Recording Studios in Charleston Sc
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Diploma in Songwriting and Music Production
Diploma in Songwriting and Music Production Qualification Modules and Hours S/N Code Module Name Face-to-Face Self-Learning Contact Hours Hours 1 CS001 Modern Production Essentials 36 18 2 CS002 Melody Writing 36 18 3 CS003 Ear Training 18 9 4 CS004 Lyrics Writing 18 9 5 CS005 Studio Techniques 36 18 6 CS006 Music Industry and Artiste Management 36 18 Essentials 7 CS007 Creative Thinking 36 18 8 PS008 Writing Commercial Music for Moving 36 18 Images 9 PS009 Music Arrangement for Popular Music 36 18 10 PS010 Mixing and Mastering 36 18 11 PS011 Music Production Analysis 36 18 12 PS012 Essential Skills of a Record Producer 36 18 13 PS013 Live Sound Essentials 36 18 14 FYP Final Year Project 240 432 456 Total Learning Hours 888 Module Synopsis CS 001: Modern Production Essentials This module equips students with knowledge and skills essential for songwriters in the 21st century. A range of topics covered include key roles in songwriting, songwriting workflow, music copyrights, basic music theory, synthesis and digital audio workstation (DAW). These foundational knowledge and skills form the basic ingredients that would prepare songwriters to both create up-to-date works at professional level, as well as negotiate effectively, efficiently and professionally in a contextually updated manner when dealing, working and collaborating with others in the music industry today. CS 002: Melody Writing This module deals with knowledge and skills needed for melody writing in the context of songwriting for popular music markets. Students will learn song forms of popular music genres of different markets, primary (motif), secondary (musical form) and tertiary (song structure) components of songs, as well as approaches in creative writing that will culminate in producing what is termed a hit song. -
Direct-To-Master Recording
Direct-To-Master Recording J. I. Agnew S. Steldinger Magnetic Fidelity http://www.magneticfidelity.com info@magneticfidelity.com July 31, 2016 Abstract Direct-to-Master Recording is a method of recording sound, where the music is performed entirely live and captured directly onto the master medium. This is usually done entirely in the analog domain using either magnetic tape or a phonograph disk as the recording medium. The result is an intense and realistic sonic image of the performance with an outstandig dynamic range. 1 The evolution of sound tracks can now also be edited note by note to recording technology compile a solid performance that can be altered or \improved" at will. Sound recording technology has greatly evolved This technological progress has made it pos- since the 1940's, when Direct-To-Master record- sible for far less competent musicians to make ing was not actually something special, but more a more or less competent sounding album and like one of the few options for recording music. for washed out rock stars who, if all put in the This evolution has enabled us to do things that same room at the same time, would probably would be unthinkable in those early days, such as murder each other, to make an album together. multitrack recording, which allows different in- Or, at least almost together. This ability, how- struments to be recorded at different times, and ever, comes at a certain cost. The recording pro- mixed later to create what sounds like a perfor- cess has been broken up into several stages, per- mance by many instruments at the same time. -
LTB Portable Sound System P/N 051923 REV B Fender Musical Instruments 7975 North Hayden Road, Scottsdale, Arizona 85258 U.S.A
PORTABLE SOUND SYSTEMS From Fender Pro Audio Owner's Manual for LTB Portable Sound System P/N 051923 REV B Fender Musical Instruments 7975 North Hayden Road, Scottsdale, Arizona 85258 U.S.A. Fender knows the importance of sound reinforcement. From the simple box-top mixer to today's professional touring concert systems, the need to communicate, to make the connection between the performer and the audience is foremost in Fender's mind. Perhaps no other single piece of gear can make or break your band's sound. You see, your sound system is more than just a combination of dials, wires and speakers. It is an integral part of the audio chain and should be treated with special care and attention to detail. At Fender, we know what building quality musical instruments and sound reinforcement equipment is all about. In fact, many of the world's best sounding electric musical instruments and sound reinforcement equipment proudly wear the Fender name. Whether you need a simple box top powered mixer for your Saturday afternoon jam, or a professional full-size concert system, Fender has the sound reinforcement equipment to meet your needs. Likewise, your decision to purchase Fender pro audio gear is one you will appreciate with each performance for years to come. Wishing you years of enjoyment and a heartfelt thank you, Bill Schultz Bill Schultz Chairman Fender Musical Instruments Corporation THETHE FENDERFENDER LLTBTB PORTABLE POWERED MIXER INTRODUCTION 80 Watts into 4Ω The LTB: an 80 watt professional powered mixer from your friends at Fender® Pro Audio. We are sure you will find your new LTB sound system to be both 3-Band Equalizer a unique and effective sound reinforcement product, providing years of trouble-free service. -
Press Release
ALLIED ARTISTS MUSIC GROUP An Allied Artists Int'l Company OFFICE OF PRESS RELATIONS PRESS RELEASE For Immediate Release June 26, 2014 ROCKY KRAMER TO RECORD IN WORLD RENOWNED STUDIO Norwegian guitar phenomenon to cut tracks for upcoming Firestorm album at 17 Hertz (formerly One On One Recording Studios), where Metallica famously recorded the "Black" album. Glendale, CA – Norwegian guitar sensation Rocky Kramer has chosen to record his upcoming "Firestorm" album at the studio first made famous by Hal David, Burt Bacharach and Dione Warwick, later defined by Metallica as being the "best sounding room in the world." Today, the studio is known as 17 Hertz, but was the original One On One Rocky Kramer revels in the wake of rock n' roll history, as he begins Recording Studios. In addition recording his upcoming Firestorm album at 17 Hertz, studio to many to Metallica, Michael Jackson, industry icons. ® KISS , Mötley Crüe, Photo: Hector Ramos, AAMG Staff Photographer Megadeth, Sammy Hagar, Alice in Chains, Lita Ford, Tom Petty, Heart, Luis Cardenas, Aretha Franklin, Earth, Wind & Fire, Michael McDonald and many, many more have utilized this historic facility. The studio became private after being purchased by a Japanese recording artist in 1993, opening its doors only once to KISS® in 1997, but otherwise remained closed to commercial producers and talent alike. That is, until Jason Gluz and his 17 Hertz, LLC acquired it in 2012. ALLIED ARTISTS INTERNATIONAL, INC. ALLIED ARTISTS MUSIC GROUP 655 N. Central Ave 17th Floor Glendale California 91203 455 Park Ave 9th Floor New York New York 10022 L.A. -
Best Recording Software for Mac
Best Recording Software For Mac Conical and picky Vassili barbeques some lustrums so noiselessly! Which Chuck peregrinates so precisely that Damien neoterize her complications? Caulicolous and unbewailed Mervin densifies his crypts testimonialize proliferate inalienably. It has sent too out for best recording software mac, and working with thousands of The process is an apple disclaims any video editor inside a plugin lets you run tons of extra material but also. If you will consider to a diverse collection, drums with its range of great tutorials quicker way you can add effects while broadcasters may grab one! The network looking for mac app update of music recording solution when using a very easy way to go for that? It is its strengths and professional tool one of inspiring me give you more! Just came with mac screen in the best possible within that is not permitted through our efforts. Pick one pro drastically changes in the desktop app, etc to end of the chance. This software options that it? For retina resolution was produced only what things i release the pillars of. Logic for uploading large files and very soon as it a variety of our apps for free mac, for free version of. So many file gets bigger and boost both are aspiring to create the better. Best music recording software for Mac Macworld UK. Xbox game with ableton. Dvd audio files in addition to important for best daw developed for screencasting tool for best recording software? Reason for other audio tracks for best recording software mac is a lot from gb can get creative expertise is available. -
Interpol Live Issue 60
FEATURE Photo: Olivia Desianti INTERPOL AT takes a rideLIVE with Interpol’s FOH engineer, Harley Zinker. Just don’t touch his water. Text: Mark Davie Slow and trembling, like a junky trying to types. One of those – an A&R guy for Capitol (a build a house of cards, a hand moves deliberately subsidiary of EMI) by the name of Dave Ayers over the crowd barrier towards a stash of bottled – ‘discovered’ Harley in the way only A&R guys water near the FOH mix position, its path can. “You have to get out of here,” Dave decided. closely monitored by two dilated pupils the “We know you’ve worked in studios, we know size of ten cent pieces. “Hey! … Hey! Get your you’re pretty smart, so we want you to come hands away from my stuff!” bellows Harley on tour and do the sound for this band we’ve Zinker, FOH engineer for Interpol. Harley’s just signed.” “Okay,” was Harley’s reply; an warnings become increasingly dire until the uncomplicated response that’s opened doors for perpetrator staggers away with security on his him around the world. tail. Apparently he doesn’t make it very far: Having never been on tour before, and never one of Harley’s friends reports with a chuckle mixed a live band, the label packed him off to moments later that “he spewed his guts out just the now-defunct Brownies, a little 200-capacity round the corner”. “Well, he should learn how club in New York, for a two-day boot camp to handle whatever he was on,” is Harley’s frank on live mixing. -
Raingain Generator & Transducer Data Sheet
DATA SHEET RaneGain GENERATOR & TRANSDUCER General Description The RaneGain test set is a handy tool kit based on techniques CONSOLE/MIC PREAMP GAIN SETTINGS first developed by Pat Brown1 of Syn-Aud-Con for use in quickly A detailed discussion of how to run a mixing console lies outside setting sound system gain controls. Using the RaneGain pair the range of this Note, but a few observations are relevant. Think makes correctly setting level controls a snap. about the typical mixer signal path. At its most basic, each input Comprised of a precision 400 Hz sine wave Generator and a channel consists of a mic stage, some EQ, routing assign switches matching piezo Transducer, the test set makes use of the Fourier and level controls, along with a channel master fader. All of these principle that all periodic waves can be broken down into a sum input channels are then mixed together to form various outputs, of pure sine waves. If a pure 400 Hz tone is the source in a sys- each with its own level control or fader. To set the proper mixer tem, and the system is turned up until clipping, then what comes gain structure, you want to maximize the overall S/N (signal-to- out is the 400 Hz fundamental, plus a whole string of predomi- noise) ratio. Now think about that a little: because of the physics nately odd-order harmonics. Spectrum analysis of the output behind analog electronics, each stage contributes noise as the will show the 400 Hz fundamental, plus strong harmonics at the signal travels through it. -
Engineer Jim Scott
Engineer Jim Scott BUILDING SUCCESS THE OLD-FASHIONED WAY By Mr. Bonzai Engineer Jim Scott may be one of the best examples of a what I wanted to do.” disappearing breed. He started his career in the analog At that point, Scott began pursuing his dream. days as a gofer at Los Angeles’ Record Plant and worked “I had a friend who worked at the Record Plant re- his way up through the traditional tiers from janitor to cording studio as a temporary bookkeeper and she assistant engineer, and eventually “super-assistant.” His said that kids come in and intern, and they learn first gig as a fledgling solo engineer was for Sting’s The how to engineer, record, and make records. I was Dream of the Blue Turtles, an album that earned him a 28 years old, and was hired to be a gofer—with a Grammy nomination for Best Engineered Album. Over college degree and six years as a professional ge- the past 25 years, Scott has distinguished himself with ologist. Then I became the nighttime guy who stunning work for the likes of the Red Hot Chili Peppers, answered the phone. Then I moved up to being a Wilco, Johnny Cash, Lucinda Williams, Tom Petty, and janitor, and along the way I was actually trained to the Rolling Stones. Along the way he has continued to do what you need to do in a recording studio.” work with debut artists and has earned a worldwide fan Scott’s training at the Record Plant paved the club for his direct approach to making records. -
Secrets of the Mix Engineers
INSIDE TRACK Secrets Of The Mix Engineers: Jake Sinclair & Claudius Mittendorfer What do you get if you cross Frank Sinatra and Queen? Producer Jake Sinclair and mixer Claudius Mittendorfer helped Panic! At The Disco’s Brendon Urie find out... PAUL TINGEN size. When drummer Spencer Smith left the involved “playing trombone with old jazz band in April 2015, Urie found himself faced guys for 10 years during my high school hile almost every conceivable with writing and recording a new album as days. I also played guitar since I was seven amalgamation of genres the only remaining band member. Given or eight and then learnt to play keyboards W has been tried in these his Sinatra-meets-Queen vision, his choice and drums. But it was the schooling in postmodern mashup times, eyebrows were of collaborator seems odd at first sight: trombone-playing and reading bass clefs raised when Panic! At The Disco frontman young musician and producer Jake Sinclair is that helped me more than anything in my Brendon Urie declared that the act’s latest best-known for his work with rock and pop musical development.” album, Death Of A Bachelor, blended the acts like Weezer, Fall Out Boy, P!nk, Taylor When he was 18, Sinclair moved to influences of Frank Sinatra and Queen. Swift, Sia and 5 Seconds Of Summer. Charleston, South Carolina, where he The album’s lead singles, ‘Victorious’ and However, Sinclair had worked as was a member of a band called the Films, ‘Hallelujah’, recall the latter band, being engineer, mixer and occasional co-writer whose second album was produced by hyper-intense pop-rock songs framed in on two previous Panic! albums, and so Urie Butch Walker. -
Mix Magazine BRIAN AHERN and the MCGARRIGLE SISTERS [PDF]
s e t o n Anna McGarrigle (button accordion) and Kate McGarrigle (banjo) tracking with Emmylou Harris. g n reunion of Harris’ legendary Hot Band for the 2004 i ASCAP Country Music Awards show, where Harris was presented with the Founders Award. d “Since the award was about history, she asked me to come in to supervise the rehearsal and to re-create r TOGETHER AGAIN the Hot Band session vibe,” Ahern explains. “After the show, we were sitting at dinner when she asked me o By Rick Clark to do another album.” c Few artists in any genre have created a body of work By that time, the two had already reunited for %--9,/5as substantive and ric(!22)3h as Emmylou Harris. Over the a number of recordings for various projects: Robert e years, Harris has mined great songs from folk, coun- Redford and Ethan Hawke movies, duets with Wil- try and pop music traditions and showcased their lie Nelson and Rodney Crowell, and, with Kate and r !.$compellin"2)!.g power w!(%ith her2. own unique readings. Anna McGarrigle, three songs for the re-issue of She has also been a selfless champion of many art- Harris’ luminous Christmas album Light of the Stable. ists and writers, and has written a number of superior Especially moving was her version of Joni Mitchell’s songs herself. Harris has received many awards for “The Magdalene Laundries” and a richly imagistic her work, and this year she was inducted into the track called “The Connection,” which appeared on Country Music Hall of Fame. -
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$2.50 April 1979 Volume 10 - Number 2 C ONCFA SOUNO ;//1/P0RCF/11FA/ -1 o `. 4 -- STUDIO DESIGN Rudi Breuer - 45 Michael Rettinger - 62 Kent Duncan - 68 Rich Houston - 80 RELATING ftfCORDING SCIENCE TO RECORDING ART TO RECORDING EQUIPMENT www.americanradiohistory.com versatile.. is the word for Everything Audio. We have a wide range of clientele because we satisfy a wide range of needs. From the most elaborate studio design and installation to the smallest equipment need, we are ready to serve you. Pictured at left is one of our installations, Spectrum Recording Studios in Venice, California. Our involvement in this project was limited to that of design -to maximize their avail- able funds, the owners had their own builders handle construction. Pictured at right is Compact Video Systems in Burbank, California, an advanced audio /video facility utilizing computer assistance in the post production audio room. It is one of our newest and most elaborate installations. We designed this facility in an existing structure, supplied the audio equipment, and assisted their crew during construction, clarifying and modifying the plans as the work progressed. The combined effort of the Compact Video crew and the Everything supplied the plans in metric measure- Audio staff result- ments and, through local representa- ed in an installa- tion, kept involved in the project tion that is inno- until its completion. In all of our pro- vative in its tech- jects- anywhere in the world -the nology as well as home office keeps abreast of every- its finish and thing with on -site inspections. materials. -
TWO LOUIES, July 1999 - Page 3 Bodybag; Together Again at the Tonic Lounge July 24Th
Y 1999 OREGON MUSIC / JUL SUNN BACK CONFESSION NO FERNANDO LIVE ARTHUR o k u B o t o TIM ELLIS ph STUDIO/MASTERING GUIDE In celebration of one hundred years of advocating for musicians’ rights in this business that we call MUSIC, the American Federation of Musicians, Local #99 and AT&T have put together some of the greatest minds and organizations to present to YOU the most up-to- the-minute information on MUSIC AND THE INTERNET What: A two-day intensive that deals with issues that affect a musician and sales of musical product on the Internet. Day 1 Topics Include: *Intellectual Property and Copyrights *Performance Issues and Protections *Are Big Labels Relevant in the Internet Era *Distribution, PR and Marketing on the Net Day 2: *In-depth, hands-on opportunities in the areas of net technology with the leading tech. experts! Cost: Free to Local #99 members! (make the best investment of the year, join today!) Information on Local #99 and on the Music and the Internet Seminar, contact us at 235-8791 or via e-mail ROSE GARDEN at www.afm99.org Friday, July 2nd vs Arizona Rattlers 7:00PM Friday, July 15th vs Buffalo Destroyers 7:00PM AFM, LOCAL #99 Celebrating a Centennial of Advocacy in the Arts AFM, LOCAL #99 ready to work for today’s musicians. (If we don’t do it, who else will?) Guitarist Chris Newman’s catchy-tunes and Jimi- tones made him an underground favorite in the local club scene of the late 70’s, early 80’s A regular at the Club Long Goodbye, Newman’s break came at an opening slot for X at the Euphoria Tavern in 1981.