Steffen Thomas Bio
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C O R R I N A S E P H O R A 1200 Foster St NW Studio B11W, Box 39 Atlanta, GA 30318 678-523-9969 [email protected] corrinasephora.com Education 2005 MFA Sculpture, Georgia State University, Atlanta, GA 1995 BFA Metals & Sculpture, Massachusetts College of Art and Design, Boston, MA Solo/ Duo Exhibitions 2021 Solo Exhibition, Spalding Nix Fine Art, Atlanta, GA *forthcoming 2020 Blood of the Earth II, Sewell Mill Library & Cultural Center, Marietta, GA *forthcoming 2019 Alchemical Divide, Madison-Morgan Cultural Center, Madison, GA Blood of the Earth, Sinclair Gallery, ArtsXChange, East Point, GA Between the Deep Blue Sea and the Universe, Mason Fine Arts, Atlanta, GA 2017 On Waters of Time, Callanwolde Fine Arts Gallery, Atlanta, GA 2017 Voyages Unforeseen, Kibbee Gallery, Atlanta, GA (Duo) 2015 Emergence from the Waters, Gallery 72, Mayor’s Office of Cultural Affairs, Atlanta, GA 2014 Nautical Observations, Art Partners, High Museum of Art, Atlanta, GA 2013 Soaring on the Surface of the Waters, Norcross Cultural Arts Center, Norcross, GA 2012 Flowing as Water, Rodriguez Room, Goat Farm Arts Center, Atlanta, GA 2008 Rescue Vehicles and Souls of the South, House of Colors, Atlanta, GA Exhibitions 2020 Group Exhibition, Spalding Nix Fine Art, Gallery Residences, Atlanta, GA *forthcoming 2019 Flicker, South River Art Studios, Atlanta, GA Ensemble, Spalding Nix Fine Art, Atlanta, GA Losing Control: Guns, Government, and Group-Think, ATHICA: Athens Institute for Contemporary Art, Athens, -
High Museum of Art
About the High Museum of Art The High Museum of Art is the leading art museum in the Southeastern United States. Located in Atlanta’s Midtown arts and business district, the High has more than 14,000 works of art in its permanent collection. The Museum has an extensive anthology of 19th- and 20th-century American and decorative art; significant holdings of European paintings; a growing collection of African American art; and burgeoning collections of modern and contemporary art, folk art, photography, and African art. The High is also dedicated to supporting and collecting works by Southern artists, and in 1996 the Museum launched its “Picturing the South” program to commission emerging and established photographers to create new work inspired by the Southern landscape. Established in 1905 as the Atlanta Art Association, the Museum’s first permanent home came in 1926, with the donation by Mrs. Joseph M. High of her family’s residence on Peachtree Street. In 1955, the Museum moved to a new brick structure adjacent to the old High house. After 122 Georgia art patrons died in a plane crash on a Museum-sponsored European tour in 1962, the Atlanta Arts Alliance was founded in their memory, and the Atlanta Memorial Arts Center opened in 1968—constructed around the existing Museum. In 1979, Coca-Cola magnate Robert W. Woodruff offered a $7.5 million challenge grant to build a new facility; Museum officials matched and exceeded the grant, generating a total of $20 million. The High Museum of Art’s building designed by noted architect Richard Meier opened to worldwide acclaim in 1983, and it has received many design awards, including a 1991 citation from the American Institute of Architects as one of the “ten best works of American architecture of the 1980s.” Meier’s 135,000-square-foot facility, now known as the Stent Family Wing, tripled the Museum’s space, enabling the institution to mount more comprehensive displays of its collections. -
Archives Alive!
ARCHIVES ALIVE! An Introduction to Primary Sources: Art in the Archives TARGET GRADE RANGE: 6-12 OVERVIEW By looking closely at artworks from the City of Savannah Municipal Archives’ collections, students will learn the basic tools for analyzing artistic images using description and reflection in order to improve visual literacy, as well as to identify the strengths and weaknesses of using art as a historical tool. Students will create a brief story, journal entry, or art piece reflecting on the subjects of the images. What is a Primary Source? A primary source is a first-hand, original account or record about a person, place, object, or an event. Oral histories, objects, photographs, and documents such as newspapers, census records, diaries, and journals are primary sources. Secondary sources are accounts, records, or evidence derived from original or primary sources. Textbooks are secondary sources. Objectives: After completing this learning activity, students will be able to: Describe the subjects of artworks and place them in a historical context Understand the components of an in-depth visual analysis Time Required: 1 hour Topic/s: Social Studies, Art, Creative Writing Standards: VA6.RE.1 VA7.RE.1 VA8.RE.1 Reflect on the context of personal works of art in relation to community, culture, and the world. a. Identify how the issues of time, place, and culture are reflected in selected works of art. b. Interpret works or art considering themes, ideas, moods, and/or intentions. c. Define where and how we encounter images in our daily lives and how images influence our view of the world. -
Oxford College
EMORY BOLD LIBERAL ARTS IS PLUS FEARLESS RESEARCH A DIVERSE, INVOLVED COMMUNITY IN ATLANTA, A CITY RICH WITH OPPORTUNITY PREPARING STUDENTS TO CHANGE THE WORLD PAGE 1 l EMORY UNIVERSITY ACADEMICS AT EMORY, undergraduates benefit from an unusual combi- OUR FACULTY—leading scholars, teachers, and experts— nation—the strong teaching and personal connections of a set the tone in our intellectual community, where learning liberal arts college, paired with the resources and expertise extends into after-class conversations and mentoring, and of a top research university. students gain inspiration from their enthusiasm. This combination makes a difference. Students gain access Emory offers an unusual number of academic choices, from to groundbreaking ideas and minds, explore with a vast undergraduate colleges to majors to preprofessional paths, array of tools, and make creative and interdisciplinary giving students many ways to find their right fit. And learning collaborations. across majors is enriched by the city of Atlanta, where students can gain experience and begin to set their sights on the future. INTERNSHIPS 2,000 available in Atlanta and APPLYING KNOWLEDGE 10,000+ Emory students are using what they learn in the class- beyond room to make a difference in the world. Through research, internships, and off-campus study, our students contribute of students do research with to discoveries, tackle difficult issues, and gain a global under- a faculty member across the standing. After graduation, they have experience to build on 55% sciences, -
High Museum of Art Premieres North American Tour of Iris Van Herpen’S Innovative Haute Couture Designs
FOR IMMEDIATE RELEASE HIGH MUSEUM OF ART PREMIERES NORTH AMERICAN TOUR OF IRIS VAN HERPEN’S INNOVATIVE HAUTE COUTURE DESIGNS Major exhibition to feature recent works, including imaginative sculptural designs crafted using 3D-printing technology ATLANTA, Nov. 5, 2015 – The High Museum of Art is the first U.S. museum to present a major exhibition of work by visionary Dutch fashion designer Iris van Herpen, a cutting-edge artist inspired by diverse influences in the arts, sciences, music and philosophy. Marking the High’s first presentation of fashion design, “Iris van Herpen: Transforming Fashion” features one-of-a-kind haute couture—acclaimed for its combination of traditional craftsmanship and futuristic, innovative techniques—and includes some of the world’s first examples of 3D-printed fashion. The exhibition is co-organized with the Groninger Museum (the Netherlands) and debuts at the High, where it will be on view from Nov. 7, 2015, through May 15, 2016, before continuing on a North American tour. “Iris van Herpen’s work is an incredible fusion of artistic expression, craftsmanship and creativity,” said Sarah Schleuning, curator of decorative arts and design at the High. “The marriage of traditional, handcrafted designs and 21st-century technology makes her work innovative, dynamic and a signifier of a bold, new future for fashion design. With this presentation, the High continues to champion the outstanding visionaries who design the world around us.” Iris van Herpen has garnered international acclaim for her couture designs, which interweave traditional handwork with groundbreaking 3D-printing technology, computer modeling and engraving constructed in collaboration Iris van Herpen (Dutch, born with architects, engineers and digital design specialists. -
Women and the American Wilderness: Responses to Landscape and Myth Gina Bessetti-Reyes
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Duquesne University: Digital Commons Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Spring 2014 Women and the American Wilderness: Responses to Landscape and Myth Gina Bessetti-Reyes Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Bessetti-Reyes, G. (2014). Women and the American Wilderness: Responses to Landscape and Myth (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/308 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. WOMEN AND THE AMERICAN WILDERNESS: RESPONSES TO LANDSCAPE AND MYTH A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Gina Marie Bessetti-Reyes May 2014 Copyright by Gina Marie Bessetti-Reyes 2014 WOMEN AND THE AMERICAN WILDERNESS: RESPONSES TO LANDSCAPE AND MYTH By Gina Marie Bessetti-Reyes Approved March 10, 2014 ________________________________ ________________________________ Thomas Kinnahan, Ph.D. Linda Kinnahan, Ph.D. Assistant Professor of English Professor of English (Committee Chair) (Committee Member) ________________________________ Kathy Glass, Ph.D. Associate Professor of English (Committee Member) ________________________________ ________________________________ James Swindal, Ph.D. Dr. Greg Barnhisel, Ph.D. Dean, McAnulty College and Graduate Chair, English Department School of Liberal Arts Associate Professor of English Professor of Philosophy iii ABSTRACT WOMEN AND THE AMERICAN WILDERNESS: RESPONSES TO LANDSCAPE AND MYTH By Gina Marie Bessetti-Reyes May 2014 Dissertation supervised by Thomas Kinnahan, Ph.D. -
Civil Rights Photography Exhibition at High Museum of Art to Commemorate 50Th Anniversary of 1968
FOR IMMEDIATE RELEASE CIVIL RIGHTS PHOTOGRAPHY EXHIBITION AT HIGH MUSEUM OF ART TO COMMEMORATE 50TH ANNIVERSARY OF 1968 Featuring iconic historical images and contemporary works honoring the legacy of Dr. Martin Luther King, Jr. and the civil rights movement ATLANTA, Sept. 18, 2017 – Taking its title from Dr. Martin Luther King, Jr.’s final speech before his assassination in 1968, the High Museum of Art’s photography exhibition “‘A Fire That No Water Could Put Out’: Civil Rights Photography” (Nov. 4, 2017, through May 27, 2018) will reflect on the 50th anniversary of that tumultuous year in American history. The more than 40 prints to be featured are drawn in large part from the Museum’s collection of photography documenting the civil rights movement, which is among the most significant in the world. Iconic historical images will be presented alongside works by contemporary photographers that illuminate the legacy of the movement. “While Dr. King’s assassination is often cited as the closing bookend of the civil rights movement, activism over the past 50 years has continued efforts to advance racial equality and justice in the United States,” said Erin Nelson, the High’s curatorial assistant for photography and curator of the exhibition. “Through some of the most powerful images from our civil rights collection, including recent acquisitions, this exhibition underscores photography’s pivotal role in chronicling the important moments that shaped our past and the current events and perspectives that will influence our future.” Presented in the High’s Lucinda Weil Bunnen Gallery for Photography, the exhibition will be arranged into three sections that explore the era of Dr. -
July 1, 2012–June 30, 2013 FY13: a LOOK BACK
Georgia Museum of Art Annual Report July 1, 2012–June 30, 2013 FY13: A LOOK BACK One of the brightest spots of FY13 was the On October 22, the museum celebrated inaugural UGA Spotlight on the Arts, a nine-day its official reaccreditation by the American festival held November 3–11, highlighting visual, Alliance of Museums (formerly the American performing, and literary arts all over campus, Association of Museums). Although the in which the museum participated eagerly. The museum is usually closed on Mondays, it was vision of vice-provost Libby Morris, the festival open to the public for the day. AAM director was planned by the UGA Arts Council, of which Ford Bell attended the event and spoke about museum director William U. Eiland is a member, the museum, followed by an ice cream social. and its subsidiary public relations arm (at Less than 5 percent of American museums are which Michael Lachowski and Hillary Brown accredited, and the process is not a simple one. represented the museum). The festival attracted Reaccreditation is a lengthy process, involving great attendance, especially from students, and a self-study that the museum worked on for demonstrated the administration’s commitment several years and a site visit lasting several days, to making the arts an essential part of the during which AAM representatives toured the university experience. Later in the fiscal year, the facility from top to bottom, met with university Arts Council began working on a strategic plan, upper administration, and interviewed staff with brainstorming meetings held by both the members, volunteers, students, and patrons of executive and PR committees in the museum’s the museum. -
Atlanta Arts Alliance, Inc
AtlantaTHE MONTHLY MAGAZINE OF THE ATLANTA MEMORIALArts ARTS CENTER DECEMBER 1974 Becouse you cored... we core. 201 Mount Vernon Road N.W. Atlanta, Georgia A Development of Executive Equities, Inc. St. Si II ons Island A Priceless Work of Art St. Simons Island, nestled on the coast of Georgia, is a cultural environment of amazing natural beauty. Like all creations of worth, man must delicately and tastefully exhibit art treasures for the enjoyment of those lucky enough to appreciate their aesthetic value. And on this island abundant in American history, natural wildlife, and inherent charm, there are two distinctive and elegant year-round resorts, both tastefully enriching the artistic habitat of the island. There's the majestic King and Prince Beach Hotel dating back to the 30's and now elegantly refurbished with antiques, stained glass windows, and bright colors. Add to that superb dining, gracious service, easy entertaining, and one of the most gentle stretches of beach in Georgia and you'll find your special retreat at the King and Prince. For golf and tennis enthusiasts, the Sea Palms Resort is a masterpiece of sporting artistry. A sculptured championship golf course sheltered by liveoaks and bordered by winding waterways and tennis courts nestled among a hedge of island greenery add to the scenic enjoyment of both games. The Sea Palms accommodations range from a room at the Inn, to appealing villas, to elegantly appointed homes. And it's all perfect for families and conventioneers alike. Also, for those who wish to invest in this Georgia island, there are villas, homes, homesites, and other property available for development. -
System Map a R 14Th St G D Id S
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SOUTHCOM), Joint Task Force Guantanamo, (JTF-GTMO) GTMO Inmate Library Catalogue of Videos/Films/Books/Magazines, 2017
Description of document: U.S. Southern Command (SOUTHCOM), Joint Task Force Guantanamo, (JTF-GTMO) GTMO inmate library catalogue of videos/films/books/magazines, 2017 Requested date: 25-July-2015 Released date: 11-July-2017 Posted date: 14-August-2017 Source of document: FOIA Request U.S. Southern Command Attn: SCSJA-FOIA 9301 NW 33rd St. Doral, FL 3317-1202 Fax: (305) 437-1320 Email: [email protected] The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. DEPARTMENT OF DEFENSE UNITED STATES SOUTHERN COMMAND 9301 NW 33rd STREET DORAL, FL 33172 REPLY TO ATIENTION OF July 11 , 2017 Office of the Staff Judge Advocate, Ref: SC 15-092-S Office of Freedom of Information Act This is our Agency's final response to your electronic Freedom of Information Act (FOIA) request dated July 25, 2015. -
Agnes Scott Alumnae Quarterly [1969-1971]
THE ALUMNAE QUARTERLY FALL 7970 THE AGNES SCOTT QUARTERLY VOL 49 NO. CONTENTS Ann Worthy Johnson 1 The Blurred Vision— Dr. James I. McCord 4 A Time for Speaking Out: The Agnes Scott Purpose—Tyler McFadden 71 8 A Crisis of Understanding: Students and Teachers in American Society— Dr. W. Edmund Moomaw 10 Class News—Shelia Wilkins Dykes '69 and Mary Margaret MacMillan '70 15 Barbara Murlin Pendleton '40 Editor John Stuart McKenzie, Design Consultant Member of American Alumni Council Photo Credits FRONT COVER, Kerr Studio, pp. 11, 23, Back Co Rogers and Special, p. 20 Dwight Ross, Jr. Published four times yearly: Fall, Winter, Spring and Summer by Agnes Scott College, Decatur, Ca. Second class postage paid at Decatur, Georgia 30030. ANN WORTHY JOHNSON rHE morning of October 5 Ann the staff at Agnes Scott in 1954. Quarterly and by visits to clubs across hy Johnson died. She had gone into Ann Worthy came to the college in the the nation is hard to measure. Her lively lospital a week earlier for surgery, position of Director of Alumnae Affairs, and informal manner brought spontaneity Defore it could be performed she Editor of the Quarterly and Publicity to discussions of a serious nature. red a stroke, then another, and was Director. Her leadership in college, in She gave her time freely in volunteer iscious for the week before she the Red Cross and civic affairs qualified activities, and was a former president and She is survived by a sister Mrs. T. her for the administrative duties, her work director of the Atlanta Young Women's Christian Association, a district director i Crouch of Gainesville, Florida.