'MAN GIÌ Our Friends ° Aqreatl989! A

Total Page:16

File Type:pdf, Size:1020Kb

'MAN GIÌ Our Friends ° Aqreatl989! A ***** * -*P3 -DIGIT 908 000817973* 4401 8902 á MAR90JHZ _a.' MONTY GREENLY A z 3740 ELM LONG BEACH CA 90807 VOLUME 101 NO. 2 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT January 14, 1989/$3.95 (U.S.), $5 (CAN.) CBS Acquires Tree, Sets Thorn -EMI Buying SBK Pub Units Publishing Under Killen Deal Creates Bandier-Koppelman Label his titles as president and CEO and The deal, expected to be finalized in EMI Music, the umbrella for Thorn - BY GERRY WOOD becomes chairman of the CBS pub- BY IRV LICHTMAN April, will set a record for a music EMI's record and music publishing NASHVILLE When a Tree falls in lishing operations that will also in- NEW YORK After two months of publishing buyout. According to an interests. According to SBK, the joint Nashville, everybody hears it. In the clude offices in New York and Los intense speculation, Thorn -EMI and EMI spokesperson, both sides agreed venture is being funded with an in- largest financial transaction in Nash- Angeles. The transaction that gained SBK Entertainment World officially that the purchase price will be ap- vestment of $30 million by EMI. ville's storied music publishing his- headlines from the Nashville Tennes- announced Jan. 5 an agreement by proximately $337 million. A Thorn-EMI statement refers to tory, the long-rumored sale of Tree sean to The New York Times puts Thorn-EMI to buy SBK's music pub- A major sidelight to the deal is the the label as a "third U.S. record la- International has become a reality. (Continued on page 81) lishing interests. creation of an SBK label through bel" for the company for "global rep- CBS /Sony made a quantum leap resentation through the EMI organi- forward in reviving its fortunes in zation." The two other labels are Cap- the publishing field by purchasing itol and EMI. the last remaining giant Nashville in- Black, Meta/ Ring 88 Coils Bell While two of SBK's three princi- dependent company at a price in the pals, Marty Bandier and Charles $40 million range. The deal also black music and metal- oriented rock, million copies last year (on top of the Koppelman, will run the label, pre- By PAUL GREIN marks the first time a major New which between them accounted for 3 million it sold in 1987), while George sumably giving up most of their cur- York-based corporation will base its LOS ANGELES The number of more than half of the year's platinum Michael's "Faith," Guns N' Roses' rent production arrangements with international publishing thrust out of platinum albums, flat in recent years, certifications. "Appetite For Destruction," and Def other labels, it's understood that they Nashville. surged dramatically in 1988. The Re- It was a year of blockbusters. Four Leppard's "Hysteria" each sold 6 mil- will not be involved in the giant music Under terms of the sale, an- cording Industry Assn. of America albums each sold more than 6 million lion in 1988. publishing enterprise to result from nounced Jan. 3, Buddy Killen, who certified 67 platinum albums last copies last year, a sales level reached Five albums each sold 3 million the Thorn-EMI purchase. was the sole owner of Tree, retains year, up from 53 the year before. The by no albums in 1986 or 1987. The copies last year, and they, too, reflect (Continued on page 80) outlook was especially bright for "Dirty Dancing" soundtrack sold 7 (Continued on page 75) CD Players, ADVERTISEMENTS New Arb Diary: Vid Games Take Little Change CES Spotlight In Fall Book BY STEVEN DUPLER BY SEAN ROSS NEW YORK Audio iardware -in NEW YORK Despite the introduc- particular compact dis:{ players and tion of a new ratings diary that Ar- rack systems equipped to handle bitron claims is indeed capturing CDs -and video game systems con- more radio listening than its prede- tinue to be the brightes ; sales stars in cessor, it was still business as usual a consumer electronics universe that when the first fall survey results has been largely in the doldrums over came back. Top 40 WHTZ "Z100" the past two years. New York, crossover KPWR "Pow- The Electronic Industries Assn. er 106" Los Angeles, and top 40 says sales of home CD players, esti- KKLQ -AM -FM "Q106" San Diego mated at 2.8 million units and $560 each remained the top station in its million in 1988, are projected to rise to respective market. 327 million units and a total value of PETER ERSKINE'S IN MOTION. He's a veteran of Weather Voted by R &B radio and retail as the group most likely to make a The most significant feature of $655 million in 1989. Report, Weather Update, and Steps Ahead. He's played difference in '89, Klara continues to break through in style. "This the new diary, which bowed in Sep- But the EIA also resorts that an- extensively with the likes of Maynard Ferguson and Stan Kenton. Time," their hot duet single with Shanice Wilson is already tember, is the introduction of a col- nual videocassette rEcorder sales He's drummer /composer Peter Erskine and his new album, approaching Top 10 at R &B and is now creating a strong buzz at umn that allows respondents to de- have continued to run flat since 1987, "MOTION POET" features all originals, with guest artists Randy Top 40. To Change And /Or Make a Difference, a debut album lineate -work By and Michael Brecker Eliane Elias. DENON their at listening. on page 74) and CD: CY- 72582, we're going to deliver! ARISTA. (Continued DENON Cassette: CC- 72582. (Continued on page 80) 'MAN GIÌ our friends ° aqreatl989! A ADVERTISEMENT www.americanradiohistory.com www.americanradiohistory.com 1 . .. : . ' ' .'. .60606. ;'.i . .. '. - . r/ . : .. '.' ' 66.'11.0 t .' . '. .. ;''. : . : ' ' ' ; : . ; 4......6.6.....66.......6...........' ' ' .. ... ... r. ' . .... .; .. .. :. ... .. :. M.41.0.0.0., .. TRACY CHAPMAN :0aogoaa Make Vast Forever Tracy Chapman i 4 milion. Nice sale; aver I million. Worldwide sales over Worldwide sales over 7 million. ring "motorcrash. FecNring "Doni Stop lour love" Featuring "BabyCan I Hold you." . '. ano "Right And A Wrong Way." - .:..' . .:.''. .,..... .. SETTES, COMPACT DISCS AND IEC . ' Inc., ...'. ..: .. _:_, Communicol ons O ........... www.americanradiohistory.com ' _ M - --- --_- -___ --- - --IBM --__ --- - Indie Firms Evolving In U.S.S.R. ---_ -Dibod - --- - -_ -_-- --- - - --- Maturing Music Biz Fosters Competition - - - -- - - This final article in Billboard's latter would be designed with a view gram is currently under way to give three -part series on the music in- to accommodating top Western art- every major city in the Soviet Union dustry in the Soviet Union looks ists, who would be able to rent suites its own specialist record store, in- VOLUME 101 NO. 2 JANUARY 14, 1989 at Melodia's retailing operation, for $600 a day. The project is some- creasing the total from 41 to about at music publishing, and at new what speculative at present, but Me- 150. ACID HOUSE SIZZLES IN U.K. cooperatives in Leningrad. lodia chief Valery Sukhorado has Some of the major record stores Born in Chicago basements and groomed in Mediterranean resort clubs, high hopes of seeing it come to fru- have record clubs associated with ition in 1992. house music turned acid and sizzled on the underground U.K. dance them, but these clubs operate more BY MIKE HENNESSEY Melodia's retailing operation in- as groupings of record enthusiasts scene. Dance Trax guest columnist Dave Seaman traces the develop- MOSCOW Before the new economic volves about 30,000 outlets, 28 whole- than as merchandising operations. ment of the hottest musical craze to burn up Britain in 1988. Page 27 policies of perestroika encouraged saling branches, and 41 specialist There are currently some 28 record the development of cooperatives, the stores throughout the U.S.S.R. A pro- (Continued on page 78) New Backlot Beat Sounded In Video Soviet state record company, Melo- In this issue, Billboard's Jim McCullaugh launches a new biweekly col- dia, was a complete, vertically inte- umn focusing on the effects of Hollywood happenings on the home en- grated monopoly, with its recording studios, pressing plants, distribution tertainment field. In the debut installment of Backlot Beat, find out which operation, and retail outlets all func- BMG 1988 box -office hits should make waves in home video this year. tioning without a hint of competition. Distribution Offers Page 40 Today, however, independent oper- ations are developing in all areas of CES PREVIEW the business, including studios, rec- Front -Line CD -Price Cuts Consumer electronics industry sales were expected to pass the $32 bil- ord and music video production com- justments announced by industry BY GEOFF MAYFIELD lion mark in 1988 and should climb to the $34 billion -$35 billion level by panies, and retailing. leader WEA (Billboard, Jan. 7). Melodia has recording studios in LOS ANGELES BMG Distribu- The BMG cuts mean that all six the end 1989, to the Electronic Industries Assn. Home en- of according seven main centers, including Mos- tion, as expected, has announced major distributors have lowered the tertainment editor Jim McCullaugh reports. Follows page 42 cow, Leningrad, Kiev, and Tashkent, permanent price reductions on cost of most full -priced CDs since but with a release schedule averag- front -line compact disks. last July, when CBS replaced an ex- Wall Street View On Entertainment ing 100 new titles a month, pressure While dealers cheer BMG's policy tended discount sale with the imple- Financial editor Mark Mehler has a conversation with Stephen Diener, on studio space is high and the com- changes, which also reduce the cost mentation of a revised cost sched- president of New York finance firm Hersh, Diener, Raphael & Co., about pany urgently needs new facilities, ei- of several album and cassette coun- ule.
Recommended publications
  • Music and the American Civil War
    “LIBERTY’S GREAT AUXILIARY”: MUSIC AND THE AMERICAN CIVIL WAR by CHRISTIAN MCWHIRTER A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2009 Copyright Christian McWhirter 2009 ALL RIGHTS RESERVED ABSTRACT Music was almost omnipresent during the American Civil War. Soldiers, civilians, and slaves listened to and performed popular songs almost constantly. The heightened political and emotional climate of the war created a need for Americans to express themselves in a variety of ways, and music was one of the best. It did not require a high level of literacy and it could be performed in groups to ensure that the ideas embedded in each song immediately reached a large audience. Previous studies of Civil War music have focused on the music itself. Historians and musicologists have examined the types of songs published during the war and considered how they reflected the popular mood of northerners and southerners. This study utilizes the letters, diaries, memoirs, and newspapers of the 1860s to delve deeper and determine what roles music played in Civil War America. This study begins by examining the explosion of professional and amateur music that accompanied the onset of the Civil War. Of the songs produced by this explosion, the most popular and resonant were those that addressed the political causes of the war and were adopted as the rallying cries of northerners and southerners. All classes of Americans used songs in a variety of ways, and this study specifically examines the role of music on the home-front, in the armies, and among African Americans.
    [Show full text]
  • Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
    Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A.
    [Show full text]
  • ORCHESTRAL MANOEUVRES in the DARK (A.K.A. O.M.D.)
    ORCHESTRAL MANOEUVRES IN THE DARK (a.k.a. O.M.D.) 7" SINGLES Electricity(Martin Zero Version)/Almost Factory FAC 6 05/79 [with white braille sleeve] Electricity(Mike Howlett Version)/Almost Din Disc DIN 2 09/79 [with printed black p/s] Electricity(LP Version)/Almost Din Disc DIN 2 09/79 [with printed black p/s] Red Frame, White Light/I Betray My Friends Din Disc DIN 6 02/80 Messages/Taking Sides Again Din Disc DIN 15 05/80 Enola Gay/Annex Din Disc DIN 22 09/80 Souvenir/Motion And Heart(Amazon Version)/Sacred Heart Din Disc DIN 24 08/81 [3 track edition with die-cut p/s] Joan Of Arc/The Romance Of The Telescope (Unfinished) Din Disc DIN 36 10/81 Maid Of Orleans(The Waltz Joan Of Arc)/Navigation Din Disc DIN 40 01/82 Genetic Engineering/4-Neu Virgin VS 527 02/83 Genetic Engineering/4-Neu Virgin VSY 527 02/83 [picture disc] Telegraph/66 And Fading Virgin VS 580 04/83 Telegraph/66 And Fading Virgin VSY 580 04/83 [picture disc] Locomotion/Her Body In My Soul Virgin VS 660 04/84 Locomotion/Her Body In My Soul Virgin VSS 660 04/84 [train shaped picture disc] Locomotion/Her Body In My Soul Virgin VSX 660 04/84 [competition p/s] Talking Loud And Clear/Julia's Song Virgin VS 685 06/84 Talking Loud And Clear/Julia's Song Virgin VSY 685 06/84 [picture disc] Tesla Girls/Garden City Virgin VS 705 09/84 Never Turn Away/Wrappup Virgin VS 727 11/84 Never Turn Away/Wrappup Virgin VSY 727 11/84 [picture disc] So In Love/Concrete Hands Virgin VS 766 05/85 So In Love/Concrete Hands//Maria Gallante/White Trash(Live) Virgin VSD 766 05/85 [gatefold double pack
    [Show full text]
  • Conference Program
    Thirty-Ninth International Conference on the Fantastic in the Arts ConferenCe Program No taping of sessions may take place without signed permission from an elected officer of the IAFA Executive Board and from all individuals participating in the session. Wednesday, March 14 11:00am-6:00pm 9:00am-6:00pm Registration Desk IAFA Book Exhibit and Sales Main Floor Augusta A/B Coordinator: Karen Hellekson Director: Mark Wingenfeld Audio-Visual Acrobatics coordinated by the incomparable Sean Nixon 2:30-3:15 p.m. Pre-Opening Refreshment Ballroom Foyer 3:30-4:15 p.m. Opening Ceremony Ballroom Host: Donald E. Morse, Conference Chair Welcome from the President: Sherryl Vint Opening Panel: Mary Shelley’s Legacies Moderator: Gary K. Wolfe Nike Sulway, John Kessel, Fred Botting Wednesday, 4:30-6:00pm Sessions 1-11 C 1. (IF/SF/VPAA) Magic and Science Fiction from the Perso- 2. (FTFN/CYA) Constructing Identity in Wonder Tales P O Arabic World and Lovecraft Chair: Linda J. Lee I V N E Chair: Debbie Felton University of Pennsylvania E University of Massachusetts-Amherst Navigating Enfreaked Disabilities in the Realms of Victorian Orange Princesses, Emerald Sorcerers and Dandy Demons: Fairy Tales The Fantastic in Persianate Miniature Painting and Epic Literature Victoria Phelps Zahra Faridany-Akhavan Saginaw Valley State University Independent Scholar With Eyes both Brown and Blue: Making Monsters in Lost Girl The Vault of Heaven: Science Fiction’s Perso-Arabic Origins Jeana Jorgensen Peter Adrian Behravesh Indiana University/Butler University University of Southern Maine The Dark Arts and the Occult: Magic(k)al Influences on/of H.
    [Show full text]
  • 2011 – Cincinnati, OH
    Society for American Music Thirty-Seventh Annual Conference International Association for the Study of Popular Music, U.S. Branch Time Keeps On Slipping: Popular Music Histories Hosted by the College-Conservatory of Music University of Cincinnati Hilton Cincinnati Netherland Plaza 9–13 March 2011 Cincinnati, Ohio Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers.
    [Show full text]
  • Jamming As a Curriculum of Resistance: Popular Music, Shared Intuitive Headspaces, and Rocking in the "Free" World
    Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Spring 2015 Jamming as a Curriculum of Resistance: Popular Music, Shared Intuitive Headspaces, and Rocking in the "Free" World Mike Czech Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Part of the Art Education Commons, and the Curriculum and Instruction Commons Recommended Citation Czech, Mike, "Jamming as a Curriculum of Resistance: Popular Music, Shared Intuitive Headspaces, and Rocking in the "Free" World" (2015). Electronic Theses and Dissertations. 1270. https://digitalcommons.georgiasouthern.edu/etd/1270 This dissertation (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. JAMMING AS A CURRICULUM OF RESISTANCE: POPULAR MUSIC, SHARED INTUITIVE HEADSPACES, AND ROCKING IN THE “FREE” WORLD by MICHAEL R. CZECH (Under the Direction of John Weaver) ABSTRACT This project opens space for looking at the world in a musical way where “jamming” with music through playing and listening to it helps one resist a more standardized and dualistic way of seeing the world. Instead of having a traditional dissertation, this project is organized like a record album where each chapter is a Track that contains an original song that parallels and plays off the subject matter being discussed to make a more encompassing, multidimensional, holistic, improvisational, and critical statement as the songs and riffs move along together to tell why an arts-based musical way of being can be a choice and alternative in our lives.
    [Show full text]
  • Adyslipper Music by Women Table of Contents
    .....••_•____________•. • adyslipper Music by Women Table of Contents Ordering Information 2 Arabic * Middle Eastern 51 Order Blank 3 Jewish 52 About Ladyslipper 4 Alternative 53 Donor Discount Club * Musical Month Club 5 Rock * Pop 56 Readers' Comments 6 Folk * Traditional 58 Mailing List Info * Be A Slipper Supporter! 7 Country 65 Holiday 8 R&B * Rap * Dance 67 Calendars * Cards 11 Gospel 67 Classical 12 Jazz 68 Drumming * Percussion 14 Blues 69 Women's Spirituality * New Age 15 Spoken 70 Native American 26 Babyslipper Catalog 71 Women's Music * Feminist Music 27 "Mehn's Music" 73 Comedy 38 Videos 77 African Heritage 39 T-Shirts * Grab-Bags 82 Celtic * British Isles 41 Songbooks * Sheet Music 83 European 46 Books * Posters 84 Latin American . 47 Gift Order Blank * Gift Certificates 85 African 49 Free Gifts * Ladyslipper's Top 40 86 Asian * Pacific 50 Artist Index 87 MAIL: Ladyslipper, PO Box 3124, Durham, NC 27715 ORDERS: 800-634-6044 (Mon-Fri 9-8, Sat'11-5) Ordering Information INFORMATION: 919-683-1570 (same as above) FAX: 919-682-5601 (24 hours'7 days a week) PAYMENT: Orders can be prepaid or charged (we BACK-ORDERS AND ALTERNATIVES: If we are FORMAT: Each description states which formats are don't bill or ship C.O.D. except to stores, libraries and temporarily out of stock on a title, we will automati­ available. LP = record, CS = cassette, CD = com­ schools). Make check or money order payable to cally back-order it unless you include alternatives pact disc. Some recordings are available only on LP Ladyslipper, Inc.
    [Show full text]
  • Xperience Monthly – August 2019
    Music Art Culture Rejuvenate August 2019 Volume 1, Issue 7 Buck Dharma Inside the green room with one of 22 the most iconic rock guitarists.. Graham Tichy Passing on a life-long tradition 18 to create tomorrow’s sound.,. www.radioradiox.com Free August 2019 Page 3 Music Art Culture Revolution The Nice People on the Planet Graham Tichy A new generation of players are learning to take over the Capital Region, and Graham Tichy’s at the blackboard. Page 18 Photo provided. (l - r) Pete Donnelly, Pete Hayes, Mike Gent With a raw determination to gather no moss, The Figgs forge ahead on a massic project, one of evolution and revolution. bUCK dHARMA Neither Blue Oyster Cult nor The Figgs are a band that transformative too. When you guitarist Buck Dharma are By Liam Sweeny haved carved out their own lem- go back from your earlier work fearing the reaper as they continue to tour. onade stand on the edge of that to now, how would you say its Page 22 usic’s a hard road. The superhighway. Thirty years out, evolved with the time, either as rock and roll dream is close to as many albums released, the pure music itself, or in the Msomething you can do The Figgs (Mike Gent, Pete Don- way you put it together? with a guitar, a garage and a ful- nelly, and Pete Hayes) deliver Mike: We started in August of ly-stocked bar. No, I’m talking a very textured and energetic 1987 so I guess we’ve now been at Observations about music.
    [Show full text]
  • Chicago Jazz Festival Spotlights Hometown
    NOVEMBER 2017 VOLUME 84 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Hawkins Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Kevin R. Maher 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian,
    [Show full text]
  • March 2021 MMEJ
    MASSACHUSETTS VOL. 69, NO. 3 SPRING 2021 MUSIC EDUCATORS A QUARTERLY PUBLICATION OF THE MASSACHUSETTS MUSIC EDUCATORS ASSOCIATION JOURNAL he g T Linin er e lv Issu Si Music Education Advocacy in a Pandemic Reflection, Resilience, Redirection Inclusive Music Education Thinking and Doing “Won’t You Be My Neighbor?” Chrome Music Lab What Will Stay After the Pandemic Is Over? MASSACHUSETTS SPRING 2021 MUSIC EDUCATORS JOURNAL MASSACHUSETTS MUSIC EDUCATORS JOURNAL EDITORIAL STAFF CONTENTS Managing Editor Susan Gedutis Lindsay 3 PRESIDENT’S MESSAGE 18 HIGHER EDUCATION 33 CONTEMPORARY / JAZZ PO Box 920004 By Cecil Adderley Needham, MA 02492 Inclusive Music Thinking and 617.710.3915 Education: Doing: [email protected] 4 FROM THE EDITOR Where Do I Start? Approaches to Teaching By Adam Calusi Business Manager/ Kristen Harrington Letter from Jazz Improvisation Online Advertising PO Box 920004 By Keith Kelly the Editor Needham, MA 02492 21 IN-OVATIONS 617.680.1492 By Susan Gedutis Lindsay 36 MAJE [email protected] The Promise of 5 CONFERENCE Editorial Board Tom Reynolds, Advocacy Artistic Process: MAJE Updates Social Emotional Learning By Joseph Mulligan Faith M. Lueth, Choral MMEA Conference (SEL) Aligns the Monthly Virtual Jarritt Sheele, Culturally Standards 37 RESEARCH AND MUSIC Responsive Teaching Workshops: FREE PD TEACHER EDUCATION By Scott Edgar, Fran Kick, By Noreen Diamond Burdett Allyn Phelps, General Music and Lori Schwartz Reich “Won’t You Be Rhoda Bernard, Higher Education 7 CULTURALLY RESPONSIVE My Neighbor?” Tom Westmoreland, IN-ovations TEACHING 24 INSTRUMENTAL A Review of the Literature on Adam Grüschow, Instrumental Frameworks for Developing Paraprofessionals Community and Andrew Goodrich, Cultural Relevance in Inclusive Contemporary / Jazz in the Music Culture in Music Settings Anthony Beatrice, School Ensembles Classroom By Tina Nospal Large Municipalities By Gregory Lessar By Jarritt Ahmed Sheel Dr.
    [Show full text]
  • Wicker Assesses Carter Administration
    E UBRARY™" RECEIVED 12 1977 Volume 75 THE TRINITY DUD, CONN. TRIPOD April 12,1977 Wicker Assesses Carter Administration by Abbie Lundberg symbolism. As an example he used casual dress. the open and with the backing of face it, the better. Or will he, the appearance of Amy Carter One reason for Carter's success the people. instead, abuse that trust and avoid Tom Wicker, renowned journal- during the President's first walk in this is his willingness to use Wicker also expressed an inter- , the issue by taking the attitude: ist and Associate Editor of the New down Pennsylvania Avenue. Her television, and his presence before est in President Carter's economic "stick with me and we'll come out York Times, addressed his second stop along the way to have her the cameras. Wicker feels that program.. He considers this the on top." capacity audience at Trinity Last mother lace up her boots along the today television is the "principle most discordant aspect of the Although the energy problem is Wednesday night, April 6, in the way was an effective appeal to the means of campaign." He suggests administration: what emphasis of major importance, it can be dealt Washington Room. This lecture American mother. Wicker com- that, if this is true, it is possible there is on any economic stimulus with without any really drastic was the last of a series sponsored mented, "Given the number of that some president in the future (if is too generaL He also believes that changes in our lifestyle. A problem by the Watkinson Room c the mothers in this country that like to not Carter) will try to govern by to solve the problems of inflation that Wicker sees as far more '• Library.
    [Show full text]
  • This Year from Kregel Academic
    KREGEL THIS YEAR FROM ACADEMIC KREGEL ACADEMIC 288 pgs • $21.99 $12.09 Conf 400 pgs • $27.99 $15.39 Conf 288 pgs • $21.99 $12.09 Conf 432 pgs • $34.99 $19.24 Conf 352 pgs • $26.99 $14.84 Conf 464 pgs • $24.99 $13.74 Conf 704 pgs • $51.99 $28.59 Conf 544 pgs • $47.99 $26.39 Conf second edition releasing Feb 2021 CONFERENCE SPECIAL: The Text of the Earliest NT Greek Manuscripts, vols 1 & 2 $79.99 separately • $36.99 Conference Set 400 pgs • $27.99 $15.39 Conf 416 pgs • $36.99 $20.34 Conf 45% Conference discount and free shipping in the US on all Kregel books. Contact (800) 733-2607 or [email protected] to order with discount code EAS20. Offer good through Dec 31, 2020. Request free exam copies and subscribe to our monthly newsletter at KregelAcademicBlog.com. 2020 VIRTUAL ANNUAL MEETINGS November 29–December 10 FUTURE ANNUAL MEETINGS 2021 2022 2023 2024 2025 San Antonio, TX Denver, CO San Antonio, TX San Diego, CA Boston, MA November 20–23 November 19–22 November 18–21 November 23–26 November 22–25 Thanks to Our Sponsors Baker Academic and Brazos Press Baylor University Press Westminster John Knox Wipf & Stock Zondervan Zondervan NRSV Publishers Weekly 2 See the full Annual Meetings program online at www.sbl-site.org/meetings/Congresses_ProgramBook.aspx?MeetingId=37 and papers.aarweb.org/online-program-book TABLE OF CONTENTS Annual Meetings Information AAR Academy Information ........................... 81 2020 Virtual Annual Meetings .................... 4 AAR Program Sessions How to Use the Program Book ....................
    [Show full text]