A Study on the Female Characters' Experience of Illusions And

Total Page:16

File Type:pdf, Size:1020Kb

A Study on the Female Characters' Experience of Illusions And sYhioPsIs '1. TheG ardea Party Laura,the main characterin this story is as a young and nai.ve grd. she comesfuom an upper class{amily called the sherid.ans. The story startswhen the Sheridansplan to nrrangea gardenparty in their housc. Laura, the youlgest member of the {amily is involved in the preparation, when the workmen come, her mother gives her responsibilityto arranngethe marquee(a large tent set up {or an outdoor party), when the marqueehas been pnt np on the lawn, the flowersand the cream puf{s ordered and awaited, the hired band soon to arrive. words come to the kitchen door that fl poor young Carter from the little cottagebelow her househas been thrown by his horseand killed. This poor young man has left a wile and. five children. It is Laura. the "different one", the more sensitivemember of the family, who wonld call the party off since she thought naively that the party will djsturb the poor lamily who still mourn for the deadcarter. However,her idea is consideredas absurdand extravagantby her mother and sister. The party still goeson while shesoon forgets the incident. When the party is over,her mother has changed her mind and askedLaura to senda basket ot sandwichand pu{fufrom the party to the poor familv. Ia lace frocks and enormoushat, Laura takesthe basketand goesdowa to the poor famiJv.Although sheis doubtfnlwhether shecontinues to approachthe Carter'shouse, she finally come inside his house. obliged to go inside, she seesfor the first time the lact of deathia a poor {amily. She seesthe young man serenein death. Her heart full o{ pity but alsoembarrass {or her appearflnce.As shegoes back to her house,she starts to have I new perceptionabout life especirllythe life o{ poor peoplewho live below her house. 2,Her Fitst Ball This story centralizeson fl young and innocent girl who {or the first time goesto the ball a largeIormrl danceheld il the city. Leila, &e main characterof this story is descrfredas a shy and naive girl who lives in a dark and quietcotntry home. Shehas no {riend and shehas never seenthe festivily of dancingball until her city cousirsinvite her to go to a ball. Her first experienceof the ball hrs excited her $o much. Everythingshe sees looks new andbeautilul the dancingroom, the girls and theboys who attendthe dancingparty , all of them seemperfect in her naive eyes. she concludesthat her future happinesslay on the party. After dancingwith two boys,an old fat man approachesher and asksher to dancewlth him, Beingreluctant to re{use,she acceptshim, However,her encounterwith the old Iat man hasopened her eyesnbont the painful {actof the ball.While they dance,the man tellsher thnt the happiaessshe has in the party will not last long. Soon everything will fade away and Leilawill grow old and cannotenjoy the partv anymore. His remarkhas shocked Leila and she determines to stopdancing, Sheis disappointedwith the {act that the bail will not last long and she decides to retreat furher conntry home. Howevet, while she is waiting {or her con$ins,a young man comesand askshe to dance' She acceptshis oI{ering to kitl her time. Later, she is absorbedagaia to the wonderful world of theparty andforget what the old man hassaid to her, 3. lvliss Brill ln "Miss Brill', Katherine Mansfield presentsan elderly spinster who lives alonein n dark and narrow apartmentin Paris. Every Snnday she alwavs walks to the |ardin Publiques(the French name for public garilen)with her fur aroundher neckand sitsin one of the park'sbench to observeevery action oI the peoplearound her. She enjoysthe band who playsn gflySunday a{ternoon program, She is alertto everydetail in the scenethat she sees:the conductorwho wears a new coat, two old people who sit beside her disappointinglysilent, and little unfinished storieswho areenacted before her evesby the passerbv,The situationin the park thisalternoon, heightened by the musicpiayed bv the band,has brought lvliseBrill into her own illusion. She thonght that the park is a kind of stagein which the people in the park is involved to play their part. MiscBrill alsoimagines thnt sheis alsoan actresswho playsher role week a{ter week, However,her dream ends on the shrrp note of a young couple who sit beside her. They ridicnle her apperrance and rejecther existencein the park. Their remark has destroyedMiss Brill's momentaryillnsion of shnringthe dnma of life. 4. Bhss Bertha Young, the central character in this story, experience moment o{ happinessin her thirties, Shefeels happy becanseshe thinks that shehas everythiag that everywoman waats to have. Shehas a good husbandwho lovesher, an adorablebaby, and many {riendso{ writers , painters,and. poets. lvloreover,she is alsoa rich woman who doesnot have to worry abont money, As a whole, she feels that her life is contented.As a contentedwije, sheiavites her Iriendsto dinner in her honse,Not only doesshe invite her old {riends,but alsoher new friends shemet at the club,Miss Fulton. She thinks that the dinner will be the peak of her happiness, However, the dinner doee not only bring happrnessto her, bnt alsobrings disappointment becanseshe realizes that her happinessof contentedlife is only an illusion, Shehas to accept the fact thather husbandis not faithlul to her and her new friend is not a good {riend either. Accidentally, in foont of her eyes, she sees her husbandmake a date with Miss Ftlton, her new friend. This moment changeher feelingftom greathappiness to a greatdisappointrnent. BIOGR,{PHY OF THE,{UTrIOR Katherine lvlanslield, the pen name of K*thleen Mans{ield Beanchamp,was born in wellington,I{ew Zealand,october 14,1888. Her father,Harold Beauchamp,wa$ an outstandingmerchant in l{sllington, As a country gul, Miss Mansfield spenther childhoodin the small isiand o{ New Zealand.She grew up in a Iamily group o{ two older sistersand a younger brother with a grandmother and unmarried aunts among the adult membero.She had her first educationin her country where shefirst went to the Girl's High School and continned to a prival.c school for young lad,ies. Then, she broadened her kaowledge by studying at Queen'sCollege, Harley Street, London. Lateron shewfls so attractedby the cosmopolitan1l[e of London and the lifelinessof art that sheunwiJlingly retnrned to her own country in 1906.In 1907,she decided to go to London and establishhersell as a writer. Howevet,her new life in Londonwas not asbeautilnl as she had dreamedbefore. Her marriageto a musicianGeorge Bowden only lasted for a dav. At that time, shealso etarted to build her careerby involving in the literary circlein London. When shebegan contribnting storiesto the Ner" Age and Rhytm, she $'as engagedwith the editor of the Rhytim, |ohn Middleton lvlurry,whom shemarried in 1918. LiJeas a modernwriter wasnot nseasy as she drenmed. Although her secondmarriage was a succes{u1one, KatherineMansfield and her husband had always {iaanciallv strapped. Therefore, they always bn{feted between grand literary ambition and iky to duy snrvival Moreover, a{ter 1918,Mansfield is increasingly suf{fered from night terrots,insomnia, difficult walking and pains ia the chestand it recnlted from the doctor'sdiagnosis that she had tuberculosis.Despite all of the suf{ering and d.isagreeablereality that she had experiencedduriag her living in London, shewrote somedistingrrishable stories in her period o{ sicknesssnch as Bliss and Other Stories,which was published il 1920. Her stories,which eetablishedher Iiterary repntationwas followed by the othervolumes known asThe GardenParty rnd other Stories(1922) and The Dove'sNest (1923).At that time,she was known as a masterof the short story, who best known for delicately perceptive tales in which characterswas revealedthrongh the perfomanceof a decicivemoments. Moreover,her storiesexcel by their simplicity, their faithfulnessto real life, their deepunderstanding of thehuman character. KatherineMansfield Ionght tuberculosisfor severalyears, Iiving in the more temperateclimates of italy and Francewhile continuing her writing. At the end of her life, believing that her greaterand mental qpiritual purification wss required, she went to Gurdieff's Institute Ior the HarmonlousDevelopment ct llan r-nFontaineblenu. it was there ihat she iinailv succtmbed to her disease. During her short iiletime, Katherine lvlansiield has often written somecynicai storiesthat she wroie ds a cry againstcorrnption ol modern English society,as seen cn Bliss and her other storieswith London and the continent as the backgrorud. F{owever,in the midway o{ her career, she had also begun composing peacefnl memories of a blissful New Zealand childhood, as seenon The Garden Party and other storieswhich require New Zenland as the background..
Recommended publications
  • Katherine Mansfield – Assessment Task
    Katherine Mansfield – Assessment Task Engaged in the real world of the 20th century, modernist writer Katherine Mansfield depicts her short stories and her strong beliefs on feminism, social issues and relationships through the voice of characters contained in her ‘Collection of Short Stories.’ With narrative anthologies exploring a vast range of dysfunctional relationships, Mansfield argues they should be a matter of personal choice. Her experiences growing up in New Zealand heightened her awareness of the discontinuities, lacunae, and constrictions of 20th century life. Following with her journeys around the world, where she absorbed the condescending ethics of social class around a patriarchy society, which she demonstrates throughout her narratives. The concept that relationships should be a matter of choice is portrayed by the views of multiple characters in Mansfield’s ‘Prelude’. ‘Prelude’ is the first story in the collection and is an essential reading, like its sequel, ‘At the bay.’ Initially, the Burnell family are moving from the city to the country. The three children are neglected by their parents, Linda and Stanley and are predominantly raised by their grandmother, Mrs Fairfield. The Burnell’s being ‘upper class’ use language primarily to establish control over their environment, “we shall simply have to cast them off.” This contrasts with the linguistic style of the Samuel Josephs who are ‘lower class’ and the reader assumes to be less educated, “you come and blay in the dursery”. Mansfield writes with such strong descriptive language that the story is played out visually for the reader, “she had a comb in her fingers and in a gentle absorbed fashion she was combing the curls from her mother’s forehead.” Through this technique we know Linda is unhappy in her marriage and ironically her envious sister Beryl Fairfield contrarily wishes she was in one.
    [Show full text]
  • Modernism Reloaded: the Fiction of Katherine Mansfield
    DAVID TROTTER Modernism Reloaded: The Fiction of Katherine Mansfield It’s very largely as a Modernist that we now know Katherine Mansfield. Successive waves of new emphasis in the study of literary Modernism have brought her work ever closer to the centre of current understandings of how, when, where, and why this decisive movement arose, and of what it can be said to have accomplished at its most radical. Gender and sexual politics, the interaction of metropolis and colony, periodical networks: whichever way you look, the new emphasis fits.1 No wonder Mansfield has recently been hailed as Modernism’s “most iconic, most representative writer.”2 The aim of this essay is to bring a further perspective in Modernist studies to bear on Mansfield’s fiction, in order primarily to illuminate the fiction, but also, it may be, the perspective. The one I have in mind is that provided in broad outline by enquiries into the historical sequence which leads from nineteenth- century sciences of energy to twentieth-century sciences of information. Introducing an important collection of essays on the topic, Bruce Clarke and Linda Dalrymple Henderson explain that the invention of the steam engine at the beginning of the nineteenth century resulted both in the technological reorganization of industry and transport, and in a new research emphasis on the mechanics of heat. 1 Respectively, Sydney Janet Kaplan, Katherine Mansfield and the Origins of Modernist Fiction (Ithaca: Cornell University Press, 1991); Elleke Boehmer, “Mansfield as Colonial Modernist: Difference Within,” in Gerry Kimber and Janet Wilson, eds, Celebrating Katherine Mansfield: A Centenary Volume of Essays (New York: Palgrave Macmillan, 2011), 57-71; and Jenny McDonnell, Katherine Mansfield and the Modernist Marketplace: At the Mercy of the Public (New York: Palgrave Macmillan, 2010).
    [Show full text]
  • Thesis Hum 2009 Johnstone V.Pdf
    The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town "Divine warnings": Katherine Mansfield Vanessa Johnstone (JHNVANOOl) A minor dissertation submitted in partial fulfilment of the requirements for the award of the degree of Master of Arts in English Language and Literature. Faculty of the Humanities Universityty ofof Cape Cape Town Town May 2009 DIGITISED Universi - 2 APR Z013 This work has not previously been submitted in whole, or in part, for the award of any degree. It is my own work. Each significant contribution to, and quotation in, this dissertation from the work, or works, of other people has been attributed, and has been cited and referenced. Signature: Date: IS-· S- .0'1 ~--......:7 /~­ } Contents Abstract 3 Introduction 4 Part One: Katherine Mansfield 6 Part Two: Modernist London 16 Part Three: Six Mansfield themes Town23 Part Four: Short stories 36 "Germans at meat" Cape 36 of The Aloe and "Prelude" 40 "Psychology" 57 "Bliss" 62 University "M iss Brill" 70 "A Married Man's Story" 75 Conclusion 83 References 85 2 "My secret belief - the innennost credo by which I live - is that although Life is loathsomely ugly and people are terribly often vile and cruel and base, nevertheless there is something at the back of it all, which if only I were great enough to understand would make everything, everything, indescribably beautiful.
    [Show full text]
  • Editorial Board |Submission Guidelines |Call for Paper Paper Submission | FAQ |Terms & Condition | More……
    IJELLH International journal of English language, literature in humanities ISSN-2321-7065 About Us | Editorial Board |Submission Guidelines |Call for Paper Paper Submission | FAQ |Terms & Condition | More……. ISSN :2455-0108 IJO-Science (INTERNATIONAL JOURNAL ONLINE OF SCIENCE) Volume V, Issue V May 2017 121 IJELLH International journal of English language, literature in humanities ISSN-2321-7065 SUNIL DATTATRAYA ALONE ASSISTANT PROFESSOR OF ENGLISH SHRI LEMDEO PATIL MAHAVIDYALAYA MANDHAL, DISTRICT: NAGPUR, MAHARASHTRA RASHTRASANT TUKADOJI MAHARAJ NAGPUR UNIVERSITY NAGPUR, MAHARASHTRA INDIA NARRATIVE TECHNIQUES AND CHARACTERISATION IN KATHERINE MANSFIELD’S “A CUP OF TEA” Abstract Katherine Mansfield, a pioneer modernist short story writer, wrote many interesting short stories in her short life which show psychological working of the human mind. Her most famous collection is “The garden Party and Other Stories”. A number of her stories such as “Bliss”, “The Fly”, “Miss Brill”, “The Doll’s House” and “The Dove’s Nest” are very popular among readers all over the world. She is an amazing storyteller who demonstrates a mastery over the craft of story writing. The purpose of the present paper is to study her famous and much-anthologized story “A Cup of Tea” so as to bring out the brilliant use of narrative techniques to delineate the protagonist’s character. A close study of the short story shows that the protagonist is not really like what she wants others to think of her as. Mansfield achieves this effect by cleverly controlling the narration of the story and effectively using point of view, characters, dialogues, themes, indeterminacies, and gaps to get the desired result.
    [Show full text]
  • Katherine Mansfield and Conceptualisations of the Self
    Katherine Mansfield and Conceptualisations of the Self Submitted for the Degree of Doctor of Philosophy of English Literature At the University of Northampton 2018 Louise Jane Edensor © Louise Jane Edensor 2018 PhD This thesis is copyright material and no quotation from it may be published without proper acknowledgement. Abstract The thesis aims to show how Katherine Mansfield’s desire to discover aspects of the self shaped her strengths and distinctiveness as a writer, particularly in the development of her own modernist aesthetic. Mansfield’s letters and notebooks often betray a preoccupation with issues of the self. In one notebook entry she exclaims, ‘if one was true to oneself . True to oneself! Which self? Which of my many – well, really, that’s what it looks like coming to – hundreds of selves’ (CW4, 349). By examining this and many other scattered references to the self throughout Mansfield’s letters and notebooks, this thesis aims to uncover the relationship between Mansfield’s personal comments and questions on the self and the development of her literary techniques. The beginning of the twentieth century, when Mansfield was writing, saw many advancements in science and technology as well as new psychological theories popularised by William James and Sigmund Freud. These theories added to a discourse on the psychological make-up of the individual as modernity caused a crisis in understanding the construction of the self, calling identity into question. By examining these theories, this thesis provides a framework for the analysis of Mansfield’s writing, integrating current critical commentary on her fiction, Mansfield’s private thoughts and her experimental fiction.
    [Show full text]
  • The Effect of the Main Characters' Anxiety Towards Their Existence In
    THE EFFECT OF THE MAIN CHARACTERS’ ANXIETY TOWARDS THEIR EXISTENCE IN THE COMMUNITY AS FOUND IN THE KATHERINE MANSFIELD’S SHORT STORIES a final project submitted in partial fulfillment of the requirements for the degree of Sarjana Sastra in English by Tami Nur Rizki 2211411028 THE FACULTY OF LANGUAGES AND ARTS SEMARANG STATES UNIVERSITY 2015 i ii DECLARATION OF ORIGINALITY I Tami Nur Rizki hereby declare that this final project entitled The Effect of the Main Characters’ Anxiety towards Their Existence in the Community as Found in the Katherine Mansfield’s Short Stories is my own work and has not been submitted in any form for another degree or diploma at my university or other institute of tertiary education. Information derived from the published and unpublished work of others has been acknowledged in the text and a list of references is given in the bibliography. Semarang, May 4, 2015 Tami Nur Rizki ii iii iv DEDICATION To My beloved mother, Puji Muryati My beloved father, Solehudin My brother and my sister My dearest friends iv MOTTO Knowledge is power but ignorance is security (Virginia Woolf) v vi ACKNOWLEDGEMENT Prima facie, I am grateful to Allah SWT for the good health, miracle and wellbeing that were essential to finish this final project. My special gratitude then goes to my advisor; Bambang Purwanto, S.S., M. Hum. for valuable advice and continuous encouragements during the writing of this final project. I place on record, my sincere thank you to the entire English Department lecturer for teaching me knowledge for years, it is an honor to be lectured by admirable lecturers.
    [Show full text]
  • The Short Stories of Katherine Mansfield
    The Short Stories of Katherine Mansfield Start date 21 October 2016 End date 23 October 2016 Venue Madingley Hall Madingley Cambridge Tutor Professor Jem Poster Course code 1617NRX029 Director of Programmes Emma Jennings Public Programme Co-ordinator, Clare Kerr For further information on this course, please contact [email protected] or 01223 746237 To book See: www.ice.cam.ac.uk or telephone 01223 746262 Tutor biography Professor Jem Poster Emeritus Professor of Creative Writing, Aberystwyth University; Affiliated Lecturer, University of Cambridge Institute of Continuing Education. Jem Poster worked as an archaeologist, surveying and excavating a range of sites on behalf of the Inspectorate of Ancient Monuments, before taking up an administrative post with Cambridge University's Institute of Continuing Education in 1987. From 1993 to 2003 he was University Lecturer in Literature with Oxford University's Department for Continuing Education and a fellow of Kellogg College. From 2003 to 2012 he was Professor of Creative Writing at Aberystwyth University, and is now Emeritus Professor. He is the author of two novels, Courting Shadows (2002) and Rifling Paradise (2006), as well as a collection of poetry, Brought to Light (2001), and has recently completed volume 3 of the six-volume Oxford University Press Edward Thomas: Prose Writings. He has won prizes in major poetry competitions including first prize in both the Cardiff International Poetry Competition in 1995 and the Peterloo Poets Open Poetry Competition in 2001. He has been Chair of the editorial board of Wales’s leading literary journal, New Welsh Review, and is currently Programme Advisor to the Cambridge Institute of Continuing Education’s MSt in Creative Writing and Director of its International Summer Programme in Creative Writing; he is an Affiliated Lecturer of the Institute.
    [Show full text]
  • An Examination of Metaphor in Katherine Mansfield Kathleen E
    Seton Hall University eRepository @ Seton Hall Seton Hall University Dissertations and Theses Seton Hall University Dissertations and Theses (ETDs) 5-4-2006 Metaphor Manifested: an Examination of Metaphor in Katherine Mansfield Kathleen E. Kotaska Seton Hall University Follow this and additional works at: https://scholarship.shu.edu/dissertations Part of the Fiction Commons, and the Other English Language and Literature Commons Recommended Citation Kotaska, Kathleen E., "Metaphor Manifested: an Examination of Metaphor in Katherine Mansfield" (2006). Seton Hall University Dissertations and Theses (ETDs). 2382. https://scholarship.shu.edu/dissertations/2382 NAME · Submitted in partial fulfillment of the requirements for the degree of Masters · of Arts in the Department of English Seton Hall University Approved by: Thesis Mentor . )&�_A_JJ_�_ u Second Reader Approved by: .�__ {Jj_� u Second Reader _ Kotaska I Following the strict conventions of the Victorian era, modernism was viewed as a radical explosion of ideas and techniques. Modernists sought affirmation of the validity of humanity. Oppressed by the restricted Victorian attitude, modernists aspired to establish innovative ways of story telling based on aesthetic design. According to David Lodge, modernism was defined as " ... experimental or innovatory in form, exhibiting marked deviations from existing modes of discourse ..." (48 l ). Modernism facilitated multiple literary possibilities and therefore the movement thrived upon its diversification. "The search for a style and typology becomes a self-conscious element in the modernists literary production; he is perpetually engaged in profound and ceaseless journey through the means and integrity of art" (Bradbury, Mcfarlane 29). The individuality allotted by modernism was borne out of its emphasis on the creative.
    [Show full text]
  • A Study on the Female Characters' Experience of Illusions And
    t( CH,4PTERIII The Femalc chmacters' Eryrktnce of rllusions and Disillusianment in "The Gsden P artt',,,Hs First Ball"r"Bliss" frnd'Miss Brill,, As the writer hrs meationed ir the previous chapter, d.isillusionmentre{ers to the stateor condition of someonewhose plersant bnt mistakenbelie{s are destroyed(Longman,2iT}. people may have pleasantbut mistaken beliefr about somethiag or someone,knowr as illusion. Becauseof illusion,people may rcgsrd their five asbeautiful and pleasant.Un{ortnnately, people who live in illnsion, can be disillusioned. from their pleasant but mistaken beliel to the disagreeablereality. KatherineMansfield, one of modern rwiters,has elevrted the experience of disillusionmentin her storiesthat the thesiswriter is going to analyze: "The 'T{er "Bliss" "Miss Garden Party", First Ball", and Brilf,. In these storiee Katherine Mans{ield portays the experience o{ ttre female charactersEE women who are delnded by their illueionarv world and. ,t mistakenbeliefs. Throngh a certainmoment in their live, their pleasant illusions are destroyed. To reveal the experienceof disillusionmentin thesestories, the writer will emphasizethe analysison the characterof the Iemalecharacters, the Iemale characters'incid.ents with other chartcters, and the settingof the storieswhich reveal the characters,experimce oI disillusionment. 3,L The lzlrocanceChnracterstic of the Fenale Charasterswhich Lead Them into Disillusionmmt The characterizationoI the {emalecharacters in thesefour stories determinestheir experieaceo{ disillusionment. To reveal the experience o{ disillusionmst, Katherine Mrn#ield presmts her {€mrle characters with siglificantcheracteristic. Although theIemale characters she chooses are variousin agesand. ntatus, they have rignificant characteristicwhirh causethem to undergo similar experience.Laura comesfrom big family "Her ia upper class{amily. Meanwhile,Leila in First Ball" is a timid and shy gid who lives in a lonely country home up to her age.
    [Show full text]
  • The Concept of Bergsonian Time in Mansfield's 'Miss Brill'
    © Beytulhikme Philosophy Circle Beytulhikme Int Jour Phil 7 (2) 2017 Research Article: 89-103 ___________________________________________________________ The Concept of Bergsonian Time in Mansfield’s ‘Miss Brill’ ___________________________________________________________ Mansfield'ın ‘Miss Brill’ Öyküsünde Bergsoncu Zaman Kavramı UFUK ÖZEN BAYKENT Uludağ University s o p h y o Received: 23.02.2017Accepted: 04.10.2017 Abstract: Katherine Mansfield is a well-known writer in short fiction genre in English. Miss Brill is one of her most widely discussed stories which explores the concepts of alienation, loneliness, isolation and consciousness through the characterization of the protagonist. Like those of many modernist writers, Mansfield’s literary style was influenced by Henri Bergson whose philosophy is grounded on the concept of time. Both the form and content of her stories are reflections of Bergsonian time. Specifically, this study deals with Mansfield’s story entitled Miss Brill and analyses it in terms of the concept of duration as proposed by Bergson. Keywords: Katherine Mansfield, Bergson, Miss Brill, Bergsonian time, dura- tion. © Özen Baykent, U. (2017). The Concept of Bergsonian Time in Mansfield’s ‘Miss Brill’. Beytulhikme An International Journal of Philosophy, 7 (2), 89-103. Beytulhikme An International Journal of Phil ___________________________________________________________ Ufuk Özen Baykent, Öğr. Gör. Dr. Uludağ Üniversitesi Eğitim Fakültesi Yabancı Diller Eğitimi Bölümü 16059, Nilüfer, Bursa, [email protected] 90 Ufuk Özen Baykent Introduction In the literary circle, the French philosopher Henri Bergson is wide- ly associated with Virginia Woolf and James Joyce who are successful representatives of stream of consciousness technique. However, Kathe- rine Mansfield’s innovations in the short fiction genre, her focus on the psychological moment and her use of stream of consciousness technique were ignored in the literary world of modernism.
    [Show full text]
  • University of Dundee DOCTOR of PHILOSOPHY Katherine Mansfield
    University of Dundee DOCTOR OF PHILOSOPHY Katherine Mansfield and Visual Culture Harland, Faye Award date: 2017 Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 07. Oct. 2021 Katherine Mansfield and Visual Culture Faye Harland Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Dundee School of Humanities February 2017 ii The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. ©2017 The University of Dundee and Faye Elizabeth Harland. iii Contents Acknowledgements………………………………………………………………………………………………………………………v Abstract……………………………………………………………………………………………………………………………………….vi List of Illustrations……………………………………………………………………………………………………………………….vii Introduction: ‘At moments it seems to me that all literature is in that picture’………………………………1 I.
    [Show full text]
  • Katherine Mansfield: a Thematic Study
    KATHERINE MANSFIELD: A THEMATIC STUDY Ajcmta Deb A THESIS SUBMITTED TO THE UNIVERSITY OF NORTH BENGAL IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY (PH.D) IN ENGLISH 1999 Supervisor: Professor K.K. Roy S'i' - >^iM^ I28?4o " ^ APR tm Dedicated to my late unfathomable pa-man Preface This study is both a descriptive and an analytic examinar* tion of doniinant theraes and patterns in Katheriiie Mansfield's stories. Arbitrarily referred to as the author oE "The Ply" or "Prelude"^ Mansfield remains scanething of an enigma^ shrouded in mystery. Much of the confusion may directly be attributed to her wild propensities. Tolerance and a comprehensive Judgment are absolute essentials for studying the works of a writer who has perfomied with great elan. The present work intends to discern the shifts and dis~ placeinents of a sensibility^ rather than to proffer a bland discussion of essential thematic structures in Mansfield's stories i.e. the question how Mansfield in "The woman at the Store" differs frcan Mansfield of "Prelude" has been regarded as more important than the intrinsic qualities of each as a short story. Her almost belligerent insistence on the rational incoherence in the sequence of feeling in each character has been highlighted. Yet the incoherence is psychologically fully con­ vincing. Mansfield' s protagonists are incapable of leading a strict and methodical life. Their waverings may be partly ascribed to the lapse of time sense in the sleepy, temperate and equable climate of New Zealand. The luxuriant vegetation and sub-tropical forests with dense undergrowth have active participation in the human drama* Oi) what may be called Mansfield's 'strife* is strangely woven into modem consciousness, possessing the power to startle and to charm.
    [Show full text]