By Alexander R. Galloway, Eugene Thacker and Mckenzie
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
{TEXTBOOK} the Spectacle of Disintegration: Situationist
THE SPECTACLE OF DISINTEGRATION: SITUATIONIST PASSAGES OUT OF THE TWENTIETH CENTURY PDF, EPUB, EBOOK McKenzie Wark | 224 pages | 28 May 2013 | Verso Books | 9781844679577 | English | London, United Kingdom The Spectacle of Disintegration: Situationist Passages Out of the Twentieth Century PDF Book Wark builds on their work to map the historical sta Following his acclaimed history of the Situationist International up until the late sixties, The Beach Beneath the Street , McKenzie Wark returns with a companion volume which puts the late work of the Situationists in a broader and deeper context, charting their contemporary relevance and their deep critique of modernity. Browse Menu:. Sort order. The Radical Fool of Capitalism. Kenneth Weisbrode. Stefanie Gaspar rated it liked it Aug 31, Rita Zajacz. We use cookies to improve this site Cookies are used to provide, analyse and improve our services; provide chat tools; and show you relevant content on advertising. Moments Politiques. LitFlash The eBooks you want at the lowest prices. Wark builds on their work to map the historical stages of the society of the spectacle, from the diffuse to the integrated to what he calls the disintegrating spectacle. More filters. Dispatched from the UK in 3 business days When will my order arrive? Debord is the man who famously boasted that while he wrote less than other writers wrote, he drank much more than other drinkers drink! These cookies are necessary to provide our site and services and therefore cannot be disabled. Cancel Save settings. The Divine Left. Add to Basket. Goodreads helps you keep track of books you want to read. -
Horror of Philosophy
978 1 84694 676 9 In the dust of this planet txt:Layout 1 1/4/2011 3:31 AM Page i In The Dust of This Planet [Horror of Philosophy, vol 1] 978 1 84694 676 9 In the dust of this planet txt:Layout 1 1/4/2011 3:31 AM Page ii 978 1 84694 676 9 In the dust of this planet txt:Layout 1 1/4/2011 3:31 AM Page iii In The Dust of This Planet [Horror of Philosophy, vol 1] Eugene Thacker Winchester, UK Washington, USA 978 1 84694 676 9 In the dust of this planet txt:Layout 1 1/4/2011 3:31 AM Page iv First published by Zero Books, 2011 Zero Books is an imprint of John Hunt Publishing Ltd., Laurel House, Station Approach, Alresford, Hants, SO24 9JH, UK [email protected] www.o-books.com For distributor details and how to order please visit the ‘Ordering’ section on our website. Text copyright: Eugene Thacker 2010 ISBN: 978 1 84694 676 9 All rights reserved. Except for brief quotations in critical articles or reviews, no part of this book may be reproduced in any manner without prior written permission from the publishers. The rights of Eugene Thacker as author have been asserted in accordance with the Copyright, Designs and Patents Act 1988. A CIP catalogue record for this book is available from the British Library. Design: Stuart Davies Printed in the UK by CPI Antony Rowe Printed in the USA by Offset Paperback Mfrs, Inc We operate a distinctive and ethical publishing philosophy in all areas of our business, from our global network of authors to production and worldwide distribution. -
REVIEW ARTICLE James W. Heisig, Philosophers of Nothingness: an Essay on the Kyoto School University of Hawaii Press, 2001
PARRHESIA NUMBER 10 • 2010 • 87-92 REVIEW ARTICLE James W. Heisig, Philosophers of Nothingness: An Essay on the Kyoto School University of Hawaii Press, 2001 Eugene Thacker 1. DEATH IN DEEP SPACE There is a motif commonly found in science fiction, which derives from earlier narratives of nautical adven- ture and stories of castaways. The motif is that of the sole human being, unmoored, set loose, and adrift in space. One of the most popular versions of this is found in Stanley Kubrick’s 2001: A Space Odyssey, in which astronaut Frank Poole is set loose by the intelligent supercomputer HAL to drift aimlessly into the depths of deep space. In the film Kubrick portrays the scene without a soundtrack or, for that matter, any sound at all. The scene of being set adrift into space is depicted with silent horror: all we as viewers see is a lone figure speeding off into a black abyss. JAMES W. HEISIG, PHILOSOPHERS OF NOTHINGNESS During the Golden Age of science fiction in the 1920s and 1930s, pulp authors tended to depict the “adrift in space” motif as being “lost in space,” that is, as a by-product of inter-galactic adventure narratives. One was only lost in space until the next adventure, the next battle, the next conquest. However, for earlier works—most notably Camille Flammarion’s metaphysical science fiction Lumen—being adrift in space is less a by-way to yet another adventure, but a speculative opportunity in and of itself. Being adrift in space is the story itself, so much so that Edgar Allen Poe could pen entire cosmic dialogues around the theme, without character, plot, or setting. -
A Questionnaire on Materialisms 45
A Questionnaire on Materialisms 45 ALEXANDER R. GALLOWAY Not too long ago, being a materialist meant something rather specific, despite the capacious complexity of the term; it meant one was a Marxist. These days materi- alism generally means non-Marxism, or some variant thereof. What happened? As it was formulated in France in the eighteenth century and then more broadly across Europe in the nineteenth century, materialism was concerned chiefly with what Marx called the “sensuous activity” of society and politics, an undertaking guided by strict adherence to the modern if not nihilist mantras of secularity and critique. Today’s new materialism means something different. Methodologically speaking, the new materialism is dog-whistle politics for three things: empiricism, pragmatism, and realism. Some components of the new recipe don’t immediately jibe. For instance, philosophical realism, the view that an objective reality exists independently of thought and culture, clashes with empiricism, at least superficially, given empiri- cism’s dependence on sense experience. Nevertheless a shared interest in material reality has combined these otherwise distinct traditions into a new amalgam. The catalyzing agent can be traced to Gilles Deleuze, or more precisely to the form that Deleuzianism took in the English-speaking world during the late 1990s. Deleuze’s affection for empiricism is well known, excited as he was by the strict correspondence that David Hume forged between ideas and sense impres- sions, or, in another context, the attention that William James gave to what he called “pure experience.” Likewise James helped reorient Deleuze toward North American pragmatism, particularly its focus on process and material action unen- cumbered by abstract concept or cause. -
Communication, Culture & Class by Mckenzie Wark
Molloy College DigitalCommons@Molloy Faculty Works: Digital Humanities & New Media 2013 Low Theory, Review of Telesthesia: Communication, Culture & Class by McKenzie Wark Matt Applegate Ph.D. Follow this and additional works at: https://digitalcommons.molloy.edu/dhnm_fac Part of the Communication Technology and New Media Commons, Digital Humanities Commons, and the Social Media Commons DigitalCommons@Molloy Feedback Low Theory MATT APPLEGATE McKenzie Wark. Telesthesia: Communication, Culture, and Class. Polity Press, 2012. 241 pp. ccupy Wall Street (OWS) is the new and enduring object of political and intel- Olectual inquiry for the Left in the United States. Indeed, like the 1999 Seattle WTO protests before it, OWS is perhaps more momentous, more impactful, or even more ‘revolutionary’ in its after-eff ects and in its memorialization than it was in the time and space of its production. For some of us in academia that participated in local demonstrations or travelled to Zuccotti Park, OWS has become a thought ex- periment and a provocation as its physical manifestations have all but disappeared. Written in its wake, McKenzie Wark’s Telesthesia: Communication, Culture, and Class (2012) is an artifact of the occupation. It is simultaneously an attempt to rewrite the method through which radical thought is articulated in academic contexts and an attempt to surpass academic constraints on intellectual production given the event of OWS—in Wark’s words, Telesthesia is “a book about method […] but one that explains the method by performing it” (9). As a kind of action-oriented text, then, Telesthesia situates Occupy as both its launch pad and its medium, its provocation and its means of articulation. -
Critical Pedagogy in and for the Anthropocene
CHAPTER 6 NEW KNOWLEDGE FOR A NEW PLANET: CRITICAL PEDAGOGY IN AND FOR THE ANTHROPOCENE Conversation with McKenzie Wark McKenzie Wark is a writer and scholar. His works on hacker culture, gamer theory, the Situationist International, and theory for the Anthropocene continually attract significant public interest, and his experimental writings and multimedia works challenge and transcend traditional disciplinary borders between arts, research and social critique. Born and raised in Australia, he emigrated to the United States in 2000. Between 1988 and 2011 Ken held various positions at University of Technology, Sydney, Macquarie University, SUNY Albany and Binghamton and Eugene Lang College. In 2007, he was resident of a non-profit art and technology center Eyebeam in New York. Since 2011, he works as professor of Culture and Media Studies at Eugene Lang College at The New School for Social Research. Ken authored numerous scholarly articles and books and experimental writings. His books include I’m Very into You: Correspondence 1995–1996 (Acker & Wark, 2015), Molecular Red (2015a), Excommunication: Three Inquiries in Media and Mediation (2013) (co-authored with Alexander Galloway and Eugene Thacker), The Spectacle of Disintegration (2013), Telesthesia: Culture, Communication and Class (2012), The Beach Beneath the Street: The Everyday Life and Glorious Times of the Situationist International (2011a), 50 Years of Recuperation of the Situationist International, (2008), Gamer Theory (2007), A Hacker Manifesto (2004), Dispositions (2002), Speed Factory (2002) (co-authored with B Cohen, J Kinsella and T White), Celebrities, Culture and Cyberspace (1999), The Virtual Republic: Australia’s Culture Wars of the 1990s (1998), and Virtual Geography: Living with Global Media Events (1994). -
Nine Disputations on Theology and Horror Eugene Thacker
COLLAPSE IV Nine Disputations on Theology and Horror Eugene Thacker 1. AFT E R -LIF E Ever since Aristotle distinguished the living from the non-living in terms of psukhê – commonly translated as ‘soul’ or ‘life-principle’ – the concept of ‘life’ has itself been defined by a duplicity – at once self-evident and yet opaque, capable of categorization and capable of further mystifica- tion. This duplicity is related to a another one, namely, that there are also two Aristotles – Aristotle-the-metaphysician, rationalizing psukhê, form, and causality, and Aristotle-the- biologist, observing natural processes of ‘generation and corruption’ and ordering the ‘parts of animals’. Arguably, the question of life is the burning question of the contemporary era, one in which life is everywhere at stake as ‘bare life’, one in which ‘all politics is biopolitics’. If the question of Being was the central issue for antiquity (raised again by Heidegger), and if the question of God 55 COLLAPSE IV – as alive or dead – was the central issue for modernity (Kierkegaard, Nietzsche), then perhaps the central question today is that of Life – the function of the concept of ‘life itself’, the two-fold approach to life as at once scientific and mystical, the return of vitalisms of all types, and the pervasive politicization of life. The question that runs through these brief disputatio is the following: Can there be an ontology of ‘life’ that does not immediately become a concern of either Being or God? Put differently, if one accepts that the concept of ‘life’ is -
NYC TOHP Transcript 166 Mckenzie Wark
NEW YORK CITY TRANS ORAL HISTORY PROJECT https://www.nyctransoralhistory.org/ http://oralhistory.nypl.org/neighborhoods/trans-history INTERVIEW TRANSCRIPT MCKENZIE WARK Interviewer: Michelle Esther O'Brien Date of Interview: June 20, 2019 Location of Interview: NYPL Midtown Administrative Offices, New York City Interview Recording URL: http://oralhistory.nypl.org/interviews/mckenzie-wark-vlu4rw Transcript URL: https://s3.amazonaws.com/oral- history/transcripts/NYC+TOHP+Transcript+166+McKenzie+Wark.pdf Transcribed by Caitlin Vasquez (volunteer) NYC TOHP Interview Transcript #166 RIGHTS STATEMENT The New York Public Library has dedicated this work to the public domain under the terms of a Creative Commons CC0 Dedication by waiving all of its rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. Though not required, if you want to credit us as the source, please use the following statement, "From The New York Public Library and the New York City Trans Oral History Project." Doing so helps us track how the work is used and helps justify freely releasing even more content in the future. NYC TOHP Transcript #166: McKenzie Wark - Page 2 (of 21) Michelle O'Brien: Hello. My name is Mich— I am Michelle O’Brien. And I will be having a conversation with McKenzie Wark for the New York City Trans Oral History Project, in collaboration with the New York Public Libraries’ community oral history project. This is an oral history project centered on the experiences of trans-identifying people. It is June 20th, 2019, and this has been recorded at the New York Public Libraries’ Midtown Manhattan Offices. -
Renaissance and Early Modern Philosophy
Late Modern Philosophy (PHH 4440) W-F, 12:00-1:50 p.m. ED/112 Instructor: Dr. Marina P. Banchetti Office: SO/280 Contact Information: 297-3816 or [email protected] Office Hours: W-F, 10:00-11:00 a.m. 3:30-4:30 p.m. Credit Hours: 4 credits Klaus Kinski as Fitzcarraldo (Dir. Werner Herzog) Textbooks: W. T. Jones, A History of Western Philosophy, Volume IV: Kant and the Nineteenth Century, second edition, revised (New York: Harcourt Brace, 1997). Immanuel Kant, Prolegomena to Any Future Metaphysics, the Paul Carus translation, extensively revised by James W. Ellington (New York: Hackett Publishing Company, 1977). Immanuel Kant, Foundations of the Metaphysics of Morals, translated and with an introduction by Lewis White Beck (Indianapolis: Pearson/Prentice Hall, 1990). G.W.F. Hegel, Reason in History, translated and with an introduction by Robert S. Hartman (Oxford: Oxford University Press, 1967). G.W.F. Hegel, Philosophy of Right, translated with notes by T. M. Knox (Indianapolis: Pearson/Prentice Hall, 1998). 2 Arthur Schopenhauer, Philosophical Writings, edited by Wolfgang Schirmacher, translated by E. F. Payne (New York: Continuum Press, 1998). Additional required and recommended readings are posted on Blackboard. Course Credit Hours: This 4-credit course fulfills a core history of philosophy requirement for the philosophy major. The prerequisite for this course is PHH 3420 (“Early Modern Philosophy”). Catalog Description: An in-depth study of major 18th and 19th century European philosophers, with an emphasis on Kant and Hegel, though other philosophers may also be covered. The course focuses on contributions to metaphysics, epistemology, ethics, and social and political philosophy. -
FORART LECTURE 2018 Mckenzie Wark
FORART LECTURE 2018 FORART SEMINAR 2018 McKenzie Wark - Molecular Red These are Situationist Times Friday, August 31, 6-8 pm Saturday, September 1, 1 pm Litteraturhuset, Amalie Skram Torpedo, Rostockgata 28 FORART LECTURE For the 2018 FORART lecture, McKenzie Wark (New School of Social Research, New York), revisits economist and philosopher Alexander Bogdanov’s early 20th century theories on climate change in order to rethink labor with nature in the age of the anthropocene. The Friday lecture is followed by a Saturday seminar on the art and politics of The Situationist Times. Molecular Red: Theory for the Anthropocene: Reorienting thinking for the Anthropocene may be a more profound problem than we like to admit. There is no historical memory of having to revise worldviews to meet a change in geological time. And since the problems the Anthropocene presents such as climate change and ocean acidification are pressing, there is not time to embark on a long research program. However it may be of some use to take a step back into the archive, to find useful intellectual resources, in order to take two steps forward. In Molecular Red, I start with Alexander Bogdanov. He was Lenin’s rival for the leadership of the Bol- sheviks, before Lenin had him expelled from the faction. He was an organiser, theorist, scientist and the author of science fiction. He got the principles of climate change more or less right, twice. From Bogdanov, Molecular Red takes us on a journey through the archive, finding unlikely sources who took seriously the problem of organizing our labors in and against nature for long term survival. -
Doctor of Philosophy
RICE UNIVERSITY By tommy symmes A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE Doctor of Philosophy APPROVED, THESIS COMMITTEE William B Parsons William B Parsons (Apr 21, 2021 11:48 PDT) William Parsons Jeffrey Kripal Jeffrey Kripal (Apr 21, 2021 13:45 CDT) Jeffrey Kripal James Faubion James Faubion (Apr 21, 2021 14:17 CDT) James Faubion HOUSTON, TEXAS April 2021 1 Abstract This dissertation studies dance music events in a field survey of writings, in field work with interviews, and in conversations between material of interest sourced from the writing and interviews. Conversations are arranged around six reading themes: events, ineffability, dancing, the materiality of sound, critique, and darkness. The field survey searches for these themes in histories, sociotheoretical studies, memoirs, musical nonfiction, and zines. The field work searches for these themes at six dance music event series in the Twin Cities: Warehouse 1, Freak Of The Week, House Proud, Techno Tuesday, Communion, and the Headspace Collective. The dissertation learns that conversations that take place at dance music events often reflect and engage with multiple of the same themes as conversations that take place in writings about dance music events. So this dissertation suggests that writings about dance music events would always do well to listen closely to what people at dance music events are already chatting about, because conversations about dance music events are also, often enough, conversations about things besides dance music events as well. 2 Acknowledgments Thanks to my dissertation committee for reading this dissertation and patiently indulging me in conversations about dance music events. -
Beach Beneath the Street
THE BEACH BENEATH THE STREET THE BEACH BENEATH THE STREET THE EVERDAY LIFE AND GLORIOUS TIMES OF THE SITUATIONIST INTERNATIONAL MCKENZIE WARK London • New York This edition fi rst published by Verso 2011 © McKenzie Wark 2011 All rights reserved The moral rights of the author have been asserted 1 3 5 7 9 10 8 6 4 2 Verso UK: 6 Meard Street, London W1F 0EG US: 20 Jay Street, Suite 1010, Brooklyn, NY 11201 www.versobooks.com Verso is the imprint of New Left Books ISBN-13: 978-1-84467-720-7 British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data A catalog record for this book is available from the Library of Congress Typeset in Cochin by MJ Gavan, Truro, Cornwall Printed in the US by Maple Vail Contents Acknowledgments vii Introduction: Leaving the Twenty-First Century 1 1 Street Ethnography 7 2 No More Temples of the Sun 19 3 The Torrent of History 33 4 Extreme Aesthetics 45 5 A Provisional Micro-Society 61 6 Permanent Play 75 7 Tin Can Philosophy 83 8 The Thing of Things 93 9 Divided We Stand 109 10 An Athlete of Duration 125 11 New Babylon 135 12 The Beach Beneath the Street 147 Notes 161 Index 191 “Monsters of all lands unite!” Michèle Bernstein In memory of: Helen Mu Sung Andrew Charker Stephen Cummins John Deeble Colin Hood Shelly Cox in girum imus nocte et consumimur igni Acknowledgements My only qualifi cation for writing this book is some time spent in a certain militant organization, then in a bohemian periphery, and sub- sequently in avant-garde formations that met at the nexus of media, theory and action.