Official Reports of the Town of Wayland
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Digital Commons at Salem State University Yearbook
Salem State University Digital Commons at Salem State University Yearbooks Salem Normal School 1915 Yearbook Salem Normal School Follow this and additional works at: https://digitalcommons.salemstate.edu/sns_yearbooks Recommended Citation Salem Normal School, "Yearbook" (1915). Yearbooks. 7. https://digitalcommons.salemstate.edu/sns_yearbooks/7 This Book is brought to you for free and open access by the Salem Normal School at Digital Commons at Salem State University. It has been accepted for inclusion in Yearbooks by an authorized administrator of Digital Commons at Salem State University. 1 3 ALUMNI CQMMiutc TEAR POOK SflLEH STATE NORflflL SCHOOL Co fl0r. pitman " His life was gentle, and the elements So mix't in him that nature might stand up, " And say to all the world,—This was a man ! —Julius Casar. J. ASBURY PITMAN. PRINCIPAL Digitized by the Internet Archive in 2014 https://archive.org/details/salemstatenormal1915sale Glass Officers President, Charlotte M. Macadam. Vice-President, Marion E. Patriquin. Secretary, Ruth F. Hiatt. Treasurer, Anna A. Lowe.. School Council Senior Members Charlotte M. Macadam Elsa L. Bassett. Viola Waitt. Members of the Faculty J. Asbury Pitman, 260 Lafayette St., Salem Harriet L. Martin, 159 Federal St., Salem. Jessie P. Learoyd, 13 Oak St., Danvers. Charles F. Whitney, Pine St., Danvers. M. Alice Warren, 320 Otis St., West Newton. Gertrude B. Goldsmith, 12 Lincoln St., Manchester. Helen H. Rogers, 18 Thorndike St., Beverly. Frederick W. Archibald, Greenwood Lane, Waltham. Harriet E. Peet, 10 Lincoln Ave., Salem. Louise C. Wellman, 255 Lafayette St., Salem. Sumner W. Cushing, 22 Summit Ave., Salem. Charles E. Doner, North Beverly. -
William Dean Howells Bibliography
W. D. HOWELLS William Dean Howells, author, editor, and critic was born on March 1, 1837 in Martinsville, now Martin’s Ferry, Ohio. The son of a printer, Howells began working as a typesetter and a printer’s apprentice before serving a term as city editor of the Ohio State Journal in 1858. He published poems, stories and reviews in Atlantic Monthly and other magazines, and wrote for the Cincinnati Gazette and The Sentinel. He was awarded the post of U.S. Consul to Venice in 1861 for his service to the Lincoln presidential campaign. After leaving Venice, Howells became assistant editor (1866-1871) and then editor (1871-1888) of the Atlantic Monthly. Although he wrote over a hundred books in various genres, including poems, literary criticism, plays, memoirs, and travel narratives, Howells is best known for his realistic fiction, including A Modern Stance (1881). Howells remained proud of his Ohio roots throughout his life. In the latter part of his career, he drew increasingly on life in Ohio in his autobiographic works (A Boy’s Town, 1890) and his novels (The Kentons, 1903). A staunch critic of racial intolerance, Howells was a founding member of the National Association for the Advancement of Colored People (NAACP) in 1909. William Dean Howells died in New York City on May 11, 1920. MIAMI UNIVERSITY LIBRARIES NOTE: The call numbers also reflect a location of the title. King Library (the Main Library on the Miami University Oxford Campus), Special Collections (third floor, King Library), Gardner-Harvey (Miami Middletown Campus Library), Rentschler (Miami Hamilton Campus Library), and SWORD (items housed at the Southwest Ohio Regional Depository may be requested online by those with Library privileges. -
Our Short Story Writers
BfiiHCHE^CGIlrOHlI^LMS Library of the College of Liberal Arts Boston University Given in memory of Hortense Weed Taylor by Dean Ralph W. Taylor C. L. A. 1911 Ap>.\ \S- »94a. C^ MODERN AMERICAN WRITERS OUR SHORT STORY WRITERS Our Short Story Writers BY BLANCHE COLTON WILLIAMS, Ph.D. Instructor in Story Writing, Columbia University (Extension Teaching and Summer Session); Associate Professor of English, Hunter College of the City of New York. Autlwr of "A Handbook on Story Writing"; "How to Study 'The Best Short S'-ories' "; "Gnomic Poetry in Anglo-Saxon": Editor "A Book of Short S/orics." NEW YORK DODD, MEAD AND COMPANY 1929 , . ^ ov Copyright, 1920, By DODD, mead AND COMPANY, Inc 6^004- PRINTED IN THE U. S. A, BY Wbt ^uinn & goDtn Company BOOK MANUFACTURERS RAHWAY NEW JERSEY To FRANKLIN THOMAS BAKER Professor of English Columbia University TABLE OF CONTENTS CHAPTER I AOB ^ Alice Brown i CHAPTER II James Branch Cabell 22 CHAPTER III * Dorothy Canfield 41 CHAPTER IV Robert W. Chambers 55 CHAPTER V Irvin Shrewsbury Cobb 73 CHAPTER VI ^ Jam£s Brendan Connolly 85 CHAPTER VII Richard Harding Davis 105 ,^ CHAPTER VIII Margaret Wade Deland ^ 129 CHAPTER IX Edna Ferber 146 CHAPTER X Mary Wilkins Freeman 160 - TABLE OF CONTENTS CHAPTER XI PAGB Hamlin Garland 182 CHAPTER XII William Sidney Porter C'O. Henry'*) • . • . 200 CHAPTER XIII Joseph Hergesheimer » . 223 CHAPTER XIV Fannie Hurst • • 237 CHAPTER XV Jack London o • • . 256 CHAPTER XVI James Brander Matthews . , • • 278 CHAPTER XVII Melville Davisson Post • . • 293 CHAPTER XVIII Mary Roberts Rinehart • 309 CHAPTER XIX Booth Tarkington •»**322 CHAPTER XX ^ Edith Wharton •«...••••• 337 CHAPTER XXI Maxwell Struthers Burt 358 CHAPTER XXII Wilbur Daniel Steele 372 FOREWORD the risk of supererogation I desire to state ATemphatically that these twenty authors are only representative of our short story writers. -
Literary Retrospectives: the 1890S and the Reconstruction of American Literary History
Literary Retrospectives: The 1890s and the Reconstruction of American Literary History DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Karin L. Hooks Graduate Program in English The Ohio State University 2012 Dissertation Committee: Elizabeth Renker, Advisor Steven S. Fink Andrea N. Williams Copyright by Karin L. Hooks 2012 Abstract This dissertation proposes that the 1890s were critical to the formation of American literature because of their focus on identifying, collecting, and preserving an American literary tradition. Since 1930, when Fred Lewis Pattee claimed that the twentieth century began in the 1890s, a continuing strain in literary criticism has investigated the decade as the birthplace of modernism. In recent years, however, scholars have begun troubling these historical assessments of the era in order to recover a more nuanced understanding of the decade. Building on their work, I study how competing narratives of American literature existed in the 1890s alongside the fin de siècle movement toward literary nationalism. I recover a group of long-lost literary historians who envisioned a more inclusive American literary canon than was eventually adopted in the early years of the twentieth century. I use the term “scenes of negotiation” to refer to discussions of American literature in late nineteenth-century social discourse about the development of a national American literary tradition. More specifically, I argue that these scenes of negotiation can be read as literary history because no fixed narrative of American literature yet existed. These scenes of negotiation make discernible how accounts of literary history emerged at multiple sites, in multiple genres, through multiple agents. -
European Journal of American Studies, 11-1 | 2016 “A Tract in Fiction”: Woman Suffrage Literature and the Struggle for the Vote 2
European journal of American studies 11-1 | 2016 Special Issue: Intimate Frictions: History and Literature in the United States from the 19th to the 21st Century “A Tract in Fiction”: Woman Suffrage Literature and the Struggle for the Vote Claire Delahaye Electronic version URL: https://journals.openedition.org/ejas/11421 DOI: 10.4000/ejas.11421 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference Claire Delahaye, ““A Tract in Fiction”: Woman Suffrage Literature and the Struggle for the Vote”, European journal of American studies [Online], 11-1 | 2016, document 3, Online since 02 June 2016, connection on 08 July 2021. URL: http://journals.openedition.org/ejas/11421 ; DOI: https://doi.org/ 10.4000/ejas.11421 This text was automatically generated on 8 July 2021. Creative Commons License “A Tract in Fiction”: Woman Suffrage Literature and the Struggle for the Vote 1 “A Tract in Fiction”: Woman Suffrage Literature and the Struggle for the Vote Claire Delahaye 1 In November 1907, The New York Times published a lengthy review of Elizabeth Robin’s new novel The Convert, the story of a woman becoming a pleader for the suffrage cause in London, described by the title as a “Tract in Fiction.”i The newspaper lambasted the novel for its political contentii: “The romancer who writes for a purpose and who uses the art of fiction merely as a medium for political propaganda cannot expect work so produced to measure up to standards set by the impartial canons of literature” (“Noted Novelist’s Plea for Women: Stirring Appeal for the Suffrage in Elizabeth Robin’s Book, ‘The Convert’—A Tract in Fiction”). -
David Bunnell Olmstead Literary Portraits Sequential Listing Page
David Bunnell Olmstead Literary Portraits Sequential listing Following is a list of items in the scrapbooks, in order of appearance. Olmstead's descriptions and annotations are given in quotation marks. For example, for the first item, Maurice Thompson, Olmstead’s notes are "Poet. Novelist. 1844-1901." While the information provided by Olmstead is always interesting, it is not always accurate. Due to difficulties in reading his handwriting and to changes over time, the names given in the list below may or may not be spelled correctly or in their modern form. Common abbreviations appearing in the list and in the scrapbooks include: Personal names: Titles, ranks, etc.: Alex., Alex'r. Alexander Arc. or Arch. Archbishop And. Andrew B. Born Ant. Anthony Bap. Baptized Arch. Archibald Bar., Bart., Bt. Baron, Baronet Benj. Benjamin Bp. Bishop Ch., Cha., Chas. Charles Cap., Cap’n Captain Ed., Edw. Edwin or Edward Col. Colonel Eliz. Elizabeth DD Doctor of Divinity Fr. Francis Ed. Editor Fr’d., Fr’c., Fred., Frederic/k Eng. England Fred’k. Geo., G. George Esq. Esquire Hen., Hen’y. Henry Fr. Frater or Father Iohannus, Ioh. John FRS Fellow of the Royal Society Jas. James Gen., Gen’l General Jn., Jno., Jon. Jonathan Gov. Governor Jos. Joseph or Josiah Hon. Honorable Mich. Michael JD Juris Doctor (law degree) Rob., Robt. Robert KBE Knight of the British Empire Sam’l. Samuel KC (or QC) King’s Counsel (or Queen’s Counsel) Th., Thos. Thomas LLD Legum Doctor (law degree) Wm., Will’m. William Maj. Major MD Doctor of Medicine MP. Member of Parliament OBE Order of the British Empire PhD. -
Howard Pyle Manuscript Collection
Howard Pyle Manuscript Collection A Finding Aid to the Collection in the Helen Farr Sloan Library & Archives, Delaware Art Museum Acquisition Information Gift of Willard S. Morse, 1923, Richard Wayne Lykes, and others Extent 42 linear feet Access Restrictions Unrestricted Contact Information Helen Farr Sloan Library & Archives Delaware Art Museum 2301 Kentmere Parkway Wilmington, DE 19806 (302) 571-9590 [email protected] Preferred Citation Howard Pyle Manuscript Collection, Helen Farr Sloan Library & Archives, Delaware Art Museum Related Materials Students of Howard Pyle Files 1 Table of Contents Background of the Howard Pyle Manuscript Collection Howard Pyle Chronology Scope and Contents Note Organization of the Collection Description of the Collection Background of the Howard Pyle Manuscript Collection After the death of Howard Pyle, a memorial exhibition of his work was held in Wilmington in March, 1912. At the same time a spontaneous movement was started to acquire a public collection of his pictures. About eighty paintings and pen drawings were purchased by general subscription, and the Wilmington Society of the Fine Arts was founded and empowered to act as custodian. In 1915, 69 black and white illustrations were purchased from Charles Scribner’s Sons, and added to this nucleus. In 1919, 50 pen drawings were secured through the kind offices of Mr. Willard S. Morse. In 1920, 11 vignettes and pen drawings were purchased from Mrs. Howard Pyle. In 1923, upon the completion of the Society’s gallery in the Wilmington Institute Free Library building, Mrs. Charles Copeland, then president of the Society, presented and installed the mural decorations, “The Genus of Art,” by Howard Pyle, which were removed from the original setting in his house, in a specially prepared room at the library.