afro-Cuban charanga band, which intro- ers, 1960s soul artists, and various shows. and styles of music. nies affect me in very powerful, personal duced me to improvisation and a more I currently participate in the BMI Writ- Grégoire Maret ways. Music will always be my rock, and rote-based style of music. I’ve spent my ers Workshop, which offers the amazing [email protected] it’s a calling that I can’t ignore. whole life studying music, first at the pre- opportunity to hear my work performed Nicolas Mirabile college program at the Manhattan School by the BMI Big Band. My musical goal in I joined Local 802 to become a member [email protected] of Music and later at the Indiana Univer- NYC is to do more gigs requiring wood- of a wider musical community. I hope to sity Jacobs School of Music for my bach- wind doubles, including saxes; doubling meet talented and skilled colleagues and I joined Local 802 to gain access to qual- elor’s and master’s degrees. I’ve played as is something that I enjoy very much. One friends with whom to bond and make ity work for humane compensation and a soloist and in orchestras in both educa- of my favorite recent gigs was a record- music. As a freelancer, I’ve played with to find a broader musical community in tional and professional settings and also ing session with the Schapiro17 big band, many groups, including the Montclair New York City. Because this city has such have experience with baroque violin. As a where I play alto 2. Our album was a trib- Orchestra, Symphony of Westchester and an appetite for the arts, it’s an ideal place teacher, I had a private violin studio while ute to Miles Davis called “Boiled Funk” Manhattan Symphonie. My goal is to play to collaborate with passionate musicians. I lived in Bloomington and taught groups (which is an anagram for “Kind of Blue”).

44 Allegro | April 2020 n meet our members why we joined the union To join Local 802, visit www.Local802afm.org/join-today

CANDACE DeBARTOLO AVERY YURMAN MAYU SAEKI

This band has an amazingly steady lineup on film, mainly because I greatly admire providing my own students with the best jazz master Chico Hamilton and I’ve also of NYC players, and we’ve been together the incredible skillsets and creativity musical education I can. To me, music played with Arturo O’Farrill, Lewis Nash, for almost 10 years now. I’m also a long- of each department and love watching is emotion, communication, expression, MGQ + strings, Four Celtic Voices, and time member of the alternative rock band them coalesce to create truly spectacular connection and healing. When words fail, many others. This year, I was named one Spottiswoode & His Enemies. I’ve played productions! I double on all the wood- music speaks. I’ve seen total strangers of Downbeat’s rising stars in jazz flute in in most of the jazz rehearsal bands in winds and their auxilaries and special- bond over a shared love of music, and find their 67th annual critics poll, which was town and do tons of wedding work. I ize in performing on double reeds (and it so beautiful that people experience mu- a great honor! I have a master’s degree as started playing sax at age ten and always in jazz, funk and rock on saxophone and sic in both similar and uniquely different a classical flutist and I also play theshi - dreamed of being a professional player. trumpet). I also sing (mezzo-soprano and ways from one another. Music makes me nobe, a traditional Japanese flute. My mu- Most of my relatives are professional mu- alto), play piano/keys and drums/mallet feel so joyful, fulfilled, positive and appre- sical goal is to continue working in many sicians; it’s part of my entire identity and percussion, act, and have been trained in ciative of life -- which, in turn, renders me different facets of the NYC music scene. the only thing I’ve ever wanted to be. Even ballet, pointe, tap, jazz, lyrical and hip- even more able to put my love and energy Playing music with others gives me lots with the struggles of making a living, hop dance styles. My other main musi- out into the world, towards other people. of inspiration to make my own music. I making music always provides a payoff. cal passion is composing, orchestrating Avery Yurman released my first solo album “Hope” from Candace DeBartolo and arranging for all types of ensembles. [email protected] Brooklyn Jazz Underground Record in [email protected] One of my favorite projects to date was 2018, which was inspired by all the mu- when I worked on an original musical as I re-joined Local 802 when I was asked sic that I’ve experienced. I also love shar- I joined Local 802 to have more varied the music director, orchestrator, copyist to sub for Josh Johnson for “Fiddler on ing my skills and experience with young performance and compositional opportu- and editor. For four years, I have served the Roof in Yiddish.” I loved the book musicians. I currently teach flute in vari- nities in NYC. I first joined AFM Local 16- as piccolo/flute/trumpet doubler, music because it called for three flutes (C, pic- ous master classes, mostly in Arizona and 248 to perform on bassoon in “West Side director and manager of an original NYC- colo and alto) with no doubles, which is Texas, and I’m also a piano accompanist Story” at the Paper Mill Playhouse in New based theatrical symphonic rock/metal unusual for a woodwind chair. The show for a dance class here in NYC. Music has Jersey and then joined Local 802 to be the band. I have taught concert band, chorus, was great because the orchestra was on- been always with me since I was little. It bassoonist in the Engeman Theatre’s pro- marching band, jazz ensemble, general stage and very close to the actors. Besides is the foundation of my identity and it’s a duction of “A Gentleman’s Guide to Love music and private lessons for nearly seven musical theatre, I’ve played in sympho- way to express myself emotionally. Fortu- and Murder.” Under an AFM contract, I years as a Long Island-based public school nies, opera orchestras, jazz, pop, TV, nately, music became my profession, and also reprised a role playing bassoon and educator. I was so fortunate to have had films and recording studios, including as I’ve met and connected with so many acting for two seasons of the Amazon some of the most passionate (and com- a vocalist. Most of my work was in Tokyo amazing people because of music. series “Mozart in the Jungle.” I hope to passionate!) music educators and have before I moved to NYC in 2009. I imme- Mayu Saeki gain new opportunities in musicals and been so inspired by them to give back by diately got the chance to play with NEA [email protected]

April 2020 | Allegro 45 n OBITUARIES REQUIEM photo: eric cable via wikipedia photo: ANTON COPPOLA KATSUKO ESAKI MITCHELL JELLEN LYLE MAYS

Anton Coppola Derasse appears at www.local802afm. a member of the Mostly Mozart Festival “I remember Katsuko as a great col- nton Coppola, 102, the conduc- org/allegro/articles/music-for-peace.) Orchestra at Lincoln Center, Little Or- league and violinist but above all as the tor and composer, died on March Mr. Coppola was honored with the life- chestra Society, American Symphony, wonderful and generous friend that she A9. He had been a member of Local time achievement award from the Puc- Stamford Symphony and Arco Ensem- was. I will miss her cheerful smile with 802 since 1935. Mr. Coppola was pos- cini Foundation and recognized by the ble, as well as the OK Mozart Festival which she always greeted me when she sibly the oldest conductor in the world Italian government as a “Cavaliere, Gran and the Grammy-nominated Harmonie saw me. I know you are now playing and was still actively conducting up un- Ufficiale.” He is survived by his wife Ensemble/New York, conducted by her with the angels, Katsuko!” til the end of his life. During his career, Almerinda Drago, daughter Lucia, son husband of 35 years, Local 802 mem- – Francisca Mendoza he conducted on Broadway as well as at Bruno, six grandchildren and a number ber Steven Richman. With the latter she the New York City Opera and with opera of great-grandchildren. His family tree is recorded the Dvořák “Terzetto” on the “When I look in my closet, I still see orchestras in Cincinnati, San Francisco, immense and also includes famous ac- Music & Arts album “Dvořák Discover- some timeless garments given to me by Seattle and Tampa. Mr. Coppola stud- tors and directors, including his nephew ies,” which was chosen by James Oes- my dear friend Katsuko. They still clothe ied at Juilliard before conducting his Francis Ford Coppola, grandnewphew treich, music editor of The New York me as do memories of her kindness and first work at the age of 18. A year later, Nicolas Cage and grandniece Sofia Cop- Times, as one of the five best record- generosity throughout our long friend- he won a seat at the Radio City Music pola, among many others. Obituary ings for the Dvořák centennial in 2004. ship. It’s thanks to Katsuko that I received Hall Orchestra, where he played oboe. information from the New York Times She also performed with the New York my very first opportunity to enter the (He later conducted the orchestra.) In and from previous Allegro articles about City Ballet, American Ballet Theatre and world of Broadway; asking me to sub for World War II, he served as a musician in Mr. Coppola by Dominic Derasse. New York Pops. Ms. Esaki recorded on her in ‘Camelot.’ Being with her in con- a stateside band. Later, he served as the the EMI, RCA Victor, Angel, Nonesuch, versation was somewhat like ‘Camelot.’ director of both the symphony and opera Vox, Koch, Bridge, Harmonia Mundi, I always felt that there was a bright side departments at the Manhattan School Katsuko Esaki PIAS and Atlantic record labels. She re- to everything. As a friend she was always of Music, from 1964 to 1980. Two of his he violinist Katsuko Esaki, 77, corded with the Modern Jazz Quartet, reassuring, encouraging me with a hand recent works (“Sacco and Vanzetti” and died on Nov. 20, 2019 after a long performed with everyone from Chick on my shoulder. It makes me sad to think “Lady Swanwhite”) were premiered at Tillness. She was born in Tokyo and Corea to Garrison Keillor, appeared on she is no longer with us. I can only hope the Opera Tampa, where Mr. Coppola was a member of Local 802 since 1974. Saturday Night Live, and served as con- to imitate her kind nature.” conducted from 1995 to 2012. Mr. Cop- She earned a bachelor of music degree certmaster of many Broadway shows – Mineko Yajima pola even appeared as an actor in season from Musashino Music Academy and a including “Dreamgirls” and “Guys and two of the Amazon series “Mozart in the master’s degree from Sarah Lawrence Dolls.” She toured throughout Europe, “I met Katsuko in the early 80s in Jungle.” Four years ago, Mr. Coppola con- College, where she studied with Doro- Japan, the USSR, Mexico, Canada, and NYC. I had just graduated from Juilliard ducted Local 802 members and others in thy Delay. Her other teachers included the U.S., and participated in the festivals and was trying to get a foothold in the a rendition of “La Marseillaise” in Times Ivan Galamian and Itzhak Perlman. Kat- in Aspen, Spoleto, Madeira and Lacoste freelance scene. Back then, one of the Square as a tribute to the victims of the suko came to the United States in 1968, (France). Ms. Esaki was much beloved hottest organizations in the city was terrorist attack of July 2016 in France. (A where she first performed with the and respected by countless friends and the New York Chamber Symphony con- beautiful photo of the event with remi- North Carolina Symphony and Roches- colleagues. Here are some reminiscenc- ducted by Gerard Schwarz. I auditioned niscences from event organizer Dominic ter Philharmonic. In New York, she was es and tributes that were sent to us: for Schwarz and managed to get hired.

46 Allegro | April 2020 n OBITUARIES REQUIEM

fell in love with Katsuko’s collection, tours to Japan we did where she was a which was full of unique items that you wonderful and very special personal wouldn’t find anywhere else and would tour and cultural guide. She helped us be fun and attractive gifts. I ended up with many dinners, purchases and trips, purchasing more than I ever intended making sure we experienced the best and then actually had to look around of Japan and took home with us many for people to give them to. Invariably, beautiful memories.” though, whenever I presented my Katsu- - Dorothy Strahl ko gifts the scenario would play out the same way, with delight often followed by “I played with Katsuko at the Stam- disappointment. When recipients would ford Symphony for the past 25 years and express their delight at the beauty and she was of course an extraordinary mu- elegance of their gift I’d simply say to sician. She was also an extraordinarily them ‘That’s Katsuko!’ But then, some- warm and generous colleague. She al- times, they’d ask how they could acquire ways found ways to be inclusive and

annemyr via W ikipedia G isle H annemyr photo: another, for themselves or a friend, and treated everybody the same way. She RICHARD ALAN REISSIG McCOY TYNER I’d have to disappoint them by, again, will be greatly missed.” pointing out that these gifts were like – David Steinberg Katsuko herself. That is to say, they’re It was a fantastic group of professionals, not quite remember which road to take, special and one of a kind. And now, I’m and I was just a kid. Katsuko (a long- but Katsuko would invariably guide us sad to add, greatly missed.” Mitchell Jellen time member) came over and was love- with the correct names and directions – Kamau Adilifu itchell Jellen, 92, a trum- ly to me. We spent that first break chat- (well before GPS), getting us back on peter and a member of Lo- ting and became instant friends. This track with her upbeat and supportive “Katsuko was a beautiful and sensitive cal 802 since 1953, died on was so typical of Katsuko – taking time encouragement. I will always cherish artist who enhanced everyone around MMarch 1. He started his career to make a stranger feel comfortable and her thoughtful gifts as will many others her. It was a privilege to work with her. by playing first trumpet with the Mitchell welcome. She had the warmest of hearts on whom she bestowed them. Togeth- She had integrity and creativity and al- Field Air Force band for four years. After and the kindest of souls. Our friendship er with her husband, conductor Steve ways shared the joy of music making. leaving the service, he played first trum- lasted through all the years until she Richman, she provided a rich, nurtur- Her spirit will always be with me.” pet with the Florida Symphony under passed recently. We worked together on ing environment to help to bring their – Jack Rosenberg Frank Miller and with the Denver Sym- Broadway, at Mostly Mozart, and at doz- music to audiences around the world. phony under Saul Caston. He toured and ens of other gigs I don’t even remember We will miss dear Katsuko.” “I met my dear friend Katsuko in 1973, performed as first trumpeter and contrac- any more. When Mostly Mozart started – Robin Bushman while playing with the Rochester Phil- tor with many Sol Hurok productions, in- traveling to Japan, Katsuko helped sev- harmonic. She was the first Japanese cluding the Royal Ballet of London, Kirov eral of us who were struggling to learn “I was saddened to find my friend person I had ever met. I was very shy Ballet of Leningrad, Bolshoi Ballet of the language and was happy to chaper- Katsuko Esaki’s name listed among 802 about our meeting, but I was stunned Moscow, various Russian and Polish folk one us around Tokyo and other areas. members who’d recently passed away. by her kindness. Years later, we ended festivals, and others. He later played first And Katsuko was a superb musician I first met Katsuko somewhere in the up working together in many different trumpet for the Broadway show “La Cage and violinist. I miss her deeply and we early to mid-1980s when she played in freelance situations and it was always a aux Folles” for four years as well as per- are all much poorer since she left us.” the string section of shows for which I joy to see her. When we spent time in forming many other gigs in and around – Scott Ballantyne served as house contractor. I first came Tokyo together with Mostly Mozart, she NYC. He is survived by his wife Pat, his to know and appreciate her as a highly always guided me to her favorite spots. daughter and son, five grandchildren and “I admired Katsuko for her enthusi- skilled and consistently reliable profes- Since she lived only a few blocks away two great-grandchildren. astic desire to meet the adventures of sional who possessed a beautifully per- from me, we would often travel to gigs continued on page 48 life with their inevitable challenges and sonal sound and a musically elegant together and we had many wonderful with a hopeful determination. Sitting style. I got to know Katsuko in a more and serious heart to heart conversa- with her on the same stand at the OK personal way when she first opened tions. I will hold in my heart her beauti- We also remember . . . Mozart Festival in Oklahoma, her musi- her Christmas Japanese gift store in her ful smile and stunning appearance and cal sensibilities were finely tuned. She home, in support of her husband, con- her heart! R.I.P. dear friend.” Philip Greiss, drums had a generous, caring nature that al- ductor Steven Richman’s Harmonie En- – Lois Martin Mike Longo*, piano ways made our working relationship semble/New York. The sale was made Ray Mantilla*, percussion very enjoyable. On occasion, we would up of very special items that her mother “Violinist Katsuko Esaki was my good Leo Ursini, saxophone travel outside the bounds of Bartlesville, in Japan had made. I went, that first friend and colleague. Among many jobs Oklahoma, where I would sometimes year, with my daughter and we both we played together it was on the many *Full obituary will appear in next issue

April 2020 | Allegro 47 n OBITUARIES REQUIEM OBITUARIES CONTINUED FROM page 47

Lyle Mays David Bowie became a Top 40 hit. Mr. law Kim, son Andrew, daughter-in-law he began a career-changing relationship yle Mays, 66, the jazz keyboardist, Mays also recorded or played with Rickie Christine, son Frederick and daughter- with John Coltrane. Mr. Tyner joined composer and arranger, died on Lee Jones, Bobby McFerrin, Joni Mitch- in-law Rosalie. He is also survived by his Coltrane for the classic album “My Fa- Feb. 10. He had been a member of ell, Marc Johnson, Peter Erskine, Mark beloved dog Bailey and his social media vorite Things” (1960), and remained at LLocal 802 since 1977 and was best Walker and others. He also composed family. A memorial service will be held the core of what became one of the most known for his ongoing work with the Pat classical music and recorded children’s at the Union Congregational Church in seminal quartets in jazz history. In 1965, Metheny Group. “Lyle was one of the audio books. In his career, Mr. Mays won Montclair at a future date; check www. Mr. Tyner left the group to explore his greatest musicians I have ever known,” 11 Grammy awards and was nominated unioncong.org for updates. Obituary destiny as a composer and bandleader. wrote Mr. Metheny on his Web site. for many more. He is survived by his from legacy.com and www.facebook. For the next five decades, he led his “Across more than 30 years, every mo- sisters Joan and Jane, and niece Aubrey. com/richard.reissig. own ensembles made up of top players ment we shared in music was special.” Obituary information from the New like Jon Henderson, Ron Carter, Elvin Metheny added, “From the first notes we York Times and Wikipedia. Jones, Michael Brecker, Stanley Clarke, played together, we had an immediate McCoy Tyner tap dancer Savion Glover, Joe Lovano, bond. His broad intelligence and musi- he jazz pianist McCoy Tyner Christian McBride, Jeff “Tain” Watts and cal wisdom informed every aspect of Richard Alan Reissig died on March 6 at the age of others. He released nearly 80 albums who he was in every way. I will miss him ichard Alan Reissig, 91, a French 81. He had been a member of under his name, earned four Grammys with all my heart.” Mr. Mays attended hornist (who also played Wagner TLocal 802 for over 50 years. Mr. and was designated a Jazz Master from the University of North Texas, where he Rtuba) and a member of Local 802 Tyner’s blues-based piano style, replete the National Endowment for the Arts in composed the music to the One O’Clock for almost 60 years, died on Feb. 20. with sophisticated chords and an explo- 2002. He left his mark on generations of Lab Band’s album “Lab 75,” which was Born in Bridgeport, Connecticut in 1928, sively percussive left hand, transcended improvisers, and yet remained a modest nominated for a Grammy. In 1975, he Mr. Reissig grew up in Illinois. He earned conventional styles to become one of and spiritually directed man. Mr.Tyner’s toured with Woody Herman’s big band a degree from Juilliard in 1954 and the most identifiable sounds in impro- survivors include his wife Aisha, son shortly before beginning his long asso- ultimately won chairs in the Metropolitan vised music. His harmonic contribu- Nurudeen (Deen), brother Jarvis, sister ciation with Mr. Metheny. Besides releas- Opera Orchestra and Baltimore tions and dramatic rhythmic devices Gwendolyn-Yvette Tyner, nephew Kolby ing 17 albums, the Pat Metheny Group Symphony, among other distinguished formed the vocabulary of a majority of and three grandchildren. Obituary edit- also wrote the score for the 1985 movie ensembles. Mr. Reissig also served in the jazz pianists. Born in 1938 in Philadel- ed from Mr. Tyner’s biography at www. “The Falcon and the Snowman”; a song Marines during the Korean War. He is phia, he became a part of the fertile jazz McCoyTyner.com with additional infor- from that movie that they recorded with survived by his brother Daniel, sister-in- and R&B scene of the early 50s. At 17 mation from the New York Times. Obituaries in Allegro To report the death of a member, send an e-mail to [email protected]. Be sure to ask about any possible refund of Local 802 membership dues or about the union’s death benefit (there are certain eligibility requirements). if you have any reminiscences, memories or stories about deceased musicians on these pages, please e-mail them to [email protected] SURVIVORS of deceased members should contact the AFM Pension Fund at (800) 833-8065, ext. 1311 (or www.afm-epf.org) to ask about any possible benefits. To submit an obituary to Allegro, e-mail Allegro editor Mikael Elsila at Allegro@ Local802afm.org or call (646) 765-9663. Photos and personal essays are also welcome.

48 Allegro | April 2020 n advertising

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April 2020 | Allegro 49 n NEWS & VIEWS

Agreement. Tuesday, February 18, 2020 Krauthamer reported on matters Discussion held. Meeting called to order at 11:14 am pertaining to AFM-EPF. Executive Fisher announced that NYCOSH by President Krauthamer. Present: Discussion held. board minutes had delivered informational booklets Financial Vice President Fisher, Recording Vice President Schwartz to the local. Executive Board members Davis, present at 11:57 and took the minutes. Discussion held. Donovan, Frawley, Hoyt, Kainuma, Krauthamer reported that the Tuesday, February 11, 2020 Fisher reported on matters Paisner, Shankin. Hoyt took minutes. board will meet with Indie Musicians eeting called to order pertaining to a performance by Minutes of February 11, 2020 Caucus next week. at 11:18 am by Financial Westchester Symphony. reviewed. Discussion held. Vice President Fisher. Discussion held. It was moved and seconded to Krauthamer reported on a training MPresent: Recording Vice Fisher reported on personnel approve the minutes of February 11, session presented to rank & file President Schwartz, Executive Board matters at the local. 2020 as submitted. committee members and staff by a members Axelrod, Donovan, Frawley, Discussion held. Discussion held. representative of Labor Notes. Hoyt, Kainuma, Shankin. President Senior Business Rep Friedman Motion carried unanimously. Discussion held. Krauthamer absent. present. President Krauthamer presented Krauthamer reported on the Minutes of February 4, 2020 Friedman presented an Incidental requests from two members for leaves status of negotiations for a collective reviewed. Music agreement with Lincoln of absence from Broadway shows. bargaining agreement with Not-for- It was moved and seconded to Center Vivian Beaumont Theatre It was moved and seconded to Profit theatrical employers. approve the minutes of February 4, dba Lincoln Center Theatre for its approve the leaves of absence as Discussion held. 2020 as submitted. production of Greater Clements. submitted. Krauthamer reported that he will Discussion held. Friedman excused. Discussion held. meet with the orchestra committee Motion carried unanimously. It was moved and seconded Motion carried unanimously. of New York Philharmonic. Executive Board member Paisner to approve the Incidental Music Krauthamer requested that the Discussion held. present at 11:22. agreement for Greater Clements as board confirm the results of an Krauthamer reported he will be Recording Vice President Schwartz submitted. email poll in which it approved meeting with the orchestra committee presented a request from a member Discussion held. the successor collective bargaining of New York City Ballet. for a leave of absence from a Motion carried unanimously. agreement between Local 802 and Discussion held. Broadway show. Schwartz reported on a proposed Children’s Orchestra Society. Krauthamer reported on matters It was moved and seconded to email blast to members regarding an It was moved and seconded to pertaining to The Shed. approve the leave of absence as engagement on February 14, 2020 at confirm the results of the email poll Discussion held. submitted. Radio City Music Hall featuring Josh pertaining to Children’s Orchestra Krauthamer reported on a budget Discussion held. Groban in which no agreement had Society. for podcasting equipment. Motion carried unanimously. been filed. Discussion held. Discussion held. Financial Vice President Fisher Discussion held. Motion carried unanimously. Krauthamer reported that Local reported that she had approved a Schwartz reported on the status of Executive Board member Paisner 802 will meet with representatives request from Symphony Space to club room improvements. reported on matters pertaining to the of The Broadway League regarding utilize public service scales for a Discussion held. Local 802 Political Action Committee. a request for a special situation from rehearsal on March 31, 2020 and Local 802 counsel Mars, Principal Discussion held. the producers of Six. performances on April 1 & 2, 2020. Business Rep Weeks and Field Krauthamer presented a request for Discussion held. Discussion held. Representative Voccola present. funding of league fees in the amount Krauthamer reported on matters Fisher reported on the status of Schwartz, Mars and Voccola of $1,700 for the Local 802 Softball pertaining to booking the club room. negotiations between Local 802 reported on the terms of a grievance Team. Discussion held. and Lincoln Center Mostly Mozart settlement with Hank Lane Music. Executive Board member Cohen Krauthamer reported on a Festival for a successor collective Discussion held. present at 11:30. contract extension for the Broadway bargaining agreement. Voccola excused. It was moved and seconded to production of American Utopia. Discussion held. Fisher excused at 1:40. Schwartz approve $1,200 toward the fees for Discussion held. Fisher reported on the status of assumed the chair. the Local 802 Softball Team. Executive Board member Davis negotiations between Local 802 Mars and Weeks presented an Discussion held. excused at 12:27. and New Jersey Festival Orchestra agreement between Local 802 and Motion carried unanimously. Krauthamer reported on the for a successor collective bargaining Children’s Orchestra Society for Executive Board member Davis engagement of Josh Groban at Radio agreement. a successor collective bargaining reported on the work of the Social City Music Hall on February 14, 2020. Discussion held. agreement. Engagement Team. Discussion held. Fisher reported that she had met Discussion held. Discussion held. Board recessed at 12:38. with the orchestra committee of Mars excused. Krauthamer reported on the Board reconvened at 12:50. Little Orchestra Society. Weeks presented a proposal from agenda for the membership meeting Director of IT Mosher present. Discussion held. Women in Jazz Organization for two of February 26, 2020. Mosher proposed improvements to Fisher reported on the cancellation events in the club room featuring Discussion held. the IT system at the local. of an engagement due to illness panel discussions. Krauthamer reported on a stewards Discussion held. by Andrea Bocelli without the Weeks excused. training program in collaboration Executive Board member Paisner contractual notice required in Discussion held. with AFM. excused at 12:54. the Single Engagement Concert Meeting adjourned at 2:17 pm. Discussion held. Executive Board member Donovan

50 Allegro | April 2020 n NEWS & VIEWS excused at 1:06. Motion carried unanimously. Discussion held. of negotiations between Local 802 Mosher excused. Member Steven Lyon present. Couture excused. and New York Philharmonic for Board recessed at 2:15. Lyon reported on the status of Executive Board member Davis a successor collective bargaining Board reconvened at 2:28. negotiations between Local 802 and reported on the status of negotiations agreement. Krauthamer reported on the status Not-for-Profit theatrical employers. between Local 802 and DCINY for a Discussion held. of negotiations with DCINY. Discussion held. collective bargaining agreement. Executive Board member Hoyt Schwartz reported on his meeting Lyon excused. Executive Board member Axelrod discussed content in the recent issue of this morning with the Cornell ULI Board recessed at 12:27. discussed matters pertaining to 802 of Allegro. Advisory Committee. Board reconvened at 12:42. Legit, Inc. and proposed an initiative Discussion held. Discussion held. Principal Business Rep Weeks to utilize bandshells throughout the Krauthamer excused at 12:39. Financial Vice President Fisher present. five boroughs. Financial Vice President Fisher reported that she had approved a Weeks present with a budget Discussion held. assumed the chair. request from Bronx Arts Ensemble proposal from Women in Jazz Krauthamer reported on the Board recessed at 12:39. to utilize public service rates for a Organization for Meet and Greets and process of political endorsements by Board reconvened at 12:54. children’s performance at West Farms panel discussions. the Executive Board. Cohen discussed matters pertaining Library on May 13, 2020. Discussion held. Discussion held. to organizing. Discussion held. Weeks excused. Meeting adjourned at 2:47 p.m. Discussion held. Fisher reported on the status of It was moved and seconded to Fisher reported on the terms of a negotiations between Local 802 and approve funding for WIJO events in Tuesday, March 3, 2020 tentative agreement reached between Mostly Mozart Festival for a successor the amount of $450. Meeting called to order at 11:19 am Local 802 and Mostly Mozart Festival collective bargaining agreement. Discussion held. by President Krauthamer. Present: for a successor collective bargaining Discussion held. Motion carried unanimously. Financial Vice President Fisher, agreement. Meeting adjourned at 3:33 pm. Krauthamer reported on the Recording Vice President Schwartz, Discussion held. request for a special situation from Executive Board members Axelrod, Senior Business Rep Friedman Tuesday, February 25, 2020 the producers of the Broadway Frawley, Kainuma, Paisner, Shankin. present. Meeting called to order at 11:17 am production of Six. Minutes of February 25, 2020 Friedman presented a request by President Krauthamer. Present: Discussion held. reviewed. for an incidental music agreement Financial Vice President Fisher, Krauthamer reported on his Executive Board member Hoyt from Second Stage Theatre for its Recording Vice President Schwartz, conversation with AFM-EPF Trustee present at 11:21. production of We’re Gonna Die. Executive Board members Axelrod, Bill Moriarity regarding plans for a It was moved and seconded to Friedman excused. Davis, Donovan, Frawley, Hoyt, meeting of Fund trustees with local approve the minutes of February 25, It was moved and seconded to Paisner, Shankin. members. 2020 as submitted. approve the agreement with Second Minutes of February 18, 2020 Discussion held. Discussion held. Stage Theatre. reviewed. Krauthamer reported that Local Motion carried unanimously. Discussion held. Executive Board member Cohen 802 will meet this Friday, February President Krauthamer presented Motion carried unanimously. present at 11:20. 28, 2020 with AFM to coordinate a letter from the producers of the Recording Vice President Schwartz It was moved and seconded to organizing for the next round of Live Broadway production of Sing Street reported on the status of negotiations approve the minutes of February 18, TV and Videotape negotiations. pertaining to music staffing. between Local 802 and Live Nation 2020 as corrected. Discussion held. Executive Board member Cohen for a successor collective bargaining Discussion held. Krauthamer reported on the status present at 11:25. agreement covering the NYCB Motion carried unanimously. of planning for the 401(k). Discussion held. Theatre at Westbury. President Krauthamer presented a Financial Vice President Fisher Krauthamer presented a request Discussion held. request from a member for a leave of excused at 1:30. from a member for a leave of absence Schwartz reported on the planned absence from a Broadway show. Discussion held. from a Broadway show. rollout of a computer system module It was moved and seconded to Krauthamer reported on the It was moved and seconded to for recording work dues. approve the leave of absence as agenda for the February 26, 2020 approve the leave of absence as Discussion held. submitted. membership meeting. submitted. Executive Board member Frawley Discussion held. Discussion held. Discussion held. reported on a meeting of locals with Motion carried unanimously. Krauthamer reported on the status Motion carried unanimously. the AFM pertaining to organizing in Krauthamer reported on the of the Local 802 Musicians Health Krauthamer reported on matters advance of negotiations for successor Broadway Beacon Awards to be Fund. pertaining to club room policy. collective bargaining agreements presented by Inside Broadway on Discussion held. Discussion held. covering Live TV/Videotape and March 16, 2020 and its plans to Executive Board member Donovan Krauthamer presented résumés for Motion Picture/Television Film. include him among the honorees at excused at 1:37. the position of Director of Organizing. Discussion held. the event. Theatre Department Senior Discussion held. Meeting adjourned at 2:47 pm. It was moved and seconded to Business Rep Couture present. Krauthamer reported on the purchase two tickets to the Broadway Couture reported on a settlement upcoming special situations meeting ALL EXECUTIVE BOARD MINUTES Beacon Awards and a quarter-page agreement pertaining to actor- with the producers of the Broadway AND ALL ALLEGRO ARTICLES ARE advertisement at a total cost of musicians performing in the production of Six. ARCHIVED AT WWW.LOCAL802AFM. $2,750. Broadway production of Sing Street Discussion held. ORG. USE THE SEARCH ICON FROM Discussion held. at the Lyceum Theatre. Krauthamer reported the status THE TOP RIGHT OF THE HOME PAGE

April 2020 | Allegro 51 n MEMBERSHIP INFO New and readmitted members To join Local 802, visit www.Local802afm.org/join-today

Paul Aguilar (violin) Shannon L. Highland (bassoon) Brian M. Nalepka (tuba) Mesia Austin (percussion) Holly Horn (violin) Charlotte O’Connor (french horn) Alex Bonoff (orchestrator) Rodney Howard (drums) Hayden Oliver (violin) Thomas Boulton (trumpet) Shan Jiang (violin) Regi Papa (violin) PJ Corallo (drums) Calvin Jones (bass gtr-acoustic) Nathan Peck (bass) David C. Degge (percussion) Chanel Karimkhani (vocalist) Michael Pilafian (piano) Anthony Dellaripa (drums) Marc Kudisch (drums) Michael Resetar (viola) Michiko Egger (guitar) Dominic LaMorte (elec upright bass) Ned (Edward) Rothenberg (soprano sax) Stephanie L. Evans (copyist) Jason Christopher Langley (electric bass) Christopher L. Sax (guitar) Brandon L. Florich (5 string bass) Michelle Lie (violin) Jeremy Smith (percussion) PJ Fossum (piano) Rachel Loseke (violin) Billy Smolen (bass guitar) Brian Fox (violin) Luba Mason (drums) Ross Snyder (violin) Erika Friedman (saxophone) Tom Mcevoy (piano) Katie Steinhauer (drums) Gary Garzetta (bass trombone) Elizabeth Mckenna (vocalist) Vladimir Tiagunov (piano) Emily Goldman (piano) David M. Mcmillen (drums) Debbie Christine Tjong (piano) Simon Goldvekht (piano) Kerry D. Meads (drums) Joanne Vance (vocalist) Vasil Golodinskii (tuba) Julianne B. Merrill (piano) Michael J. Wilson (guitar) Samuel Gray (violin) Thomas A. Monda (guitar) Derek Wohl (percussion) Glenn Guidone (tenor saxophone) Ikue Mori (cmptr synth prgm) Lukas (Lukas Violins) Wronski (music services) l Contact information for the musicians on this page Local 802’s Resource (and for any member of Local 802) can be found in our electronic membership directory. Start at Center contains curated http://info.Local802afm.org and log in, then click links and information on the DIRECTORY button from the top menu. that guide members l All new and readmitted members of Local 802 are eligible to be interviewed in Allegro in our to entrepreneurship “Why We Joined the Union” column (see page 44). If you want to participate, send an e-mail to opportunities and [email protected]. social services. l The next orientation sessions for new members of Local 802 will resume as soon as possible. For more START HERE: information, contact Shane Gasteyer at (212) 245- 4802, ext. 143 or [email protected]. You www.Local802afm.org/ may join Local 802 anytime at: www.Local802afm. resource-center org/join-today

52 Allegro | April 2020 n breaktime

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April 2020 | Allegro 53 n Marketplace | to advertise in allegro, e-mail [email protected] or call (646) 765-9663

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54 Allegro | April 2020 n LIVES & Stories The Band Room

found this story in my old friend and the Tommy Dorsey Orchestra to locked safe. The band was lying on the Gene DiNovi’s interesting memoir “I back them up. “So we’re going over their floor with guns pointed at them when the Can Hear the Music,” which you can Bill charts, and they’re horrible, just awful,” drummer Hamish Stewart said, “What is Iread online at wattpad.com. When remembers River. “Buddy stops the band, it you want?” One of the robbers yelled, Gene was getting started in the music crow and they’re talking, and I feel something “We want your f*** ing money.” Hamish business, he went on the road with a poking me in the back. I turn around, and said, “There is no money. We’re jazz musi- small band accompanying Anita O’Day in it’s Sonny, poking me with his trombone cians.” Even the robbers smiled! several Midwestern jazz clubs. In St. Paul, slide. He grins and says to me, ‘These are their trombone player was indisposed, so [email protected] the kind of charts your body rejects!’” l l l they hired a local guy. He had been with www.BillCrowBass.com the Hal McIntyre band, had a good tone l l l Pianist Donald Sosin has been all over and could read well, but he was a lead the world accompanying silent films. He player without any jazz skills. While on the road with a tour of “West told me about his mentor, William Perry, On the first night, the band’s opening l l l Side Story,” Kirby Tassos was playing who was once playing for a silent film at number was an arrangement of Dizzy Gil- some tunes on his saxophone in his ho- the Museum of Modern Art. On the screen lespie’s “Groovin’ High” by their drum- And, speaking of large amplifiers, Jon tel room. He heard a knock on his door, was a ship on the ocean, so Perry was play- mer, Tiny Kahn. Don Fagerquist, their Wheatley reports that when John La- and assumed that someone was going to ing some “calm seas” type of music when trumpet player, told the new trombonist Porta was teaching at the Berklee College complain about the noise. He opened the he began to have trouble with the damper that the tune was based on “Whispering,” of Music, he was standing in the corridor door, saw it was the very large, imposing pedal. He looked down to see what was and so, when the guy took his solo, he near the ensemble rooms one day when actor who played Riff in the show, and going on, and when he looked back up just played three identical choruses of the a couple of students came by pushing a quickly said, “I’m sorry… I’ll try to keep it at the film, the ocean was there, but the melody of “Whispering.” When he fin- huge amplifier on wheels. As they trun- down.” The actor replied, “No, keep play- ship had vanished from the scene. Later, ished, Tiny Kahn leaned over his drums dled past him, LaPorta said sharply, “Turn ing. It sounds wonderful. I just wanted to an audience member told him the ship and said to Gene, “What ideas!” it down!” ask if you would play more Gershwin.” had been blown up – but Perry had just carried on with the “calm seas” music! l l l l l l l l l In the days when Donald still played cocktail gigs, he was asked to play a party Steve Herberman told me about a time Here are two stories about Sonny Russo Howie Smith sent me a story told by at the University Club in Manhattan. They when Wes Montgomery was scheduled to from a post on Facebook by River Berg- Jonathan Zwartz, an excellent Australian gave him a studio upright piano, and as play at the Monterey Jazz Festival in Cali- strom: bassist, as part of an interview that ap- he played the usual Gershwin, Rogers fornia. Wes arrived without an amplifier, First: “Sonny Russo was such a sweet peared in the Sydney Morning Herald. and Hart, Sondheim, etc., people began so Jim Hall volunteered to pick one up for guy. I remember he would make his bed One weekend, about 10 years ago, Jona- leaving their empty wine glasses on top him at a local shop. The only thing Jim in the hotel every morning before we than had just finished his monthly gig at of the piano. Donald just kept playing. A could find that was available for rental would leave. I’ve never known anyone the Clovelly Bowling Club when robbers guy came along and said in all serious- was a very large old tube amp. When Wes else that did that!” burst in waving guns. Unfortunately for ness, “Is this the bar?” Don looked back saw the size of it, he said, “Man, I ain’t Second: River remembers a trio of the robbers, the money from the week- at him and replied, equally seriously, “No, going to play THAT much guitar!” singers who would hire Buddy Morrow end’s take had already gone into a time- it’s a piano.”

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April 2020 | Allegro 55 Allegro Published by AFM Local 802, Associated Musicians of Greater New York, 322 West 48th Street, New York, NY 10036 CORONAVIRUS RESOURCE PAGE www.bitly.com/ local-802- coronavirus

JUNE 2020 Membership Meeting WEDNESDAY, JUNE 17 @ 5 P.M.

The meeting will take place here at Local 802 JUNE 17 2020 (322 West 48th Street, between Eighth and Ninth Ave.) Admission to meeting by paid-up membership card only