Parry/Delaney Orchestral Dance Music Collection
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Jazz Lines Publications Fall Catalog 2009
Jazz lines PubLications faLL CataLog 2009 Vocal and Instrumental Big Band and Small Group Arrangements from Original Manuscripts & Accurate Transcriptions Jazz Lines Publications PO Box 1236 Saratoga Springs NY 12866 USA www.ejazzlines.com [email protected] 518-587-1102 518-587-2325 (Fax) KEY: I=Instrumental; FV=Female Vocal; MV=Male Vocal; FVQ=Female Vocal Quartet; FVT= Femal Vocal Trio PERFORMER / TITLE CAT # DESCRIPTION STYLE PRICE FORMAT ARRANGER Here is the extended version of I've Got a Gal in Kalamazoo, made famous by the Glenn Miller Orchestra in the film Orchestra Wives. This chart differs significantly from the studio recorded version, and has a full chorus band intro, an interlude leading to the vocals, an extra band bridge into a vocal reprise, plus an added 24 bar band section to close. At five and a half minutes long, it's a (I'VE GOT A GAL IN) VOCAL / SWING - LL-2100 showstopper. The arrangement is scored for male vocalist plus a backing group of 5 - ideally girl, 3 tenors and baritone, and in the GLENN MILLER $ 65.00 MV/FVQ DIFF KALAMAZOO Saxes Alto 2 and Tenor 1 both double Clarinets. The Tenor solo is written on the 2nd Tenor part and also cross-cued on the male vocal part. The vocal whistling in the interlude is cued on the piano part, and we have written out the opening Trumpet solo in full. Trumpets 1-4: Eb6, Bb5, Bb5, Bb5; Trombones 1-4: Bb4, Ab4, Ab4, F4; Male Vocal: Db3 - Db4 (8 steps): Vocal key: Db to Gb. -
Black US Army Bands and Their Bandmasters in World War I
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Faculty Publications: School of Music Music, School of Fall 8-21-2012 Black US Army Bands and Their Bandmasters in World War I Peter M. Lefferts University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/musicfacpub Part of the Music Commons Lefferts, Peter M., "Black US Army Bands and Their Bandmasters in World War I" (2012). Faculty Publications: School of Music. 25. https://digitalcommons.unl.edu/musicfacpub/25 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Faculty Publications: School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. 1 Version of 08/21/2012 This essay is a work in progress. It was uploaded for the first time in August 2012, and the present document is the first version. The author welcomes comments, additions, and corrections ([email protected]). Black US Army bands and their bandmasters in World War I Peter M. Lefferts This essay sketches the story of the bands and bandmasters of the twenty seven new black army regiments which served in the U.S. Army in World War I. They underwent rapid mobilization and demobilization over 1917-1919, and were for the most part unconnected by personnel or traditions to the long-established bands of the four black regular U.S. Army regiments that preceded them and continued to serve after them. Pressed to find sufficient numbers of willing and able black band leaders, the army turned to schools and the entertainment industry for the necessary talent. -
Music 2016-17 Music Is Sound Organized in Time. 1. Look up The
Music 2016-17 Music is sound organized in time. 1. Look up the following terms to familiarize yourself with the basic elements of music theory from this section: ● Pitch ● Harmony ● Octave, half steps ● Melody ● Major and minor scales ● Beat, Tempo ● Meter ● Rhythm ● Key ● Diatonic Music ● Chromatic, accidentals ● Chord, triad ● Texture, counterpoint, dynamics, articulation and ornamentation ● Form: Tension and release, memory and anticipation, continuity and contrast ● Introduction, coda ● Common Forms: theme and variations, twelve-bar blues, 32 bar form, ABA form, verse-chorus, sonata Below are some of the larger themes that the selected listening pieces are seeking to highlight. Pay attention and you willl see/hear echoes of some of the themes from the art section- music as propaganda or to celebrate a cultural ideal, attempts to deal with the horrors and dislocation of war via musical versions of abstract expressionism or the effects of artists escaping Europe for the US. One of the themes is the evolution of technology as recordings of music and movies helped spread innovations across the world much faster than in previous generations. Section II: Music Between the Wars ● Since WWI was fought overseas early on America recovered from it quicker during the “Roaring Twenties” but eventually the US too was hit hard economically in the Great Depression. ● Radio became a powerful broadcast medium in America between the wars. Technological improvements during the 1920’s improved listening quality as well as the availability of music. The first movie “talkie” The Jazz Singer came out in 1927. By 1944 movies had increased in popularity some 90 million people went to the movies each week making stars such as Bing Crosby and popularizing genres such as crooning. -
A Darkness at the End: the Shadows Know Your Name Free
FREE A DARKNESS AT THE END: THE SHADOWS KNOW YOUR NAME PDF Ruth Frances Long | 448 pages | 12 Sep 2016 | O'Brien Press Ltd | 9781847178633 | English | Dublin, Ireland LARRY GATLIN - LIGHT AT THE END OF DARKNESS LYRICS O'Brien Press uses cookies on this website. They are stored locally on your computer or mobile device. To accept cookies continue browsing as normal. Or go to the cookie policy for more information and preferences. Holly, the fae matriarch, tries to sieze the power of heaven for herself, while Izzy has lost her memory and Jinx is dead The final book in the contemporary fantasy trilogy set in Dublin: and Dubh Linn, the fae world that exists in the cracks and corners of reality. Angels, A Darkness at the End: The Shadows Know Your Name demons and humans are drawn into lethal conflict as the fate of the world hangs in the balance in the final installment in this urban fantasy. Confronted with ancient powers, sacrifice and treachery. War is looming within the ranks of the Sidhe. The angels and the demons begin to draw lines, daring each other to transgress and start another war She studied English Literature, History of Religions, and Celtic Civilisation in college and now works in a specialised library of rare and unusual books. She skilfully melds real Dublin and magical Dubh Linn, making excellent use of the history surrounding the locations. She writes about Dublin as a place of magic and story, making the Irish reader see their place in a new way … a brilliant read, both heart-pounding and heartbreaking. -
Finding Aid for the Sheldon Harris Collection (MUM00682)
University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Sheldon Harris Collection (MUM00682) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. University of Mississippi Libraries Finding aid for the Sheldon Harris Collection MUM00682 TABLE OF CONTENTS SUMMARY INFORMATION Summary Information Repository University of Mississippi Libraries Biographical Note Creator Scope and Content Note Harris, Sheldon Arrangement Title Administrative Information Sheldon Harris Collection Related Materials Date [inclusive] Controlled Access Headings circa 1834-1998 Collection Inventory Extent Series I. 78s 49.21 Linear feet Series II. Sheet Music General Physical Description note Series III. Photographs 71 boxes (49.21 linear feet) Series IV. Research Files Location: Blues Mixed materials [Boxes] 1-71 Abstract: Collection of recordings, sheet music, photographs and research materials gathered through Sheldon Harris' person collecting and research. Prefered Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi Return to Table of Contents » BIOGRAPHICAL NOTE Born in Cleveland, Ohio, Sheldon Harris was raised and educated in New York City. His interest in jazz and blues began as a record collector in the 1930s. As an after-hours interest, he attended extended jazz and blues history and appreciation classes during the late 1940s at New York University and the New School for Social Research, New York, under the direction of the late Dr. -
ET25K Ingebouwd POP 1810
TITLE NO ARTIST 100 YEARS 8001 FIVE FOR FIGHTING 1000 MILES AWAY 10807 JEWEL 19-2000 8002 GORILLAZ 20 YEARS OF SNOW 8701 REGINA SPEKTOR 25 MINUTES 8004 MICHAEL LEARNS TO ROCK 4 AM FOREVER 8702 LOSTPROPHETS 4 SEASONS OF LONELINESS 8005 BOYZ II MEN 4 TO THE FLOOR 1808 STARSAILOR 5:15 8006 THE WHO 52ND STREET 8703 BILLY JOEL 93 MILLION MILES 10050 30 SECONDS TO MARS 99 RED BALLOONS 8007 NENA A CERTAIN SMILE 8008 JOHNNY MATHIS A FOOL IN LOVE 8704 IKE & TINA TURNER A FOOL SUCH AS I 10052 ELVIS PRESLEY A LIFE ON THE OCEAN WAVE 9009 P.D. A LONG DECEMBER 8009 COUNTING CROWS A LONG WALK 10053 JILL SCOTT A LOVER'S CONCERTO 8010 SARAH VAUGHAN A MAIDENS WISH 9011 P.D. A MILLION LOVE SONGS 8011 TAKE THAT A NATURAL WOMAN 8705 ARETHA FRANKLIN A PLACE FOR MY HEAD 10055 LINKIN PARK A PLACE IN THE SUN 8012 STEVIE WONDER A SONG FOR THE LOVERS 10809 RICHARD ASHCROFT A SONG FOR YOU 10057 THE CARPENTERS A THOUSAND LEAGUES AWAY 9013 P.D. A THOUSAND MILES 10058 VANESSA CARLTON A WANDERING MINSTREL 9014 P.D. A WHITER SHADE OF PALE 8013 PROCOL HALUM A WOMAN'S WORTH 8014 ALICIA KEYS A WONDERFUL DREAM 8706 THE MAJORS AARON'S PARTY (COME GET IT) 10059 AARON CARTER ABC 8016 THE JACKSON 5 ABOUT A GIRL 8017 NIRVANA ACCIDIE 10060 CAPTAIN ACHY BREAKY HEART 10061 BILLY RAY CYRUS ADRIENNE 10062 THE CALLING AFTER ALL 10063 AL JARREAU AFTER THE LOVE HAS GONE 8019 EARTH, WIND & FIRE AFTERNOONS & COFFEESPOONS 10064 CRASH TEST DUMMIES AGAIN 8020 LENNY KRAVITZ AGAIN AND AGAIN 10810 THE BIRD AND THE BEE AGE AIN'T NOTHING BUT A NUMBER 10066 AALIYAH AIN'T MISBEHAVIN' 8707 HANK WILLIAMS, JR. -
La Méringue Entre L'oralité Et L'écriture : Histoire D'un Genre Musical Haïtien
Document generated on 09/27/2021 8:46 a.m. Canadian University Music Review Revue de musique des universités canadiennes --> See the erratum for this article La méringue entre l’oralité et l’écriture : histoire d’un genre musical haïtien Claude Dauphin Number 1, 1980 URI: https://id.erudit.org/iderudit/1013735ar DOI: https://doi.org/10.7202/1013735ar See table of contents Publisher(s) Canadian University Music Society / Société de musique des universités canadiennes ISSN 0710-0353 (print) 2291-2436 (digital) Explore this journal Cite this article Dauphin, C. (1980). La méringue entre l’oralité et l’écriture : histoire d’un genre musical haïtien. Canadian University Music Review / Revue de musique des universités canadiennes, (1), 49–65. https://doi.org/10.7202/1013735ar All Rights Reserved © Canadian University Music Society / Société de musique This document is protected by copyright law. Use of the services of Érudit des universités canadiennes, 1980 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ LA MERINGUE ENTRE I/ORALITÉ ET L'ÉCRITURE : HISTOIRE D'UN GENRE MUSICAL HAÏTIEN Claude Dauphin La meringue, genre et forme musicale autant que danse sociale, est une manifestation bien affirmée du nationalisme haïtien. Le titre de l'ouvrage de Jean Fouchard, La meringue, danse nationale d'Haïti (1973), symbolise ainsi une dimension bien concrète de la typologie culturelle haïtienne. -
Feb 2016 Musicweb
WYASTONE ESTATE LIMITED DISTRIBUTED LABELS FEBRUARY 2016 NEW RELEASES NEW RELEASE NI 5937 RELEASE DATE: FRIDAY 12TH FEBRUARY 2016 TO PLACE AN ORDER CONTACT DISCOVERY RECORDS LTD TEL: 01380 728000 EMAIL: [email protected] DISCOVERY RECORDS LTD, NURSTEED ROAD, DEVIZES, SN10 3DY For further details visit our website: www.discovery-records.com /NimbusRecords @NimbusRecords /NimbusRecordsTV [details in this release book are correct at time of production] FEBRUARY 2016 NEW RELEASE JULIUS RÖNTGEN (1855-1932) Julius Röntgen (1855-1932) was both a composer MARK ANDERSON, PIANO and a gifted pianist and as such he knew how to write well for his instrument. Ein Cyclus von Phantasiestücken, Op. 5 (1871) 21.32 Röntgen was a child prodigy and from an early 1 I Allegro con brio 3.34 age composed ambitious works for the piano. He 2 II Andante con espressione 1.42 frequently performed his own, and others, piano 3 II Allegretto moderato 3.10 concertos. Beethoven's Fourth and Brahms's Second 4 IV Andante con moto 2.45 were particular favourites. It was through 5 V Presto 3.43 6 VI Allegretto con grazia 2.11 performances of Beethoven's Piano Sonata op.111 and 7 VII Grave 4.27 Schumann's Etudes Symphoniques that Röntgen established himself. However, it was not as a soloist Neckens Polska Variationen über ein but as an accompanist that Röntgen would make a schwedisches Volkslied, Op. 11 (1874) 17.55 lasting impression. The partnership with his 8 (Theme) Ruhig 1.24 contemporary, the baritone Johannes Messchaert, was 9 (1) Tema ben tenuto 1.05 legendary and they made several European tours. -
Our August Club Night
Our August club night The house band Breakthru' opened up the evening as usual, we also saw them play last Wednesday at a nearby Club in Molesey where they had a chance to play a few non Shadows hits and explore some different sounds. I was first up to get it over and done with, not too good for me as I did not have much pratice and am only just getting full feeling back into my fingers. The Players Steve J – Apache, Wonderful Land Tony Knight – Foot Tapper, Cavatina (Theme from The Deer Hunter) Mike Norris – Theme from Shane, Mustang Bob Withrington – Rounding the Cape, Return to the Alamo John Cade – Shindig, Mountains of the Moon Alan Tarrant – Atlantis, Theme for Young Lovers Keith Humphries (visiting from South Africe) - The Savage, Peace Pipe John Bell – Cosy, Shadoogie (with Mark Winter on Drums) J. J. (visiting from USA) – Carolina on my Mind, Start the day Early Eugene McGuigan - Peace Pipe, Wonderful Land Robin Surridge with Jim on Rhythm – Lost City, Its a Mans World Stuart Osborne – Man of Mystery, Frightened City Gareth Morgan – Spring is nearly Here, Frightened City The Rock and Roll Section This featured Mark Winter on Drums, Alan Tarrant on Lead/Rhythm, Stuart Osborne on Lead/Vocals, Jim on Rhythm, Bob Withrington on Bass and Bob Dore on Keyboards – They played a selection of tunes including No Way to Go, Great Balls of Fire and Its Alright Mama. Barry Gibson took over Lead with Keith West on Vocals for Wicked Game, Folson Prison Blues and Little Sister. -
Bill Holcombe's Musicians Publications Visit Our Online Store!
Bill Holcombe's Musicians Publications Visit our online store! www.billholcombe.com/store SHIP TO: P.O. Box No. : _____________ Phone: ____________Fax:_____________________________ Name: _________________________________________________________________ Street: _________________________________________________________________ City,State,Zip: ________________________________________________________________ Counry: ________________________________________________________________ Ordering Information Musicians Publications is always ready to answer your questions about our publications. Orders may be placed by phone, fax, mail or email. All orders are shipped from Chesapeake, Virginia and are billed in U.S. dollars. There is a $25 net minimum for all wholesale orders. Foreign orders will be shipped by sur- face mail unless otherwise specified. Contents: Arranging ............................2 Orchestra ............................. 52 Brass Ensembles ........ 31-43 Percussion ........................... 43 Cello .................................51 Saxophone ......................15-20 String Orchestra ................53-54 Choral ...............................55 String Quartets and Trios ....... 49, 50 Clarinet ........................11-14 Trombone ........................38-40 Concert Band .............. 44-47 Trumpet ...........................36-37 Flute .............................. 3-10 Tuba ...................................... 40 French Horn ................ 41-43 Viola ..................................51 Jazz Band .........................48 -
Tommy Dorsey 1 9
Glenn Miller Archives TOMMY DORSEY 1 9 3 7 Prepared by: DENNIS M. SPRAGG CHRONOLOGY Part 1 - Chapter 3 Updated February 10, 2021 TABLE OF CONTENTS January 1937 ................................................................................................................. 3 February 1937 .............................................................................................................. 22 March 1937 .................................................................................................................. 34 April 1937 ..................................................................................................................... 53 May 1937 ...................................................................................................................... 68 June 1937 ..................................................................................................................... 85 July 1937 ...................................................................................................................... 95 August 1937 ............................................................................................................... 111 September 1937 ......................................................................................................... 122 October 1937 ............................................................................................................. 138 November 1937 ......................................................................................................... -
African American Sheet Music Collection, Circa 1880-1960
African American sheet music collection, circa 1880-1960 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Descriptive Summary Title: African American sheet music collection, circa 1880-1960 Call Number: Manuscript Collection No. 1028 Extent: 6.5 linear feet (13 boxes) and 2 oversized papers boxes (OP) Abstract: Collection of sheet music related to African American history and culture. The majority of items in the collection were performed, composed, or published by African Americans. Language: Materials entirely in English. Administrative Information Restrictions on Access Unrestricted access. Terms Governing Use and Reproduction Printed or manuscript music in this collection that is still under copyright protection and is not in the Public Domain may not be photocopied or photographed. Researchers must provide written authorization from the copyright holder to request copies of these materials. The use of personal cameras is prohibited. Source Collected from various sources, 2005. Custodial History Some materials in this collection originally received as part of the Delilah Jackson papers. Citation [after identification of item(s)], African American sheet music collection, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University. Processing Processed by Elizabeth Russey, October 13, 2006. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. African American sheet music collection, circa 1880-1960 Manuscript Collection No. 1028 This finding aid may include language that is offensive or harmful.