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Cambridge University Press 978-1-107-05398-4 - The Cambridge Companion to Wyndham Lewis Edited by Tyrus Miller Index More information

INDEX

A Battery Shelled, 52 avant-garde, viii, 2–3, 5–8, 10, 12, 16, 19, A Canadian Gun Pit, 52 21, 23, 25–26, 29, 40, 52, 75 A Room of One’s Own (Woolf), 132 Ayers, David, viii, 17, 118, 136, 175 abstract art, 8, 58 Ayrton, Michael, 58, 76 abstract expressionism, 58 abstraction, 15, 18, 23, 35, 41–42, 50–51, 59, Babbitt, Irving, 34, 141 72–74, 85 Bachman, Erik, viii, 17, 148 absurdity, 10–11, 62, 97 Bacon, Francis, 46, 58 Abyssinian crisis, 96 Badiou, Alain, 161 Action Française, 89, 94, 98 Bailiff, 13–14, 67, 143, 145–146, 157, 169 Adorno, Theodor, 137, 142, 146 Bakunin, Mikhail, 101 aesthetics, 39, 50, 72, 80, 120, 126 Baldwin, Stanley, 96 Alcibiades, 28 Balla, Giacomo, 22 Althusser, Louis, 150 Baudelaire, Charles, 45 America and Cosmic Man, xvi, 110–112, Bauhaus, 7, 25 154 Bazelon, David T., 111 anarchism, 1, 17, 100–101, 103–106, BBC (British Broadcasting Corporation), xv, 110 17, 168–170 anarchist, 24, 100–101, 103–106, 110 Beckett, Samuel, x, 2 anarchy, 105 behaviorism, 64 Anderson, Sherwood, 16, 34, 41, 130 Benda, Julien, 34, 141 Anglo-Saxon, 89, 95, 97, 115 Benjamin, Walter, 14, 161 Anglosaxony: A League That Works, xiv Bennett, Arnold, 38, 129 antiintellectualism, 143 Bergson, Henri, 17, 34, 40–41, 45–46, 65, anti-Semitism, 17, 97, 113, 115–116, 148, 151–156, 158, 165, 176 123 Berlin, 31, 47, 99, 107, 114 Archimedes Reconnoitering the Fleet, Binyon, Laurence, 45, 50 54, 55 biopolitics, 170 Arghol, 27, 164 blackness, 122 Arnold, Matthew, 108, 141, 176 Blake, William, 45–46 Art and Society (Read), 30 BLAST, xvi, 3, 19–22, 24–26, 30, 32–35, 37, atomic war, 110 40–41, 104–105, 126, 162 Auden, W.H., 169 Blasting and Bombardiering, xvi, 3–4, 9, 42, authoritarian, 2, 88, 98, 102–103, 137 81, 96 authoritarianism, 91–92, 97 Bloody Sunday, 100 authority, 13–14, 26, 88, 92, 105–106, Bloomsbury, 38, 46, 130, 140, 144 110–111, 126, 146 Blutsgefühl, 116–118 automobilism, 51 Boccioni, Umberto, 22, 50

177

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body, 1, 14–15, 17–18, 24, 37, 44, 61, 64, 66, Death of a Hero (Aldington), 139 73, 77, 80–81, 84, 96, 105, 131, 148, decentralization, 102, 111 160, 165, 171 Deleuze, Gilles, 17, 148, 151, 159, 176 Bolshevik, 100, 107 democracy, 2, 89–92, 94–95, 97–98, 110, 167 Bolshevism, 100 Dialectic of Enlightenment (Adorno and Bomberg, David, 52, 105 Horkheimer), 137, 142 Braque, Georges, 23 Disenchantment (Montague), 139 Brecht, Bertolt, 14 Dismorr, Jessica, 53 Bridson, D.G., 91, 174 Doré Gallery, 3, 27 Bright, John, 109 Dostoevsky, Fyodor, 45 British Union of Fascists, 4, 95, 107 Du principe fédératif (Proudhon), 105–106 British Union Quarterly, 107 dualism, 2, 73 Brown, Fred, 38, 44, 159 durée, 148, 154 Bru, Sascha, viii, 16, 19, 31, 174 Bürger, Peter, 22, 29, 172 Edith Sitwell, 78, 86 Burke, Edmund, 109 Edwards, Paul, ix, xvi–xvii, 7, 15–18, 21, 25, 31, 50, 53, 56, 58–59, 72, 99, 153, 159, Camden Town Group, 47 173, 175 Canada, xii, xiv, 5, 11, 58, 85, 109, 128, 169, Einstein, Albert, 150 171, 176 Eliot, T. S., xii, 5–6, 20, 31, 34, 39, 41, 58, 81, Capital, 101, 103 84, 113, 140, 172 capitalism, 17, 102, 109, 126, 133, 140, 157 Elkin, P.K., 62, 70 Carlston, Erin G., ix, 17, 125, 175 Enemy, xiii, xvi, 3, 13, 27, 29, 54, 59, 62, 65, Cave of the Golden Calf, 48 68–69, 71, 74–75, 81, 84–85, 99, 125, centralization, 102, 104, 106, 110–111 139, 141–142, 161, 164 Cézanne, Paul, 7, 23, 77 Enemy of the Stars, xiii, xvi, 3, 27, 31, 74, 84, Chaplin, Charlie, 34 164 cinema, 65, 160, 165–168 Epstein, Jacob, 20, 105 class, 10, 44–45, 105, 109, 113, 116–117, Ernst, Max, 55, 98 126, 144–145, 168 “Essay on the Objective of Plastic Art in Our Cole, G.D.H., 109 Time”, 54 communism, 1, 17, 89, 91, 96, 104, 145, 151, Europäische Revue, 95 157 Europe, viii, 4, 7, 19–20, 22, 24, 30, 45, 47, Connolly, Cyril, 169 52, 55, 68–69, 88, 93, 95–97, 100, 112, constructivism, 7, 19, 25, 53 114, 133, 140, 149 Count Your Dead: They Are Alive!, xiv, 88 expressionism, 19, 21–23, 27, 29, 35, 47, Creatures of Habit and Creatures of Change, 171, 176 xvi extremism, 8, 12, 81, 115 criticism, x, 5–6, 8–9, 15, 17, 36, 41, 46, 51, 58, 70, 101, 111, 136–138, 146, 148, family, 106, 126, 143 153, 156 fascism, 4, 16, 87–89, 91, 93–97, 104, 113, Crossing the Frontier, xvi, 104 116, 133, 145, 151, 157 cubism, 21–23, 27, 29, 35, 47, 51, 172 Faulkner, William, 34, 130 cultural studies, 160 feminism, 16, 101, 126–127, 131, 133, 144 Culture and Anarchy (Arnold), 141 feminization, 143–144 culture industry, 137, 142–143 Feng-shui, 51 culture-critique, 140 Ferrer, Francesc, 100, 104 Cummings, E.E., 5 Filibusters in Barbary, xiii, xvi, 10, 119 Firbank, Ronald, 130 Dada, 24, 31, 39–41, 43 Flaubert, Gustave, 11, 34, 45 dadaism, 7, 19, 24, 40, 53 ﬂux, 35, 40, 85, 125, 154, 157 de Chirico, Giorgio, 55 formalism, 72 De Stijl, 7, 19, 53 Fourier, Charles, 101 178

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France, Anatole, 100 impersonality, 41, 79, 84, 150 Frankfurt school, x, 17, 137 individual, 40–41, 46, 85, 93, 97, 102–103, Friedlaender, Salomon, 24 108, 116, 125, 137, 139, 142–143, 145, Freud, Sigmund, 142, 175 158, 162, 165 Froanna, xiii, 15, 56, 68, 81, 85 “Inferior Religions”, 11–12, 85, 156 Fry, Roger, xii, 20, 35, 37, 39, 50 Institute of Contemporary Art, 59 futurism, ix, 21–23, 26–27, 29, 35, 40–42, intellect, 42, 53, 66, 77, 134, 143–145, 149, 51, 91, 98, 138, 172 154, 158 internationalism, 89, 154 Gąsiorek, Andrzej, ix, xi, 10, 16, 32, 43, 99 irrationalism, 29, 40 Gaudier-Brzeska, Henri, 20, 51 Italy, 4, 21, 89, 92, 96–97, 111 gender, 13, 44, 125–127, 129, 131–134, 141 James, Henry, 5, 16, 18, 34, 80, 103, 113, gender essentialism, 133 130, 172, 174–175 General Strike (1926), 122 Jameson, Fredruc, 2, 5, 16, 81, 125, 153, Germany, xiii, 7, 53, 80, 89, 94–96, 107, 171 114–115, 140, 174 jazz, xi, 119 Gide, André, 130 Jewishness, x, 122 Gilman, Harold, 45 Jewish Question, 94, 97 God, 5, 121, 148, 155–158, 166 John, Augustus, x–xii, xvi, 42–45, 81, 108, Godwin, William, 109 147, 159, 174–175 Gore, Spencer, 45 Jolas, Eugene, 16, 39 Gorky, Maxim, 100 Joyce, James, xiii, 5, 8, 13, 16, 23, 34, 36–39, government, 16, 89–91, 106, 110, 114, 150 46, 103, 113, 129, 168, 172 Great War, 3, 23, 25, 29, 133, 139, 141 Greenberg, Clement, 8–9 Kandinsky, Wassily, 23–24, 29, 35, 51 Grifﬁn, Dustin, 63, 70–71, 174 Kauffer, Edward McKnight, 53 Group X, xiii, 7, 19, 52, 75 Kenner, Hugh, 20–21, 28, 71, 159 Guns exhibition, 52 Kropotkin, Peter, 100

Habermas, Jürgen, 137, 146 L’Idée Générale de la Révolution au XIX Hanp, 27, 164 Siècle (Proudhon), 105, 112 Harman, Graham, 17, 148 La Pornocratie (Proudhon), 106 Hegel, G.F.W., 142 Lady Drogheda, 48 Hemingway, Ernest, 16, 34 Lamb, Henry, 45 History of the Reign of Ferdinand and Latour, Bruno, 17, 148 Isabella the Catholic (Prescott), 56 laughter, 11–12, 25, 62, 66, 166 Hitler, xiii–xiv, xvi, 10, 87–89, 94–98, 102, Lawrence, D.H., 5, 16, 34, 38, 41, 118–119, 104, 112–118, 137, 174 122, 130 Hollywood, 166, 168 League of Nations, viii, 96, 139 homosexuality, 16, 126 Lechmere, Kate, 27 Horkheimer, Max, 137, 142 Left Wings over Europe, xiv, xvii, 87, 95 Hulme, T.E., ix, 3, 34–35, 51, 91 Leicester Galleries, xiii–xiv, 53, 56, 81 Hulsenbeck, Richard, 40 liberalism, 89, 151 humanism, 72, 79–80 liberty, 2, 88, 106, 110 Humphrey, Richard, 16 Locke, Alain, 34 Huxley, Aldous, 88, 94, 99 London, ix, xii–xvii, 8, 13, 15, 20, 22, 27, Hyperides, 13, 146 30–32, 39, 42–44, 47–48, 50, 52–53, 56–60, 71, 76, 78, 82, 85, 98–99, 110, identity, 41–42, 73, 81, 85, 92, 124, 131, 112, 121, 123, 135, 139, 147, 159, 163, 137–138, 140, 154 167, 169–170, 172–176 ideology, 34, 36, 38, 58, 79, 89–90, 95, Loos, Anita, 129 103–104, 115, 117, 127, 143, 150 Lukács, Georg, viii, x, 38 179

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Machiavelli, Niccolò, 18, 140 Nineteen Eighty-Four (Orwell), 141 MacNeice, Louis, 169 nonmoral, 61, 63, 70, 166 Madame Strindberg, 48 Nowa Sztuka (New Art), 21 Mafarka il futurista, 27 Magnetic City, 13, 157 Omega Workshops, 20, 35, 50, 130 Malevich, Kasimir, 21, 50, 73 Orwell, George, 108, 113 Malign Fiesta, xv, xvii, 5, 12, 61, 68–69, 157–158, 169 Paleface, xiii, xvii, 7, 10, 34, 37, 41, 56, 88, Man of the World, 65, 140 94, 120, 122, 140 Marinetti, F.T., 3–4, 19–22, 26–27, 34–35, Pareto, Vilfredo, 91 40, 98, 163 Paris, xii, 7, 19, 25, 29, 39, 45, 47, 53, 100, 112 Maritain, Jacques, 141 Parker, Valerie, 127 Marx, Karl, 50, 101–104, 142, 167 Pater, Walter, 130 Marxism, 65, 101–103 Penguin Club, 27, 52 mask, 6, 9, 15, 65, 76, 78, 84–85, 96, 141, 146 Peppis, Paul, 125, 172 Massumi, Brian, 17, 149–150 philosophy, 41, 46, 50, 54, 58, 65, 79, 98, Maura, Antonio, 104 101, 118, 143, 148–150, 156 Maurras, Charles, 89, 98 Picasso, Pablo, 20, 23, 31, 35–37, 47 McLuhan, Marshall, 17, 161, 170, 176 Poland, 21, 89, 107, 111 media, 1, 5, 16–17, 77, 91, 160–165, politics, viii, 2, 4, 9, 13, 16, 39, 88–90, 167–170 94–95, 101–102, 107–109, 115, 118, Men without Art, xiv, xvii, 8–11, 34, 38, 62, 125–126, 129, 140 80, 129–130, 133–134, 137 Pollock, Jackson, 58 miscegenation, 114 Portrait of an English Woman, 21 misogyny, 125, 127–128 Portrait of the Artist as the Painter Raphael, 76 modernism, x, 9, 16, 32–33, 35–36, 38, portraits, ix, 11, 15, 56, 58, 72, 74–78, 81, 85 40–41, 58, 72, 74, 79–81, 156 postmodernism, 79, 148, 160 Mondrian, Piet, 50 poststructuralism, 148 Monstre Gai, xv, xvii, 5–6, 12, 18, 68–69, Pound, Ezra, ix, xii, xvii, 5, 8, 16, 20–21, 28, 157–158, 169 30–31, 34–35, 37, 39, 52, 76, 81, 85, 88, Moore, Henry, 59 98, 113, 138, 159, 164, 168, 172 Moore, Thomas Sturge, 44–45 Pound/Lewis: The Letters of Ezra Pound and Morocco, xiii, 120 Wyndham Lewis, xvii Morris, William, 109 power, 9, 39, 42, 50, 55, 61, 63, 76, 84, Mosley, Oswald, 4, 95, 107 88–89, 91–92, 96–98, 104, 110, 114, motherhood, 131 116, 119, 126, 132, 139, 141, 145–146, Mrs Duke’s Millions, xvii, 47 149–152, 154–155, 158 Munton, Alan, x, 17, 71, 98–100, 112, Proudhon, Pierre-Joseph, 90, 93, 101–103, 131, 174 105–106, 112 Mussolini, Benito, 89, 92–93, 95–96, 98, 174 Proust, Marcel, ix, 34, 130 mutualism, 103 psychology, 23, 65, 142–143, 168 “My Disciple”, 46 puppet, 4, 12, 76, 146, 151, 166

National Socialism, 4, 98, 114, 116 Qu’est-ce que c’est la propriété? (Proudhon), nationalism, 33, 89, 95 105 Nazi, 16, 80, 96–97, 174 Quinn, John, 52 Nazism, 13, 17, 80, 89, 97 negation, 106, 117, 151–154, 158 race, 16, 97, 108, 111, 114, 116–117, Neo-Thomism, 58 119–121, 123, 140, 143 Neue Sachlichkeit, 7 racism, 16, 113, 115, 123 Nevinson, C.R.W., 3, 20, 25 radio, xv, 17, 142, 160, 169 New English Weekly, 108 rationality, 156, 158 Nietzsche, Friedrich, 40, 45, 144–145 Read, Herbert, 8, 30, 59–60, 86, 89 180

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Rebel Art Centre, xii, 7, 20, 27, 50, 59 Snooty Baronet, xiii, xvii, 10–11, 61–62, Red Portrait, 15, 56, 81–82 64–65, 67, 79, 167 relational, 61–63, 103 socialism, 1, 16, 88, 101, 107, 109, 111, religion, 10, 12, 51, 56, 101, 141, 158 126–128, 131, 139, 144 Religion in the Making (Whitehead), 158 society, 3–4, 10, 26, 28, 33–34, 36, 52, 54, Renier, G.J., 88 56, 61–62, 64, 68, 88, 90, 93, 101, 103, revolution, 5, 7–8, 10, 20, 29, 39, 79–80, 106, 110–111, 120, 132, 137, 139, 90–91, 97, 100–102, 141, 151 141–143, 146, 154, 161, 170 Richardson, Dorothy, 113 Sorel, Georges, 25, 90, 93, 101 Rickword, Edgell, 141 Soviet Union, 89, 91, 96 Roberts, William, 52–53, 163 space, 15, 22, 25–28, 50, 56, 125, 127, 132, romantic, 30, 37, 39, 42, 56, 91, 117–118, 139, 145, 148, 153–154, 164 130, 138, 140 Spanish Civil War, 46, 56 Romantic Agony (Praz), 130 Spender, Stephen, 31, 62 romanticism, 42, 113, 118 Spengler, Oswald, 34 Rothenstein, William, 45 Steer, Philip Wilson, 44 Rotting Hill, xv, xvii, 46 Stein, Gertrude, 5, 8, 13, 16, 20, 34, 37, 46, Rousseau, Jean-Jacques, 93, 102 113, 129 Royal Academy, xiv, 30, 56, 81 Stengers, Isabelle, 17, 148, 155–156, 176 Rude Assignment, xv, xvii, 9, 42, 97, 104, Stirner, Max, 45, 174 153 Strelets (The Archer), 21 Rugby School, 44 subjectivity, 36, 104, 107, 151 Russell, Bertrand, 141 “Super-Naturalism”, 58 Russia, 7, 21, 53, 96, 111, 140 suprematism, 21, 73 Russian Revolution, viii, 112, 139 surrealism, 7, 19, 29, 39–40, 55, 91 Swing Riots, 108 satire, x, 2, 4, 9–12, 14–16, 36, 39, 46, 53–54, 56, 61–65, 68, 70, 72–73, 77, 79, 81, 87, T. S. Eliot (portrait), xiv, 11, 16–18, 83, 111, 128, 135, 139–140, 165–166, 170, 107, 130 173 Tanguy, Yves, 55 Satire and Fiction, xvii, 70 Tarr, viii, xvii, 5–6, 10, 17–18, 46, 65, 73, Schiff, Sidney, 77, 86 103, 127–128, 131, 146, 167 Schmitt, Carl, 2 technology, 5, 22, 33–34, 101, 146 Schöpferische Indifferenz (Friedlaender), 24 Terrazas, Melania, x, 16, 61, 71 science, 5, 62, 66, 101, 134, 140, 142, 148, The Apes of God, xiii, 4, 10, 13, 39, 46, 54, 150, 152, 154, 156, 169 63–65, 67, 73, 77, 80, 103, 113, 119, Science and the Modern World (Whitehead), 121, 139–140, 146, 166, 173 155, 176 The Art of Being Ruled, xvi–xvii, 2–3, 7, 10, Self Condemned, xv, xvii, 5, 11, 65, 68–69, 34, 54, 88–90, 92–93, 101–102, 85, 128, 131 105–106, 126–127, 130–134, 140–141, Semafor u Maibutnie (Semaphore into the 143, 145–146, 149–153, 157 Future), 21 The British Union Quarterly, 88, 95 Severini, Gino, 22 The Caliph’s Design, ix, xiii, xvi, 19, 23, sex, 3–4, 64, 68, 126, 131, 134–135, 143 25–26, 28, 34–35, 52 sex war, 3–4, 126 The Childermass, xiii, xv–xvi, 5, 10, 12, 14, sexism, 125 65–66, 79, 103, 127, 131, 140, 143, 145, Shakespeare, xiii, xvii, 27–28, 41, 47–48, 76, 156, 169 132, 140 The Complete Wild Body, xvi Shaw, George Bernard, 31, 141, 172 “The Credentials of the Painter”, 79 Sickert, Walter, 45, 47 The Crowd, 26, 50 Sitwell, Edith, 77 “The Death of the Ankou”, 51 Slade School of Art, xii, 44 The Demon of Progress in the Arts, xv, 8, 29, Smith, Page, 4, 76, 111–112 46, 58 181

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The Diabolical Principle, xiii, xvi, 8, 10, 29, Timon of Athens, 27–28, 48–49, 163 113, 122 Timon of Athens - The Thebaid, 49 The Diabolical Principle and the Dithyrambic Tocqueville, Alexis de, 110 Spectator, xiii, xvi, 8, 10 Tolpuddle Martyrs, 109 The Egoist, xii–xiii, 5, 17, 27, 31 Tonks, Henry, 44 The Enemy, xiii, xvi, 3, 29, 31, 43, 54, 62, 99, Trubowitz, Lara, x, 17, 113, 175 123, 135, 140, 152, 174–175 Tyro, 12–13, 19, 21, 25, 74–76 The English: Are They Human? (Renier), 88 Tzara, Tristan, 40 The Flight of the Dragon (Binyon), 50 The Genealogy of Morals (Nietzsche), 144 Über das Geistige in der Kunst (Kandinsky), The Hitler Cult, 89, 97, 113, 116 24 The Human Age, xiii, xv, 61, 65, 68–70, 86, Ukraine, 21 156–158, 169–170 Ulysses, 23, 37–38, 43, 103, 129 The Jewish Chronicle, 88 The Jews: Are They Human?, xvi, 87 Versailles, 95, 97, 118, 139 The Letters of Wyndham Lewis, xvii violence, 25, 27–28, 69, 90, 92, 97, 106, 115, The Lion and the Fox, xiii, xvii, 10, 50, 140 131, 133 The Listener, xiv, 46, 58 visual arts, 5, 27–28, 44–45, 51, 55, 58, “The Lost Leader, or the Psychopathology of 138 Reaction in the Arts” (Read), 8 Vortex, viii, xii, xvi, 19, 21, 24, 28, 31–33, The Meaning of Contemporary Realism 52, 172 (Lukács), 38 Vorticism, xv, 19–25, 28–35, 50–52, 73, 86, The Mysterious Mr Bull, 89, 108 172–173 The Old Gang and the New Gang, xiv, xvii, Vorticist, xii, 3, 8, 20–26, 28–29, 31, 33, 10, 87 35–36, 52, 73, 79, 85, 136, 138–139 The Revenge for Love, xiv, xvii, 11, 15, 46, Vorticist Sketchbook, 51 81, 88, 104, 128, 145, 153 Vorticists, 7, 33, 35, 52, 105 The Roaring Queen, xiii, 10, 65–66 vulgarization, 149, 162 The Role of Line in Art, 46 The Second Sex (De Beauvoir), 132 Wadsworth, Edward, 20, 24, 45, 51, 73, 163 The Structural Transformation of the Public war, viii, xiv, 3–5, 7, 9, 12, 19, 22, 25, 32–33, Sphere (Habermas), 137 36–37, 39, 46, 52, 54, 58, 65–66, 79–80, The Surrender of Barcelona, 56–57 85, 88–89, 94–96, 109, 116, 133, 139, The Theatre Manager, 48 141, 143–144, 146, 150, 154 The Thebaid, 50 warfare, 3–4, 13 The Two Sources of Morality and Religion Watson, Sheila, xiv, 65, 169, 176 (Bergson), 154 Welfare State, 58, 169 The Tyro, xiii, xvii, 12, 19, 21, 25, 27–28, 46, Wells, H.G., x, 88, 141 53–54, 76, 175 Whitehead, Alfred North, 17, 46, 79, 137, The Vulgar Streak, xiv, xvii, 65–66, 89, 109, 167 148, 151–152, 154–156, 158, 176 The Writer and the Absolute, xv, xvii, 36 Whitman, Walt, 118 theology, 58 Woolf, Virginia, 5, 20, 34, 36–39, 103, 113, 38 Great Ormond Street, 27 129, 132, 169 time, 1, 4, 10–11, 13, 15–16, 20, 22, 28, 32, Workshop, xii, 51 34–35, 39, 41, 45, 47, 50, 54–56, 58–59, World War I, 3–4, 7, 9, 13, 32, 34, 75, 90, 95, 61, 65, 67–70, 77, 94, 96–97, 101, 103, 100, 105, 130 105–106, 108, 116, 125, 132–134, 141, World War II, xiv, 5, 8, 11, 17, 58, 68, 95, 97, 148–149, 151–152, 154, 156–157, 109, 113, 128 160–161, 164, 169 Wrong, Dennis H., 110, 112 Time and Western Man, ix, xiii, xvii, 7–8, 10, Wyndham Lewis on Art, xvii, 43, 123, 174 34, 37, 46, 55, 65, 79–80, 88, 94, 103, Wyndham Lewis the Artist, xiv, xvi, 56 129, 136–137, 140–141, 146, 148, 150, 153, 155, 157 youth, 4, 16 182