Syllabus Fall 2019
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
2019 Tinker Foundation 990 PF
Extended to November 16, 2020 Return of Private Foundation OMB No. 1545-0047 Form 990-PF or Section 4947(a)(1) Trust Treated as Private Foundation Department of the Treasury | Do not enter social security numbers on this form as it may be made public. 2019 Internal Revenue Service | Go to www.irs.gov/Form990PF for instructions and the latest information. Open to Public Inspection For calendar year 2019 or tax year beginning , and ending Name of foundation A Employer identification number THE TINKER FOUNDATION, INC. 51-0175449 Number and street (or P.O. box number if mail is not delivered to street address) Room/suite B Telephone number 55 EAST 59TH STREET 21 FL 212-421-6858 City or town, state or province, country, and ZIP or foreign postal code C If exemption application is pending, check here~| NEW YORK, NY 10022 G Check all that apply: Initial return Initial return of a former public charity D 1. Foreign organizations, check here ~~| Final return Amended return 2. Foreign organizations meeting the 85% test, Address change Name change check here and attach computation ~~~~| H Check type of organization: X Section 501(c)(3) exempt private foundation E If private foundation status was terminated Section 4947(a)(1) nonexempt charitable trust Other taxable private foundation under section 507(b)(1)(A), check here ~| I Fair market value of all assets at end of year J Accounting method: Cash X Accrual F If the foundation is in a 60-month termination (from Part II, col. (c), line 16) Other (specify) under section 507(b)(1)(B), check here ~| | $ 85,835,052. -
Qt03d7j97v Nosplash 30A7dd2
Acoustic Properties The FlashPoints series is devoted to books that consider literature beyond strictly national and disciplinary frameworks, and that are distinguished both by their historical grounding and by their theoretical and conceptual strength. Our books engage theory without losing touch with history and work historically without falling into uncritical positivism. FlashPoints aims for a broad audience within the humanities and the social sciences concerned with moments of cultural emergence and transformation. In a Benjaminian mode, FlashPoints is interested in how literature contributes to forming new constellations of culture and history and in how such formations function critically and politically in the present. Series titles are available online at http://escholarship.org/uc/flashpoints. series editors: Ali Behdad (Comparative Literature and English, UCLA), Founding Editor; Judith Butler (Rhetoric and Comparative Literature, UC Berkeley), Founding Editor; Michelle Clayton (Hispanic Studies and Comparative Literature, Brown University); Edward Dimendberg (Film and Media Studies, Visual Studies, and European Languages and Studies, UC Irvine), Coordinator; Catherine Gallagher (English, UC Berkeley), Founding Editor; Nouri Gana (Comparative Literature and Near Eastern Languages and Cultures, UCLA); Susan Gillman (Literature, UC Santa Cruz); Jody Greene (Literature, UC Santa Cruz); Richard Terdiman (Literature, UC Santa Cruz) A complete list of titles begins on page 314. Acoustic Properties Radio, Narrative, and the New Neighborhood of the Americas Tom McEnaney ❘ , this book is made possible by a collaborative grant from the andrew w. mellon foundation. Northwestern University Press www.nupress.northwestern.edu Copyright © 2017 by Northwestern University Press. Published 2017. All rights reserved. Printed in the United States of America Support for the publication of this book was provided by the Hull Memorial Publication Fund of Cornell University. -
Transnational Forms Jennifer Harford Vargas Bryn Mawr College, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Scholarship, Research, and Creative Work at Bryn Mawr College | Bryn Mawr College... Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College English Faculty Research and Scholarship English 2015 Transnational forms Jennifer Harford Vargas Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/engl_pubs Part of the English Language and Literature Commons Custom Citation Monica Hanna and Jennifer Harford Vargas. “Transnational forms.” In F.L. Aldama (ed.), Latino/a Literature in the Classroom: Twenty-first-century Approaches to Teaching, London and New York (2015): 64-77. ISBN: 0415724201. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/engl_pubs/21 For more information, please contact [email protected]. Monica Hanna and Jennifer Harford Vargas. “Transnational forms.” In F.L. Aldama (ed.), Latino/a Literature in the Classroom: Twenty-first-century Approaches to Teaching, London and New York (2015): 64-77. ISBN: 0415724201. Introduction: our American genres In 1990 Cuban American literary critic Gustavo Perez-Finn at posed what was to be a field-defining question: "Do the Americas have a common literature?" The question holds particular significance for Latino/a literature and, in turn, invokes further questions: What is the place of Latino/a letters in this literature of the Americas? How is Latino/a literature influenced by both Latin American and U.S. American literary traditions? Moreover, what genres circulate in the Americas and how do Latino/a writers mobilize and modify these narrative forms? There is a range of answers to these questions as numerous aesthetic influences and genre forms have helped shape Latino/a literary production. -
Macarthur's 2017 Form 990-PF
EXTENDED TO NOVEMBER 15, 2018 Return of Private Foundation OMB No. 1545-0052 Form 990-PF or Section 4947(a)(1) Trust Treated as Private Foundation Department of the Treasury | Do not enter social security numbers on this form as it may be made public. 2017 Internal Revenue Service | Go to www.irs.gov/Form990PF for instructions and the latest information. Open to Public Inspection For calendar year 2017 or tax year beginning , and ending Name of foundation A Employer identification number JOHN D. AND CATHERINE T. MACARTHUR FOUNDATION [CONSOLIDATED] 23-7093598 Number and street (or P.O. box number if mail is not delivered to street address) Room/suite B Telephone number 140 SOUTH DEARBORN STREET 1200 (312)726-8000 City or town, state or province, country, and ZIP or foreign postal code C If exemption application is pending, check here~| CHICAGO, IL 60603-5285 G Check all that apply: Initial return Initial return of a former public charity D 1. Foreign organizations, check here ~~| Final return Amended return 2. Foreign organizations meeting the 85% test, Address change Name change check here and attach computation ~~~~| H Check type of organization: X Section 501(c)(3) exempt private foundation E If private foundation status was terminated Section 4947(a)(1) nonexempt charitable trust Other taxable private foundation under section 507(b)(1)(A), check here ~| I Fair market value of all assets at end of year J Accounting method: Cash X Accrual F If the foundation is in a 60-month termination (from Part II, col. (c), line 16) Other (specify) under section 507(b)(1)(B), check here ~| | $ 6,999,766,070. -
Daniel Alarcón and the Spanish Language Podcast Radio Ambulante Our Lives Matter: Alex Nieto & USF's Response to Police Brutality on the Tupac Amaru Rebellion
Fall 2014 Contributors Print Story ShareThis Stories Bringing New Life to Gleeson Library: Dobles Vidas & Mexican Folk Art Changing the World from Everywhere: Father Privett and his Latin American Journeys Inside Stories: Daniel Alarcón and the Spanish Language podcast Radio Ambulante Our Lives Matter: Alex Nieto & USF's Response to Police Brutality On the Tupac Amaru Rebellion Photo Courtesy of Fidel Dolorier Links Center for Latino Studies in the Americas Inside Stories: Daniel Alarcón and the Spanish (CELASA) Chican@ Latin@ Studies Language podcast Radio Ambulante Latin American Studies Written by Tiye Sheppard Latin American Student Organization (LASO) I was welcomed to my seat by Bay Area DJ Crew La Pelanga. A quick paced cumbia, mixed cleverly with a familiar pop beat seemed to bounce off the walls. The excitement of the audience created an indistinguishable hum. The room was filled with English speakers, hispanohablantes, and Spanglish wizards like myself, all eager to hear quality storytelling. From the metalhead ‘frikis’ in La Habana, Cuba to drunken nights and wedding days in Mexico City, Radio Ambulante was set to present it all. This mezcla, or merging of ‘here’ and ‘there’ is what I would say award winning Daniel Alarcón and his stellar team do best. On November 2nd, 2014 the Yerba Buena Center for the Arts hosted a live show of the popular Spanish podcast, Radio Ambulante. Founded in 2011, the programing focuses on Latin American stories from the inside. The word ambulante usually refers to street vendors, who move from place to place selling their goods. In the context of radio, the content is sourced from any where that Spanish is spoken, picking up new stories along the way, and delivering them fresh to an online audience.