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Dr. Namita Rajput Koushumi Chakraborti 10 Valentina 11 ➢ EDITORIAL BOARD Vikramaditya Sahai 12 ❖ Faculty ✓ Dr
GC’s Members 2019-20 Akshit Manocha Saurabh Singh Parmar B.Com(P), 1st Year Alumnus 2018-19 Member Co-Founder & Chief Administrator Abhimanyu Nasa Niraj Kejriwal B.Com(P), 3rd Year B.Com(H), 2nd Year Member Co-Founder & Chief Overseer Mudit Tiwari Shreyans Bothra B.Com(P), 1st Year B.Com(H), 2nd Year Member Co-Founder & Chief Overseer Aniket Dogra Vineeta Patni B.Com(P), 1st Year B.Com(P), 3rd Year Member Executive Member Abhinav Arya BA(H) App. Psychology, 1st Year Divya Sharma Member B.Com(P), 1st Year Coordination Executive Sanket Arora B.Com(P), 1st Year Member Yatika Mehla BA(H) English, 2nd Year Member Sachin Vats BA(H) Hindi, 2nd Year Member Vidhita Sangwan B.Com(P), 1st Year Gautam Arora Member B.Com(P), 1st Year Member Aastha Singh B.Com(H), 1st Year Prachi Priyadarshee Member BA(H) English, 1st Year Member Bijita Nayak BA(P), 1st Year Yash Sharma Member BA(P), 1st Year Member Urja Gangwar Palash Nayak B.Com(P), 1st Year B.Com(P), 3rd Year Member Member GOONJ From the Desk of Principal 1 Edition - 1 (2019-20) From the Desk of Convenor 2 Official students’ annual About GC 3 digital Newsletter of From the Desk of Student Editors 5 Gender Championship Cell, From the Desk of Office Bearers 6 Sri Aurobindo College KHANAK – Celebrating Gender Equality 7 (Evening) Our Initiatives at Large 8 ➢ PATRON Sridhar Rangayan 9 Dr. Namita Rajput Koushumi Chakraborti 10 Valentina 11 ➢ EDITORIAL BOARD Vikramaditya Sahai 12 ❖ Faculty ✓ Dr. Vibha Batra Tales of Revelation 13 ❖ Students Rise Conference 15 ✓ Saurabh Singh Parmar Yes, I cry! 17 ✓ Isha -
My Favourite Singers
MY FAVOURITE SINGERS 12 01 01 SAMJHAWAN 17 CHALE CHALO 33 BARSO RE 48 JEENA 63 AY HAIRATHE 79 DIL KYA KARE (SAD) 94 SAAJAN JI GHAR AAYE 108 CHHAP TILAK 123 TUM MILE (ROCK) 138 D SE DANCE ARTIST: ARIJIT SINGH, SHREYA GHOSHAL • ALBUM/FILM: HUMPTY SHARMA KI DULHANIA ARTIST: A. R. RAHMAN, SRINIVAS • ALBUM/FILM: LAGAAN ARTIST: SHREYA GHOSHAL, UDAY MAZUMDAR • ALBUM/FILM: GURU ARTIST: SONU NIGAM, SOWMYA RAOH • ALBUM/FILM: DUM ARTIST: ALKA YAGNIK, HARIHARAN • ALBUM/FILM: GURU ARTIST: KUMAR SANU, ALKA YAGNIK • ALBUM/FILM: DIL KYA KARE ARTIST: KAVITA KRISHNAMURTHY, ALKA YAGNIK, KUMAR SANU ARTIST: KAILASH KHER • ALBUM/FILM: KAILASA JHOOMO RE ARTIST: SHAFQAT AMANAT ALI • ALBUM/FILM: TUM MILE ARTIST: VISHAL DADLANI, SHALMALI KHOLGADE, ANUSHKA MANCHANDA 02 ENNA SONA 18 ROOBAROO 34 KHUSHAMDEED 49 WOH PEHLI BAAR 64 AGAR MAIN KAHOON 80 DEEWANA DIL DEEWANA ALBUM/FILM: KUCH KUCH HOTA HAI 109 CHAANDAN MEIN 124 TERE NAINA ALBUM/FILM: HUMPTY SHARMA KI DULHANIA ARTIST: ARIJIT SINGH • ALBUM/FILM: OK JAANU ARTIST: A. R. RAHMAN, NARESH IYER • ALBUM/FILM: RANG DE BASANTI ARTIST: SHREYA GHOSHAL • ALBUM/FILM: GO GOA GONE ARTIST: SHAAN • ALBUM/FILM: PYAAR MEIN KABHI KABHI ARTIST: ALKA YAGNIK, UDIT NARAYAN • ALBUM/FILM: LAKSHYA ARTIST: UDIT NARAYAN, AMIT KUMAR • ALBUM/FILM: KABHI HAAN KABHI NA 95 MAIN ALBELI ARTIST: KAILASH KHER • ALBUM/FILM: KAILASA CHAANDAN MEIN ARTIST: SHAFQAT AMANAT ALI • ALBUM/FILM: MY NAME IS KHAN 139 VELE 03 GERUA 19 TERE BINA 35 BAHARA 50 TUNE MUJHE PEHCHAANA NAHIN 65 KUCH TO HUA HAI 81 KUCH KUCH HOTA HAI ARTIST: KAVITA KRISHNAMURTHY, SUKHWINDER SINGH • ALBUM/FILM: ZUBEIDAA 110 AA TAYAR HOJA 125 AKHIYAN ARTIST: VISHAL DADLANI, SHEKHAR RAVJIANI • ALBUM/FILM: STUDENT OF THE YEAR ARTIST: ARIJIT SINGH, ANTARA MITRA • ALBUM/FILM: DILWALE ARTIST: A. -
Introduction 1
Notes Introduction 1. Abha Dawesar, Babyji (New Delhi: Penguin, 2005), p. 1. 2. There are pitfalls when using terms like “gay,” “lesbian,” or “homosexual” in India, unless they are consonant with “local” identifications. The prob- lem of naming has been central in the “sexuality debates,” as will shortly be delineated. 3. Hoshang Merchant, Forbidden Sex, Forbidden Texts: New India’s Gay Poets (London: Routledge, 2009), p. 62. 4. Fire, dir. by Deepa Mehta (Trial by Fire Films, 1996) [on DVD]. 5. Geeta Patel, “On Fire: Sexuality and Its Incitements,” in Queering India, ed. by Ruth Vanita (London: Routledge, 2002), pp. 222–233; Jacqueline Levitin, “An Introduction to Deepa Mehta,” in Women Filmmakers: Refocusing, ed. by Jacqueline Levitin, Judith Plessis, and Valerie Raoul (Vancouver: UBC Press, 2002), pp. 273–283. 6. A Lotus of Another Color, ed. by Rakesh Ratti (Boston: Alyson Publi- cations, 1993); Queering India, ed. by Ruth Vanita; Seminal Sites and Seminal Attitudes—Sexualities, Masculinities and Culture in South Asia, ed. by Sanjay Srivastava (New Delhi: Sage Publications, 2004); Because I Have a Voice: Queer Politics in India, ed. by Arvind Narrain and Gautam Bhan (New Delhi: Yoda Press, 2005); Sexualities, ed. by Nivedita Menon (New Delhi: Women Unlimited, 2007); The Phobic and the Erotic: The Politics of Sexualities in Contemporary India, ed. by Brinda Bose and Suhabrata Bhattacharyya (King’s Lynn: Seagull Books, 2007). 7. Walter Jost and Wendy Olmsted, “Introduction,” in A Companion to Rhetoric and Rhetorical Criticism, ed. by Walter Jost and Wendy Olmsted (Oxford: Blackwell, 2004), pp. xv–xvi (p. xv). 8. Quest/Thaang, dir. -
LGBTQ Rights, Public Subjecthood and the Law in India
UNIVERSITY OF CALIFORNIA, SAN DIEGO Mediating the Optics of Privacy: LGBTQ Rights, Public Subjecthood and the Law in India A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Communication by Pawan Deep Singh Committee in Charge: Professor Lisa Cartwright, Chair Professor Cathy Gere Professor Nitin Govil Professor Valerie Hartouni Professor John McMurria Professor David Serlin 2015 Copyright Pawan Deep Singh, 2015 All Rights Reserved The Dissertation of Pawan Deep Singh is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Chair University of California, San Diego 2015 iii TABLE OF CONTENTS SIGNATURE PAGE……………………………………………………………………iii TABLE OF CONTENTS ................................................................................................. iv ACKNOWLEDGEMENTS ............................................................................................. vi VITA ............................................................................................................................... viii ABSTRACT OF THE DISSERTATION ....................................................................... ix Introduction ....................................................................................................................... 1 Sexuality within the Global and the Local ................................................................ 14 Queer Visibility in Postcolonial India ....................................................................... -
Gender/Sexual Transnationalism and the Making Of
Globalizing through the Vernacular: Gender/sexual Transnationalism and the Making of Sexual Minorities in Eastern India A Dissertation SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY Aniruddha Dutta IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Richa Nagar, Jigna Desai May 2013 © Aniruddha Dutta, 2013. i Acknowledgements The fieldwork that underlies this dissertation would not have been possible without the help and guidance of my kothi, dhurani and hijra friends and sisters who have so generously invited me into their lives and worlds. Furthermore, numerous community activists, leaders and staff members working in community-based and non-governmental organizations shared their time and insights and included me into their conversations and debates, for which I am deeply grateful. I would especially like to thank the communities, activists and staff associated with Madhya Banglar Sangram, Dum Dum Swikriti Society, Nadia Sampriti Society, Koshish, Kolkata Rista, Gokhale Road Bandhan, Kolkata Rainbow Pride Festival (KRPF), Sappho for Equality, Pratyay Gender Trust, PLUS, Amitié Trust, Solidarity and Action Against the HIV Infection in India (SAATHII), Dinajpur Natun Alo Society, Nabadiganta, Moitrisanjog Society Coochbehar, and Gour Banglar Sanhati Samiti. The detailed review and inputs by my advisers and committee members have been invaluable and have helped shape and improve the dissertation in more ways than I could enlist. I am particularly grateful to my co-advisers, Prof. Richa Nagar and Prof. Jigna Desai for their consistent and meticulous mentorship, guidance, advice and editorial inputs, which have shaped the manuscript in innumerable ways, and without which this dissertation could not have been completed on schedule. -
Download Student of the Year Full Movie 480P
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Motherhood and the Political Project of Queer Indian Cinema
Syracuse University SURFACE Syracuse University Honors Program Capstone Syracuse University Honors Program Capstone Projects Projects Spring 5-1-2007 Motherhood and the Political Project of Queer Indian Cinema Bryce J. Renninger Follow this and additional works at: https://surface.syr.edu/honors_capstone Part of the English Language and Literature Commons, Film and Media Studies Commons, Radio Commons, Religion Commons, and the Television Commons Recommended Citation Renninger, Bryce J., "Motherhood and the Political Project of Queer Indian Cinema" (2007). Syracuse University Honors Program Capstone Projects. 560. https://surface.syr.edu/honors_capstone/560 This Honors Capstone Project is brought to you for free and open access by the Syracuse University Honors Program Capstone Projects at SURFACE. It has been accepted for inclusion in Syracuse University Honors Program Capstone Projects by an authorized administrator of SURFACE. For more information, please contact [email protected]. Motherhood and the Political Project of Queer Indian Cinema Bryce J. Renninger Candidate for B.A. Degree in English & Textual Studies, Television Radio Film, and Religion & Society with Honors May 2007 APPROVED Thesis Project Advisor: ____________________________ Roger Hallas Honors Reader: __________________________________ Tula Goenka Honors Director: __________________________________ Samuel Gorovitz Date:___________________________________________ Table of Contents Abstract…………………………………………………………………………...i Acknowledgements…………………………………………………………...…iii Introduction………………………………………………………………………1 -
Personal Profile ~ Sridhar Rangayan
Sridhar Rangayan profile A Graduate in Engineering and Post-graduate in Design from IIT, Bombay, Sridhar Rangayan switched tracks from designing carpets to apprenticing with eminent Indian directors like Sai Paranjpye, Kalpana Lajmi and Dev Benegal. Setting off as an independant writer / director in 1999 he has scripted and directed television content covering various genres - comedy, romance, drama and thrillers. His latest serial was the first Indian serial to be shot on a luxury cruiseliner and in Singapore & Malaysia. His award winnng debut short film ‘The Pink Mirror’, produced by his own company Solaris Pictures, has screened at a record number of 56 international film festivals till date. It also garnered global attention for being the first film on Indian drag queens and is one of the very few independent films from India to acquire distribution in US and Europe. His first 35mm feature, a children film that combines breezy fun-filled adventure with social values, won the Bronze Remi Award at WorldFest, Houston and has been screened at international children film festivals. Apart from filmmaking, he is also actively involved with human rights issues and the disability sector. awards Jury Award for Best Film at ‘Fire Island Film Festival 2004, New York, USA (for film “Gulabi Aaina) Bronze Remi Award at WorldFest 2004, Houston (for children film “Yeh Hai Chakkad Bakkad Bumbe Bo’ – CFSI ) Best Film of the Festival award at ‘Question de Genre’ film festival 2003, Lille, France (for film “Gulabi Aaina) RAPA award for Best Comedy Episode, -
PORTRAYAL of SEXUAL MINORITIES in HINDI FILMS By
Articles Global Media Journal – Indian Edition/ISSN 2249-5835 Sponsored by the University of Calcutta/ www.caluniv.ac.in Summer Issue / June 2012 Vol. 3/No.1 PORTRAYAL OF SEXUAL MINORITIES IN HINDI FILMS Sanjeev Kumar Sabharwal Assistant Professor Amity School of Communication Amity University Uttar Pradesh, Lucknow Campus, Uttar Pradesh, India Website: http://www.amity.edu/lucknow Email:[email protected] and Reetika Sen Academic Coordinator Amity School of Communication Amity University Uttar Pradesh, Lucknow Campus, Uttar Pradesh, India Website: http://www.amity.edu/lucknow Email: [email protected] Abstract: Sexual minority or Alternative sexuality comprises of all those people who fall under the categories of Gay, Lesbian, Transgender, Eunuchs. This paper basically compares the portrayal of sexual minorities in Mainstream and Alternative Hindi Cinema. It talks about how Mainstream Hindi cinema which is the most widely distributed cinema in India and abroad has traditionally adopted an attitude of denial or mockery towards LGBTQ community. Representations of sexual Minorities have veered between the sarcasm, comic and the criminal. Where as Alternative Cinema which is confined to film festivals and a handful selected group of viewers portrays sexual minorities in more realistic manner and is successful in raising, expressing & suggesting possible solutions to their problems in more effective manner as compared to the main stream cinema. This is a qualitative as well as quantitative research and the methodology adopted to find out the answers to the questions is content analysis of four Hindi films and survey. Two films of mainstream and two of alternative cinema were selected randomly. Both secondary and primary data was collected, from various reliable sources like journals, websites, articles, movie reviews of different newspapers etc. -
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List of Movies - 2012
Entertainment Network India Limited Mirchi Music Awards Hindi - 5 List of movies - 2012 Sr. No. Film Album Title 1 Aalaap - Ek Nayi Roshni 2 Agent Vinod 3 Agneepath 4 Aiyyaa 5 Ajab Gazabb Love 6 Ata Pata Laapata 7 Barfi! 8 Bittoo Boss - VDO Shooter 9 Blood Money 10 Bol Bachchan 11 Bumboo 12 Chaar Din Ki Chandni 13 Chakradhar 14 Chakravyuh 15 Chal Pichchur Banate Hain 16 Challo Driver 17 Chhodo Kal Ki Baatein 18 Chittagong 19 Chutki Bajaa Ke 20 Cigarette Ki Tarah 21 Cocktail 22 Daal Mein Kuch Kaala Hai 23 Dabangg 2 24 Dam 999 25 Dangerous Ishq 3D 26 Delhi Safari 27 Department 28 Diary Of A Butterfly 29 Ek Main Aur Ekk Tu 30 Ek Tha Tiger 31 Ekk Deewana Tha 32 English Vinglish 33 Fatso! 34 Ferrari Ki Sawaari 35 From Sydney With Love 36 Future To Bright Hai Ji 37 Gali Gali Chor Hai 38 Gangs of Wasseypur 39 Gangs of Wasseypur II 40 Gattu 41 Ghost 42 Hate Story 43 Heroine 44 Housefull 2 45 I M 24 46 Ishaqzaade 47 Jab Tak Hai Jaan 48 Jalpari - The Desert Mermaid 49 Janleva 555 50 Jannat 2 51 Jeena Hai To Thok Daal 52 Jism 2 - To Love Her Is To Die 53 Jodi Breakers 54 Joker 55 Kahaani 56 Kamaal Dhamaal Malamaal 57 Khiladi 786 58 Kismet Love Paisa Dilli 59 Krishna Aur Kans 60 Kyaa Super Kool Hain Hum 61 Le Gaya Saddam 62 Life Ki Toh Lag Gayi 63 London, Paris, New York 64 Love Possible 65 Luv Shuv Tey Chicken Khurana 66 Makkhi 67 Married 2 America 68 Maximum 69 Mere Dost Picture Abhi Baki Hai 70 Mr Bhatti On Chutti 71 OMG - Oh My God! 72 Paan Singh Tomar 73 Players 74 Prem Mayee 75 Qasam Se Qasam Se 76 Qayamat Hi Qayamat 77 Raaz 3 78 Rakhtbeej 79 Riwayat 80 Rowdy Rathore 81 Rush - If You Stop. -
'Shazam!' Proves a Compelling Superhero Movie
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