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Delivery Materials (US) Delivery Materials (US) All materials (except where otherwise indicated) shall be physically delivered to xxx located at xxx (or its designated laboratory) at no cost to xxx. If any part of the feature contains non-English language dialogue, complete elements of both original version and English subtitled versions shall be delivered, as applicable. Xxx animated logo must be included on all feature facilities. 1. – NEGATIVE & PICTURE ELEMENTS 1. Original Cut Negative Access to one (1) complete 35mm original negative of the feature finally cut, edited and assembled, with main and end titles and conformed to the final release version. (If the film is post produced digitally – access to the 35mm DI Output Negative as above, plus access to the original cut negative with handles used for scan transfer, the data files & hard drives containing the completed feature AND the DTF2 / LTO back up tapes (or similar equivalent). 2. Digital Stereo Optical Soundtrack Negative One (1) 35mm optical soundtrack negative SR/SRD/SDDS/DTS (as applicable) of the feature. 3. Show Print One (1) first class technical quality 35mm composite fully timed print of the feature, assembled, made from the Original Cut Negative (or the internegative if the film was shot in super 35) and the Stereo Optical Sound Negative, in synchronization with and conformed to the final edited version of the feature. 4. Interpositive One (1) 35mm colour corrected (one light) interpositive of the feature made from the fully conformed, edited and assembled Original Cut Negative or DI Output Negative, 5. Internegative Two (2) complete 35mm colour corrected (one light), spliceless internegatives of the feature made on Estar stock from the interpositive specified in item 4. 6. Check Print One (1) complete 35mm composite check print made from each internegative specified in item 5. 7. Textless Backgrounds a. One (1) complete 35mm first generation picture negative of all title backgrounds. Said negative shall contain any and all photographic effects present in the titled original negative of the feature. b. One (1) 35mm Check Print of textless backgrounds of main and end titles and all inserts of the feature. c. One (1) 35mm interpositive of textless backgrounds of main and end titles and all inserts of the feature. 8. Work Materials - Picture Example contract – Micro-Budget Mentor. You should always seek advice before using any legal documents. Access & loan of all original negative and positive prints / videotape of all cut-outs, trims, positive trims, lifts and all other material photographed or recorded by Producer in connection with the Production of the Picture. Access & loan of all ‘rushes’ on 35mm original Negative, and/or videotape and/ or DVD. Access & loan of Firewire Drive containing all Project files connected with the Picture. Access & loan to all source materials created during postproduction including all photographic and non-photographic materials used to create titles, translations, captions, overlays, opticals etc… A fully detailed inventory to be delivered covering all the access items listed in this section. 2. - SOUND ELEMENTS: All audio masters (unless specified) to be delivered on DVD in either Protools format 6.0 (or higher) or B Wav file format (see additional specifications at the end of schedule). 9. Stereo Master Stems for SR/SRD/SDDS/DTS Release (as applicable) – configured as Left/Centre/Right/Left Surround/Right Surround/Sub-woofer. One (1) DVD 6-track or multi-track master stems: a. complete 6-track discrete stereo (dialogue) b. complete 6-track discrete stereo (music) c. complete 6-track discrete stereo (effects) 10. 6-track Dolby SRD Stereo Printmaster One (1) DVD 6-track Dolby SRD stereo magnetic Printmaster manufactured from the 6-track stereo master stems (configured as L/C/R/LS/RS/SW). 11. 2-track Dolby SR Stereo Printmaster One (1) DVD 2-track Dolby SR magnetic Printmaster (LT/RT) manufactured from the 6-track stereo master stems. (This item can be added onto the same disk containing the 6trk printmaster above). 12. Dolby Digital Magnetic Optical Disk One (1) 6-track/2-track Dolby digital magnetic optical disk (MO Disk) manufactured from the 6-track stereo master stems and suitable for the creation of Optical Soundtrack Negatives. 13. CD-ROM DTS (if applicable) One (1) copy of the master cd-rom. 14. 6-Track Dolby SRD Stereo Music and Effects Tracks One (1) DVD 6-track Dolby SRD stereo magnetic masters (configured as per the stem masters). The sound effects shall be fully filled and in perfect synchronization with the original negative. Any contentious dialogue, vocals, songs etc… that may be required for foreign dubbing should be recorded onto a separate track alongside a separate mono guide dialogue track (trks 7&8) PLUS One (1) DA88 6+2trk stereo M&E copy – as per the above 15. 6-track (4+2) Dolby SR Stereo Music and Effects Tracks One (1) DVD 6-track (4+2) Dolby SR stereo magnetic master. Tracks 1-4 configured as Left/Centre/Right/Surround. The sound effects shall be fully filled and in perfect synchronization with the original negative. Any contentious dialogue, vocals, songs etc… that may be required for foreign dubbing should be recorded onto a separate track alongside a separate mono guide dialogue track (trks 5&6) . 16. 2-Track Dolby SR Stereo Music and Effects Printmaster (LT/RT) Example contract – Micro-Budget Mentor. You should always seek advice before using any legal documents. One (1) DVD 2-track Dolby SR stereo Printmaster. Sound effects shall be fully filled and in perfect synchronization with the original negative. 17. 6-Track Stereo Split Trk Master (D/M/E) One (1) DVD 6-track split track master containing separate mixed dialogue (L/R), mixed music (L/R) and mixed sound effects (L/R). 18. 2-Track Stereo TV Final Mix & TV M&E One (1) DVD containing 2-track stereo compressed final mix (LT/RT) and 2-track stereo compressed fully filled music & effects (LT/RT). NB: please see TV audio spec at the end of the schedule. 19. Source Music & Composer’s Score One (1) DVD containing Protools sessions of the composer score and all source cues used in the picture. This disk should contain the music without dips or fade outs – audio layout (if available) L/C/R/LS/RS/Sub/LT/RT. PLUS delivery of One (1) copy of all source music on DAT; CD or DVD. Plus a fully completed inlay card containing information of music titles; running times etc… 20. Work Materials - Sound Access & loan of all original production dialogue and other recordings in whatever format originally recorded. Access & loan to all dialogue units and pre-dubs, all sound effects units and pre-dubs, digital pre-dubs and all music units and pre-dubs. Access and loan to all sound dubbing paperwork. Access & loan of all sound track cut outs, outtakes, trims and lifts in whatever format they were originally recorded. Access & loan to all Protools sessions and audio files used for creating each reel of every mix created for the Production. A fully detailed inventory list to be delivered covering all the access items listed in this section. 3. – VIDEOTAPE MASTERS (see additional specifications at the end of schedule) 21. One (1) High Definition HDCamSR digital 4x3 full frame (133:1 pillarbox) master manufactured from the theatrical 35mm interpositive or from the data files used in the digital intermediate process with stereo full mix on ch. 1+2 and fully filled stereo music and effects on ch. 3+4. Stereo Dolby E final mix on ch. 5+6; Stereo 5.1 final mix on ch. 7- 12. Textless backgrounds are to be added to the tail. 22. One (1) High Definition HDCamSR digital 16x9 full frame (178:1) master manufactured from the theatrical 35mm interpositive or from the data files used in the digital intermediate process with stereo full mix on ch. 1+2 and fully filled stereo music and effects on ch. 3+4 Dolby E final mix on ch. 5+6; Stereo 5.1 final mix on ch. 7-12. Textless backgrounds are to be added to the tail. 23. One (1) High Definition HDCamSR digital 16x9 letterbox 185:1 or 235:1 master manufactured from the theatrical 35mm interpositive or from the data files used in the digital intermediate process with stereo full mix on ch. 1+2 and fully filled stereo music and effects on ch. 3+4 Dolby E final mix on ch. 5+6; Stereo 5.1 final mix on ch. 7-12. Dolby Textless backgrounds are to be added to the tail. 24. One (1) down-converted Digibeta NTSC 4x3 full frame master manufactured from the High Definition D5 digital 4x3 full frame master with stereo full mix on ch. 1+2 and fully filled stereo music and effects on ch. 3+4. Textless backgrounds are to be added to the tail. Example contract – Micro-Budget Mentor. You should always seek advice before using any legal documents. 25. One (1) down-converted Digibeta NTSC 16x9 full height anamorphic master manufactured from the High Definition D5 digital master with stereo full mix on ch. 1+2 and fully filled stereo music and effects on ch. 3+4. Textless backgrounds are to be added to the tail. 26. One (1) down-converted Digibeta NTSC 16x9 letterbox anamorphic master (containing the original theatrical projection ratio) manufactured from the High Definition D5 digital master with stereo full mix on ch. 1+2 and fully filled stereo music and effects on ch. 3+4. Textless backgrounds are to be added to the tail. 27. One (1) down-converted Digibeta PAL 4x3 full frame master manufactured from the High Definition D5 digital 4x3 master with stereo full mix on ch.
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