2019-20 Concert Season
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Song Album 1. the Road to Bayamon Road to Bayamon 2. Blue Wing
TOM RUSSELL Song Album 1. The Road to Bayamon Road to Bayamon 2. Blue Wing Poor Man’s Dream 3. Gallo del Cielo Poor Man’s Dream 4. Navajo Rug Poor Man’s Dream 5. A Bad Half Hour Cowboy Real 6. Claude Dallas Cowboy Real 7. The Rose of the San Joaquin The Rose of the San Joaquin 8. The Sky Abow, The Mud Below Song of the West 9. Hallie Lonnigan Song of the West 10. Alkali Song of the West 11. The Dreamin’ The Man from God Knows Where 12. Sitting Bull in Venice The Man from God Knows Where 13. Where the Dream Begins Borderland 14. What Work Is Borderland 15. Isaac Lewis Modern Art 16. Tijuana Bible Modern Art 17. Tonight We Ride Indians Cowboys Horses and Dogs 18. Who’s Gonna Build Your Wall? Immigration Suite THE ROAD TO BAYAMON BLUE WING All You possum-belley queens get out of here He had a blue wing tattooed on his shoulder Gypsy's out for blood tonight might have been a bluebird, I don't know She's got love and hate tattooed on her fist but he got stone drunk and he talked about She's drunk and she's ready to fight Alaska salmon boats and 45 below She used to run a little shot end beer joint Now she's a jockey on the Astro ride well he got that blue wing at Walla Walla She took me for a whirl one night and his cellmate was a Little Willy John Man it messed me up inside Willie, he was once a great blues singer so Wing & Willie wrote him up a song Ay-Ay-Ay, oh the rain How long can this rain go on sang, it's dark in here, can't see the light There's nothing sadder than a carnival but I look at this blue wing when I close my On the road -
April '93 Sound
April ’93 . 2 No Vol. 9, SS UUNN DD The Making of the Album Cover by-step recount of the making of the cover art for Tom Russell’s new album, Box of Visions? It’s worth a try, Alex, so sit back while we clip these wires to your eyelids and crank up some Ludwig Van. by Arthur D. Bradley Readers will recall the tedious step-by-step recounting of how S produced the Tom HE PUBLIC HAS A FASCINATION in four countries: the United States (Philo), Russell band show at the Grand Emporium for details regarding the creative Canada (Stony Plain), Norway (Sonet), and (“The Heart of the Working Band,” Vol. 5, No. 2, process, be it the technically chal- Ireland (Round Tower). Hoping for a con- November ’92). During that first visit, plans lenging makeup application for sistent worldwide release next time out, he were made for my designing a band newsletter, Michael Jackson (“The Making of inquired as to my experience in cassette T to be called “Blood Shots.” Response was pos- and CD design. Thriller”) or the charming irony of Stevie itive and Tom seemed pleased with the printed Wonder demonstrating to Bob Dylan how “Oh, sure, I’ve done some stuff, mainly piece, which led to another assignment: a to sing like Bob Dylan (“The Making of We local,” I bluffed. It wasn’t exactly a fib, since press kit. Although the duotone effect on the Are The World”). In some ways, these be- my profession is that of a four-color graphic cover photo didn’t print as well as expected, hind-the-scenes videos are a bit like David artist, but it was definitely hedging a bet. -
Nick 2017 Winter Newsletter
Crescent Heights Community Hall • 1101 - 2nd Street N.W. Mailing address: P.O. Box 64244, Thorncliffe PO Calgary, AB T2K 6J7 www.thenick.ca Winter 2017 • our 37th Season elcome to the 2nd half of our 37th anniversary season Season’s Passes at the Nick! Once again we’ll feature fabulous old friends • 2016–2017 GOLD CARD renewals will commence (for a limited andW some terrific newcomers. time) starting February 25th. There is a waiting list for GOLD The home of the Nick is the Crescent Heights Community Hall CARDS that aren’t renewed—email us if you wish to be added (1101 - 2nd Street NW). Seating is first-come first serve with the to the waiting list. Please send your email to: GoldCards@ following exception: season’s ticket holders who arrive early thenick.ca. GOLD CARD holders are reminded that your season will be given preferential admission from 6:50 – 7:00 P.M. Our passes are transferable if you cannot attend a performance. ticket capacity is 193 patrons and 110 are season’s ticket hold- Online Ticket Sales ers. Concerts begin at 7:30 P.M. with the doors opening at 7:00 P.M. • All January to April 2017 concerts will go on sale December An evening at the Nick begins with an opening act, followed by 16 at www.brownpapertickets.com. Tickets are $25; service two sets by our featured performer. Breaks between sets allow charges are applicable. time for socializing and indulging in a hot entree, great cakes, popcorn and other refreshments. • Tickets are available at the door only if we are not sold out in advance. -
November '92 Sound
mb Nove er ’92 . 2 , NoSS UUNN DD HHHH, YOU DON’T know the shape I’m “O in,” Levon Helm was wailing plaintively over the P.A. as the lights came up at Off Broad- way, a St. Louis nightclub. The DJ’s choice of that particular Band normally prohibits). Brian McTavish of the number couldn’t have been more Star’s “Nighthawk” column was on assign- relevant. Four days on the road ment, so no luck there. A television spot with the Tom Russell Band were wasn't in the budget, so we'd have to rely coming to a close, leaving me primarily on word of mouth for ticket sales. fatigued and exhilarated at the same time. Day 1 – Kansas City The show had run late, and The Tom Russell Band, standin’ on the corner: Barry the management was doing its Ramus (bass), Fats Kaplin (accordion, pedal steel, Waiting at the Comfort Inn for the band harmonica, and more), Tom Russell (guitar, vocals), to roll in to town provided a chance to see a best to herd patrons out the Mike Warner (drums, backing vocals), Andrew Hardin door. As the crowd congratulat- (guitar, harmony vocals). prima donna in action. A member of Lash ing the band dispersed, S LaRue’sband was pressuring the desk clerk staff cartoonist Dug joined me in ap- to change his room assignment, first to down the hall, then, deciding that wasn’t proaching Tom, and in our best Wayne and up a request for an interview left on his toll good enough, to a different floor. -
Chris Petersen Is a Country Singer/Songwriter Known for His Rich Voice and Solid Country Sound
Chris Petersen is a country singer/songwriter known for his rich voice and solid country sound. Chris writes lyrics that impact the listener. In 2018 these powerful lyrics won Chris a spot as a finalist in the famed Kerrville songwriting competition in Kerrville, Texas. Becoming a finalist in Kerrville puts Chris in the company of many well known songwriters such as Lyle Lovett, Robert Earl Keen, Tom Russell, Hal Ketchum, Steve Earl, and Nanci Griffith, who have also been finalists at Kerrville. In May of 2019 Chris is set to release a highly anticipated album with Nashville producer, Trent Willmon. Trent has written songs for countless artists including Blake Shelton, Brad Paisley, Eric Church, Montgomery Gentry, Little Big Town, Cody Johnson, and many more. As a producer Trent has shined. Trent produced the Billboard #1 Album for 2019, Cody Johnson's, "Aint Nothin to it. On Chris' new album Chris wrote or co-wrote 11 of the 12 songs. Nine of the 12 were co-written by Trent Willmon. The album was recorded at Front Stage Studio in Nashville, TN featuring a live 8 piece band. Chris has performed at many venues across the country, from Texas, at NRG Park, to Missouri, to the Western states. Chris has placed a large focus on supporting our veterans, police officers, and first responers. Along with many events and fundraisers aimed at supporting the men and women who serve our communities, Chris has also written songs such as,"He Still Pays the Price," to honor those who pay the price for our freedoms. -
Songwriting Contests
CANADIAN PUBLICATIONS MAIL AGREEMENT NO 40014605 (IF UNDELIVERABLE PLEASE RETURN TO 129 JOHN STREET, TORONTO, ONTARIO M5V 2E2 $4.95 CDN AND CRAFTOFCANADIANSONGWRITERS ART THE CELEBRATING PUBLISHED BY MAGAZINE S.A.C.’s BLUEBIRDNORTH GOESNATIONWIDE S.A.C.’s JOHN’S CAPEK:STORIESFROMTHETRENCHES SONGWRITERS INTHENEWS ALSO INTHISISSUE: WITH EMBERSWIFT 20 QUESTIONS NASHVILLE CATS CANADA’S “WHISPERING PINES” JASON SCHNEIDER’S A RIVETINGEXCERPTFROM FIRST BREAK JONI MITCHELL’S GETTING AHEADINMUSICCITY … S CONTESTS SONGWRITING O W y ha O FALL 2009, Volume 12Number3 2009,Volume FALL u’ T RE now a WINNER ? EXECUTIVE Director’S MESSAGE EDITOR Greg Quill MANAGING EDITOR Don Quarles DESIGN Ambrose Pottie CONTRIBUTORS Don Quarles, Nick Krewen, Christopher Ward, Dale Leung, Greg Quill MAGAZINE EXECUTIVE DIRECTOR All photos courtesy of S.A.C., unless otherwise stated. DON QUARLES WITH INTERNATIONAL Canadian Publications Mail Agreement No. 40014605 CONFEDERATION Canada Post Account No. 02600951 OF AUTHORS ISSN 1481-3661 ©2002 FALL 2009 Volume 12 Number 3 .C. AND COMPOSERS Songwriters Association of Canada A SOCIETIES (CISAC) Subscriptions: Canada $16/year plus GST PRESIDENT ROBIN USA/Foreign $22 CONTENTS FEATURES: GIBB AT THE WORKS COPYRIGHT SUMMIT Songwriters Magazine is a publication of the IN WASHINGTON IN Songwriters Association of Canada (S.A.C.)and is 5 20 QUESTIONS : COURTESY S. : COURTESY JUNE. published three times a year. Members of S.A.C. receive Songwriters Magazine as part of their membership. Ember Swift reveals secrets of song craft HOTO P Songwriters Magazine welcomes editorial comment. Opinions expressed in Songwriters Magazine do not Exciting changes are taking place at the year. The annual week-long workshop was necessarily represent the opinions of the S.A.C. -
SAC Fall 2007
Executive Director’s Message EDITOR Beverly Hardy Busy, Busy, Busy! MANAGING EDITOR Don Quarles LAYOUT Lori Veljkovic ow – where did the summer go? If you bump into COPY EDITOR Leah Erbe The S.A.C. has been actively them, thank them CONTRIBUTORS Don Quarles, promoting the Association at again! Nick Krewen, Kerry Doole, Leah Erbe, W Dale Leung, Pierre Millette, several events over the last few months as well We are excited as preparing for the upcoming season: We about a new show- Canadian Publications Mail Agreement were at the SCMAs (Saskatchewan Country case opportunity No. 40014605 Music Awards) in Saskatoon, where Lennie involving a part- Canada Post Account No. 02600951 Gallant participated in several songwriting nership with the ISSN 1481-3661 ©2002 panels and showcases; S.A.C. Board folks at Second Songwriters Association of Canada President Haydain Neale made his way up to Cup Canada. DON QUARLES Subscriptions: Canada $16/year plus Sault Ste Marie to lead a songwriting Thanks to Laura GST; USA/Foreign $22 workshop co-sponsored by Music and Film in Mingail and Karen Gold (both from Second Songwriters Magazine is a publication of the Motion (MFM); Pat Pattison wowed another Cup Marketing), an initiative is in full swing Songwriters Association of Canada (S.A.C.) group of songwriters at a weekend workshop to help promote Canadian songwriters in and is published four times a year. Members at Metalworks Institute; and in June we had a their coffee houses across the country. With of S.A.C. receive Songwriters Magazine as great bluebird North showcase in an initial launch in September and October part of their membership. -
The Drugstore Cowboys Bill Kirchen & Too Much Fun
AUGUST 2013 JULY 2013 SAT 3 TUE 2 SIMON HONEYBOY HICKLING MARCUS BONFANTI £7 £7adv - plus Eaves & the Thieves A world-class musician, Simon ‘Honeyboy’ Hickling is a blues The new album “Shake The Walls” is the strongest and hardest- harmonica ace with a hard earned and well-deserved international rocking album yet from Marcus Bonfanti, a Londoner of Anglo- reputation. His subtle and fabulously expressive playing is Italian parentage. A huge vocal and guitar talent, with songs that grounded firmly in the ‘50s and ‘60s heyday of the Chicago and come straight from the soul, and who many critics are claiming Gulf Coast styles of playing. With a tremendously experienced to be at the very forefront of the new generation of British blues- band backing him, Simon never fails to deliver anything less than influenced music. www.marcusbonfanti.com a first-rate evening’s entertainment and never lets good taste and soulfulness stifle a rockin’ night out. FORTY TENTH PROMOTIONS PRESENTS... www.honeyboyhickling.com FRI 5 GREENBIRD PROMOTIONS PRESENTS... SOLSTICE TUE 6 £10adv £12door - plus Luna Kiss Soaring violin and guitar weaving around delicately passionate LARKIN POE female vocals, underpinned by driving rhythmic complexity, Solstice £10 - plus Paul McClure (The Hi & Lo) were an unlikely band to succeed in 1980s Britain. Yet because It’s sometimes hard to believe that sisters Rebecca and Megan of their unique vision, audiences in search of an alternative to Lovell, aka Larkin Poe, are still only 21 and 23 respectively. First as the “shiny product” of the music industry revelled in the band’s the Lovell Sisters with sibling Jessica, then over five EPs as Larkin performances at all the major festivals and sell-out tours, on which Poe, they have gathered acclaim from the likes of Elvis Costello, they made the legendary Marquee club their home. -
Here Are the Complete Liner Notes. Download As An
A STAGGERING DISTANCE December 26, 1991. “I can give you maybe ten minutes or so,” reluctantly grumbled a deep voice over the phone. I was writing for a local music ’zine, Sound, and had left a message on 1-800-Dark-Ang(el), the only possible way I knew how to connect with Tom Russell for an interview, having stumbled across the toll-free number a year or so before in a tiny Musician magazine write-up of Poor Man’s Dream. It had been a couple of weeks, and I had almost forgotten about it. I had friends over for the holidays, and wanted to record the conversation, so Tom set up a return call for the next day. That ten minutes he was going to begrudge me turned into over a half hour conversation, discussing Tom Russell featured in Sound Magazine his plans for reissuing his early records; the (click to read): process of booking gigs; blue wing tattoos; February ’92 his fellow musicians Andrew Hardin, Dave Alvin, and Katy Moffatt; and a “real character” March ’92 he thought I should get to know (click here), a April ’92 funeral director in Mt. Olive, Illinois, named November ’92 Ed Becker—little did I know how much all of April ’93 this would eventually become part of my life. Tom mentioned he had never played west Winter ’94 of the Mississippi, which led to me, along with Sound’s publisher, Corky Carrel, landing be bought by Warner Brothers and a career was born. After that initial introduction, Tom him a gig at Kansas City’s Grand Emporium. -
SUMMER 2006 Valdy, Jim Vallance, Nancy White Contents SUMMER 2006 Volume 9 Number 2 COVER PHOTO: ANTHONY MANDLER PHOTO: MUCHMUSIC Features
President’s Message EDITOR Nick Krewen The 50% Solution MANAGING EDITOR Beverly Hardy LAYOUT Lori Veljkovic ix years ago, when I first sion to allow two American satellite addressed the S.A.C. annual gen- services into Canada and letting them Canadian Publications Mail Agreement eral meeting as President, I get away with playing as little as 15% No. 40014605 S Canada Post Account No. 02600951 CanCon was devastating. We hope began by mentioning the ancient ISSN 1481-3661 ©2002 Chinese curse, "May you live in inter- that the CRTC may have sharpened Songwriters Association of Canada esting times." their focus this time out. Subscriptions: Canada $16/year plus Well curse or not, things have cer- Looking forward, there are many GST; USA/Foreign $22 tainly been interesting. Perhaps the changes afoot here at the S.A.C.. First Songwriters Magazine is a publication of the last six years have seen the most music of all, I am very pleased to announce Songwriters Association of Canada (S.A.C.) industry upheaval since the advent of the appointment of our new and is published four times a year. Members radio when the industry, then thriv- Executive Director, Don Quarles. of S.A.C. receive Songwriters Magazine as Don comes to us with vast experience part of their membership. Songwriters ing on the sales of piano rolls and 78s, Magazine welcomes editorial comment. cried "The sky is falling!" because as a coordinator and planner of Opinions expressed in Songwriters Magazine music was being played free for any- entertainment events, working both do not necessarily represent the opinions of one who owned a radio. -
SAC Winter 2007
Executive Director’s Message EDITOR Nick Krewen Setting S.A.C. Sights on Sites, MANAGING EDITOR Beverly Hardy LAYOUT Lori Veljkovic Sounds and Songposium COPY EDITOR Leah Erbe s fall fades into winter, I'm extremely itally is an advantage for those who want to ensure Canadian Publications Mail Agreement pleased to announce that a number of dif- their music is “out there” for the world to hear. No. 40014605 ferent S.A.C. programs will be warming up The S.A.C. was also present at a number of Canada Post Account No. 02600951 A ISSN 1481-3661 ©2002 songwriters as we head into the colder months -- important conferences. The first, Copycamp, some familiar, some new and all of them an involved a three-day session in Toronto Songwriters Association of Canada opportunity to encourage your creativity and September 28-30 that exposed all types of Subscriptions: Canada $16/year plus sharpen your business acumen. creators to various copyright challenges and GST; USA/Foreign $22 options facing the world today. First, I'm very pleased to announce that Songwriters Magazine is a publication of the Songposium 2.0 is taking place in five cities across The other was the Future of Music Policy Songwriters Association of Canada (S.A.C.) the country, targeting the urban, country and pop Summit, held in Montreal during the POP and is published four times a year. Members music fields. Montreal festival October 5-7. Both events offered of S.A.C. receive Songwriters Magazine as Featuring some amazing industry professionals excellent information on directions the music part of their membership. -
Read Or Download
Roy Forbes His first album of orig- Blue the basic vocal tracks are live. There Shari Ulrich and Bill Henderson. “I’ve kind was some overdubbing and a couple of fixes of come full circle.” inal material in two de- along the way but not the autotuning and It’s not surprising it feels like a first cades feels as natural other tricks that make some singers sound record. It’s been 22 years since Crazy Old so perfect it’s almost scary. Moon, his last album of all-new material. as his first recording. Making the album was “like it used to be. He’s casual about the gap, saying it just For the most part, what you’re hearing is happened that way and, while he didn’t By Pat Langston what I was feeling. The vocals aren’t perfect completely stop writing, he did “slow down Edge of Blue, the new album by Roy but they are heartfelt.” a bit.” Forbes, glances backward while simultane- Even his pre-studio technique has an Most of the music on the new album is ously speaking to the present. element of times past. When he’s working recent but he says the songs feel old, as The record is a tasty blend of soul, on a new song, for instance, he often uses a though they’ve been around for a while, and old-school rock’n’roll and country, with cassette recorder. He says it sounds terrible he likes that. Forbes’s high, quavering voice—a voice but he likes the tactile quality of the record- In the case of Don’t Let Go, the joyous that, decades ago, gave us the definitive er’s buttons.