NATIONAL GEOGRAPHIC CHANNEL Program Schedule June
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Thunderbird Entertainment Group Inc
Thunderbird Entertainment Group Inc. Management’s Discussion and Analysis For the three and nine months ended March 31, 2021 (“Q3 2021”) and March 31, 2020 (“Q3 2020”) GENERAL This Management’s Discussion and Analysis (“MD&A”) dated May 26, 2021 should be read in conjunction with the unaudited interim condensed consolidated financial statements of Thunderbird Entertainment Group Inc. (“Thunderbird” or “the Company”) for the three months ended March 31, 2021 and 2020 and accompanying notes which have been prepared in accordance with International Financial Reporting Standards (“IFRS”) as issued by the International Accounting Standards Board (“IASB"). Thunderbird is a public company whose common voting shares are traded on the TSX Venture Exchange (“TSX-V”) under the ticker “TBRD” and the OTCQX® Best Market under the symbol “THBRF”. Unless otherwise indicated, all dollar amounts are expressed in thousands of Canadian dollars. FORWARD-LOOKING STATEMENTS Thunderbird’s public communications may include written or oral “forward-looking statements” and “forward- looking information” as defined under applicable Canadian securities legislation. All such statements may not be based on historical facts that relate to the Company’s current expectations and views of future events and are made pursuant to the “safe harbour” provisions of applicable securities laws. Forward-looking statements or information may be identified by words such as “anticipate”, “continue”, “estimate”, “expect”, “forecast”, “may”, “will”, “plan”, “project”, “should”, “believe”, “intend”, or similar expressions concerning matters that are not historical facts. These statements represent management’s current beliefs and are based on information currently available to management and inherently involve numerous risks and uncertainties, both known and unknown. -
Thunderbird Entertainment Group Inc
Thunderbird Entertainment Group Inc. Management’s Discussion and Analysis For the three and six months ended December 31, 2019 (“Q2 2020”) and December 31, 2018 (“Q2 2019”) GENERAL This Management’s Discussion and Analysis (“MD&A”) dated February 27, 2020 should be read in conjunction with the unaudited interim condensed consolidated financial statements of Thunderbird Entertainment Group Inc. (“Thunderbird” or “the Company”) for the three and six months ended December 31, 2019 and 2018 and accompanying notes which have been prepared in accordance with International Financial Reporting Standards (“IFRS”) as issued by the International Accounting Standards Board (“IASB"). Thunderbird is a public company whose common voting shares are traded on the TSX Venture Exchange (“TSX‐V”) under the ticker “TBRD”. Unless otherwise indicated, all dollar amounts are expressed in thousands of Canadian dollars. FORWARD‐LOOKING STATEMENTS Thunderbird’s public communications may include written or oral “forward‐looking statements” and “forward‐ looking information” as defined under applicable Canadian securities legislation. All such statements may not be based on historical facts that relate to the Company’s current expectations and views of future events and are made pursuant to the “safe harbour” provisions of applicable securities laws. Forward‐looking statements or information may be identified by words such as “anticipate”, “continue”, “estimate”, “expect”, “forecast”, “may”, “will”, “plan”, “project”, “should”, “believe”, “intend”, or similar expressions -
The 2007 Naval History Symposium
Welcome to the 2007 Naval History Symposium UNITED STATES NAVAL ACADEMY HISTORY DEPARTMENT ANNAPOLIS, MARYLAND September 20-22, 2007 1 Conference Overview Thursday, 20 September 0900 Plenary Session 1000 The Pacific War and After: The United States Navy and Marine Corps in the Pacific and East Asia in The 1940s Naval Blockade during World War I Latin American Navies in the 19th Century European Navies during World War II Song and Story: The US Navy and Literature 1330 Practitioners of Maritime Operations Confront Diverse Missions: Three Case-Studies from the 18th, 19th, and 20th Centuries Cold War Navies Integrating Women into the US Navy Ancient Navies 1530 Teaching Old Frogs New Tricks: Lessons Learned In Amphibious Warfare across Continents and Cultures Influencing Events Ashore: Joint Maritime Operations in the Littoral Maritime and Naval History in Modern China Naval Technology in the Pre-WWII Period Navies in the Age of Sail 2 Conference Overview Friday, 21 September 0830 Naval Campaigns of the American Revolution Navies of the Late 19th Century Naval Warfare in the Atlantic during WWII ’Twixt Sea & Shore: Tactical Ambiguities, Strategic Misconceptions, and Political Issues of Coastal Assault, Defense, and Bombardment during the ‘Pax Britannica’ 1030 Naval Affairs in the Western Hemisphere, 1830-1860 Naval Technologies in the 20th Century 20th Century European Navies Navies in the Early 20th Century Navies in the Middle Ages 1330 Naval Operations during the American Civil War The Interwar Navies Intervention in the Caribbean, 1898-1983 South Asia and the Indian Ocean in the Early Modern Period Naval Personnel in the 18th Century 1530 Maritime Powers in the 20th Century Intelligence, Information, and Perceptions as Tools of Naval Policy French Revolutionary War’s Naval Impact on Latin America, 1793-1815 H.L. -
Semaphore Sea Power Centre - Australia Issue 8, 2017 the Royal Australian Navy on the Silver Screen
SEMAPHORE SEA POWER CENTRE - AUSTRALIA ISSUE 8, 2017 THE ROYAL AUSTRALIAN NAVY ON THE SILVER SCREEN In this day and age, technologies such as smart phones and tablets allow users to film and view video streams on almost any topic imaginable at the convenience of their fingertips. Indeed, most institutions, including the Royal Australian Navy (RAN), promote video streaming as part of carefully coordinated public relations, recruiting and social media programs. In yesteryear, however, this was not a simple process and the creation and screening of news reels, motion pictures and training films was a costly and time consuming endeavor for all concerned. Notwithstanding that, the RAN has enjoyed an ongoing presence on the silver screen, television and more recently the internet on its voyage from silent pictures to the technologically advanced, digital 21st century. The RAN’s earliest appearances in motion pictures occurred during World War 1. The first of these films was Sea Dogs of Australia, a silent picture about an Australian naval officer blackmailed into helping a foreign spy. The film’s public release in August 1914 coincided with the outbreak of war and it was consequently withdrawn after the Minister for Defence expressed security concerns over film footage taken on board the battlecruiser HMAS Australia (I). There was, however, an apparent change of heart following the victory of HMAS Sydney (I) over the German cruiser SMS Emden in November 1914. Australia’s first naval victory at sea proved big news around the globe The Art Brand Productions - The Raider Emden. and it did not take long before several short, silent propaganda films were produced depicting the action. -
Twelve African American Members of the Society for Classical Studies: the First Five Decades (1875-1925)
Twelve African American Members of the Society for Classical Studies: The First Five Decades (1875-1925) by Michele Valerie Ronnick Copyright © 2018 by the Society for Classical Studies All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission in writing from the publisher. Published October 2018 For Ward W. Briggs, Jr., Henry Louis Gates, Jr., Meyer Reinhold and Cornel West, my friends and teachers. Introduction Many of us remain unaware that among the members of the American Philological Association (Society for Classical Studies since 2014) during the latter half of the nine- teenth century were people of African and African American descent, for little or noth- ing had been written about them before the American Philological Association published my pamphlet, The First Three African American Members of the American Philological Association in 2001. We have, however, understood for some time that Americans from the late eighteenth century through the nineteenth century were engaged in heated argu- ments about the appropriate type of education needed by Americans in general, and particularly over the needs of the newly-freed slaves after the Civil War. What we had not yet realized was that these were also concerns among members of the black diasporic community itself, which understood that the study of ancient Greek and Latin had long been the intellectual standard -
Lost Villages of the Eastern Aleutians
Chapter 14 The Agony of Makushin fter she arrived at Unalaska for medical treatment in the fall of 1935, Annie Olsen informed authorities that Pete Olsen had been molesting A her for five years. She was seventeen. Tatiana Olsen corroborated her adopted daughter’s affidavit and on September 6, 1935, Olsen was brought to Unalaska by the U.S. deputy marshal on a charge of rape. When the women appeared in court, however, they reversed their testimony, and the case against him was dismissed for insufficient evidence. Court officials considered conducting an investigation to determine if the women had perjured themselves. Annie returned to Makushin with her mother and, less than a year later, on June 19, 1936, she died at the age of eighteen. She was buried near the church. “What there was done to me in Sept. 1935,” Olsen wrote bitterly five years later, referring to those who had instigated and pursued the case, “is not forgotten and never will be.”1 By the mid-1930s, Elia Borenin had been selected as village chief. Akenfa Galaktionoff was second chief.2 Men continued traveling to the Pribilof Islands each June to work in the seal harvest. This meant that Olsen had to shear his sheep earlier than he might have wished. He confessed to the manager of the sheep ranch at Chernofski that he wasn’t much of sheep man. Nevertheless, he steadily increased the size of his herd, ran more fencing and experimented with local and imported grass for feed. He traded rams and ewes with the much larger ranch at Chernofski. -
Saudi Arabia and the Law of the Sea
633 SAUDI ARABIA AND THE LAW OF THE SEA James P. Piscatori* The Middle East, broadly defined, is Red Sea is important as the gateway to penetrated by five bodies of water, the the Suez Canal, which itself was eco five "fingers" of the Mediterranean, nomically and strategically significant Black, Caspian, and Red Seas, and the prior to 1967, because it reduces by Persian Gulf. The Red Sea and Gulf one-half the Gulf to London journey. have received particular attention in The recently reopened canal probably recent history. The significance of the will be highly significant again as it is Red Sea stems, first of all, \ from its widened and deepened to accommodate connection to the Arab-Israeli conflict. ships of the 150,OOO-ton range and Israel has one non-Mediterranean port, eventually of the 270,OOO-ton range? Eilat, which can only be reached Finally, the Soviet base at Berbera in through the Red Sea and then through Somalia highlights the vulnerability of the Gulf of 'Aqaba. Denial of entry to access to the sea itself. Israel through closure of the Straits of Of far greater importance is the Tiran was considered a casus belli in Persian Gulf. Indeed, the growing indus 1967, and in 1973 a blockade of the trial dependence on oil, even more than entire sea was carried out at the Bab the discovery and exploitation of the al-Mandab Strait to support the war aims of the Arab front. Some strategists *1 wish to acknowledge with gratitude the believe that in a long war similar action assistance of Professors K. -
NATIONAL GEOGRAPHIC CHANNEL Program Schedule July
Page 1 of 5 NATIONAL GEOGRAPHIC CHANNEL Program Schedule July (ET) 月曜日 2016/06/27 火曜日 2016/06/28 水曜日 2016/06/29 木曜日 2016/06/30 金曜日 2016/07/01 土曜日 2016/07/02 日曜日 2016/07/03 (ET) 4 04:00 Is It Real 3「Miracle 04:00 Car Sos III[Vive La 04:00 Doomsday Preppers 4 Cures」 Citroen] 2[Pain Is Good] 5 05:00 Sea Patrol 2「#7」 05:00 Supercar 05:00 Banged Up Abroad 7「#8 5 Megabuild[Aston Martin Black Palace of Horrors」 Vantage] 6 06:00 information 06:00 information 06:00 information 6 06:30 None of The 06:30 Monster Fish IV [Giant 06:30 Banged Up Abroad 9 Above[What Goes Up] Catfish] 「The Real Argo」 7 07:00 Animals Gone 7 Wild[Shock & Awe] 07:30 Highway Thru Hell 07:30 X: The Generation That 2[Suck It Up, Princess] Changed The World[Truth Be 8 08:00 Under World Inc. 2 Told] 8 「Organ Trade, The」 08:30 Car Sos II [Mg Miracle] 08:30 How To Win At Everything[#1] 9 09:00 information 09:00 None of The Above 9 Season 2[Blasts, Fire, And 09:30 Genius By Stephen 09:30 information 09:30 information Hawking 10 #6 10:00 Wicked Tuna: North Vs 10:00 Mine Kings 「Seven 10 South[From Rods To Riches] Sapphiresl」 10:30 Wwii's Greatest Raids[Mountain Massacre] 11 11:00 Banged Up Abroad 9 11:00 Big Fish, Texas「All Fish 11 「The Real Argo」 And No Play」 11:30 Blood Antiquities 12 12:00 Fearless Chef「Peru」 12:00 Genius By Stephen 12 Hawking 12:30 information #6 13 13:00 Air Crash Investigation 13:00 information 13:00 information 13 S13[Deadly Mission] 13:30 Mine Kings 「Dynamite 13:30 Search For The Head of Garnet」 John The Baptist 14 14:00 Air Crash Investigation 14 S13[Edge -
United States Coast Guard Operations in Alaska Hearing
S. HRG. 112–860 UNITED STATES COAST GUARD OPERATIONS IN ALASKA HEARING BEFORE A SUBCOMMITTEE OF THE COMMITTEE ON APPROPRIATIONS UNITED STATES SENATE ONE HUNDRED TWELFTH CONGRESS SECOND SESSION SPECIAL HEARING AUGUST 6, 2012—KODIAK, AK Printed for the use of the Committee on Appropriations ( Available via the World Wide Web: http://www.gpo.gov/fdsys/browse/ committee.action?chamber=senate&committee=appropriations U.S. GOVERNMENT PUBLISHING OFFICE 80–814 PDF WASHINGTON : 2015 For sale by the Superintendent of Documents, U.S. Government Publishing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512–1800; DC area (202) 512–1800 Fax: (202) 512–2104 Mail: Stop IDCC, Washington, DC 20402–0001 COMMITTEE ON APPROPRIATIONS DANIEL K. INOUYE, Hawaii, Chairman PATRICK J. LEAHY, Vermont THAD COCHRAN, Mississippi, Ranking TOM HARKIN, Iowa MITCH MCCONNELL, Kentucky BARBARA A. MIKULSKI, Maryland RICHARD C. SHELBY, Alabama HERB KOHL, Wisconsin KAY BAILEY HUTCHISON, Texas PATTY MURRAY, Washington LAMAR ALEXANDER, Tennessee DIANNE FEINSTEIN, California SUSAN COLLINS, Maine RICHARD J. DURBIN, Illinois LISA MURKOWSKI, Alaska TIM JOHNSON, South Dakota LINDSEY GRAHAM, South Carolina MARY L. LANDRIEU, Louisiana MARK KIRK, Illinois JACK REED, Rhode Island DANIEL COATS, Indiana FRANK R. LAUTENBERG, New Jersey ROY BLUNT, Missouri BEN NELSON, Nebraska JERRY MORAN, Kansas MARK PRYOR, Arkansas JOHN HOEVEN, North Dakota JON TESTER, Montana RON JOHNSON, Wisconsin SHERROD BROWN, Ohio CHARLES J. HOUY, Staff Director BRUCE EVANS, Minority Staff Director SUBCOMMITTEE ON THE DEPARTMENT OF HOMELAND SECURITY MARY L. LANDRIEU, Louisiana, Chairman FRANK R. LAUTENBERG, New Jersey DANIEL COATS, Indiana DANIEL K. INOUYE, Hawaii THAD COCHRAN, Mississippi PATRICK J. LEAHY, Vermont RICHARD C. -
Christopher Tyler Nickel Has Made a Name for Himself As a Successful Writer of Concert Music, Music for the Theatre, As Well As Film and Television Music
CChhrriiissttoopphheerr TTyyllleerr NNiiicckkeelll -- CCoommppoosseerr FFeeaattuurree FFiiilllmmss // TTVV MMoovviiieess THE CHRISTMAS AUNT 2020 Prod: Christian Bruyère Lifetime Television Dir: Tibor Takács THE STORY OF US 2019 Prod: Charles Cooper, Harvey Kahn, Sunta Izzicupo The Hallmark Channel, Front Street Pictures Dir: Scott Smith A WINTER PRINCESS 2019 Prod: T. Pehme, Kim C. Roberts. F. Szew, H. Pillemer The Hallmark Channel Dir: Allan Harmon COOKING WITH LOVE 2018 Prod: S. Battro, T. Berry, G. LaPlante, A. Licht, Reel One Ent., The Hallmark Channel R.M. Murphy, S. Stabler, Dir: Jem Garrard ROCKY MOUNTAIN CHRISTMAS 2017 Prod: Harvey Kahn, Michael G. Larkin Hallmark Movies & Mysteries Dir: Tibor Takács CHRISTMAS PRINCESS 2017 Prod: J. Schwartz, J. Ritchie, C. Harmon, I. Pincus, Really Real Films, Entertainment One J. Hamilton, R.D. Clemmer, Dir: Allan Harmon MOONLIGHT IN VERMONT 2017 Prod: Beth Grossbard, Harvey Kahn Crown Media Prods, The Hallmark Channel Dir: Mel Damski LOVE STRUCK CAFE 2017 Prod: Kim Arnott, Ivan Hayden, John Prince, Crown Media Prods, The Hallmark Channel Dir: Mike Robe A GIFT TO REMEMBER 2017 Prod: M. Futerman, A. Mancuso, G. LaPlante, Reel One Ent., The Hallmark Channel Dir: Kevin Fair THE CHRISTMAS CALENDAR 2017 Prod: Allan Harmon, Cynde Harmon, Jordan Ninkovich, Really Real Films, MarVista Entertainment Dir: Allan Harmon THE BIRTHDAY WISH 2017 Prod: J. Abounader, P. DeLuise, H. Kahn, C. Kretz, Front Street Pictures, The Hallmark Channel M. Young, Dir: Peter DeLuise COLD ZONE 2017 Prod: Costa Vassos 5Digital Media Dir: John MacCarthy RING OF DECEPTION 2017 Prod: T. Berry, D. DeCrane, N. Reid, G. LaPlante, Reel One International, Lifetime Television Dir: Scott Belyea PSYCHO WEDDING CRASHER 2017 Prod: T. -
Annual Report 2006-2007 Pacific Film and Television Commission
Pacifi c Film and Television Commission Annual Report 2006-2007 Contents Vision 1 Chair’s Message 2 CEO’s Message 4 Corporate Plan 2004-2009 6 2006-2007 Highlights 7 Objective 1 8 Objective 2 24 Production Listing 29 Overseas Travel and Consultancy Costs 30 Financial Statements 32 (cover main image) Claudia Karvan in Daybreakers | Lionsgate and Paradise Pty Ltd (cover smaller images left to right) Brisbane International Film Festival featured guest Bob Randall, co-producer and narrator, Kanyini Joel Edgerton in Acolytes | Stewart Wall Entertainment Fool’s Gold | Warner Brothers Crew on location at Mission Beach, Far North Queensland Jeremy Lindsay Taylor, Ian Stenlake and Lisa McCune in TV series Sea Patrol | McElroy All Media 2 The Pacifi c Film & Television Commission Pty Ltd Annual Report 2007 Vision Chris Brown, Peter Spierig, Claudia Karvan, Ethan Hawke, Michael Spierig at Daybreakers (Lionsgate and Paradise Pty Ltd) press conference at Warner Roadshow Studios The Pacifi c Film and Television Commission (PFTC) will be a world leader in initiating, facilitating and celebrating a sustainable and creative fi lm and television industry. PFTC’s two objectives are: Industry Development: Develop a sustainable screen industry that provides signifi cant social, cultural and economic benefi ts for Queensland; and Screen Culture: Develop a screen culture for Queensland audiences. The Pacifi c Film & Television Commission Pty Ltd Annual Report 2007 1 Chair’s Message The Pacifi c Film and Television Commission (PFTC) to ensure Queensland’s screen industry continues to is committed to developing a sustainable screen grow and remain a competitive force. industry and culture that provides signifi cant social, While 2006-07 heralded a resurgence in production, cultural and economic benefi ts to Queenslanders. -
Download the Press
Screen Australia and SBS present in association with Screen NSW, A Blackfella Films Production Media Kit as at 12.7.16 SBS Publicist Natalie Dubois T 02 9430 3824 M 0422 447 168 E [email protected] About the Production Two of Australia’s leading actors with international acclaim, Noah Taylor (Game of Thrones, Peaky Blinders) and Yael Stone (Orange is the New Black), star in SBS’s new Australian crime drama series, Deep Water. The four-hour crime thriller also stars William McInnes (The Time of Our Lives, The Slap), Danielle Cormack (Wentworth, Rake, Miss Fisher’s Murder Mysteries), Jeremy Lindsay Taylor (Gallipoli, Puberty Blues, Sea Patrol), Craig McLachlan (The Doctor Blake Mysteries), Dan Spielman (The Code, Accidental Soldier, Offspring), Ben Oxenbould (The Kettering Incident, Old School, Rake), Simon Burke (Devil’s Playground), John Brumpton (Catching Milat, Miss Fisher’s Murder Mysteries) and Victoria Haralabidou (The Code, East West 101, All Saints), Simon Elrahi (The Code), George H. Xanthis (The Principal) and Julian Maroun. From Blackfella Films, the producers of both the awarding-winning drama Redfern Now and factual program First Contact, Deep Water is SBS’s first cross-genre, cross-platform event which includes a four-part drama series, a feature documentary and unique online web series and content. The edge-of-your-seat drama was executive produced by SBS’s Sue Masters and produced by Blackfella Films’ Miranda Dear and Darren Dale (Redfern Now, Mabo, Ready For This) and written by Kris Wyld (East West 101) and Kym Goldsworthy (Love Child, Serangoon Road). SBS Director of Television and Online Content, Marshall Heald said: “SBS is proud that this important drama has attracted Australia’s finest creative professionals both in front – and behind the camera.