Chronological List of Works with First Performances (Most Recent First)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Lucrezia Vizzana's Componimenti
“READING BETWEEN THE BRIDES”: LUCREZIA VIZZANA’S COMPONIMENTI MUSICALI IN TEXTUAL AND MUSICAL CONTEXT BY Copyright 2011 KATRINA MITCHELL Submitted to the graduate degree program in the School of Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. _________________________________ Chairperson, Dr. Paul Laird _________________________________ Dr. Charles Freeman _________________________________ Dr. Thomas Heilke _________________________________ Dr. Deron McGee _________________________________ Dr. Roberta Freund Schwartz Date Defended: 9 June 2011 The Dissertation Committee for Katrina Mitchell certifies that this is the approved version of the following dissertation: “READING BETWEEN THE BRIDES”: LUCREZIA VIZZANA’S COMPONIMENTI MUSICALI IN TEXTUAL AND MUSICAL CONTEXT _________________________________ Chairperson, Dr. Paul Laird Date approved: 9 June 2011 ii ABSTRACT “Reading Between the Brides”: Lucrezia Vizzana’s Componimenti musicali in Textual and Musical Context There had never been a Bolognese nun known to have published her music when Lucrezia Vizzana’s Componimenti musicali was printed in 1623, nor has there been any since then. This set of twenty motets became a window into the musical world of cloistered nuns in the seventeenth century. Following the research of Craig Monson in Disembodied Voices: Music and Culture in an Early Modern Italian Convent (Berkeley: University of California Press, 1995), this project identifies similarities and differences present in Vizzana’s motets using a number of clarifying means not yet explored. Looking at each work in detail, we are able to surmise some favorite musical devices of Vizzana and how they fit in with other monodists of the day. This project fills a specific lacuna in that ten of the twenty motets are not known to be published in modern notation and are available here for the first time in that form. -
How Useful Are Episcopal Ordination Lists As a Source for Medieval English Monastic History?
Jnl of Ecclesiastical History, Vol. , No. , July . © Cambridge University Press doi:./S How Useful are Episcopal Ordination Lists as a Source for Medieval English Monastic History? by DAVID E. THORNTON Bilkent University, Ankara E-mail: [email protected] This article evaluates ordination lists preserved in bishops’ registers from late medieval England as evidence for the monastic orders, with special reference to religious houses in the diocese of Worcester, from to . By comparing almost , ordination records collected from registers from Worcester and neighbouring dioceses with ‘conven- tual’ lists, it is concluded that over per cent of monks and canons are not named in the extant ordination lists. Over half of these omissions are arguably due to structural gaps in the surviving ordination lists, but other, non-structural factors may also have contributed. ith the dispersal and destruction of the archives of religious houses following their dissolution in the late s, many docu- W ments that would otherwise facilitate the prosopographical study of the monastic orders in late medieval England and Wales have been irre- trievably lost. Surviving sources such as the profession and obituary lists from Christ Church Canterbury and the records of admissions in the BL = British Library, London; Bodl. Lib. = Bodleian Library, Oxford; BRUO = A. B. Emden, A biographical register of the University of Oxford to A.D. , Oxford –; CAP = Collectanea Anglo-Premonstratensia, London ; DKR = Annual report of the Deputy Keeper of the Public Records, London –; FOR = Faculty Office Register, –, ed. D. S. Chambers, Oxford ; GCL = Gloucester Cathedral Library; LP = J. S. Brewer and others, Letters and papers, foreign and domestic, of the reign of Henry VIII, London –; LPL = Lambeth Palace Library, London; MA = W. -
Monteverdi: Vespers of 1610
MONTEVERDI: VESPERS OF 1610 Monday 7 March 2016, 7.30pm London Concert Choir with Soloists and QuintEssential Conductor: Mark Forkgen Programme: £2 Welcome to St John’s Smith Square • In accordance with the requirements of Westminster City Council, persons shall not be permitted to sit or stand in any gangway. • The taking of photographs and use of recording equipment is strictly forbidden without formal consent from St John’s Smith Square. • Smoking is not permitted anywhere in St John’s Smith Square. • Refreshments are permitted only in The Footstool Restaurant (our café & restaurant in the crypt). • Please ensure that all digital watch alarms, pagers and mobile phones are switched off. • The Footstool Restaurant will serve interval and post-concert refreshments. · Programme note © Sabine Köllmann Programme designed by Stephen Rickett and edited by Eleanor Cowie London Concert Choir - A company limited by guarantee, incorporated in England with registered number 3220578 and registered charity number 1057242 Registered Office7 Ildersly Grove, Dulwich, London SE21 8EU St John’s Smith Square, London SW1P 3HA Box Office 020 7222 1061 www.sjss.org.uk St John’s Smith Square Charitable Trust, registered charity no: 1045390. Registered in England. Company no: 3028678. Monday 7 March 2016 St John’s Smith Square MONTEVERDI: VESPERS OF 1610 Mark Forkgen Conductor Rachel Elliott and Rebecca Outram Soprano Nicholas Pritchard and Bradley Smith Tenor Giles Underwood and Colin Campbell Bass London Concert Choir QuintEssential ensemble There will be an INTERVAL of 20 minutes Claudio Monteverdi (1567–1643) VESPERS OF 1610 (Vespro della Beata Vergine, 1610) THE COMPOSER In the history of Western music Claudio Monteverdi occupies an important position at the threshold between Renaissance and Baroque, and his Vespers of 1610, as the compilation of music for the evening service on Marian feast days is often referred to, represents a milestone in the development of modern music. -
Sum Mer Music
EX CATHEDRA excathedra.co.uk Mus er ic m m u S by Candlelight CHOIR | CONSORT | ORCHESTRA | EDUCATION ARTISTIC DIRECTOR & CONDUCTOR JEFFREY SKIDMORE Summer Music by Candlelight St Peter’s Church, Wolverhampton Saturday 5 June 2021, 5pm & 8pm Hereford Cathedral Wednesday 9 June 2021, 3pm & 7.30pm St John’s Smith Square, London Thursday 10 June 2021, 5pm & 8pm Symphony Hall, Birmingham Sunday 13 June 2021, 4pm Programme Hymnus Eucharisticus Benjamin Rogers (1614-1698) Iam lucis orto sidere 6th century plainchant The Windhover (Dawn Chorus, 2020) Liz Dilnot Johnson (b.1964) Sumer is icumen in 13th century English Cuckoo! (1936) Benjamin Britten (1913-1976), arr. Jeffrey Skidmore Revecy venir du Printans Claude le Jeune (c.1528/1530-1600) READING - In defense of our overgrown garden - Matthea Harvey (b.1973) The Gallant Weaver (1997) James MacMillan (b.1959) READING - i thank You God most for this - e.e.cummings (1894-1962) Hymn to St Cecilia (1941- 42) Benjamin Britten READING - Gingo Biloba (1819) - Johann Wolfgang von Goethe (1749-1832) Trois Chansons (1914-15) Maurice Ravel (1875-1937) I Nicolette II Trois beaux oiseaux du Paradis III Ronde READING - maggie and milly and molly and may - e.e.cummings La Mer (1943) Charles Trenet (1913-2001), arr. Jeffrey Skidmore Summer Holiday (1963) Bruce Welch (b.1941) and Brian Bennett (b.1940), arr. Jeffrey Skidmore anyone lived in pretty how town (2018) Geoff Haynes (b.1959) READING - The evening sun retreats along the lawn (Summer Requiem 2015) - Vikram Seth (b.1952) Saint Teresa’s Bookmark (2018) Penelope Thwaites (b.1944) Te lucis ante terminum 7th century plainchant Night Prayer (2016) Alec Roth (b.1948) We would like to offer our thanks for their help and support to: - The Rev Preb. -
Ex Cathedra Scholarships 2020-21
“one of Britain’s very best choirs” (New York Times) Choir І Consort І Orchestra І Education Jeffrey Skidmore OBE Artistic Director & Conductor Ex Cathedra Scholarships 2020-21 “Being a professional choral singer is such a unique vocation, with no real guide book on how to go about your work. Training with Ex Cathedra is that guide book which every young singer wants – lessons in how to be a professional in a safe, supportive environment.” (Ellie Sperling, 2018-19 Scholar) What is it: A year-long choral Scholarship, worth £4000, for 4 of the UK’s very best young singers Who is it for: Singers who will finish their degrees this summer, or have finished in the past 2-3 years, are not continuing in education, and are focussed on being professional singers Apply by: Friday 20 March 2020, 5pm Auditions: Friday 3 April 2020 - CBSO Centre, Birmingham (save the date) If you are shortlisted we will communicate the timetable to you on or by Friday 20 March. The day will include group workshops as well as an individual audition, so please save the whole day. About Ex Cathedra Ex Cathedra is a leading UK choir and Early Music ensemble, based in Birmingham. We explore, research and commission the finest choral music and aim to set the highest standards for excellence in performance and training. We perform perhaps the widest repertoire of any professional choir in the country – the best, the unfamiliar and the unexpected! Our 2019-20 Scholars have performed the Rachmaninoff Vespers, Bach Mass in B Minor, Bach St John Passion, Beethoven Missa Solemnis, recorded choral music by Penelope Thwaites and over the summer will be performing verse anthems alongside Fretwork viol Consort. -
Malvern Priory Magazine
Malvern Priory £1.00 Magazine MARCH 2021 ISSUE The Parish Church of St. Mary & St. Michael A JOYOUS WELCOME TO TWO NEW PRIORY PEOPLE Congratulations to James and Megan Wall who were delighted to welcome Iolo James to their family on Tuesday, 26th January. They would like to thank the many members of the Priory congregation who have sent cards and presents to celebrate the good news together but apart. “The photo is of his first trip into the big wide world—a Thursday Communion—at nine days old. This was also the week we celebrated Candlemas; how appropriate!” Proud grandma, Helen, gazes Megan and James lovingly at her first grandchild… Congratulations also to Katherine and Chris Little who, on Tuesday, 9th February, welcomed their daughter Martha Ellen to the world. "We are thrilled and thankful for the safe arrival of Martha who weighed 6lb 5oz. Thank you to all our Priory friends for their prayers, cards and messages of congratulation. We look forward to introducing Martha to her church family soon." Katherine and Chris WHAT IS A FRIEND – PART TWO? MAGAZINE DONATION Following the article ‘What is a ask you to pass it on to a neighbour Friend’ in the February issue of the or friend, and to encourage them If you read the Malvern Priory Magazine, we have to support and enjoy this beautiful magazine on-line included a Friends’ leaflet in this building in Malvern, which is part of our and would like to March edition with details about joining the heritage. Do also visit our new Facebook make a donation Friends of Malvern Priory. -
Herefordshire News Sheet
CONTENTS ARS OFFICERS AND COMMITTEE FOR 1991 .................................................................... 2 PROGRAMME SEPTEMBER 1991 TO FEBRUARY 1992 ................................................... 3 EDITORIAL ........................................................................................................................... 3 MISCELLANY ....................................................................................................................... 4 BOOK REVIEW .................................................................................................................... 5 WORKERS EDUCATIONAL ASSOCIATION AND THE LOCAL HISTORY SOCIETIES OF HEREFORDSHIRE ............................................................................................................... 6 ANNUAL GARDEN PARTY .................................................................................................. 6 INDUSTRIAL ARCHAEOLOGY MEETING, 15TH MAY, 1991 ................................................ 7 A FIELD SURVEY IN KIMBOLTON ...................................................................................... 7 FIND OF A QUERNSTONE AT CRASWALL ...................................................................... 10 BOLSTONE PARISH CHURCH .......................................................................................... 11 REDUNDANT CHURCHES IN THE DIOCESE OF HEREFORD ........................................ 13 THE MILLS OF LEDBURY ................................................................................................. -
Wolverhampton & Black Country Cover
Shropshire Cover November 2019.qxp_Shropshire Cover 22/11/2019 15:53 Page 1 Your FREE essential entertainment guide for the Midlands JIM JEFFERIES OUT ON TOUR... SHROPSHIRE WHAT’S ON DECEMBER 2019 ON DECEMBER WHAT’S SHROPSHIRE Shropshire ISSUE 408 DECEMBER 2019 ’ WhatFILM I COMEDY I THEATRE I GIGS I VISUAL ARTS I EVENTSs I FOOD On shropshirewhatson.co.uk PART OF WHAT’S ON MEDIA GROUP GROUP MEDIA ON WHAT’S OF PART inside: Yourthe 16-pagelist week by week listings guide THE NUTCRACKER Birmingham Royal Ballet’s festive family favourite returns TWITTER: @WHATSONSHROPS TWITTER: HANDEL’S MESSIAH ever-popular Christmas concert at Shrewsbury’s Abbey Church FACEBOOK: @WHATSONSHROPSHIRE STEP BACK IN TIME a Victorian-style Christmas at Ironbridge Gorge’s Blists Hill SHROPSHIREWHATSON.CO.UK IFC Shropshire.qxp_Layout 1 21/11/2019 14:29 Page 1 Contents December Wolves/Shrops/Staffs.qxp_Layout 1 22/11/2019 14:38 Page 2 December 2019 Contents Hi-Dick-Hi! Su Pollard and Jeffrey Holland reunite in Dick Whittington at the Wolverhampton Grand... page 26 Ex Cathedra The King And I Enchanted Weston the list perform festive favourites from West End musical dances into explore an illuminated Your 16-page around the globe... the Midlands for Christmas wonderland this festive season week-by-week listings guide page 16 page 20 page 47 page 51 inside: 4. First Word 12. Food 17. Gigs 19. Comedy 24. Theatre 34. Film 36. Visual Arts 41. Events @whatsonwolverhampton @staffordshirewhatson @whatsonshropshire Wolverhampton What’s On Staffordshire What’s On Shropshire What’s -
Final Report Innovation Grant, Singing Medicine, Ex Cathedra, Julie Watson
Final Report Innovation Grant, Singing Medicine, Ex Cathedra, Julie Watson Overview Singing Medicine aims to bring the many well-being benefits of singing play to poorly babies and children in Birmingham Children's Hospital. Interactive singing games aid communication, enable children to make decisions, support and encourage movement (where appropriate), develop personal and social skills, are fun, calming or stimulating (depending on need), develop vocal and musicianship skills, and enable play between children and their family members and hospital staff. Before the pandemic, each and every Friday, a team of 8 Ex Cathedra Vocal Tutors (working in pairs) spent the day at Birmingham Children’s Hospital working with children in all in-patient areas across the hospital including in the Intensive Care Unit and with those who are isolated. Since lockdown, we have delivered the programme online, full details are within this report. Our interactive songs and singing games, many of which have been composed by the team, are completely inclusive with regards to capabilities, clinical needs, language and background, vocal skills and musicianship, and are also a lot of fun. Sessions take place in the most appropriate space for each child, for example at the bedside, in groups, or even whilst a procedure is being carried out to distract and soothe. Every session follows a similar structure - an introductory activity, main game/s and finishing activity, such as a goodbye song. Each session lasts as long as is appropriate for each child, which is usually -
Felix Mendelssohn Bartholdy Elijah (1846)
Felix Mendelssohn Bartholdy Elijah (1846) Ex Cathedra XL Anniversary Choir Orchestra of the Age of Enlightenment Town Hall, Birmingham Saturday 18 October 2008 6.30pm The concert this evening is being recorded by BBC Radio 3 for broadcast in 2009 Welcome It gives me great pleasure to welcome you to the disappointment at the lack of melody on first hearing William Bartholomew. Faith in the City begins our imagined at the outset. Derek’s passion, intellect, first concert of Ex Cathedra’s 39th Season. This the work. Elijah is full of beautiful tunes, thrilling exploration of Jewish, Muslim and Christian music in musical intelligence, tenacity, thoroughness, performance of Mendelssohn’s great oratorio Elijah drama, and exciting orchestrations. January 2009, and the start of my short sabbatical stamina, emotional resilience, and experience are celebrates a collaboration between Ex Cathedra, (interesting word) exploring the Mediterranean basin truly inspiring. The edition is a remarkable Town Hall and the Orchestra of the Age of Mendelssohn wrote an intriguing sequence of three – Spain, Morocco, Egypt, Israel, Turkey and Italy. achievement and Derek has made a significant Enlightenment whom we welcome back for the oratorios – St Paul, Elijah and the unfinished One final thought about Elijah, the Old Testament contribution to Mendelssohn scholarship. second concert of Ex Cathedra’s 40th Anniversary Christus. He was accused of ‘oratorio-mongering’ prophet common to Judaism, Islam and Christianity, - Project. Elijah was commissioned by the city and yet Elijah is the high point of religious he was a lone voice standing up against greed, I am confident the Ex Cathedra XL Anniversary forefathers and received its first performance in this expression between Beethoven’s Mount of Olives immorality and poverty. -
Eternal Light: a Requiem
Eternal Light: A Requiem 2008 Theatre Royal, Bath Sadlers Wells, London Forum Theatre, Malvern Theatre Royal, Plymouth St John’s Smiths Square, London The Lowry, Salford Wycombe Swan, High Wycombe Theatre Royal, Norwich Festival Theatre, Edinburgh 2009 Cymru, Llandudno Hall for Cornwall, Truro Snape Maltings Theatre Royal, Brighton Eden Court, Inverness Clwyd Theatre, Cymru, Mold Theatre Royal, Newcastle Birmingham Hippodrome, Birmingham Tewkesbury Abbey, Tewkesbury Guildhall, Plymouth Wells Cathedral, Wells Newcastle University, Australia Grand Theatre, Leeds Leisure Centre, Thame Hertogenbosch, The Netherlands St Peter’s Church, Plymouth St John the Baptist Church, Barnstaple All Saints Church, Swansea Christ Church Cathedral, Oxford All Saints Church, Douglas, Isle of Man Parish Church, Stockton State Hall, Heathfield, East Sussex Methodist Church, Belfast Methodist Central Hall, Coventry St Lukes United Methodist Church, Houston TX, USA St James the Great Church, Littlehampton St John’s Church, Old Coulsdon St Bede’s Roman Catholic Church, Basingstoke Tewskesbury Abbey St Mary’s Church, Bury St Edmunds St James, Exeter 2010 Leisure Centre, Billingshurst St Michael’s & All Angels Church, Turnham Green, London St Peters Church, Ealing, London Lady Eleanor Hollis School, Hampton All Saints Church, Putney, London Easterbrook Hall, Dumfries Waterfront Hall, Belfast First United Church, Mooretown NJ, USA Symphony Hall, Birmingham St James Piccadilly, London The Sage, Gateshead Cadogan Hall, London St Saviour’s Church, Brockenhurst St Albans -
Moon, Sun & All Things
Moon, sun & all things BAROQUE MUSIC FROM LATIN AMERICA – 2 Ex Cathedra Jeffrey Skidmore Moon, sun & all things Jeffrey Skidmore writes … It is not surprising that Hanacpachap cussicuinin is so widely performed throughout Latin America and also seems to capture the imagination of all who hear it outside this seductive region. The music is noble, magical and haunting and is the earliest printed polyphony from the continent of South America. It is set for four voices in Sapphic verse in the Quechua language. The colourful imagery of the sequence of prayers skilfully mixes Inca and Christian imagery, with its references to stores of silver and gold, life without end, deceitful jaguars and sins of the devil. The singers may sing it ‘in processions entering the church’. It makes an extraordinarily powerful beginning to any service, concert, or recording. It is recorded here for the third time by Ex Cathedra with new orchestrations and new verses. It is surprising that it is so often performed using only the first two of the twenty verses given in the source. Moon, sun and all things is an anthology of Latin American music from the seventeenth and eighteenth centuries, chosen from the vast amount of extraordinary repertoire I discovered on research visits to the USA, Mexico and Bolivia. I worked in the Loeb Music Library at Harvard University, the Puebla Cathedral Archive and the Bolivian National Library in Sucre. I met many musicians in the National Arts Centre in Mexico City and in the Association for Art and Culture (APAC) in Santa Cruz. These were wonderful trips and I made many new friends who were companions and guides giving generously of their time: Salua Delalah (German Embassy), Ton de Wit (Prins Claus Foundation), Cecilia Kenning de Mansilla (APAC) and Josefina Gonsález (Saint Cecilia Choir, Puebla).