Biografie Annette Kelm

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BIOGRAFIE ANNETTE KELM Annette Kelm geboren 1975 in Stuttgart, lebt und arbeitet in Berlin Auszeichnungen/ Stipendien 2005 Art-Cologne-Preis für junge Kunst Arbeitsstipendium der Stiftung Kunstfonds Reisestipendium Los Angeles, Neue Kunst in Hamburg 2004 Artist residency Heanävesi, Finnland Hamburger Arbeitsstipendium für Bildende Kunst 1999 Kodak Young Photographers Einzelausstellungen (Auswahl) 2009 Herald St Gallery, London Kunsthalle, Zürich / Kunst-Werke, Berlin Camera Austria - Kunsthaus, Graz 2008 Passengers: 1.6 Annette Kelm, CCA Wattis, San Francisco Witte de With, Rotterdam 2007 Vier Jahreszeiten, Johann König, Berlin 2005 Förderkoje Art Cologne, Köln 2004 Friendly Tournament, Ausstellungsraum Hinterkonti, Hamburg Breakdance, Die Blaue Kugel, Hamburg 2003 Als Kriechtier ist das Pferd edler als der Esel, HfBK, Hamburg Gruppenausstellung (Auswahl) 2009 phot(o)objects, Presentation House Gallery, Vancouver 2008 Re-Used Modernity, Brussels Biennial, Brüssel The Art of the Real, Sammlung von Edith & Mark Vanmoerkerke, Oostende The Possible Document, Herald Street, London 2007 5 Minutes later, Kunst-Werke, Berlin Anything You Want, Pump House Gallery, London At Home, Yvon Lambert, New York (kuratiert von Mario Testino) The History of a Decade That Has Not yet Been Named, Biennale de Lyon, Lyon Die Wörter, die Dinge, Kunstverein für die Rheinlande und Westfalen, Düsseldorf Made in Germany, Sprengel Museum, Hannover Lost & Found, Shedhalle, Zürich 2006 Gold Standard, P.S.1/MoMA, Long Island City, NY New Ghost Entertainment – Entitled, Or Gallery, Vancouver / Kunsthaus, Dresden Don Quijote, Witte de With, Rotterdam Having New Eyes, Aspen Art Museum, Aspen 2005 Stipendiaten 2004, Kunsthaus, Hamburg Jetzt und zehn Jahre davor, Kunst-Werke, Berlin 2004 Deutschland sucht, Kölnischer Kunstverein, Köln Provide it, Halle für Kunst, Lüneburg Blau in der Kugel, Die blaue Kugel, Hamburg 2003 Zimmer aufräumen, Zupfgeigenhansl Kommt!, Künstlerhaus, Stuttgart / Kunsthaus, Dresden Feine Ware I-III, Kunstverein Harburger Bahnhof, Hamburg 2002 Hossa, Centro Cultural Andratx, Mallorca andere räume, Kunstverein, Hamburg 2001 Chromosomen privat und öffentlich, Kunstverein, Meppen .

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Thomas Erben Gallery
Thomas Erben Gallery Photography Out of Germany Sofia Hultén, Annette Kelm, Heinz Peter Knes, Alwin Lay, Michael Schmidt, Kathrin Sonntag, Tobias Zielony May 25 - June 24 Opening Reception: Thursday, May 25, 6 - 8:30 pm Thomas Erben Gallery is pleased to present Photography Out of Germany, a group exhibition of photographers who engage and expand the practice of contemporary German photography. The exhibition considers how photographic production in Germany has evolved, expanding past its identifications with the Becher school, Minimalism, and Conceptual Art. While photographers continue to employ these aesthetics and formal tropes – seriality and the index, for example – the turn towards performance, humor, process, and an integration of multiple media is producing invigorating works that challenge the conventional associations of “German Photography.” The exhibition explores some of the recent practitioners whose work has grown out of this dynamic, historically-rich context. Michael Schmidt, Untitled (from Frauen), 1997-1999. Gelatin Silver Print, 44 x 30 cm each, ed. 6. In 1976, Michael Schmidt established the Werkstatt für Photographie at VHS Berlin-Kreuzberg as an international center for photography in West Berlin. Schmidt is known for his meticulously composed series of black and white photographs, such as Stadtbilder and Frauen. In two images of Stadtbilder from the 1970s, he depicts vacant sights from Berlin’s streets. Taking up the divided city as his subject, the artist avoids over-determined symbolism in favor of deserted sites that he richly imbues with a social focus. In Frauen, he pairs portraits of women with secondary, indirect images in which his camera lingers on clothing, texture, and tone.
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(212) 741-8849 Fax (212)741-8863
ANDREW KREPS GALLERY 22 CORTLANDT ALLEY NEW YORK, NY 10013 TEL (212) 741-8849 FAX (212)741-8863 WWW.ANDREWKREPS.COM ANNETTE KELM Born 1975 in Stuttgart Lives and works in Berlin Solo Exhibitions 2020 Annette Kelm - Die Bücher, Museum Frieder Burda | Salon Berlin, Berlin Germany Apples, KÖNIG TOKYO, Tokyo, Japan Salon Frieder Burda, Berlin, Germany Annette Kelm - Geld, Deutsche Bundesbank, Frankfurt, Germany 2019 Annette Kelm, Auswärtiges Amt Berlin, Berlin, Germany 2018 Tomato Target, Kunsthalle Wein, Vienna, Austria Light Double, KÖNIG GALERIE, Berlin, Germany Fosun Foundation, Shanghai, China Kunsthalle Wien, Vienna, Austria Annette Kelm, König Galerie, Berlin, Germany Springs, Gió Marconi, Milan, Italy Ludwig Foundation, Aachen, Germany Knots, Andrew Kreps Gallery, New York, NY 2017 Annette Kelm: Leaves, kestnergesellschaft, Hannover, Germany 2016 VOX, Centre de l’image contemporaine, Montreal Detroit City/Detroit Affinities: Annette Kelm, curated by Jens Hoffmann, Museum of Contemporary Art Detroit, Detroit, MI Herald St, London Pizza, König Galerie, Berlin 2015 Home Home Home, Museum Haus Lange, Krefeld, Germany Syncro, Galerie Meyer Kainer, Vienna Archive, Andrew Kreps Gallery, New York 2014 In the Realm of, Gío Marconi, Milan König Galerie, Berlin, Germany Dust, Kölnischer Kunstverein, Cologne, Germany 2013 Andrew Kreps Gallery, New York Taka Ishii, Tokyo 2012 Johann König, Berlin Marc Foxx, Los Angeles Meyer Kainer Gallery, Vienna Presentation House Gallery, Vancouver 2011 Hello aber, with Michaela Meise, Bonner Kunstverein, Bonn,
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By Kirsty Bell German Artist Annette Kelm's Humorous, Formalist-Looking
Annette Kelm: Untitled (Tulpe, Magnete), ANALOG 2013, C-print, 21¾ by 18 inches. All images courtesy Andrew Kreps Gallery, New York. ENCOUNTERS German artist Annette Kelm’s humorous, formalist-looking photographs often deliver a surprising sociopolitical punch. by Kirsty Bell ANNETTE KELM’S PHOTOGRAPHS belong to the conceptual rigor of the Düsseldorf school (the Bechers, Can- cumbersome world of analog photography rather than its dida Höfer and the triumvirate of Struth, Ruff and Gursky) flexible digital counterpart. Shooting with medium- or as well as Wolfgang Tillmans’s alchemical treatment of the large-format cameras, and working closely with her printing everyday. A dry wit characterizes many of her earliest works, COMING SOON A solo exhibition lab to produce exquisite final prints, the artist creates still which function like in-jokes about the nature of photog- at Galerie Johann lifes and portraits that employ the conventions of com- raphy, the viewer’s desire for authenticity and the limits of König, Berlin, mercial studio photography: bright, even lighting; few or no what can be pictured. Cave (2003), for instance, consists of Mar. 15-Apr. 26; Espace Louis shadows; objects or people isolated against solid backdrops. a pair of photographs showing a cave full of stalagmites and Vuitton, Munich, The images seem content to speak for themselves, but they stalactites; one of the images is hung upside down, though Mar. 22-Aug. 8. also display a reticence that counters the assumption that which one is hard to say. photography is a medium that directly reflects our reality. That humorous approach, though no longer so explicit, KIRSTY BELL The pictures she presents are riven with contradictions and is still a steady undercurrent in her work.
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Annette Kelm Pizza 9 April
ANNETTE KELM PIZZA 9 APRIL – 29 MAY 2016 OPENING: 9 APRIL, 6 – 9 PM ST. AGNES | NAVE In contrast to any type of image production that aims above all to achieve optimized effect in the digital media, Annette Kelm unleashes the potential inherent in photography to reproduce the world of objects and thereby uncover their cultural foundations and day-to-day aporias or impasses. On the one hand, her photographs seem dedicated to a thoroughly sober presentation of things, quoting genres such as the still life and studio photography. On the other hand, however, her strictly formal pictorial language with its neutral light and objective view of arranged objects gives the latter a hyper-real presence, freeing them from the realm of the purely factual. Levelled down onto the plane surface and free of any narrative charge, the compositional factor comes to the fore, endowing the motifs in all their visual density and pithiness with an almost rebus-like significance. Thus the things are what they are, yet carry also an abstract significance that is merely ascribed to them. They are straightforward and yet at the same time intractable motifs that seem to fit neither the category of objective documentation nor that of figurative representation. They flatten objects pictorially into a plane or line them up in the lines and sequences of photographic experiments and lighting effects. Depicted frequently from the front and with great sharpness of detail, the minimal yet ornament-oriented world of things marks the translation into the two- dimensional space of photography. The latter’s perspective, narrowing into a single point of view, is part of the photographic apparatus, but also the expression of a subjective vision of the world.
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Camera Austria www.camera-austria.at Camera Austria Award for Contemporary Photography by the City of Graz 2017 to Jochen Lempert ¬ Jochen Lempert, Untitled (Flight Attendant Records Condensation Trail), 2017. All images: © Jochen Lempert/Bildrecht Vienna, 2017. Courtesy: BQ, Berlin and ProjecteSD, Barcelona. The jury of this year’s Camera Austria Award for Contemporary pert’s work unleashes a wealth of visual poetry that is reflected Photography by the City of Graz: by distinctive visual language, which, not least, gives his oeuvre a unique position within contemporary photography.” Annette Kelm, awardee 2015, Berlin Vanessa Joan Müller, curator, Kunsthalle Vienna The Camera Austria Award for Contemporary Photography by the Jens Maier-Rothe, author and curator, Berlin City of Graz is bestowed every two years on an artist who has pub- Reinhard Braun, publisher Camera Austria International lished a noteworthy contribution in the magazine Camera Austria International. The prize-money is Euro 14,500. has bestowed the award to German artist Jochen Lempert’s work has been published in Camera Austria Jochen Lempert. International no. 108 / 2009 and Camera Austria International no. 124 / 2013; his work was exhibited at Camera Austria as part of The jury founded their decision to honour Jochen Lempert with this “Milk Drop Coronet. 30 Exhibitions on the Virtuosity of Thing- award on the following statement: ness” in 2010/11. “Jochen Lempert (b. 1958) has a degree in biology and since the early 1990s has been devoted to work characterized by the cor- respondence and contextualization of individual photographs in larger groups. The perception of nature and animals in systems of representation used in scientific research here involves the in- dividual observation of the world of flora and fauna within an environment configured by humans.
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Kunsthalle Wien Museumsquartier 25/6 – 16/10 2016
Kunsthalle Wien Museumsquartier Artists Susanne Kriemann Kasper Akhøj David Maljković Heba Amin Jumana Manna Monica Bonvicini Ingrid Martens Mark Boyle Isa Melsheimer Andreas Bunte Olaf Metzel Tom Burr Maximilian Pramatarov Thomas Demand Heidi Specker Werner Feiersinger Ron Terada Karsten Födinger Tercerunquinto Cyprien Gaillard Sofie Thorsen Isa Genzken Klaus Weber Liam Gillick Tobias Zielony Annette Kelm Hubert Kiecol Curators Jakob Kolding Vanessa Joan Müller Miki Kratsman Nicolaus Schafhausen 25/6 – 16/10 2016 Booklet www.kunsthallewien.at The building material concrete is a style of building evolved which both solid and flexible. As it can be bore a strong relation to the moulded into the desired shape material – so-called Brutalism, on site, it constantly offers new named after the French word for possibilities. High-rise buildings, raw concrete: béton brut. Brutalist pre-stressed concrete bridges, architecture signified intransigence and other spectacular icons of the and radicalness. The flexibility 20th century would not have been of the material with its potential conceivable without concrete. for expressive design allowed Nevertheless, concrete was for for an experimental approach a long time perceived as a material and an exploration of its inherent without qualities, the refractory possibilities to the very limit. of modern mass society. Many But concrete also stood out due associate the “inhospitality of to its significant social element: in cities” with the grey anonymity post-war times, extensive projects of hastily constructed, uniform for social structures such as council buildings. However, the innovations buildings, educational institutions, of the 1960s and 1970s connected and cultural centres were often with concrete construction carried out in concrete.
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Annette Kelm
BIOGRAPHY Born 1979 in Katowice, Poland Lives and works in Berlin, Germany EDUCATION 1999-2005 Study of Visual Arts, UdK, Berlin, Germany UPCOMING 2020 Kausalkonsequenz, Langen Foundation, Neuss, Germany (solo) KÖNIG TOKYO, Tokyo, Japan (solo) Helsinki Biennale, Helsinki, Finland (group) 2021 Alicja Kwade, In Abwesenheit, Berlinische Galerie, Berlin, Germany (solo) SOLO EXHIBITIONS 2019 In Between Glances, MIT List Visual Arts Center, Cambridge, MA, USA Moving in Glances, Dallas Contemporary, Dallas, TX, USA WeltenLinie, Palazzo Biscari, Catania, Italy ParaPivot, Rooftop Garden Installation, The Metropolitan Museum, New York, NY, USA The Resting Thought, Centre De Création Contemporaine Olivier Debré, Tours, France 2018 GLANCES, Blueproject Foundation, Barcelona, Spain TRANS-FOR-MEN, EMMA – Espoo Museum of Modern Art, Helsinki, Finland Out of Ousia, Kunsthall Charlottenborg, Charlottenborg, Denmark ENTITAS, KÖNIG GALERIE, Berlin, Germany TunnelTeller, Castle Hill on the Crane Estate, Ipswich, MA, USA Being, Neuer Berliner Kunstverein, Berlin, Germany MATERIA, PER ORA, Collezione Giuliani, Rome, Italy AMBO, Kunsthalle Kiel, Kiel, Germany LinienLand, Haus Konstruktiv, Zurich, Switzerland 2017 Phase, KÖNIG GALERIE, Berlin, Germany ReReason, YUZ Museum, Shanghai, China Revolution Orbita, Kamel Mennour, London, UK Medium Median, Whitechapel Gallery, London, UK La Biennale di Venezia, Venice, Italy A Trillionth of a Second,i8 Gallery, Reykjavik, Iceland Deconstructing Borders, Sigmar Polke – Alicja Kwade, Museum Frieder Burda, Salon Berlin,
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ANNETTE KELM 1975 Born in Stuttgart Lives and Works in Berlin
ANNETTE KELM 1975 Born in Stuttgart Lives and works in Berlin SOLO EXHIBITIONS 2018 Tomato Target, Kunsthalle Wien, Vienna, Austria Light Double, König Galerie, Berlin, Germany Fosun Foundation Shanghai, China Springs, Gió Marconi, Milan, Italy Peter und Irene Ludwig Stiftung, Aachen, Germany Knots, Andrew Kreps Gallery, New York, NY, USA 2017 Annette Kelm: Leaves, Kestner Gesellschaft, Hannover, Germany 2016 Herald St, London, UK VOX. Center of Contemporary Image, Montréal, Canada Museum of Contemporary Art Detroit, Detroit, MI, USA Pizza, König Galerie, Berlin, Germany 2015 Home Home Home, Museum Haus Lange, Krefeld, Germany Syncro, Meyer Kainer Gallery, Vienna, Austria Archive, Andrew Kreps, New York, NY, USA 2014 Staub, Kölnischer Kunstverein, Cologne, Germany Gio Marconi, Milano, Italy König Galerie, Berlin, Germany 2013 Andrew Kreps Gallery, New York, NY, USA Oriel Mostyn Gallery, Llandudno, UK Taka Ishii Gallery, Tokyo, Japan 2012 Johann König, Berlin, Germany Marc Foxx, Los Angeles, CA, USA Meyer Kainer Gallery, Vienna, Austria Presentation House Gallery, Vancouver, Canada 2011 Hallo aber (with Michaela Meise), Bonner Kunstverein, Germany Fruits, Flowers and Clouds, Vienna, Austria 2010 Gio Marconi, Milan, Italy Today, Andrew Kreps, New York, NY, USA 2009 Herald Street, London, UK Camera Austria, Graz, Austria KW – Institute for Contemporary Art, Berlin, Germany Kunsthalle, Zurich, Switzerland 2008 CCA Wattis, Institute for Contemporary Art, San Francisco, CA, USA Witte de With, Rotterdam, The Netherlands Taka Ishii Gallery, Tokyo,
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Annette Kelm
Kunsthaus Graz, Lendkai 1, 8020 Graz, Austria [email protected] T. +43 / (0) 316 / 81 55 500, F. 81 55 509 www.camera-austria.at ANNETTE KELM Eröffnung / Opening: 9. Juli 2009, 18:00 Uhr Ausstellungsdauer / Duration : 10. Juli – 13. September 2009 Kuratorin / Curator: Maren Lübbke-Tidow ANNETTE KELM geboren 1975 in Stuttgart (D), lebt und arbeitet in Berlin (D). Born 1975 in Stuttgart (D), lives and works in Berlin (D). Einzelausstellungen / Solo exhibitions (Auswahl / Selection): 2009 Camera Austria, Kunsthaus, Graz (A); Herald St, London (GB); Kunsthalle Zürich, Zurich (CH); KW – Institute for Contemporary Arts, Berlin (D); 2008 CCA Wattis Institute for Contemporary Arts, San Francisco (US); Witte de With, Center for Contemporary Art, Rotterdam (NL); Taka Ishii Gallery, Tokyo (JP); Marc Foxx (West Gallery), Los Angeles (US); 2007 "Vier Jahreszeiten", Johann König, Berlin; "Oranges and Stripes", Marc Foxx Gallery, Los Angeles; 2006 "Errors in English", Art Cologne – Award for Young Art, Artothek, Cologne (D); 2005 Förderkoje Art Cologne, Cologne; 2004 "To a Snail", Galerie Crone, Berlin; "Friendly Tournament", Ausstellungsraum Hinterkonti, Hamburg (D); "Breakdance", Die Blaue Kugel, Hamburg; 2003 "Als Kriechtier ist das Pferd edler als der Esel", HfBK, Hamburg; 1999 Galerie Nomadenoase, Golden Pudel Club, Hamburg. Gruppenausstellungen / Group exhibitions (Auswahl / Selection): 2009 "To be Determined", Andre Kreps Gallery, New York (US); "Short Circuits", Peter Blum Chelsea, New York; "A Twilight Art", Harris Liebermann, New York;
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