Korean Rules of Dating
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Acknowledgements Publisher AN Cheongsook, Chairperson of KOFIC 206-46, Cheongnyangni-dong, Dongdaemun-gu. Seoul, Korea (130-010) Editor in Chief Daniel D. H. PARK, Director of International Promotion Department Editors KIM YeonSoo, Hyun-chang JUNG English Translators KIM YeonSoo, Darcy PAQUET Collaborators HUH Kyoung, KANG Byeong-woon, Darcy PAQUET Contributing Writer MOON Seok Cover and Book Design Design KongKam Film image and still photographs are provided by directors, producers, production & sales companies, JIFF (Jeonju International Film Festival), GIFF (Gwangju International Film Festival) and KIFV (The Association of Korean Independent Film & Video). Korean Film Council (KOFIC), December 2005 Korean Cinema 2005 Contents Foreword 04 A Review of Korean Cinema in 2005 06 Korean Film Council 12 Feature Films 20 Fiction 22 Animation 218 Documentary 224 Feature / Middle Length 226 Short 248 Short Films 258 Fiction 260 Animation 320 Films in Production 356 Appendix 386 Statistics 388 Index of 2005 Films 402 Addresses 412 Foreword The year 2005 saw the continued solid and sound prosperity of Korean films, both in terms of the domestic and international arenas, as well as industrial and artistic aspects. As of November, the market share for Korean films in the domestic market stood at 55 percent, which indicates that the yearly market share of Korean films will be over 50 percent for the third year in a row. In the international arena as well, Korean films were invited to major international film festivals including Cannes, Berlin, Venice, Locarno, and San Sebastian and received a warm reception from critics and audiences. It is often said that the current prosperity of Korean cinema is due to the strong commitment and policies introduced by the KIM Dae-joong government in 1999 to promote Korean films. -
Showbox at Hong Kong Filmart 2013
SHOWBOX AT HONG KONG FILMART 2013 CONTACT IN HONG KONG STAND 1D-E19, HKCEC EXECUTIVE ATTENDEES Judy AHN / Head of Int’l Business M +82 (0)10 4939 6947 E [email protected] Soojin JUNG / VP・Int’l Business M +82 (0)10 6342 4151 E [email protected] Sonya KIM / General Manager・Sales & Festival M +82 (0)10 3387 5448 E [email protected] Eugene KIM / Assistant Manager・Marketing & Festival M +82 (0)10 6594 0610 E [email protected] MARKET PREMIERE MARKET SCREENING 18 Mar (Mon) 12:00 HKCEC Meeting Room N202-203 VIEW TRAILER Strange things begin to happen to Kwang-ho, a famous mob in town, MAN ON THE EDGE after he is stabbed in the hand during a fight. He concludes that the path of a shaman is the only solution to his problems, and lives as GENRE Comedy, Drama RUNNING TIME 128 min a mob by night and as a shaman by day. He's now known as ‘veiled RELEASE DATE Jan 9, 2013 shaman’ and even ghosts visit him for help. While Kwang-ho leads DIRECTED BY JO Jin-kyu (MY WIFE IS A GANGSTER 1&3) a dangerous double life, he begins to sympathize with a child ghost STARRING PARK Shin-yang (tv- SIGN / tv- LOVERS IN PARIS / HI, DHARMA!) named Su-min. When Kwang-ho is about to help Su-min, his cover is blown and is attacked by a rival gang. Will Kwang-ho be able to fulfill Su-min's wish? MARKET SCREENING 19 Mar (Tue) 14:00 HKCEC Meeting Room N202-203 VIEW TRAILER Sang-jin was a promising young singer who now works as a high school MY PAPAROTTI music teacher after suffering from vocal cord tumor. -
Korean Movie Directory Book
KOREAN MOVIE DIRECTORY BOOK 1p KOREA CONTENTS DIRECTORY BOOK 2014 ːMOVIE KOREAN MOVIE DIRECTORY BOOK KOREAN MOVIE DIRECTORY BOOK KOCCA is an agency dedicated to establish a comprehensive support system to promote Korean KOCCA는 한국의 콘텐츠 산업발전을 위한 종합적인 지원시스템을 구축하기 위해 최선을 다하고 있습니다. content industry. To achieve the mission, we carry on various supports in three ways. 이를 위해, KOCCA는 세 가지 방법으로 다양한 지원을 시행하고 있습니다. First, we improve policies and nurture professionals to strengthen the foundation of creative 첫째, KOCCA는 창조적인 환경의 기반을 강화하기 위한 정책을 수립하고 전문가를 육성합니다. environment. Financially, we support companies to help them produce better contents and fund researches for 둘째, KOCCA는 기업이 첨단문화기술에 대해 더 좋은 콘텐츠를 생산하고 연구할 수 있도록 재정적으로 지원합니다. cutting-edge culture technology. We also assist marketing and distribution of contents overseas to encourage international 셋째, 국제적 홍보활동을 장려하기 위해 해외 마케팅 및 콘텐츠 배포를 지원합니다. promotion. KOCCA will move onward with Korean contents to survive rapidly changing contents environment KOCCA는 급변하는 콘텐츠 세계의 콘텐츠 환경 속에서 한국 콘텐츠의 경쟁력을 높이기 위해 전진합니다. and increase the competitiveness in the global market. 4p 5p KOREAN MOVIE DIRECTORY BOOK KOREAN MOVIE DIRECTORY BOOK INDEX PAGE INDEX PAGE 01 War to the Arrows 008 16 The Man from Nowhere 038 02 Masquerade 010 17 The Berlin File 040 03 Tidal Wave(Haeundae) 012 18 The Face Reader 042 04 The Thieves 014 19 A Werewolf Boy 044 05 Detective K, Secret of the Virtuous Widow 016 20 Miss Granny 046 06 Man on the Edge 018 CONTENTS English 07 Dancing Queen 020 KOREA MOVIE DIRECTORY BOOK 2014 08 Architecture 101 -
In Korean Film Industry Who’S Who in Korean Film Industry
Producers and Investors Who’s Who in Korean Film Industry Who’s Who in Korean Film Industry Acknowledgements Publisher AN Cheong-sook Who’s Chairperson Korean Film Council 206-46, Cheongnyangni-dong, Dongdaemun-gu, Seoul, Korea 130-010 Editor-in-Chief Daniel D. H. PARK Who Director of International Promotion in Korean Film Industry Editor JUNG Hyun-chang Collaborator YANG You-jeong Researched and Compiled CHOI Tae-young JUNG Eun-jung Contributing Writer SUH Young-kwan Producers and Investors Images : CINE21 ©Korean Film Council 2008 Book Design : Muge Creative Thinking 2 Who’s Who in Korean Film Industry Who’s Who in Korean Film Industry Producers and Investors Note The Who’s Who in Korean Film Industry series will deal with key people and their profiles every year. The first series, Who’s Who in Korean Film Industry : Producers and Investors presents major producers and investors in the Korean film industry. The series will be followed by major actors and directors series in the following years. For further information on the films that are mentioned in this book, please visit KOFIC website (www.kofic.or.kr/english) and see the film database menu. Who’s Who in Korean Film Industry Producers and Investors AHN Soo-hyun 6 CHOI Wan 52 KIM In-soo 96 LEE Eugene 138 SHIM, Jaime 182 CHAE, Jason 12 CHOI Yong-bae 56 KIM, Jonathan 100 LEE Eun 142 SHIN Chul 186 CHIN Hee-moon 18 CHUNG Tae-won 60 KIM Joo-sung 104 LEE Joo-ick 146 SHIN Hye-yeun 190 CHO, David 22 JEONG Seung-hye 64 KIM Kwang-seop 108 LEE Joon-dong 150 SUH Young-joo 194 CHO Kwang-hee -
Han Jae-Rim Developed and Prepared This Film Before the Shot It According to the Continuity Book.” Director Han Jae-Rim Spent Six Months Advent of COVID-19
INTERNATIONAL SALES SHOWBOX CORP. 7~9F, 916 Bldg., 310, Dosan-daero, Gangnam-gu, Seoul, 06054, Korea Tel: +82-2-3218-5649 Fax: +82-2-3444-6688 Email: [email protected] Website: www.showbox.co.kr/En/main INTERNATIONAL PUBLICITY IN CANNES LE PUBLIC SYSTÈME CINÉMA ALEXIS DELAGE-TORIEL CAROLINE AYMAR Email: [email protected] SOUTH KOREA l 2.35:1 l 5.1 l 147min LETTER FROM THE DIRECTOR & EMERGENCY DECLARATION PRODUCTION CREW If an aircraft faces a potential disaster, and the pilot determines that normal Emergency Declaration is a film that began development and preproduction in flight can no longer be maintained, an ‘Emergency Declaration’ is issued to call 2019, opened shooting in 2020 during the pandemic, and will receive its pre- for an unconditional landing. miere at the Cannes Film Festival in summer 2021. There is a spoiler contained within this work that is very closely related to the current situation facing all of LOGLINE the world. We intend to provide as little information as possible to viewers who Emergency Declaration is a realistic airline disaster movie about a plane that are waiting for this film, so as to maximize their enjoyment and immersion in faces a never-before-experienced crisis situation, leading the pilot to call for an the story. unconditional emergency landing. Therefore we would like to humbly request that all who see this film during its world premiere please refrain from revealing any important details about the SYNOPSIS plot, the climax and the film’s ending. ‘Emergency Declaration’: If an aircraft faces a potential disaster, and normal flight can no longer be maintained, the pilot calls for an unconditional landing. -
Korean Cinema 2 0
KOREAN CINEMA 2007 KOREAN CINEMA 2007 KOREAN CINEMA 2007 Acknowledgements Contents Publisher AN Cheong-sook Chairperson Review of Korean Films in 2007 Korean Film Council 206-46, Cheongnyangni-dong, Dongdaemun-gu, Seoul, Korea (130-010) and the Outlook for 2008 4 Editor-in-Chief Korean Film Council 8 Daniel D. H. PARK Director of International Promotion Feature Films 14 Editors Fiction 16 JUNG Hyun-chang, YANG You-jeong Released 17 Completed & Upcoming 195 Collaborator Documentary 300 Earl Jackson, SON Ju-hee, LEE Yuna, LEE Jeong-min Animation 344 Contributing Writer JUNG Han-seok Short Films 353 Fiction 354 Film image, stills, and part of film information are provided by directors, producers, production & sales Documentary 442 companies, and Film Festivals in Korea including JIFF (Jeonju International Film Festival), PIFF (Pusan Animation 450 International Film Festival), WFFIS (Women’s Film Festival in Seoul), PIFAN (Puchon International Fantastic Film Festival), AISFF (Asiana International Short Film Festival) and EXiS (Experimental Film and Video Experimental 482 Festival in Seoul). KOFIC appreciates their help and cooperation. Appendix 490 ©Korean Film Council 2007 Statistics 492 lndex of 2007 films 499 Book Design Muge Creative Thinking Addresses 518 Print Dream Art about this film is its material. It is quite unique that the democratic resistance movement, Review of Korean Films in 2007 (the Gwangju Democratization Movement) which occurred in Gwangju, a local city of Korea, in May 1980, would be used as source material for a Korean blockbuster in 2007. Although the film does not have any particularly profound vision about the event or the and the Outlook for 2008 period, <May 18> won over many of the public with its universal life stories and the emotions of the Gwangju citizenry during those days, and was admired for its thorough and meticulous research efforts.