The Guardian, October 29, 2014

Total Page:16

File Type:pdf, Size:1020Kb

Load more

Wright State University CORE Scholar The Guardian Student Newspaper Student Activities 10-29-2014 The Guardian, October 29, 2014 Wright State University Student Body Follow this and additional works at: https://corescholar.libraries.wright.edu/guardian Part of the Mass Communication Commons Repository Citation Wright State University Student Body (2014). The Guardian, October 29, 2014. : Wright State University. This Newspaper is brought to you for free and open access by the Student Activities at CORE Scholar. It has been accepted for inclusion in The Guardian Student Newspaper by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. AprilOCTOBER 30, 2014 29, 2014 WWW.THEGUARDIANONLINE.COMTHEGUARDIANONLINE.COM ISSUEIssue NO.10 No. 30 VOL.Vol. 50 51 Take a Swipe at Dating in the palm of your hand Photo By: Lindsey Roberts A real-world dating app that matches you with nearby singles Leah Kelley Editor-in-Chief [email protected] other Tinder-users nearby, and easy hook-up, while the other real dating exist within Tinder, there was no random messaging half are looking for a real life re- except with Tinder you have Story “ from creeps. One simply views a lationship. That leads to the main nothing to lose. Many students He’s on Tinder,” she said. profile, and if they like what they issue with Tinder (and in life?): use Tinder to strike up conver- “He’s single!” see, they swipe right. If not, they finding a person who wants the sations with singles nearby, and continued What the heck was Tinder? swipe left. If the other person also same thing as you. Chances are then meet them later on a date. Was it some psychedelic drug, swipes right, it’s a match. Simple? that half the time you make a Like all dates, some end in disas- or a new medication? Absolutely. match, he other person will want ter, and some end in love. on page 6 After further exploration I Like all dating apps, politics are casual sex while you are looking Readers submitted stories of learned that it was not a danger- involved. With Tinder, there are for someone to wine, dine and Tinder failures, successes and ous street drug, but rather a dat- two kinds of users. Half the popu- marry you. downright weird conversations ing app that used GPS to locate lation of users are looking for an The same issues that exist with they’ve had. For Advertising Phone: 775-5537 2CAMPUS Fax: 775-5535 GUARDIAN STAFF 014 Student Union 3640 Colonel Glenn Hwy. EVENTS: Dayton Ohio 45435 Thursday, Oct. 30 Editor-in-Chief Business Manager The Guardian is printed weekly • Ebola – Fact and Fiction: 5-6:30 Leah Kelley Zach Woodward during the regular school year. p.m. Student Union Atrium It is published by students of Friday, Oct. 31 - Halloween Features Editor News Editor Wright State University in Hannah Hendrix Dylan Dohner Dayton, Ohio. Editorials without • NaNoWriMo Pre-Writing bylines reflect the majority Workshop: 1-4 p.m. 403 Millett opinion of the Sports Editor Photography Editor • Volleyball v. Oakland: 7 p.m. McLin editorial board. Views expressed Justin Boggs Johanna Schmitz in columns, cartoons and Gym advertisements are those of the Saturday, Nov. 1 Graphics/Layout Manager Distribution Manager writers, artists and advertisers. John Klaassen • Women’s Basketball v. Ashland: 4 Sam Gorham The Guardian reserves the right to censor or reject advertising p.m. Ervin J. Nutter Center Accountant Marketing/Promotion Sunday, Nov. 2 copy, in accordance with any Shelby Kotecki Zaine Clark present or future advertising • Holidays in the Heartland Concert: acceptance rules established 7:30 p.m. Schuster Center, Dayton News Writer Web Editor by The Guardian. All contents Monday, Nov. 3 Taylor McKinley Vivek Patel contained herein are the express property of The Guardian. • Priority registration for spring News Writer Copyright privileges revert to the semester begins Sports Writer writers, artists and photographers Alan Hieber Greg Felder • “Medicine, the Holocaust, of specific works after publica- tion. Copyright 2014 The Guard- and Religious Ethics” Annual Features Writer Photographer ian, Wright State University. All Kristallnacht Commemoration: Zara Qureshi Lindsey Roberts rights reserved. 7:30-9 p.m. E163 Student Union Wednesday, Nov. 5 Ad Representative Ad Representative • Men’s Basketball v. Findlay: 7 p.m. David McNeely David Neikirk Ervin J. Nutter Center Instagram Classifieds Photo of the Week MATTRESSES FOR SALE: Queen Pillow-Top Mattress Set $149. Twin-Queen Black Diamond Bedroom Groups $399. Twin-Queen Bed Frames $39. Brand New Over- stock Items!!! Call: (937) 668-5111 Interested in improving your English speaking skills? At $7/hour, you can start now! Please contact Angie at (937) 912-9297 for more details. Meet new friends working with our young, fun staff at Figlio Wood Fire Pizzas located minutes from campus in Kettering. Now hiring part-time cooks, bus persons and dish washers. Flexible schedule around your school needs. No experience necessary, willing to train. Apply in person at 424 E. Stroop Road in Town and Country Shopping Center. CorreCtion: in our 10/22/2014 issue of the Guardian we ran an artiCle reGardinG a new student toolbar. the title Credited Cats for desiGninG the toolbar. we would like to Clarify that disability serviCes desiGned the toolbar and Cats helped install it on Campus Your photo could be shown here! Just include Computers. we apoloGize for this misCredit. #WSUGUARDIAN to enter and your Instagram of WSU could be chosen for our next issue. 2 October 29, 2014 www.theguardianonline.com @wsuguardian facebook.com/theguardianonline OPINION 3 From disappointed to impressed, my journey with Taylor Swift Leah Kelley Editor-in-Chief [email protected] W ith four albums under her belt, Swift has finally moved away from hopeful “Juliet in search of Romeo” inspired songs. Instead, she’s trading them in for more mature, darker lyrics with a hint of funky, electropop that we haven’t heard before. Albums previ- ously laden with first kiss ballads have morphed into “1989,” which is Swift’s first exclusive pop album. With each lyric of the 13-song album, Swift embraces a “haters gonna hate,” reck- ask.fm/mandyadvice less abandon that was all but expected of her new album. With synthesizers and drum machines galore, the new tracks are multi-layered. “Out of the Woods” is particularly hard to sit through, as Swift repeats “Are we out of the woods yet?” a v whopping total of 29 times in a style that is reminiscent of Enya and some African war chant. Dear Mandy, Part of me wonders if she’s just conforming to the pop music that bogs down my radio, or if she’s actually twisting pop music into something different, something new. Unlike most, Swift uses her swing to pop music as her declaration of independence, when it’s usually the How do I get Justin Bieber to notice me? I’ve sent other way around. him e-mails and letters and commented on all his While a few songs on the album are difficult for me to listen to as a Swift fan, others fulfill Instagrams, no response. I’m anxious for the day I everything I ever thought I needed from her. They’re poppy, electric and the real-life lyrics can gently caress his firm glutes and tell him that that made her famous have done anything but disappear. he’s my love. How do I remain patient until we meet and he realizes his mutual feelings for me? aCCordinG to 106 Give me advice, please! wsu students surveyed Suburban Suzy Dear Suburban Suzy, Let’s begin with the obvious question: Why on earth would you want to touch Justin Bieber’s butt—sor- ry—his glutes? How do you know his bottom is firm since it’s hidden so well behind that baggy denim? Maybe your imagination is playing tricks on you, and you somehow are seeing a butt oasis that isn’t there in real life. It’s really just a shimmering mirage, far in the distance. A butt mirage. It’s time to take a long, cold drink of reality and get back to civilization. Love, Mandy Everything and more Lindsey Roberts Contributing Writer [email protected] love “1989” because it makes me want to dance. The CD player in my car has truly nev- er been happier. The windows are down, the vol- ume is up, and all the drivers in the cars at every stoplight are staring because I am singing at the topI of my lungs and I’m dancing as much as I can behind the restraint of my seat belt. The catchy tunes run through my head all day and I seem Disclaimer: to annoy everyone around me by singing “Shake It Off” constantly. I’ve enjoyed watching Taylor’s Ask Mandy is satirical and intended for transformation over the years in her lyrics and humorous purposes. The views and opinions reflected are style, and her new CD does not disappoint. those of Mandy, not The Guardian as an organization. facebook.com/theguardianonline @wsuguardian www.theguardianonline.com October 29, 2014 3 4 NEWS Liberal arts students Changes in the Center for given internship Teaching and Learning affect opportunities Alan Hieber teachers and students alike News Writer [email protected] Dylan Dohner News Editor [email protected] he College of Liberal director Scott Peterson. Arts (CoLA) offers a “Currently, we have stu- variety of internship oppor- dents interning with the Day- he Center for Teaching hopes for the new system. different to what they were tunities that can offer a po- ton Better Business Bureau, and Learning (CTL), “It makes our faculty sup- expecting.” tential prelude to students’ Green Country Libraries, and meant to provide faculty the port unit way more in-touch Klaus believes the faculty futureT careers.
Recommended publications
  • “Big on Family”: the Representation of Freaks in Contemporary American Culture

    “Big on Family”: the Representation of Freaks in Contemporary American Culture

    Master’s Degree programme – Second Cycle (D.M. 270/2004) in History of North-American Culture Final Thesis “Big on Family”: The Representation of Freaks in Contemporary American Culture Supervisor Ch. Prof. Simone Francescato Ch. Prof. Fiorenzo Iuliano University of Cagliari Graduand Luigi Tella Matriculation Number 846682 Academic Year 2014 / 2015 TABLE OF CONTENTS TABLE OF ILLUSTRATIONS ............................................................................................. 3 ACKNOWLEDGMENTS ....................................................................................................... 5 INTRODUCTION ................................................................................................................... 6 CHAPTER I: FREAKS IN AMERICA .............................................................................. 11 1.1 – The Notion of “Freak” and the Freak Show ........................................................... 11 1.1.1 – From the Monstrous Races to Bartholomew Fair ................................................. 14 1.1.2 – Freak Shows in the United States ......................................................................... 20 1.1.3 – The Exotic Mode and the Aggrandized Mode ...................................................... 28 1.2 – The Representation of Freaks in American Culture ............................................. 36 1.2.1 – Freaks in American Literature .............................................................................. 36 1.2.2 – Freaks on Screen ..................................................................................................
  • Exploitative to Favorable, Freak to Ordinary: The

    Exploitative to Favorable, Freak to Ordinary: The

    EXPLOITATIVE TO FAVORABLE, FREAK TO ORDINARY: THE EVOLUTION OF DISABILITY REPRESENTATION IN FILM By Julia E. Thompson A Thesis Submitted to the Faculty of the Graduate Studies Division of Ohio Dominican University Columbus, Ohio in partial fulfillment of the requirements for the Degree of MASTER OF ARTS IN ENGLISH DECEMBER 2015 iii CONTENTS CERTIFICATION PAGE ………………………………………………………………… ii ACKNOWLEDGEMENTS ………………………………………………………………. iv CHAPTER 1: A HISTORY OF DISABILITY …………………………………………… 1 CHAPTER 2: FREAK SHOWS AND PHYSICAL DISABILITIES …………………….. 6 CHAPTER 3: DIFFERENT STIGMA: SENSORY DISABILITY ON FILM …………… 15 CHAPTER 4: REGRESSIVE VERSUS PROGRESSIVE DEPICTION ………………… 27 WORKS CITED ………………………………………………………………………….. 35 iv ACKNOWLEDGEMENTS I wish to thank the faculty of the Master of Arts graduate program at Ohio Dominican University. You have opened my mind to the infinite rewards of studying literature, poetry, philosophy, and film. Specifically, I want to thank Dr. Ann Hall for her guidance and encouragement from the very beginning of my journey in the graduate program all the way through to the completion of this thesis. Your support and faith in my abilities allowed me to reach my goal. Also, I would like to thank Dr. Martin Brick for his support and review. My success in the graduate program would not have been possible without the love, support, and unwavering encouragement of my husband, Eric. Thank you for assuming even more of the responsibilities for our children and our home while I worked through the program and this thesis. Thank you also to my children, Celeste and Sawyer, who have been so very patient with me. I hope that my excitement for education influences your own outlook.
  • Embargoed Until 8:35Am Pt on July 16, 2015

    Embargoed Until 8:35Am Pt on July 16, 2015

    EMBARGOED UNTIL 8:35AM PT ON JULY 16, 2015 67th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2014 – May 31, 2015 Los Angeles, CA, July 16, 2015– Nominations for the 67th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Uzo Aduba from the Netflix series Orange Is The New Black and Cat Deeley, the host of FOX’s So You Think You Can Dance. "This was truly a remarkable year in television,” said Rosenblum. “From the 40th Anniversary of Saturday Night Live, to David Letterman’s retirement and the conclusion of Mad Men, television’s creativity, influence and impact continue to grow and have never been stronger. From broadcast, to cable to digital services, our industry is producing more quality television than ever before. Television is the pre-eminent entertainment platform with extraordinarily rich and varied storytelling. The work of our members dominates the cultural discussion and ignites the passion of viewers around the world. All of us at the Academy are proud to be honoring the very best in television.” This year’s Drama and Comedy Series nominees included newcomers as well as returning programs to the Emmy competition: Transparent and UnBreakaBle Kimmy Schmidt in the Outstanding Comedy Series category and Better Call Saul in the Outstanding Drama Series competition. Additionally, Parks And Recreation returns to vie for Outstanding Comedy Series while Homeland is back in the running for Outstanding Drama Series. Orange Is The New Black is nominated for its second consecutive season, but in the drama category, following an Academy- sanctioned switch from last year’s comedy nomination.
  • 00001. Rugby Pass Live 1 00002. Rugby Pass Live 2 00003

    00001. Rugby Pass Live 1 00002. Rugby Pass Live 2 00003

    00001. RUGBY PASS LIVE 1 00002. RUGBY PASS LIVE 2 00003. RUGBY PASS LIVE 3 00004. RUGBY PASS LIVE 4 00005. RUGBY PASS LIVE 5 00006. RUGBY PASS LIVE 6 00007. RUGBY PASS LIVE 7 00008. RUGBY PASS LIVE 8 00009. RUGBY PASS LIVE 9 00010. RUGBY PASS LIVE 10 00011. NFL GAMEPASS 1 00012. NFL GAMEPASS 2 00013. NFL GAMEPASS 3 00014. NFL GAMEPASS 4 00015. NFL GAMEPASS 5 00016. NFL GAMEPASS 6 00017. NFL GAMEPASS 7 00018. NFL GAMEPASS 8 00019. NFL GAMEPASS 9 00020. NFL GAMEPASS 10 00021. NFL GAMEPASS 11 00022. NFL GAMEPASS 12 00023. NFL GAMEPASS 13 00024. NFL GAMEPASS 14 00025. NFL GAMEPASS 15 00026. NFL GAMEPASS 16 00027. 24 KITCHEN (PT) 00028. AFRO MUSIC (PT) 00029. AMC HD (PT) 00030. AXN HD (PT) 00031. AXN WHITE HD (PT) 00032. BBC ENTERTAINMENT (PT) 00033. BBC WORLD NEWS (PT) 00034. BLOOMBERG (PT) 00035. BTV 1 FHD (PT) 00036. BTV 1 HD (PT) 00037. CACA E PESCA (PT) 00038. CBS REALITY (PT) 00039. CINEMUNDO (PT) 00040. CM TV FHD (PT) 00041. DISCOVERY CHANNEL (PT) 00042. DISNEY JUNIOR (PT) 00043. E! ENTERTAINMENT(PT) 00044. EURONEWS (PT) 00045. EUROSPORT 1 (PT) 00046. EUROSPORT 2 (PT) 00047. FOX (PT) 00048. FOX COMEDY (PT) 00049. FOX CRIME (PT) 00050. FOX MOVIES (PT) 00051. GLOBO PORTUGAL (PT) 00052. GLOBO PREMIUM (PT) 00053. HISTORIA (PT) 00054. HOLLYWOOD (PT) 00055. MCM POP (PT) 00056. NATGEO WILD (PT) 00057. NATIONAL GEOGRAPHIC HD (PT) 00058. NICKJR (PT) 00059. ODISSEIA (PT) 00060. PFC (PT) 00061. PORTO CANAL (PT) 00062. PT-TPAINTERNACIONAL (PT) 00063. RECORD NEWS (PT) 00064.
  • 67Th EMMY® AWARDS NOMINATIONS

    67Th EMMY® AWARDS NOMINATIONS

    67th EMMY® AWARDS NOMINATIONS This year’s Drama and Comedy Series nominees included newcomers as well as returning programs to the Emmy competition: Transparent and Unbreakable Kimmy Schmidt in the Outstanding Comedy Series category and Better Call Saul in the Outstanding Drama Series competition. Additionally, Parks And Recreation returns to vie for Outstanding Comedy Series while Homeland is back in the running for Outstanding Drama Series. Orange Is The New Black is nominated for its second consecutive season, but in the drama category, following an Academysanctioned switch from last year’s comedy nomination. While Game of Thrones again tallied the most nominations (24), limited series American Horror Story: Freak Show and Olive Kitteridge received 19 nominations and 13 nominations respectively. Over 50% of the nominees in the four lead performer categories are either first- time nominees, or from new series: for Outstanding Lead Performer for a Drama Series category (actor and actress) this includes Kyle Chandler in Bloodline, Viola Davis in How to Get Away with Murder, Taraji P. Henson in Empire, Tatiana Maslany in Orphan Black, Bob Odenkirk in Better Call Saul and Liev Schreiber in Ray Donovan. Similarly in the Outstanding Lead Performer for a Comedy Series category (actor and actress) names new to these categories emerged this year such as: Anthony Anderson in ‘blackish, Will Forte in The Last Man on Earth, Amy Schumer in Inside Amy Schumer, Jeffrey Tambor in Transparent and Lily Tomlin in Grace And Frankie. For the first time, the Academy split the Variety Series genre into two new categories: Outstanding Variety Talk Series is recognizing iconic shows in their last year of eligibility such as The Colbert Report and Late Show with David Letterman, as well as The Daily Show with Jon Stewart, Jimmy Kimmel Live, Last Week Tonight with John Oliver and The Tonight Show Starring Jimmy Fallon.
  • 10-Year Review of Gender and EMMY Nominations

    10-Year Review of Gender and EMMY Nominations

    INVESTIGATION: 10-YEAR REVIEW OF GENDER & EMMY NOMINATIONS womensmediacenter.com WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonpro!t organization endeavoring to raise the visibility, viability and decision-mak- ing power of women and girls in media and, thereby, ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of intercon- nected channels and platforms to transform not only the media landscape but also a culture in which women’s and girls’ voices, stories, experiences and images are neither suf!ciently ampli!ed nor placed on par with the voices, stories, experiences and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spot- light gender and racial bias in news coverage, entertainment !lm and television, social media and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Guide to Covering Reproductive Issues”; and the Women’s Media Center’s annual “The Status of Women in the U.S. Media” report. Our WMC Women Under Siege project investigates sexualized violence. Our original content channels — WMC Features, WMC FBomb, WMC Speech Project and the “Women’s Media Center Live with Robin Morgan” radio program — provide women’s perspectives on both headline stories and timely events that are ignored, not wholly captured or misrepresented in the mainstream media.
  • A Critical Examination of Violence and Monstrosity in Horror TV Amanda K

    A Critical Examination of Violence and Monstrosity in Horror TV Amanda K

    University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School July 2018 Opening Wounds and Possibilities: A Critical Examination of Violence and Monstrosity in Horror TV Amanda K. Leblanc University of South Florida, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the Communication Commons Scholar Commons Citation Leblanc, Amanda K., "Opening Wounds and Possibilities: A Critical Examination of Violence and Monstrosity in Horror TV" (2018). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/7326 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Opening Wounds and Possibilities: A Critical Examination of Violence and Monstrosity in Horror TV by Amanda K. LeBlanc A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Communication College of Arts and Sciences University of South Florida Major Professor: Rachel Dubrofsky, Ph.D. Aisha Durham, Ph.D. Chris McRae, Ph.D. Amy Rust, Ph.D. Date of Approval: May 22, 2018 Keywords: horror, gender, performance, prestige TV, race, violence Copyright © 2018, Amanda K. LeBlanc Acknowledgments There are so many people who supported and encouraged my journey; I barely know where to begin. Indeed, this work is the culmination of several different journeys, so I can start by thanking all of those who believed in my goal of combining my dedication to critical philosophy with my enduring love of TV.
  • An Analysıs of the Gothıc Other in True Detectıve, Amerıcan Horror Story

    An Analysıs of the Gothıc Other in True Detectıve, Amerıcan Horror Story

    Hacettepe University Graduate School of Social Sciences Department of American Culture and Literature AMERICAN PRIME-TIME MONSTERS: AN ANALYSIS OF THE GOTHIC OTHER IN TRUE DETECTIVE, AMERICAN HORROR STORY: COVEN AND TRUE BLOOD Pembe Gözde Erdoğan Ph.D. Dissertation Ankara, 2014 AMERICAN PRIME-TIME MONSTERS: AN ANALYSIS OF THE GOTHIC OTHER IN TRUE DETECTIVE, AMERICAN HORROR STORY: COVEN AND TRUE BLOOD Pembe Gözde Erdoğan Hacettepe University Graduate School of Social Sciences Department of American Culture and Literature Ph. D. Dissertation Ankara, 2014 KABUL VE ONAY Pembe Grizde Erdo[an tarafindan hazrlanan "American Prime-Time Monsters: An Analysis of the Gothic Other in True Detective, American Horror Story: Coven and True Blood' baghkh bu gahgma,23 Haziran 2014 tarihinde yaprlan savunmasrnavl sonucundabagarrh bulunarak jiirimiz tarafindan doktora tezi olarak kabul edilmigtir. Prof. Dr. N. Belgin Elbir (Baqkan) cQ"rant o-,)aa.r*-* Prof. Dr. Meldan Tannsal Dog.Dr. BilgeMutluay Dog. Dr. Tanfer Emin Tung Bang Gtimiiqbag(Danrgman) Yukarrdaki imzalartn adr gegen Olretim iiyelerine ait oldu[unu onaylanm. Prof. Dr. Yusuf Qelik EnstitiiMtidiirti BILDIRIM Hanrladr[rmtezin/raporun tamamenkendi gahgmamoldu[unu ve her almtrya kaynak gtisterdifimi taahhtit eder, tezimin/raporumun kafrt ve elektronik kopyalanrun Hacettepe Universitesi Sosyal Bilimler Enstitiisii argivlerinde aqafrda belirtti[im koqullarda saklanmasrnaizinverdifimi onaylanm: tr Tezimin/Raporumuntamamr her yerden eriqime agrlabilir. tr TezimlRaporum sadeceHacettepe Universitesi yerleqkelerindeneriqime agrlabilir. g. Tezimin/Raporumun3 yrl siireyle eriqime agrlmasmristemiyorum. Bu siirenin sonunda uzatma igin baqvuruda bulunmadrfrm takdirde, tezimin/raporumuntamamr her yerden eriqimeagrlabilir. 23 Haziran2014 PembeGozde Erdo[an This dissertation is dedicated to two strong and influential women in my life who have been my teachers, mentors, friends and mothers in more ways than one: Aysun Erdoğan; I hope, one day, I can be half the woman you are, & Nur Gökalp; Your spirit and guidance continue to shape me.
  • EMBARGOED UNTIL 8:35AM PT on JULY 16, 2015 67Th EMMY

    EMBARGOED UNTIL 8:35AM PT on JULY 16, 2015 67Th EMMY

    EMBARGOED UNTIL 8:35AM PT ON JULY 16, 2015 67th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2014 – May 31, 2015 Los Angeles, CA, July 16, 2015– Nominations for the 67th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Uzo Aduba from the Netflix series Orange Is The New Black and Cat Deeley, the host of FOX’s So You Think You Can Dance. "This was truly a remarkable year in television,” said Rosenblum. “From the 40th Anniversary of Saturday Night Live, to David Letterman’s retirement and the conclusion of Mad Men, television’s creativity, influence and impact continue to grow and have never been stronger. From broadcast, to cable to digital services, our industry is producing more quality television than ever before. Television is the pre-eminent entertainment platform with extraordinarily rich and varied storytelling. The work of our members dominates the cultural discussion and ignites the passion of viewers around the world. All of us at the Academy are proud to be honoring the very best in television.” This year’s Drama and Comedy Series nominees included newcomers as well as returning programs to the Emmy competition: Transparent and Unbreakable Kimmy Schmidt in the Outstanding Comedy Series category and Better Call Saul in the Outstanding Drama Series competition. Additionally, Parks And Recreation returns to vie for Outstanding Comedy Series while Homeland is back in the running for Outstanding Drama Series. Orange Is The New Black is nominated for its second consecutive season, but in the drama category, following an Academy- sanctioned switch from last year’s comedy nomination.
  • Writing Characters with Intersex Variations for Television

    Writing Characters with Intersex Variations for Television

    This may be the author’s version of a work that was submitted/accepted for publication in the following source: Hart, Phoebe (2016) Writing characters with intersex variations for television. Journal of Screenwriting, 7(2), pp. 207-223. This file was downloaded from: https://eprints.qut.edu.au/94962/ c Copyright 2016 Intellect Ltd This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. https://doi.org/10.1386/josc.7.2.207_1 DR PHOEBE HART Queensland University of Technology Writing characters with intersex variations for television ABSTRACT KEYWORDS Throughout history, people with intersex variations have been Film & positioned somewhere between ‘prodigy literature and television pornography, mythology and medical discourse’ (Gilbert 2000: Intersex 145).