News-Letter - November 2005
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Women As Readers: Visual Interpretations
Women as Readers: Visual Interpretations LINDA J. DOCHERTY HE PORTRAIT of Anne Pollard (fig. i), one of the icons of early American painting, uses a book to define a type of Tfemale character. Traditionally seen as a document of Puritan history and an example of hnuaer art, this 1721 likeness of a hundred-year-old woman also bears consideration for its iconography. Biography alone fails to explain the literary attribute. According to Pollard's obituary, she was born in Essex, England, came to the New World as young girl, and married a Boston innkeeper in 1643.' She bore her husband thirteen children and, afrer his death, continued to manage the tavern they had opened near the present site of Park Street Church. Pollard must have had a modicum of education, but hardly enough to justify por- trayal with a symbol of authorship and learning most commonly A portion of this article was first presented at a conference sponsored by the American Antiquarian Society's Program in the History of the Book in American Culture on 'Iconography and the Culture of the Book,' held in Worcester on June 14-15, ^')*)^- Research for that presentation was supported by a fellowship ftom the American Council of Learned Societies. I am gratefiii to Georgia Barnhill and Caroline Sloatat the Ainerican Antiquarian Society and to Celeste Goodridge and Theodora Penny Martin at Bowdoln College for providing references, commenLs, and encouragement as I prepared this ex- panded version. Thanks also go to Alexis Guise for research assistance on the original c on- ference paper and to Diane Apostolos-Cappadona for comments on the same. -
Table of Contents List of Figures
Table of Contents List of Figures ........................................................................................................................ 6 Section 1: Plan Summary ....................................................................................................... 1 Section 2: Introduction ......................................................................................................... 2 2A. Statement of Purpose ..............................................................................................................2 2B. Planning Process and Public Participation ................................................................................3 2C. Enhanced Outreach and Public Participation ............................................................................5 Section 3: Community Setting ................................................................................................ 6 3A. Regional Context .....................................................................................................................6 3A.1 Regional Governance ................................................................................................................................ 6 3A.2 Surrounding Communities ........................................................................................................................ 8 3A.3 Natural Setting .......................................................................................................................................... 8 3A.4 Transportation -
Women Artists of Cape Ann, 1900-1950 Lecture Finding Aid & Transcript
DRAWN TO THE LIGHT: WOMEN ARTISTS OF CAPE ANN, 1900-1950 LECTURE FINDING AID & TRANSCRIPT Speaker: Janet Comey Date: 7/10/2008 Runtime: 1:01:12 Camera Operator: Bob Quinn Identification: VL11; Video Lecture #11 Citation: Comey, Janet. “Drawn to the Light: Women Artists of Cape Ann, 1900-1950.” CAM Video Lecture Series, 7/10/2008. VL11, Cape Ann Museum Library & Archives, Gloucester, MA. Copyright: Requests for permission to publish material from this collection should be addressed to the Librarian/Archivist. Language: English Finding Aid: Description: Karla Kaneb, 3/21/2020. Transcript: Linda Berard, 4/2/2021. Video Description Presented in conjunction with the Cape Ann Museum’s exhibition The Paintings of Emma Fordyce MacRae (on display March 1 through July 20, 2008), this video captures a lecture held in the museum auditorium by Museum of Fine Arts, Boston Curatorial Research Associate, Janet Comey. An expert on American art, Drawn to the Light: Women Artists of Cape Ann, 1900-1950 – VL11 – page 2 Janet Comey discusses a selection of female painters who had ties to Cape Ann in the early 1900s. As Comey notes, this was a time when female artists were beginning to gain increased recognition, and some of them were drawn to this area because they found the art environment on Cape Ann more welcoming to women than that of major metropolitan areas such as New York or Philadelphia. Comey’s slides encompass works by Cecilia Beaux, Martha Walter, Felicie Waldo Howell, Elizabeth Wentworth Roberts, Gabrielle de Veaux Clements, Ellen Day Hale, Lilian Westcott Hale, and Theresa Bernstein. -
TOWN of DEDHAM Norfolk County Massachusetts
A B C D E F UV128 DOWNTOWN DEDHAM ¨¦§95 0 250 500 Feet Street Map Allin Congregational Church e î c a l P r e e v c Norfolk i la County R P r E R D d Riverside i Courthouse v l e W B G T e l a r O r p r o s i y a m i a o a d R n d e Dedham o r Cuttller Park d M i D v l d a u f r Dedham e District i n S e w r t s l t Post Office d n Court i S d S S t e Victory t t Baptist D 1 Church 1 r î Norfolk County t d t r R Superior Court e u e R Rd e o Ri d t r v i e o erda os Mariie Louiise t s le R s m C d l Sa e l i Kehoe S m Kehoe s a H N l E r t Pa d R Park o r g y S rke y R i r S le C v r a n R tap al P B f i C k les V h e a o R i a l e u d c d O n r te k r s s K n o e l n a e id C S P Dedham i R k s o t n H b e r g ur e t a S e T i D t e h l n Police n r l t m k r a a i e R h R d m V e e Riverdale Juniper T d Station Ne er d R L R Elementary d y d n Dedham c A h School Public l A c v o î M t Library d e Need t Calvary t u h L R l am St S b n Baptist k e n r e Churrch e F a r Av B g y ixon d b r D r i r y L e e r a a e v e t l n B e n N T A d e C e M A e tr k Saint w n e as r T b a l sac b e S l TOWN OF DEDHAM a h u r h i Susanna e g se o c n r d tt r ry E s r u Parish n i A L h L M n C S L a Rashi School G n rlbo v î ro S e q r t e u a a t C Riv o erv r D Mead iew e o m St o Norfolk County w m Dedham r y R Rd o a on Temple Sda o n W ridg W d Eat Fa C b e ir t e ot w w fiel Church s ta e d S h t g e t t e N NewBridge on e r S y t a re R C t e l î D t S d i t the Charles t h B L r S ea l wo e s Grey C co o o A n o l n S S d a a o t Pine t ch C y 95 o n d v L n S o n H e e u e Ridge Pet p R r Massachusetts ¨¦§ s t e Church of k P A r l i a th A o St. -
Lilian Clark Westcott Hale (1881(0?)-1963) “A Hartford Biography” © Gary W
Lilian Clark Westcott Hale (1881(0?)-1963) “A Hartford Biography” © Gary W. Knoble, 2014 Lilian Clark Westcott Hale, “the girl from Sigourney Street” was apparently not born in Hartford as is often believed, but she spent the first 20 years of her life there and was certainly formed by its influence. Since she left Hartford for Boston in 1900 she does not appear to have played an active part in the large art scene that existed in Hartford at the time. But, she certainly knew many of its figures as teachers, fellow students, and neighbors. The time and location of Lilian Westcott Hale’s birth is disputed. Her marriage license, exhibition history, gallery biographies published during her lifetime, and her daughter Nancy Hale all say she was born December 6, 1881 in Hartford, Connecticut. However, a birth certificate for Lillie Coleman Westcott found recently in the Bridgeport Archives at the Connecticut State Library by researcher and biographer Elizabeth Kelleher states that she was born December 7, 1880 in Bridgeport Connecticut. Her Boston Globe obituary says she was born in Hartford December 7, 1981. Since the family was living in Hartford at the time of Lilian’s birth, it is possible that she was born during a business trip to Bridgeport, the headquarters of her father’s company. Her father was Edward Gardner Westcott and her mother was Harriet Clark. Her father was, for many years, a superintendent for the Adams Express Company of Hartford and later the Secretary and Treasurer of the Bridgeport Sharp’s Rifle Company, later named the Bridgeport Lee Arms Company. -
January 2018
NEWS-LETTER DEDHAM HISTORICAL SOCIETY & MUSEUM PO BOX 215 612 HIGH STREET DEDHAM MA 02027-0215 Tel: 781-326-1385 E-Mail: [email protected] Web Site: www.DedhamHistorical.org Library Hours: by appointment; Museum Hours: Tuesday – Friday 12 pm – 4 pm Both are open even-dated Saturdays: 1 pm – 4 pm January 2018 DINING IN DEDHAM EXHIBIT OPENS JAN. 30 The old saying that "we are what we eat" holds true for the past as well as the present. The Society's new "Dining in Dedham" exhibit looks back on Dedham's culinary history, exploring what our ancestors ate, how they prepared it, and where they dined. From the earliest settlers eating by the kitchen fireplace to the arrival of fast-food chains in the 1950s, "Dining in Dedham" tells this delectable story through photographs, menus, old cookware, and other artifacts from the Society's collection. The exhibit opens January 30 and runs through 2018. So drop in for a taste of Dedham's past! WINTER/SPRING LECTURE SERIES KICKS OFF JANUARY 28 Our 2018 lecture series has something for everyone. On Sunday January 28 at 2 PM, conservator Christine Thompson provides an update on the conservation treatment of the DHS 1763 Act of Parliament Clock. The clock was donated to First Church by Samuel Dexter in 1764. It was removed from the church walls during renovation in 1829 and placed in storage until it was donated to the Society in 1890. It is thought to be one of only three clocks of this type in the United States. -
Town of Dedham Annual Report 2009/2010
Town of Dedham Annual Report 2009/2010 WHERE TO CALL: EMERGENCY: POLICE Emergency Calls 911 Other Calls: 751-9300 FIRE Emergency Calls 911 Other Calls: 751-9400 FOR INFORMATION ON: Administration Town Administrator 751-9100 Assessments Assessors 751-9130 Bills & Accounts Finance Department 751-9150 Birth Certificates Town Clerk 751-9200 Building Permits Building Commissioner 751-9180 Cemetery Superintendent of Cemeteries 326-1177 Civil Defense Director 751-9300 Code Enforcement Enforcement/Compliance 751-9186 Counseling, etc. Youth Commission 326-3120 Council on Aging Elder Services 326-1650 Death Certificates Town Clerk 751-9200 Dog Licenses Town Clerk 751-9200 Dogs, Lost, Found, Complaints Canine Controller 751-9106 Elder Services Council on Aging 326-1650 Elections Town Clerk 751-9200 Entertainment Licenses Selectmen 751-9100 Environment Conservation Commission 751-9210 Finance Committee Finance 751-9140 Finance Director Finance 751-9150 Fire Permits Fire Department 751-9400 Fuel Oil Shortage Fire Department 751-9400 Gas Permits Gas Inspector 751-9183 Health Board of Health 751-9220 Housing Inspections Housing Inspector 751-9220 Information Services Technology 751-9145 Library Main Library 751-9280 Endicott Branch 326-5339 Lights (street lights out) Police Department 751-9300 Marriage Licenses Town Clerk 751-9200 Planning Board Planning Director 751-9240 Plumbing Permits Plumbing Inspector 751-9183 Recreation Recreation Department 751-9250 Retirement Retirement Board 326-7693 Schools Superintendent of Schools 326-5622 No School 326-9818 -
The Boston School Tradition
The Boston School Tradition TRUTH , B EAUTY AND TIMELESS CRAFT Cover: Joseph Rodefer DeCamp (1858-1923), (detail) The Kreutzer Sonata (The Violinist II) Oil on canvas, 48 1/4 x 40 1/4 inches, signed and dated lower left: Joseph DeCamp 1912, (pg. 19) The Boston School Tradition TRUTH , B EAUTY AND TIMELESS CRAFT June 6 - July 18, 2015 V OSE Fine American Art for Six Generations EST 1841 G ALLERIES LLC Boston Art Schools, Clubs and Studios E.A. Downs, Boston, 1899 , George H. Walker & Co. Lithography, Boston Courtesy of The Norman B. Leventhal Map Center, Boston Public Library Edited by Marcia L. Vose Designed by Stephanie M. Madden and Elizabeth Vose Frey Written by Courtney S. Kopplin, Stephanie M. Madden, and Catharine L. Holmes Photography by Tyler M. Prince Original Museum of Fine Arts location in Printing by Puritan Capital, Hollis, NH Copley Square, circa 1895 © 2015 Copyright Vose Galleries, LLC. All rights reserved. Vose Galleries Archives Foreword by Marcia L. Vose, Vice President Stuffed Sharks or Truth and Beauty? One of our artists, Joel Babb, recently gave me a book that As the definition of “art” becomes increasingly diverse, I I am in the midst of reading, Don Thompson’s The $12 hope future historians will distinguish today’s realist painters Million Stuffed Shark: The Curious Economics of Contem - as upholders of an art form that has been passed down for porary Art . I have had a glimpse into the machinations of centuries, with each succeeding generation applying tradi - this dizzying world, which originated around 1970, and tional methods and timeless craft in new and inventive ways. -
2019 Open Space and Recreation Plan
Town of Dedham Open Space and Recreation Plan December 2019 Town of Dedham Open Space and Recreation Plan December 2019 Open Space and Recreation Committee Stephanie Radner, Chair Jonathan Briggs Dennis Cunningham Michelle Kayserman Michael Podolski Georganna Woods Consulting assistance provided by Horsley Witten Group Table of Contents Table of Contents Section 1: Plan Summary ....................................................................................................... 1 Section 2: Introduction ......................................................................................................... 3 2A. Statement of Purpose ..............................................................................................................3 2B. Planning Process and Public Participation ................................................................................4 2C. Enhanced Outreach and Public Participation ............................................................................6 Section 3: Community Setting ................................................................................................ 7 3A. Regional Context .....................................................................................................................7 3A.1 Regional Governance ................................................................................................................................. 7 3A.2 Surrounding Communities ...................................................................................................................... -
Table of Contents
Table of Contents Appendix 1: ADA Access Self-Evaluation ........................................................................... A-1 Appendix 1A. Administrative Requirements ...................................................................................................A-1 Appendix 1A.1 Designation of an ADA Coordinator ......................................................................................... A-1 Appendix 1A.2 Town of Dedham ADA Grievance Procedure ............................................................................ A-3 Appendix 1A.3 Public Notification Requirements ............................................................................................ A-6 Appendix 1A.4 Participation of Individuals with Disabilities and the Commission on Disability ..................... A-7 Appendix 1B. Program Accessibility .................................................................................................................A-7 Appendix 1B.1 Facility Inventory ...................................................................................................................... A-7 Barnes Memorial Park ................................................................................................................................. A-8 Churchill Park ............................................................................................................................................ A-10 Condon Park ............................................................................................................................................. -
Vose Galleries, and Continuing on to Six Other Venues
Crosscurrents : The Colonies, Clubs & Schools That Established Impressionism in America Featuring the Collection of Abbot W. and Marcia L. Vose OSE AL LERI ES, LL C VDealers in FineG American Art fo r Six Generations 175 years Celebr1a8 4ti1n-2g0 16 C1e7l5e brati yearsng 1841-2016 TABLE OF CONTENTS THE COLLECTION OF ABBOT W. AND MARCIA L. V OSE : A S HARED PASSION 2 CROSSCURRENTS : T HE COLONIES , C LUBS & S CHOOLS THAT ESTABLISHED IMPRESSIONISM IN AMERICA 8 The Making of an Artist: The Role of Art Schools in Boston and New York City 10 The Boston School 10 Art Students League of New York 20 THE ART SCENE IN EUROPE : A MERICAN ARTISTS STUDY ABROAD 27 BRINGING IMPRESSIONISM HOME : A MERICAN COLONIES IN NEW ENGLAND AND NEW YORK 30 Old Lyme, Connecticut 30 Bill Vose Pays Tribute to the Florence Griswold Museum in Old Lyme, Connecticut 37 Cos Cob, Connecticut 38 Mystic, Connecticut 39 Cape Ann, Massachusetts 40 Provincetown, Cape Cod and the Islands, Massachusetts 52 Ogunquit, Maine 58 Monhegan, Maine 62 CONTEMPORARY INSPIRATIONS 66 June Grey 67 Warren Prosperi 68 Liz Haywood-Sullivan 70 Joel Babb 72 John Whalley 74 Janet Monafo 76 Don Demers 78 Crosscurrents: The Colonies, Clubs & Schools That Established Impressionism in America Featuring the Collection of Abbot W. and Marcia L. Vose October 29 - December 31, 2016 The Collection of Abbot W. and Marcia L. Vose The Collection of Abbot W. and Marcia L. Vose: A Shared Passion By Marcia L. Vose We are very pleased to share with you the 44-year story of how we built our collection of American paintings. -
A Finding Aid to the Philip Leslie Hale Papers, 1818-1962, Bulk 1877-1939, in the Archives of American Art
A Finding Aid to the Philip Leslie Hale Papers, 1818-1962, bulk 1877-1939, in the Archives of American Art Catherine S. Gaines Funding for the digitization of this collection was provided by the Terra Foundation for American Art November 2004 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical/Historical note.............................................................................................. 2 Scope and Contents note................................................................................................ 3 Arrangement note............................................................................................................ 4 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Biographical Materials, 1875-1939........................................................... 5 Series 2: Correspondence, 1818-1944.................................................................... 7 Series 3: Writings, circa 1910-1930......................................................................