PDF EPUB} Voices from the Dark by Gary William Crawford ISBN 13: 9781888993752
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Notes from the Shadow City Online
kdgsL (Read free ebook) Notes From the Shadow City Online [kdgsL.ebook] Notes From the Shadow City Pdf Free Gary William Crawford ePub | *DOC | audiobook | ebooks | Download PDF Download Now Free Download Here Download eBook #2159890 in Books Crawford Gary William 2016-04-15Original language:English 8.50 x .24 x 5.50l, .29 #File Name: 162641166294 pagesNotes from the Shadow City | File size: 16.Mb Gary William Crawford : Notes From the Shadow City before purchasing it in order to gage whether or not it would be worth my time, and all praised Notes From the Shadow City: 3 of 3 people found the following review helpful. Monstrous, haunting, lyricalBy Books Lovers Never Go to Bed AloneModern poetry is a very challenging animal. In the post-modernist wake, form, style, and function have been tossed to the wind in favor of a less structured approach. At times this can feel a bit like anarchy as I wade through it. Modern genre poetry is even more difficult as it fuses the elements of genre onto this chaotic new world. When Notes from the Shadow City came across my desk, I paused. A poetry collection from two different poets telling a story... are you confused yet?But as I read, the light of understanding went on. Granted, Crawford and Boston took on a daunting task. They had a story to tell. Shadow City is a place, both real and unreal. It's a mysterious world sinister monks, secret police, evil experiments, and dark souls. This could have been a novel, but the poetic form allows for a subtle exploration that captives the reader in a way a novel cannot. -
Weird Realism Nick Freeman, Loughborough University Abstract This Essay Examines the Relationship Between Weird Fiction and Forms of Realist Practice
Weird Realism Nick Freeman, Loughborough University Abstract This essay examines the relationship between weird fiction and forms of realist practice. It argues that realism's concerns with exteriority and detail make it peculiarly suitable for (and receptive to) 'weirding', a claim explored in readings of fiction by Robert Aickman (1914-81) and M. John Harrison (b.1945). Keywords: Gothic, Weird, Realism, Formalism, Lovecraft, Harrison, Aickman 1 | Page From the Gothic to the Weird It is noted that I, John Radford, always of sound mind and matter-of-fact disposition, being entirely in my senses, here set down what I saw, heard and knew. As to any inferences from what occurred I say nothing; my theory might be regarded as more improbable than the facts themselves. From the facts anyone can draw conclusion as well as I.1 So begins Edward Lucas White's 'The Pig-Skin Belt' (1907). Such an opening insists immediately that its narrator is honest, reliable and given to observing and reporting rather than speculative interpretation. It insists too upon the fundamental division between on one hand, the laws of rationality and the conventions of everyday life, and on the other, the disruptive and unknown forces which violate these codes to produce horror and derangement. Such an opening strategy is a familiar device in Gothic fiction. A better- known tale, E. Nesbit's 'Man-Size in Marble' (1893), offers a variation on established themes: 'Although every word of this story is as true as despair,' the narrator says, 'I do not expect people to believe it. Nowadays a "rational explanation" is required before belief is possible.' Again, the honest (if traumatised) observer is confronted with an inexplicable event whose sheer strangeness defies his comprehension, but he goes further than White's speaker by noting how reasoned analysis has displaced older forms of belief. -
The Philosophy of Horror Or Paradoxes of The
THE PHILOSOPHY OF HORROR THE PHILOSOPHY OF HORROR or PARADOXES OF THE HEART NOËL CARROLL ROUTLEDGE • New York & London Published in 1990 by Routledge An imprint of Routledge, Chapman and Hall, Inc. 29 West 35 Street New York, NY 10001 This edition published in the Taylor & Francis e-Library, 2004. Published in Great Britain by Routledge 11 New Fetter Lane London EC4P 4EE Copyright © 1990 by Routledge, Chapman and Hall, Inc. All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Library of Congress Cataloging in Publication Data Carroll, Noël (Noël E.) The philosophy of horror. Includes index. 1. Horror in literature. 2. Horror tales—History and criticism. 3. Horror films—History and criticism. I. Title. PN56.H6C37 1989 809’.916 89–10469 ISBN 0-415-90145-6 ISBN 0-415-90216-9 (pbk.) British Library Cataloguing in Publication Data Carroll, Noël The philosophy of horror. 1. Arts. Special subjects. Horror I. Title 704.9’4 ISBN 0-203-36189-X Master e-book ISBN ISBN 0-203-37447-9 (Adobe eReader Format) ISBN 0-415-90145-6 (Print Edition) 0-415-90216-9 (pb) Dedicated to Sally Banes Contents Acknowledgments ix Introduction 1 1 The Nature of Horror 12 The Definition of Horror 12 Fantastic Biologies and the Structures of Horrific Imagery 42 Summary and Conclusion 52 2 Metaphysics and Horror, or Relating to Fictions 59 Fearing Fictions60 Character-Identification? 88 3 Plotting Horror 97 Some Characteristic Horror Plots 97 Horror and Suspense 128 The Fantastic 144 4 Why Horror? 158 The Paradox of Horror 159 Horror and Ideology 195 Horror Today 206 Notes 215 Index 251 Acknowledgments Undoubtedly, my parents, Hughie and Evelyn Carroll, inadvertently gave birth to this treatise by telling me not to waste my time and money on horror books, magazines, comics, TV shows, and movies.