Season Highlights by Genre
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Nusrat Fateh Ali Khan: a Sufi Music Master Revived
Nusrat Fateh Ali Khan: A Sufi Music Master Revived : NPR http://www.npr.org/templates/story/story.php?storyId=12201563 Generated by Foxit PDF Creator © Foxit Software http://www.foxitsoftware.com For evaluation only. NPR Home | News | Arts & Life | NPR Programs DONATE | NPR Shop | NPR Social Media | Login | Register SEARCH FIND A STATION Nusrat Fateh Ali Khan: A Sufi Music Master Revived by Anil Mundra Listen on All Things Considered add to playlist | download August 7, 2007 - Resurrecting the dead is nothing new in music. Remember Natalie Cole singing and dancing with her late father, Nat King Cole? The latest luminary to be revived is the Pakistani singer Nusrat Fateh Ali Khan. August 16 marks the tenth anniversary of his death. In his short life, Nusrat was the world's greatest singer of qawwali, a boisterous and passionate music of mystical Photo: Ishida Masataka Islam. He embraced western pop music, teaming up with Pakistani singer Nusrat Fateh Ali Khan Peter Gabriel and Eddie Vedder. Now, Nusrat returns with (1948-1997) was considered the finest qawwali singer of his generation. the help of Italian dub reggae producer Gaudi. Their new CD is called Dub Qawwali. SONGS FROM 'DUB QAWWALI' Gaudi is a veteran producer with 11 solo albums over the past two decades. He specializes in dub reggae, a style that Hear old Nusrat recordings dressed up in dub reggae beats by producer often reworks existing material, mixing booming bass and Gaudi. drums with electronic effects. 'Ena Akhiyan Noo' After dabbling in punk music, Gaudi began experimenting add with synthesizers, and was fully steeped in reggae when he first heard one of Nusrat Fateh Ali Khan's records in the 'Bethe Bethe Kese Kese' mid-1980s. -
October 2015
October 2015 Bertrand Chamayou INSIDE: Ian Bostridge | Sarah Connolly Ehnes Quartet | Thomas Hampson Alina Ibragimova & Cédric Tiberghien Magdalena Kozˇená & Mitsuko Uchida Steven Isserlis | Robert Levin Sandrine Piau | Christoph Prégardien Stile Antico | Vox Luminis And many more Box Office 020 7935 2141 Online Booking www.wigmore-hall.org.uk How to Book Wigmore Hall Box Office 36 Wigmore Street, London W1U 2BP In Person 7 days a week: 10 am – 8.30 pm. Days without an evening concert 10 am – 5 pm. No advance booking in the half hour prior to a concert. Please note that the Box Office with be closed for bookings in person from Monday 27 July to Friday 4 September. By Telephone: 020 7935 2141 7 days a week: 10 am – 7 pm. Days without an evening concert 10 am – 5 pm. There is a non-refundable £3.00 administration fee for each transaction, which includes the return of your tickets by post if time permits. Online: www.wigmore-hall.org.uk 7 days a week; 24 hours a day. There is a non-refundable £2.00 administration charge. Standby Tickets Standby tickets for students, senior citizens and the unemployed are available from one hour before the performance (subject to availability) with best available seats sold at the lowest price. NB standby tickets are not available for Lunchtime and Coffee Concerts. Group Discounts Discounts of 10% are available for groups of 12 or more, subject to availability. Latecomers Latecomers will only be admitted during a suitable pause in the performance. Facilities for Disabled People full details available from 020 7935 2141 or [email protected] Wigmore Hall has been awarded the Bronze Charter Mark from Attitude is Everything TICKETS Unless otherwise stated, tickets are A–D divided into five prices ranges: BALCONY Stalls C – M W–Y Highest price T–V Stalls A – B, N – P Q–S 2nd highest price Balcony A – D N–P 2nd highest price STALLS Stalls BB, CC, Q – S C–M 3rd highest price A–B Stalls AA, T – V CC CC 4th highest price BB BB PLATFORM Stalls W – Y AAAA AAAA Lowest price This brochure is available in alternative formats. -
Saison 2021 /22 Saison 2021 /22 Herzlich Willkommen! Alte Oper Frankfurt Inhaltsverzeichnis
SAISON 2021 /22 SAISON 2021 /22 HERZLICH WILLKOMMEN! ALTE OPER FRANKFURT INHALTSVERZEICHNIS Einmal mit den Flügeln INHALT schlagen und abheben bitte. Starten Sie mit uns einen Flug über die Alte Oper, mitten ins IM ÜBERBLICK ABONNEMENTS 19 Herz der Stadt! FESTIVALS UND SCHWERPUNKTE 33 KONGRESSE UND EVENTS 51 DAS OFFENE HAUS 55 DANK 73 DIE KONZERTSAISON 2021/22 DIE KONZERTE DER ALTEN OPER TAG FÜR TAG 81 ANGEBOTE DER PARTNER 161 SERVICE 177 NEUE PERSPEKTIVEN So haben Sie das Konzerthaus noch nie gesehen. Halten Sie einfach die Kamera Ihres Smartphones auf den abgebildeten Code, um die Alte Oper aus ungewohnter Perspektive zu entdecken. Oder gehen Sie auf www.alteoper.de/rundflug 2 3 GELEITWORT ZUM PROGRAMM GELEITWORT ZUM PROGRAMM PETER FELDMANN DR. MARKUS FEIN Oberbürgermeister der Stadt Frankfurt am Main Intendant und Geschäftsführer der Alten Oper Frankfurt Vorsitzender des Aufsichtsrats der Alten Oper Frankfurt Es ist gut, Perspektiven zu haben – nicht nur in Krisenzeiten. Sehr geehrte Damen und Herren, Wenn ich das Programm der Alten Oper betrachte, entdecke ich liebe Besucher*innen der Alten Oper, neue Perspektiven in mehrfacher Hinsicht: Es sind einerseits Aus- sichten auf die Rückkehr zur Normalität im Kulturbetrieb. Aber Die Alte Oper ohne Publikum? Das war für uns unvorstellbar, und zugleich zeigen sich andere Blickwinkel. Mich freut, wie sich auch nach Monaten des Lockdowns können und wollen wir uns zahlreiche Projekte auf Frankfurt selbst konzentrieren und in die nicht daran gewöhnen. Zu wichtig ist uns der Dialog mit Ihnen, Stadt hineinwirken. Derzeit sind mehr denn je Zusammenhalt unserem Publikum. Die Alte Oper ist ein Haus, das sich vielfältig und gegenseitiges Verständnis gefordert. -
The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat
Tue, Jan 26, 2021 - The Classical Station, WCPE 1 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 00:01:30 10:39 Mozart Adagio in B minor, K. 540 Mitsuko Uchida 00264 Philips 412 616 028941261625 00:13:3945:17 Dvorak Cello Concerto in B minor, Op. du Pre/Swedish Radio 07040 Teldec 85340 685738534029 104 Symphony/Celibidache 01:00:2631:11 Beethoven String Quartet No. 9 in C, Op. Tokyo String Quartet 04508 Harmonia 807424 093046742362 59 No. 3 Mundi 01:32:3708:09 Mozart Adagio & Fugue in C minor for Berlin 06660 DG 0005830 028947759546 Strings K. 546 Philharmonic/Karajan 01:42:1618:09 Telemann Paris Quartet No. 11 Kuijken 04867 Sony 63115 074646311523 Bros/Leonhardt 02:01:5529:22 Mozart Sinfonia Concertante in E flat, Frang/Rysanov/Arcang 12341 Warner 08256462 825646276776 K. 364 elo/Cohen Classics 76776 02:32:1726:39 Brahms Clarinet Trio in A minor, Op. Stoltzman/Ax/Ma 02937 Sony 57499 074645749921 114 Classical 03:00:2611:52 Liszt Mephisto Waltz No. 1 Evgeny Kissin 06623 RCA 58420 828765842020 03:13:1834:42 Strauss, R. Symphony in D minor Hong Kong 03667 Marco Polo 8.220323 73009923232 Philharmonic/Scherme rhorn 03:49:0009:52 Schubert Overture to Rosamunde, D. Leipzig Gewandhaus 00217 Philips 412 432 028941243225 797 Orchestra/Masur 04:00:2215:04 Haydn Piano Sonata No. 50 in D Julia Cload 02053 Meridian 84083 N/A 04:16:2628:32 Mozart Symphony No. 29 in A, K. 201 Prague Chamber 05596 Telarc 80300 089408030024 Orch/Mackerras 04:45:58 12:20 Webern In the Summer Wind Philadelphia 10424 Sony 88725417 887254172024 Orchestra/Ormandy 202 04:59:4806:23 Lehar Merry Widow Waltz Richard Hayman 08261 Naxos 8.578041- 747313804177 Symphony 42 05:07:11 21:52 Rachmaninoff Rhapsody on a Theme of Entremont/Philadelphia 04207 Sony 46541 07464465412 Paganini, Op. -
Vicent Alberola Cv
VICENT ALBEROLA CLARINET PROFESSOR Academic record His studies were done with Walter Boeykens at the Royal Conservatory of Antwerp, Belgium, and at the same time with George Pieterson (Royal Concertgebouw Orchestra) and Larry Combs (Chicago Symphony Orchestra). Professional experience Founder of the Alberola MMCV Valencia, Professor at the ESMAR Higher Music Degree School and guest conductor at the Perm Opera, Russia. At the same time, he is also the first clarinet of the Mahler Chamber Orchestra, World Orchestra for Peace (WOP) and Les Dissonances de Paris. Alberola was for more than 20 years the first clarinet of the Madrid Opera and the Galician Symphony. During the last decade he has been the first guest clarinet with the Vicent Alberola Royal Concertgebow Orchestra, New York Philarmonic Orchestra, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Orchester Les He studied with Walter Boeykens at the Royal Conservatory of Antwerp, Dissonances and the MMCK Tokyo Orchestra, groups with which he has Belgium, and with George Pieterson had the opportunity to perform the great repertoire. symphonic under and Larry Combs. the baton of teachers such as Claudio Abbado, Mariss Jansons, Valery Gergiev, Riccardo Muti, Daniele Gatti, Daniel Harding, Andris Nelsons, He has played with orchestras such as Royal Concertgebow Orchestra, Gustavo Dudamel, Alan Gilbert and Nicola Luisotti, among others. New York Philarmonic Orchestra, Lucerne Festival Orchestra, Mahler In 2003 he was appointed conductor of the Young Orchestra of the Chamber Orchestra, Orchester Les Madrid Opera and in 2007 conductor of the Young Orchestra of Soria. Dissonances and the MMCK Tokyo Vicent Alberola has directed the following operas at the Teatro Real de Orchestra. -
2015 ANNUAL REPORT Pictured (Top to Bottom, L-R)
OUR 2015 ANNUAL REPORT Pictured (top to bottom, l-r): Shawn Patterson and vocalist Sammy Allen at the 2015 ASCAP Film & TV Music Awards Latin Heritage Award honorees La Original Banda el Limón at the 2015 ASCAP Latin Music Awards ASCAP Golden Note Award honoree Lauryn Hill at the 2015 R&S Awards Lady Antebellum at the 2015 ASCAP Country Music Awards Dave Grohl congrat- ulates Gene Simmons and Paul Stanley on their ASCAP Found- ers Award at the 2015 ASCAP Pop Awards Cast members from Invisible Thread with Richard Rodgers New Horizons Award winners Matt Gould (at piano) & Griffin Matthews (far right) at the 2015 ASCAP Foundation Awards The American Con- temporary Music En- semble (ACME) at the 2015 ASCAP Concert Music Awards Annual Report design by Mike Vella 2015 Annual Report Contents 4 16 OUR MISSION Our ASCAP Our Success We are the world leader in performance 6 18 royalties, advocacy and service for Our Growth Our Celebration songwriters, composers and music publishers. Our mission is to ensure that 8 20 Our Board Our Licensing our music creator members can thrive Partners alongside the businesses who use our 10 music, so that together, we can touch Our Advocacy 22 Our Commitment the lives of billions. 12 Our Innovation 24 Our Communication 14 Our Membership 25 Financial Overview 3 OUR ASCAP USIC IS AN ART. AND MUSIC IS A BUSINESS. The beauty of ASCAP, as conceived by our visionary founders over 100 years ago, is that it serves to foster both music and commerce so that each partner in this relationship can flourish. -
Pierre-Laurent Aimard, Piano Tamara Stefanovich, Piano
Thursday, March 12, 2015, 8pm Zellerbach Hall Pierre-Laurent Aimard, piano Tamara Stefanovich, piano The Piano Music of Pierre Boulez PROGRAM Pierre Boulez (b. 1925) Notations (1945) I. Fantastique — Modéré II. Très vif III. Assez lent IV. Rythmique V. Doux et improvisé VI. Rapide VII. Hiératique VIII. Modéré jusqu'à très vif IX. Lointain — Calme X. Mécanique et très sec XI. Scintillant XII. Lent — Puissant et âpre Boulez Sonata No. 1 (1946) I. Lent — Beaucoup plus allant II. Assez large — Rapide Boulez Sonata No. 2 (1947–1948) I. Extrêmement rapide II. Lent III. Modéré, presque vif IV. Vif INTERMISSION PLAYBILL PROGRAM Boulez Sonata No. 3 (1955–1957; 1963) Formant 3 Constellation-Miroir Formant 2 Trope Boulez Incises (1994; 2001) Boulez Une page d’éphéméride (2005) Boulez Structures, Deuxième livre (1961) for two pianos, four hands Chapitre I Chapitre II (Pièces 1–2, Encarts 1–4, Textes 1–6) Funded, in part, by the Koret Foundation, this performance is part of Cal Performances’ – Koret Recital Series, which brings world-class artists to our community. This performance is made possible, in part, by Patron Sponsor Françoise Stone. Hamburg Steinway piano provided by Steinway & Sons, San Francisco. Cal Performances’ – season is sponsored by Wells Fargo. CAL PERFORMANCES PROGRAM NOTES THE PROGRAM AT A GLANCE the radical break with tradition that his music supposedly embodies. If Boulez belongs to an Tonight’s program includes the complete avant-garde, it is to a French avant-garde tra - piano music of Pierre Boulez, as well as a per - dition dating back two centuries to Berlioz formance of the second book of Structures for and Delacroix, and his attitudes are deeply two pianos. -
2018–2019 Annual Report
18|19 Annual Report Contents 2 62 From the Chairman of the Board Ensemble Connect 4 66 From the Executive and Artistic Director Digital Initiatives 6 68 Board of Trustees Donors 8 96 2018–2019 Concert Season Treasurer’s Review 36 97 Carnegie Hall Citywide Consolidated Balance Sheet 38 98 Map of Carnegie Hall Programs Administrative Staff Photos: Harding by Fadi Kheir, (front cover) 40 101 Weill Music Institute Music Ambassadors Live from Here 56 Front cover photo: Béla Fleck, Edgar Meyer, by Stephanie Berger. Stephanie by Chris “Critter” Eldridge, and Chris Thile National Youth Ensembles in Live from Here March 9 Daniel Harding and the Royal Concertgebouw Orchestra February 14 From the Chairman of the Board Dear Friends, In the 12 months since the last publication of this annual report, we have mourned the passing, but equally importantly, celebrated the lives of six beloved trustees who served Carnegie Hall over the years with the utmost grace, dedication, and It is my great pleasure to share with you Carnegie Hall’s 2018–2019 Annual Report. distinction. Last spring, we lost Charles M. Rosenthal, Senior Managing Director at First Manhattan and a longtime advocate of These pages detail the historic work that has been made possible by your support, Carnegie Hall. Charles was elected to the board in 2012, sharing his considerable financial expertise and bringing a deep love and further emphasize the extraordinary progress made by this institution to of music and an unstinting commitment to helping the aspiring young musicians of Ensemble Connect realize their potential. extend the reach of our artistic, education, and social impact programs far beyond In August 2019, Kenneth J. -
Sir Antonio Pappano and Accademia Nazionale Di Santa Cecilia
Sir Antonio Pappano and Accademia Nazionale di Santa Cecilia Orchestra bring renewed prestige to Italy through international touring and recordings for their 10th anniversary 11 - 18 April, 2016 Paris – 11, Berlin– 12, Hannover - 14, Hamburg - 15, Frankfurt – 17, Munich – 18 ROSSINI La Cenerentola: Symphony, BEETHOVEN Piano Concerto No. 4 SAINT-SAENS Symphony No. 3 7 - 11 May, 2016 São Paolo - 7, 8 , Buenos Aires – 10, 11 Sir Antonio Pappano’s 10th anniversary with the Orchestra dell’Accademia Nazionale di Santa Cecilia brings renewed prestige to Italy’s oldest music institution through their international touring and multiple recordings which are gaining further critical acclaim. Their next tour starts in Paris at the new Philharmonie on 11 April. This is followed by a five-city tour across Germany, with return concerts in Berlin, Hamburg, Frankfurt and Munich and their first visit to Hannover. Their programme includes Saint-Saëns’s Symphony No.3 (“Organ Symphony”), Beethoven’s 4th Piano Concerto performed by Hélène Grimaud and Rossini’s Cenerentola Sinfonia. In May, Pappano and the Accademia di Santa Cecilia will cross the Atlantic for their first tour to South America for concerts in São Paolo and Buenos Aires and there will be a much-anticipated return to the UK in the summer (to be announced in due course). Italian pianist Beatrice Rana, featured on the latest Warner Classics recording of Tchaikovsky’s Piano Concerto No.1 and Prokofiev Piano Concerto No. 2 (her debut album), will join Maestro Pappano and the Accademia di Santa Cecilia on their South American tour. At a time of cultural instability and economic malaise, the Accademia di Santa Cecilia stands as a beacon of artistic excellence, progress and enlightened administration in Italy. -
A B C a B C D a B C D A
24 go symphonyorchestra chica symphony centerpresent BALL SYMPHONY anne-sophie mutter muti riccardo orchestra symphony chicago 22 september friday, highlight season tchaikovsky mozart 7:00 6:00 Mozart’s fiery undisputed queen ofviolin-playing” ( and Tchaikovsky’s in beloved masterpieces, including Rossini’s followed by Riccardo Muti leading the Chicago SymphonyOrchestra season. Enjoy afestive opento the preconcert 2017/18 reception, proudly presents aprestigious gala evening ofmusic and celebration The Board Women’s ofthe Chicago Symphony Orchestra Association Gala package guests will enjoy postconcert dinner and dancing. rossini Suite from Suite 5 No. Concerto Violin to Overture C P s oncert reconcert Reception Turkish The Sleeping Beauty Concerto. The SleepingBeauty William Tell conducto The Times . Anne-Sophie Mutter, “the (Turkish) William Tell , London), performs London), , media sponsor: r violin Overture 10 Concerts 10 Concerts A B C A B 5 Concerts 5 Concerts D E F G H I 8 Concerts 5 Concerts E F G H 5 Concerts 6 Conc. 5 Concerts THU FRI FRI SAT SAT SUN TUE 8:00 1:30 8:00 2017/18 8:00 8:00 3:00 7:30 ABCABCD ABCDAAB Riccardo Muti conductor penderecki The Awakening of Jacob 9/23 9/26 Anne-Sophie Mutter violin tchaikovsky Violin Concerto schumann Symphony No. 2 C A 9/28 9/29 Riccardo Muti conductor rossini Overture to William Tell 10/1 ogonek New Work world premiere, cso commission A • F A bruckner Symphony No. 4 (Romantic) A Alain Altinoglu conductor prokoFIEV Suite from The Love for Three Oranges Sandrine Piau soprano poulenc Gloria Michael Schade tenor gounod Saint Cecilia Mass 10/5 10/6 Andrew Foster-Williams 10/7 C • E B bass-baritone B • G Chicago Symphony Chorus Duain Wolfe chorus director 10/26 10/27 James Gaffigan conductor bernstein Symphonic Suite from On the Waterfront James Ehnes violin barber Violin Concerto B • I A rachmaninov Symphonic Dances Sir András Schiff conductor mozart Serenade for Winds in C Minor 11/2 11/3 and piano bartók Divertimento for String Orchestra 11/4 11/5 A • G C bach Keyboard Concerto No. -
Buika's Unifying Mix of The
Buika's unifying mix of the muses | Philadelphia Inquirer | 10/24/2010 http://www.philly.com/inquirer/entertainment/20101024_Buika_s_unify... Home Inquirer Daily News News Business Sports Entertainment Living Restaurants & Food Jobs Cars Homes Marketplace News Front Page Sports Business Obituaries Arts & Entertainment Food, Home & Life Health & Science Education Opinion Blogs & Columns Subscriber Services | The e-Inquirer search ARTS & ENTERTAINMENT | Sign In | Register Daily Magazine Weekend Books email print reprint font size 0 comments War Rock Card Posted on Sun, Oct. 24, 2010 Buika's unifying mix of the muses By John Timpane Inquirer Staff Writer Buika's smoky, throaty voice rises up from her superb new album, El Último Trago (The Last Drink), and the names of other incredible singers pass through your mind. Nina Simone. Miriam Makeba. Cesaria Evora. Mercedes Sosa. Amalia Rodrigues. Omara Portuondo. Buika, who comes to the Kimmel Center Tuesday, is like none - and Advertise Here has taken all on board. BERNARDO DORAL To admire the music of Buika, who transcends In Trago, the flexible, singular voice of María Concepción cultures, one need not know Spanish. One Today's Most Viewed Most Emailed Balboa Buika combines elements of Afro-Cuban, flamenco, need only know life. pan-American, and even Arabic music in a set of emotional songs played live in the studio with an all-star lineup of Werth seems likely to be moving on 1 of 3 world musicians. She both pays tribute to a personal idol View images An imperfect ending to the Phillies’ season and remakes the songs in her own spiritual and bodily High hopes turn to frustration image. -
Symphonieorchester Des Bayerischen Rundfunks
SYMPHONIEORCHESTER DES BAYERISCHEN RUNDFUNKS 18 | 19 Donnerstag 9.5.2019 Freitag 10.5.2019 7. Abo A Philharmonie 20.00 – ca. 22.15 Uhr Samstag 11.5.2019 4. Abo S Philharmonie 19.00 – ca. 21.15 Uhr 18/19 DANIEL HARDING Leitung LEONIDAS KAVAKOS Violine Artist in Residence SYMPHONIEORCHESTER DES BAYERISCHEN RUNDFUNKS KONZERTEINFÜHRUNG Do./Fr., 9./10.5.2019 18.45 Uhr Sa., 11.5.2019 17.45 Uhr Moderation: Elgin Heuerding PRE-CONCERT nur Do./Fr., 9./10.5.2019 19.15 Uhr Projektleitung: Minas Borboudakis und Ivanna Ternay LIVE-ÜBERTRAGUNG IN SURROUND im Radioprogramm BR-KLASSIK Freitag, 10.5.2019 PausenZeichen: Elgin Heuerding im Gespräch mit Leonidas Kavakos und Daniel Harding ON DEMAND Das Konzert ist 30 Tage auf br-klassik.de abrufbar. PROGRAMM Alban Berg Konzert für Violine und Orchester »Dem Andenken eines Engels« • Andante – Allegretto (scherzando) • Allegro – Adagio Pause Gustav Mahler Symphonie Nr. 5 Erste Abteilung • 1. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt • 2. Stürmisch bewegt. Mit größter Vehemenz Zweite Abteilung • 3. Scherzo. Kräftig, nicht zu schnell Dritte Abteilung • 4. Adagietto. Sehr langsam • 5. Rondo-Finale. Allegro Zwölftonreihe, Volkslied und Choral Zu Alban Bergs Violinkonzert Monika Lichtenfeld Entstehungszeit Februar – 11. August 1935 in Bergs »Waldhaus« am Wörther See Widmung Für Louis Krasner Uraufführung 19. April 1936 in Barcelona mit dem Solisten Louis Krasner unter der Leitung von Hermann Scherchen Lebensdaten des Komponisten 9. Februar 1885 in Wien – 24. Dezember 1935 in Wien Alban Bergs Violinkonzert, heute eines der meistgespielten Solokonzerte des 20. Jahrhunderts und neben der Oper Wozzeck gewiss sein bekanntestes Werk, hat sich früh schon selbst bei Verächtern der Wiener Schule großer Wertschätzung erfreut.