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[email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/engl_pubs Part of the English Language and Literature Commons Custom Citation Monica Hanna and Jennifer Harford Vargas. “Transnational forms.” In F.L. Aldama (ed.), Latino/a Literature in the Classroom: Twenty-first-century Approaches to Teaching, London and New York (2015): 64-77. ISBN: 0415724201. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/engl_pubs/21 For more information, please contact
[email protected]. Monica Hanna and Jennifer Harford Vargas. “Transnational forms.” In F.L. Aldama (ed.), Latino/a Literature in the Classroom: Twenty-first-century Approaches to Teaching, London and New York (2015): 64-77. ISBN: 0415724201. Introduction: our American genres In 1990 Cuban American literary critic Gustavo Perez-Finn at posed what was to be a field-defining question: "Do the Americas have a common literature?" The question holds particular significance for Latino/a literature and, in turn, invokes further questions: What is the place of Latino/a letters in this literature of the Americas? How is Latino/a literature influenced by both Latin American and U.S. American literary traditions? Moreover, what genres circulate in the Americas and how do Latino/a writers mobilize and modify these narrative forms? There is a range of answers to these questions as numerous aesthetic influences and genre forms have helped shape Latino/a literary production.