DOCSLIB.ORG

Screen Talent Agency 020 7729 7477 NED DOWD Line Producer

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Screen Talent Agency 020 7729 7477 NED DOWD Line Producer Screen Talent Agency 020 7729 7477 NED DOWD Line Producer Active in the film industry for more than thirty years, Ned has been producer in one capacity or another, and previously an AD, on over fifty feature films. From ‘Apocalypto’ to’ Last of the Mohicans’, from ‘Wonderboys’ to ‘Shanghai Noon’, and from ‘GI Jane’ to ‘The 13th Warrior‘, Ned has worked with some of the best known directors of our generation. A former professional ice hockey player, he got into films by being hired as Technical Adviser on the Paul Newman picture ‘Slap Shot’ (dir. George Roy Hill, US, 1977), and after some acting roles, progressed to the 1st AD position. Working through the 1980s and early 90s on films with directors like Danny De Vito, Norman Jewison, Robert Altman, David Mamet and James L Brooks gave Ned the grounding that in turn led to a 5-year stint as Head of Production at Caravan Pictures in Los Angeles. Ned is now resident in the UK and has continued to executive- and line produce feature films. With bases in both London and Dublin, he is available for work worldwide. Selected credits date production director / producer as Line Producer / Executive Producer television: 2018 JESUS: HIS LIFE various directors / Simon Breen / Nutopia feature films: 2021 ALEXIS COLETTE Anthony Johnson / Paul Desira 2018 CASANOVA (UK shoot) Benoit Jacquot / Lucinda van Rie 2016 DON’T KNOCK TWICE Caradog James / John Giwa-Amu 2014 THE RIDERS Hans Fabian Wullenweber / Susie Brooks-Smith 2009 ONDINE Neil Jordan / Ben Browning, James Flynn 2008 FIFTH STREET short David Roddham / Roger Yuan, Dave Leahy, Marcus Lynch et al 2007 SPEED DATING Tony Herbert / John Conroy 2006 APOCALYPTO Mel Gibson / Bruce Davey 2004 KING ARTHUR Antoine Fuqua / Jerry Bruckheimer 2003 VERONICA GUERIN Joel Schumacher / Jerry Buckheimer 2002 REIGN OF FIRE Rob Bowman / Gary Barber, Roger Birnbaum, Lili Fini Zanuk 2002 THE COUNT OF MONTE CRISTO Kevin Reynolds / Gary Barber, Roger Birnbaum et al 2000 WONDER BOYS Curtis Hanson / Scott Rudin 1992 THE LAST OF THE MOHICANS Michael Mann / Hunt Lowry as Producer 2006 GHOSTWOOD Justin O’Brien / Ned Dowd 2000 SHANGHAI NOON (as co-producer) Tom Dey / Gary Barber, Roger Birnbaum et al 1999 THE 13TH WARRIOR John McTiernarn / Ned Dowd 1993 THE THREE MUSKETEERS Stephen Herek / Roger Birnbaum, Joe Roth (as co-producer) 1990 STATE OF GRACE Phil Joanou / Ned Dowd 1989 LET IT RIDE (as co-producer) Joe Pytka / David Giler as Head of Production 1997 ROCKET MAN Stuart Gillard / Roger Birnbaum, Eric L Gold 1997 WASHINGTON SQUARE Agnieszka Holland / Julie Bergman Sender, Roger Birnbaum 1997 G I JANE Ridley Scott / Roger Birnbaum, Demi Moore, Suzanne Todd James Little The Screen Talent Agency Rich Mix Building 35-47 Bethnal Green Road London E1 6LA tel 020 7729 7477 email [email protected] web www.screen-talent.com Ned Dowd: Line Producer 2 1997 GONE FISHIN’ Christopher Cain / Julie Bergman Sender, Roger Birnbaum 1997 GROSSE POINT BLANK George Armitage / Susan Arnold, Roger Birnbaum et al 1997 METRO Thomas Carter / Roger Birnbaum 1996 THE RICH MAN’S WIFE Amy Holden Jones / Julie Bergman Sender, Roger Birnbaum 1996 FIRST KID David M Evans / Roger Birnbaum, Riley Kathryn Ellis 1996 CELTIC PRIDE Tom DeCercio / Roger Birnbaum 1996 BEFORE AND AFTER Barbet Schroeder / Susan Hoffman 1995 POWDER Victor Salva / Roger Birnbaum, Daniel Grodnik 1995 THE BIG GREEN Holly Goldberg Sloan / Roger Birnbaum 1995 WHILE YOU WERE SLEEPING Jon Turtletaub / Roger Birnbaum, Joe Roth 1995 TALL TALE Jeremiah Chechik / Roger Birnbaum, Joe Roth 1995 HEAVY WEIGHTS Steven Brill / Roger Birnbaum, Joe Roth 1995 THE JERKY BOYS James Melkonian / Roger Birnbaum, Joe Roth 1995 HOUSEGUEST Randall Miller / Roger Birnbaum, Joe Roth 1994 A LOW DOWN DIRTY SHAME Keenen Ivory Wayens / Roger Birnbaum, Joe Roth 1994 ANGELS IN THE OUTFIELD William Dear / Roger Birnbaum, Joe Roth 1994 ANGIE Martha Coolidge / Larry Brezner, Patrick McCormick as First Assistant Director/Assistant Director 1994 I’LL DO ANYTHING James L Brooks / Polly Platt 1992 HOFFA Danny de Vito / Edward R Pressman 1991 OTHER PEOPLE’S MONEY Norman Jewison / Ric Kidney 1991 THE TAKING OF BEVERLY HILLS Sidney J Furie / Graham Henderson 1988 THINGS CHANGE David Mamet / Michael Hausman 1988 STARS AND BARS Pat O’Connor / Sandy Lieberson 1987 HOUSE OF GAMES David Mamet / Michael Hausman 1987 P K AND THE KID Lou Lombardo / Joe Roth 1986 NO MERCY Richard Pearce / D Constantine Conte 1986 DESERT BLOOM Eugene Corr / Michael Hausman 1985 FOOL FOR LOVE Robert Altman / Yoram Globus 1985 O C AND STIGGS Robert Altman / Peter Newman 1984 THE INITIATION Larry Stewart / Scott Winant 1984 PLACES IN THE HEART Robert Benton / Arlene Donovan 1983 STREAMERS Robert Altman / Nick J Mileti 1981 DEAD RINGER Allan F Nicholls / Peter Bray James Little The Screen Talent Agency Rich Mix Building 35-47 Bethnal Green Road London E1 6LA tel 020 7729 7477 email [email protected] web www.screen-talent.com .
Load more

Recommended publications
  • CELEBRATING FORTY YEARS of FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and Counting…
    5 JAN 18 1 FEB 18 1 | 5 JAN 18 - 1 FEB 18 88 LOTHIAN ROAD | FILMHOUSECinema.COM CELEBRATING FORTY YEARS OF FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and counting… As you’ll spot deep within this programme (and hinted at on the front cover) January 2018 sees the start of a series of films that lead up to celebrations in October marking the 40th birthday of Filmhouse as a public cinema on Lothian Road. We’ve chosen to screen a film from every year we’ve been bringing the very best cinema to the good people of Edinburgh, and while it is tremendous fun looking back through the history of what has shown here, it was quite an undertaking going through all the old programmes and choosing what to show, and a bit of a personal journey for me as one who started coming here as a customer in the mid-80s (I know, I must have started very young...). At that time, I’d no idea that Filmhouse had only been in existence for less than 10 years – it seemed like such an established, essential institution and impossible to imagine it not existing in a city such as Edinburgh. My only hope is that the cinema is as important today as I felt it was then, and that the giants on whose shoulders we currently stand feel we’re worthy of their legacy. I hope you can join us for at least some of the screenings on this trip down memory lane... And now, back to the now.
    [Show full text]
  • JOHN J. ROSS–WILLIAM C. BLAKLEY LAW LIBRARY NEW ACQUISITIONS LIST: February 2009
    JOHN J. ROSS–WILLIAM C. BLAKLEY LAW LIBRARY NEW ACQUISITIONS LIST: February 2009 Annotations and citations (Law) -- Arizona. SHEPARD'S ARIZONA CITATIONS : EVERY STATE & FEDERAL CITATION. 5th ed. Colorado Springs, Colo. : LexisNexis, 2008. CORE. LOCATION = LAW CORE. KFA2459 .S53 2008 Online. LOCATION = LAW ONLINE ACCESS. Antitrust law -- European Union countries -- Congresses. EUROPEAN COMPETITION LAW ANNUAL 2007 : A REFORMED APPROACH TO ARTICLE 82 EC / EDITED BY CLAUS-DIETER EHLERMANN AND MEL MARQUIS. Oxford : Hart, 2008. KJE6456 .E88 2007. LOCATION = LAW FOREIGN & INTERNAT. Consolidation and merger of corporations -- Law and legislation -- United States. ACQUISITIONS UNDER THE HART-SCOTT-RODINO ANTITRUST IMPROVEMENTS ACT / STEPHEN M. AXINN ... [ET AL.]. 3rd ed. New York, N.Y. : Law Journal Press, c2008- KF1655 .A74 2008. LOCATION = LAW TREATISES. Consumer credit -- Law and legislation -- United States -- Popular works. THE AMERICAN BAR ASSOCIATION GUIDE TO CREDIT & BANKRUPTCY. 1st ed. New York : Random House Reference, c2006. KF1524.6 .A46 2006. LOCATION = LAW TREATISES. Construction industry -- Law and legislation -- Arizona. ARIZONA CONSTRUCTION LAW ANNOTATED : ARIZONA CONSTITUTION, STATUTES, AND REGULATIONS WITH ANNOTATIONS AND COMMENTARY. [Eagan, Minn.] : Thomson/West, c2008- KFA2469 .A75. LOCATION = LAW RESERVE. 1 Court administration -- United States. THE USE OF COURTROOMS IN U.S. DISTRICT COURTS : A REPORT TO THE JUDICIAL CONFERENCE COMMITTEE ON COURT ADMINISTRATION & CASE MANAGEMENT. Washington, DC : Federal Judicial Center, [2008] JU 13.2:C 83/9. LOCATION = LAW GOV DOCS STACKS. Discrimination in employment -- Law and legislation -- United States. EMPLOYMENT DISCRIMINATION : LAW AND PRACTICE / CHARLES A. SULLIVAN, LAUREN M. WALTER. 4th ed. Austin : Wolters Kluwer Law & Business ; Frederick, MD : Aspen Pub., c2009. KF3464 .S84 2009. LOCATION = LAW TREATISES.
    [Show full text]
  • The New Hollywood Films
    The New Hollywood Films The following is a chronological list of those films that are generally considered to be "New Hollywood" productions. Shadows (1959) d John Cassavetes First independent American Film. Who's Afraid of Virginia Woolf? (1966) d. Mike Nichols Bonnie and Clyde (1967) d. Arthur Penn The Graduate (1967) d. Mike Nichols In Cold Blood (1967) d. Richard Brooks The Dirty Dozen (1967) d. Robert Aldrich Dont Look Back (1967) d. D.A. Pennebaker Point Blank (1967) d. John Boorman Coogan's Bluff (1968) – d. Don Siegel Greetings (1968) d. Brian De Palma 2001: A Space Odyssey (1968) d. Stanley Kubrick Planet of the Apes (1968) d. Franklin J. Schaffner Petulia (1968) d. Richard Lester Rosemary's Baby (1968) – d. Roman Polanski The Producers (1968) d. Mel Brooks Bullitt (1968) d. Peter Yates Night of the Living Dead (1968) – d. George Romero Head (1968) d. Bob Rafelson Alice's Restaurant (1969) d. Arthur Penn Easy Rider (1969) d. Dennis Hopper Medium Cool (1969) d. Haskell Wexler Midnight Cowboy (1969) d. John Schlesinger The Rain People (1969) – d. Francis Ford Coppola Take the Money and Run (1969) d. Woody Allen The Wild Bunch (1969) d. Sam Peckinpah Bob & Carol & Ted & Alice (1969) d. Paul Mazursky Butch Cassidy & the Sundance Kid (1969) d. George Roy Hill They Shoot Horses, Don't They? (1969) – d. Sydney Pollack Alex in Wonderland (1970) d. Paul Mazursky Catch-22 (1970) d. Mike Nichols MASH (1970) d. Robert Altman Love Story (1970) d. Arthur Hiller Airport (1970) d. George Seaton The Strawberry Statement (1970) d.
    [Show full text]
  • Bonnie and Clyde and the Sixties Bruce Campbell
    “Something’s happening here”: Bonnie and Clyde and the Sixties Bruce Campbell Something’s happening here What it is ain’t exactly clear (Buffalo Springfield) It was a tumultuous time; 1967, the Age of Aquarius, the time of Flower Power, free love, and hippies.1 There were “Be-Ins” on both coasts. In the Haight-Ashbury section of San Francisco, there was a celebration called the “Summer of Love,” and a top-ten song advised “if you’re going to San Francisco, be sure to wear some flowers in your hair” (McKenzie). Young people were encouraged to “turn on, tune in, drop out,” and the nation suddenly learned about LSD.2 A generation just coming of age called for “peace and love.” Others wanted quicker, more violent change. Young men were being sent to Vietnam to fight what many considered an unjust war. Figures from the US National Archives show that more than eleven thousand young Americans died in Vietnam in 1967. The next year, the number would rise to more than eighteen thousand. The war was costing taxpayers billions of dollars a year, and each month, thousands of young men were being drafted into military service.3 When there were demonstrations against the draft and the war, protestors were met by police and National Guard troops. Groups like the Weathermen began using bombs to strike at “the system.”4 Blacks seeking equality grew frustrated with the slow progress of Martin Luther King’s nonviolent approach to achieving racial equality. In the summer of 1967, race riots plagued Newark, Detroit, and other cities.
    [Show full text]
  • STEPHEN MOYER in for ITV, UK
    Issue #7 April 2017 The magazine celebrating television’s golden era of scripted programming LIVING WITH SECRETS STEPHEN MOYER IN for ITV, UK MIPTV Stand No: P3.C10 @all3media_int all3mediainternational.com Scripted OFC Apr17.indd 2 13/03/2017 16:39 Banijay Rights presents… Provocative, intense and addictive, an epic retelling A riveting new drama series Filled with wit, lust and moral of the story of Versailles. Brand new second season. based on the acclaimed dilemmas, this five-part series Winner – TVFI Prix Export Fiction Award 2017. author Åsa Larsson’s tells the amazing true story of CANAL+ CREATION ORIGINALE best-selling crime novels. a notorious criminal barrister. Sinister events engulf a group of friends Ellen follows a difficult teenage girl trying A husband searches for the truth when A country pub singer has a chance meeting when they visit the abandoned Black to take control of her life in a world that his wife is the victim of a head-on with a wealthy city hotelier which triggers Lake ski resort, the scene of a horrific would rather ignore her. Winner – Best car collision. Was it an accident or a series of events that will change her life crime. Single Drama Broadcast Awards 2017. something far more sinister? forever. New second series in production. MIPTV Stand C20.A banijayrights.com Banijay_TBI_DRAMA_DPS_AW.inddScriptedpIFC-01 Banijay Apr17.indd 2 1 15/03/2017 12:57 15/03/2017 12:07 Banijay Rights presents… Provocative, intense and addictive, an epic retelling A riveting new drama series Filled with wit, lust and moral of the story of Versailles.
    [Show full text]
  • The French New Wave and the New Hollywood: Le Samourai and Its American Legacy
    ACTA UNIV. SAPIENTIAE, FILM AND MEDIA STUDIES, 3 (2010) 109–120 The French New Wave and the New Hollywood: Le Samourai and its American legacy Jacqui Miller Liverpool Hope University (United Kingdom) E-mail: [email protected] Abstract. The French New Wave was an essentially pan-continental cinema. It was influenced both by American gangster films and French noirs, and in turn was one of the principal influences on the New Hollywood, or Hollywood renaissance, the uniquely creative period of American filmmaking running approximately from 1967–1980. This article will examine this cultural exchange and enduring cinematic legacy taking as its central intertext Jean-Pierre Melville’s Le Samourai (1967). Some consideration will be made of its precursors such as This Gun for Hire (Frank Tuttle, 1942) and Pickpocket (Robert Bresson, 1959) but the main emphasis will be the references made to Le Samourai throughout the New Hollywood in films such as The French Connection (William Friedkin, 1971), The Conversation (Francis Ford Coppola, 1974) and American Gigolo (Paul Schrader, 1980). The article will suggest that these films should not be analyzed as isolated texts but rather as composite elements within a super-text and that cross-referential study reveals the incremental layers of resonance each film’s reciprocity brings. This thesis will be explored through recurring themes such as surveillance and alienation expressed in parallel scenes, for example the subway chases in Le Samourai and The French Connection, and the protagonist’s apartment in Le Samourai, The Conversation and American Gigolo. A recent review of a Michael Moorcock novel described his work as “so rich, each work he produces forms part of a complex echo chamber, singing beautifully into both the past and future of his own mythologies” (Warner 2009).
    [Show full text]
  • EDITORIAL Screenwriters James Schamus, Michael France and John Turman CA 90049 (310) 447-2080 Were Thinking Is Unclear
    screenwritersmonthly.com | Screenwriter’s Monthly Give ‘em some credit! Johnny Depp's performance as Captain Jack Sparrow in Pirates of the Caribbean: The Curse of the Black Pearl is amazing. As film critic after film critic stumbled over Screenwriter’s Monthly can be found themselves to call his performance everything from "original" to at the following fine locations: "eccentric," they forgot one thing: the screenwriters, Ted Elliott and Terry Rossio, who did one heck of a job creating Sparrow on paper first. Sure, some critics mentioned the writers when they declared the film "cliché" and attacked it. Since the previous Walt Disney Los Angeles film based on one of its theme park attractions was the unbear- able The Country Bears, Pirates of the Caribbean is surprisingly Above The Fold 370 N. Fairfax Ave. Los Angeles, CA 90036 entertaining. But let’s face it. This wasn't intended to be serious (323) 935-8525 filmmaking. Not much is anymore in Hollywood. Recently the USA Today ran an article asking, basically, “What’s wrong with Hollywood?” Blockbusters are failing because Above The Fold 1257 3rd St. Promenade Santa Monica, CA attendance is down 3.3% from last year. It’s anyone’s guess why 90401 (310) 393-2690 this is happening, and frankly, it doesn’t matter, because next year the industry will be back in full force with the same schlep of Above The Fold 226 N. Larchmont Blvd. Los Angeles, CA 90004 sequels, comic book heroes and mindless action-adventure (323) 464-NEWS extravaganzas. But maybe if we turn our backs to Hollywood’s fast food service, they will serve us something different.
    [Show full text]
  • Report from Edinbur H • Soul Man Review • Robert Hooks Three Critics Look at She's Gotta Have It • Peter Wang Interview
    Report From Edinbur h • Soul Man Review • Robert Hooks Three Critics Look at She's Gotta Have It • Peter Wang Interview World of Black Film Collectors Remembering Lorenzo Tucker- The Black. Gil Noble Plans Valentino Like It Is Archive Film Clips and News Early Black Independents Co-produced with the Black Film Institute of the University of the District of Columbia ••••••••••••••••••••••••••••••• Vol. 2, No. 4/Fa111986 'Peter Wang Breaks Cultural Barriers Black Film Review by Pat Aufderheide 10 SSt., NW An Interview with the director of A Great Wall p. 6 Washington, DC 20001 (202) 745-0455 Remembering lorenzo Tucker Editor and Publisher by Roy Campanella, II David Nicholson A personal reminiscence of one of the earliest stars of black film. ... p. 9 Consulting Editor Quick Takes From Edinburgh Tony Gittens by Clyde Taylor (Black Film Institute) Filmmakers debated an and aesthetics at the Edinburgh Festival p. 10 Associate EditorI Film Critic Anhur Johnson Film as a Force for Social Change Associate Editors by Charles Burnett Pat Aufderheide; Keith Boseman; Excerpts from a paper delivered at Edinburgh p. 12 Mark A. Reid; Saundra Sharp; A. Jacquie Taliaferro; Clyde Taylor Culture of Resistance Contributing Editors Excerpts from a paper p. 14 Bill Alexander; Carroll Parrott Special Section: Black Film History Blue; Roy Campanella, II; Darcy Collector's Dreams Demarco; Theresa furd; Karen by Saundra Sharp Jaehne; Phyllis Klotman; Paula Black film collectors seek to reclaim pieces of lost heritage p. 16 Matabane; Spencer Moon; An­ drew Szanton; Stan West. With a repon on effons to establish the Like It Is archive p.
    [Show full text]
  • Julianne Moore Stephen Dillane Eddie Redmayne
    JULIANNE MOORE STEPHEN DILLANE EDDIE REDMAYNE ELENA ANAYA Directed By Tom Kalin UNAX UGALDE Screenplay by Howard A. Rodman Based on the book by Natalie Robins & Steven M. L. Aronson BELÉN RUEDA HUGH DANCY Julianne Moore, Stephen Dillane, Eddie Redmayne Elena Anaya, Unax Ugalde, Belén Rueda, Hugh Dancy CANNES 2007 Directed by Tom Kalin Screenplay Howard A. Rodman Based on the book by Natalie Robins & Steven M.L Aronson FRENCH / INTERNATIONAL PRESS DREAMACHINE CANNES 4th Floor Villa Royale 41 la Croisette (1st door N° 29) T: + 33 (0) 4 93 38 88 35 WORLD SALES F: + 33 (0) 4 93 38 88 70 DREAMACHINE CANNES Magali Montet 2, La Croisette, 3rd floor M : + 33 (0) 6 71 63 36 16 T : + 33 (0) 4 93 38 64 58 E: [email protected] F : + 33 (0) 4 93 38 62 26 Gordon Spragg M : + 33 (0) 6 75 25 97 91 LONDON E: [email protected] 24 Hanway Street London W1T 1UH US PRESS T : + 44 (0) 207 290 0750 INTERNATIONAL HOUSE OF PUBLICITY F : + 44 (0) 207 290 0751 info@hanwayfilms.com CANNES Jeff Hill PARIS M: + 33 (0)6 74 04 7063 2 rue Turgot email: [email protected] 75009 Paris, France T : + 33 (0) 1 4970 0370 Jessica Uzzan F : + 33 (0) 1 4970 0371 M: + 33 (0)6 76 19 2669 [email protected] email: [email protected] www.dreamachinefilms.com Résidence All Suites – 12, rue Latour Maubourg T : + 33 (0) 4 93 94 90 00 SYNOPSIS “Savage Grace”, based on the award winning book, tells the incredible true story of Barbara Daly, who married above her class to Brooks Baekeland, the dashing heir to the Bakelite plastics fortune.
    [Show full text]
  • Not a Cinematic Hair out of Place: Examinations in Identity (Transformation) As Evidenced Through Haircuts in the Rc Ying Game Allen Herring III
    University of New Mexico UNM Digital Repository Foreign Languages & Literatures ETDs Electronic Theses and Dissertations 2-8-2011 Not a Cinematic Hair Out of Place: Examinations in Identity (Transformation) as Evidenced through Haircuts in The rC ying Game Allen Herring III Follow this and additional works at: https://digitalrepository.unm.edu/fll_etds Recommended Citation Herring, Allen III. "Not a Cinematic Hair Out of Place: Examinations in Identity (Transformation) as Evidenced through Haircuts in The rC ying Game." (2011). https://digitalrepository.unm.edu/fll_etds/109 This Thesis is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in Foreign Languages & Literatures ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. ii Not a Cinematic Hair Out of Place Examinations of Identity (Transformation) as Evidenced through Haircuts in The Crying Game BY Allen Herring III Bachelors – English Bachelors – Economics THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts Comparative Literature & Cultural Studies The University of New Mexico Albuquerque, New Mexico December 2010 iii ©2010, Allen Herring III iv Not a Cinematic Hair Out of Place Examinations of Identity (Transformation) as Evidenced through Haircuts in The Crying Game BY Allen Herring III ABSTRACT OF THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of Master of
    [Show full text]
  • Kathy Nelson
    KATHY NELSON FEATURE FILM HALF MAGIC Sid Sheinberg, Jon Sheinberg, Bill Sherinberg, The Bubble Factory prods. *Music Supervisor Heather Graham, dir. CRIES FROM SYRIA Evgeny Afineevsky, Aaron I. Butler, Den HBO Documentary Films / Afineevsky- Tolmor, prods. Tolmor Production Evgeny Afineevsky, dir. *Music Supervisor SNEAKERHEADZ David T. Friendly, Mick Partridge, prods. Friendly Films David T. Friendly, Mick Partridge, dirs. *Music Supervisor TAKE ME HOME TONIGHT Sarah Bowen, Ryan Kavanaugh, Jim Whitaker, Imagine Entertainment / Rogue Pictures prods. *Music Supervisor Michael Dowse, dir. MEGAMIND Laura Breay, Denise Nolan Cascino, prods. Dreamworks Animation / Red Hour Films Tom McGrath, dir. *Executive Music Producer SCOTT PILGRIMV. THE WORLD Edgar Wright, Nira Park, Marc Platt, Eric Universal Pictures Gitter, prods. *Music Supervisor Edgar Wright, dir. DESPICABLE ME Christopher Meledandri, Janet Healy, John Universal Pictures Cohen, prods. *Music Supervisor Pierre Coffin, Chris Renaud, dirs. PRINCE OF PERSIA: THE SANDS OF Jerry Bruckheimer, prod. TIME Mike Newell, dir. Walt Disney Pictures *Music Consultant REPO MEN Scott Stuber, prod. Universal Pictures Miguel Sapochnik, dir. *Music Supervisor GREEN ZONE Paul Greengrass, Eric Fellner, Tim Bevan, Universal Pictures Lloyd Levin, prods. *Executive in Charge of Music Paul Greengrass, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 KATHY NELSON THE WOLFMAN Scott Stuber, Benicio del Toro, Rick Yorn, Universal Pictures Sean Daniel, prods. *Music Supervisor Joe Johnston, dir. IT’S COMPLICATED Nancy Meyers, Scott Rudin, prods. Universal Pictures Nancy Meyers, dir. *Music Supervisor PIRATE RADIO Tim Bevan, Eric Fellner, Hilary Bevan Jones, Universal Pictures prods. *Executive in Charge of Music Richard Curtis, dir. CIRQUE Du FREAK: THE VAMPIRE’S Ewan Leslie, Andrew Miano, Lauren Shuler ASSISSTANT Donner, Paul Weitz, prods.
    [Show full text]
  • DOWN PERISCOPE Robert Lawrence / Stanley Wilson, Prods
    RANDY EDELMAN AWARDS & NOMINATIONS LONG ISLAND FILM FESTIVAL LIFETIME ACHIEVEMENT AWARD (2015) GOLDSPIRIT AWARD (2014) LEAP YEAR Best Comedy Score BMI SPOTLIGHT AWARD (2014) NBC OLYMPICS THEME BMI FILM MUSIC AWARD (2009) THE MUMMY: TOMB OF THE DRAGON EMPORER INTERNAT’L FILM MUSIC CRITICS AWARD THE TEN COMMANDMENTS NOMINATION (2006) Best Original Score for Television BMI FILM MUSIC AWARD (2003) xXx RICHARD KIRK CAREER ACHIEVMENT AWARD (1999) BMI FILM MUSIC AWARD (1998) SIX DAYS AND SEVEN NIGHTS FMCJ AWARD NOMINATION (1998) SIX DAYS AND SEVEN NIGHTS SATURN AWARD NOMINATION (1997) DRAGON HERAT BMI FILM MUSIC AWARD (1996) ANACONDA BMI FILM MUSIC AWARD (1995) WHILE YOU WERE SLEEPING BMI FILM MUSIC AWARD (1994) THE MASK BAFTA AWARD NOMINATION (1993) LAST OF THE MOHICANS *Best Original Film Score (Shared) GOLDEN GLOBE AWARD NOMINATION (1993) LAST OF THE MOHICANS Best Original Score – Motion Picture (Shared) BMI FILM MUSIC AWARD (1992) LAST OF THE MOHICANS BMI FILM MUSIC AWARD (1991) KINDERGARTEN COP BMI TV MUSIC AWARD (1990) MACGYVER 1 The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 RANDY EDELMAN BMI FILM MUSIC AWARD (1989) GHOSTBUSTERS II MOTION PICTURES BACKDRAFT 2 Raffaella De Laurentiis, prod. Universal 1440 Entertainment Gonzalo Lopez-Gallego, dir. MAX 2: WHITE HOUSE HERO Karen Rosenfelt / Matt Bierman / Ken Blancato, MGM prods. Brian Levant, dir. LEAVES OF THE TREE Ante Novakovic / Kresh Novakovic / Joanna Lu, Gogi Productions Donna McKenna / Perla Montemayor, prods. Ante Novakovic, dir. BACK IN THE DAY William DeMeo, prod. The Movie Group Paul Borghese, dir. THE BOY NEXT DOOR Jennifer Lopez / Jason Blum / Elaine Goldmsith- Universal Pictures Thomas / John Jacobs / Benny Medina, prods.
    [Show full text]