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Why Expectation Damages for Breach of Contract Must Be the Norm: a Refutation of the Fuller and Perdue "Three Interests&Quo
Nebraska Law Review Volume 81 | Issue 3 Article 2 2003 Why Expectation Damages for Breach of Contract Must Be the Norm: A Refutation of the Fuller and Perdue "Three Interests" Thesis W. David Slawson University of Southern California Gould School of Law, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/nlr Recommended Citation W. David Slawson, Why Expectation Damages for Breach of Contract Must Be the Norm: A Refutation of the Fuller and Perdue "Three Interests" Thesis, 81 Neb. L. Rev. (2002) Available at: https://digitalcommons.unl.edu/nlr/vol81/iss3/2 This Article is brought to you for free and open access by the Law, College of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Nebraska Law Review by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. W. David Slawson* Why Expectation Damages for Breach of Contract Must Be the Norm: A Refutation of the Fuller and Perdue "Three Interests" Thesis TABLE OF CONTENTS 840 I. Introduction .......................................... Principal Institutions in a Modern Market II. The 843 Economy in Which Contracts Are Used ................ A. The Institution of the Economic Market: Contracts 843 as Bargains ....................................... Institution of Credit and Finance: Contracts as B. The 845 Property .......................................... 846 the Institutions' Needs ....................... III. Meeting 846 A. Providing a Remedy for Every Breach ............. Contracts Enforceable as Soon as They Are B. Making 847 M ade ............................................. Has Compensating the Injured Party for What He C. 848 ost ............................................... L 848 Damages Under the Expectation Measure ...... 1. 849 2. Damages Under the Reliance Measure ......... 849 a. -
Master Thesis
1 Master Thesis THE VALUE OF METACRITIC AND ITS RELATIONSHIP WITH VIDEO GAME SALES FLAVIO TONA SHNEIDER MIKE-E January, 2020 2 3 Contents 1 INTRODUCTION ................................................................................................................................ 5 2 LITERATURE REVIEW ..................................................................................................................... 8 3 MARKET ANALYSIS ....................................................................................................................... 13 3.1 METASCORE ............................................................................................................................ 14 3.1.1 GRADE CONVERSION .................................................................................................... 17 3.2 HARDWARE MARKET ............................................................................................................ 19 3.3 SOFTWARE MARKET ............................................................................................................. 20 4 - VALUE ..................................................................................................................................................... 21 4.1 CONSUMER ....................................................................................................................................... 21 4.2 - VALUE FOR THE INDUSTRY AND USAGE ......................................................................................... 22 4 METHODOLOGY -
Introduction to Monetary Damages
CHAPTER 1 Introduction to Monetary Damages Chapter Contents § 1.01 Introduction § 1.02 Historical Background to Monetary Damages § 1.03 General Principles of Monetary Damages [1] Determining Whether Injuries May Be Compensated by Damages [a] Proximate Cause [b] The Standard of Certainty [2] Calculating the Damages Award [a] Compensatory Damages [i] Market Value Measure [ii] Lost Opportunity Measure [b] Unjust Enrichment [c] Augmented Damages [i] Punitive Damages [ii] Statutory Enhanced Damages [d] Interest [e] Attorneys’ Fees and Costs § 1.01 Introduction Monetary damages are a form of judicial remedy that can be awarded to a claimant in compensation for an injury or loss wrong- fully inflicted.1 This form of remedy is most commonly referred to simply as “damages.” The essence of damages is the payment of money as a release from civil liability. 1 See 1 Dobbs Law of Remedies, 3 (2d ed. 1993). 1-1 (Rel. 24) § 1.01 INTELLECTUAL PROPERTY DAMAGES 1-2 Because damages in Anglo-American jurisprudence are awarded by a jury of lay persons under the supervision of a judge, it is neces- sary to have certain guiding principles by which the judge can direct the jury. The rules that were developed by the judiciary to guide juries in their damages deliberations are essentially the law of damages. As one commentator has said: “The law of damages consists of the rules, standards, and methods used by the courts for measuring in money the compensation given for losses and injuries.”2 The law of intellectual property damages did not develop in a vac- uum; it is very much a product of this general law of damages. -
Netflix Adds to Original Shows with Sony Deal 15 October 2013
Netflix adds to original shows with Sony deal 15 October 2013 programming to make itself a preferred location for on-demand streaming. "We were spellbound after hearing Todd, Glenn and Daniel's pitch, and knew Netflix was the perfect home for this suspenseful family drama that is going to have viewers on the edge of their seats," said Netflix vice president of original content Cindy Holland. Netflix scored a recent hit with its political drama "House of Cards," tossing conventional TV wisdom out the window when it released a full season in one fell swoop early this year. The Netflix company logo is seen at Netflix headquarters The series, which was nominated for a 2013 Emmy in Los Gatos, CA on Wednesday, April 13, 2011 for best drama, joins a recent spate of original Netflix programming that includes new episodes of "Arrested Development," plus the series "Orange is the New Black" and "Hemlock Grove." Netflix on Monday announced a deal with Sony to create a psychological thriller series for the online Netflix sees original programming as part of a streaming and DVD service, ramping up original formula to gain and hold subscribers at its $7.99-a- programming to win subscribers. month fee that covers a vast catalog of pre- released TV shows and movies. "Damages" creators Todd Kessler, Daniel Zelman, and Glenn Kessler will begin production of a © 2013 AFP 13-episode first season of the show from Sony Pictures Television early next year. The yet-unnamed series will broadcast exclusively on Netflix, according to the California-based Internet company. -
Cinematographer As Storyteller How Cinematography Conveys the Narration and the Field of Narrativity Into a Film by Employing the Cinematographic Techniques
Cinematographer as Storyteller How cinematography conveys the narration and the field of narrativity into a film by employing the cinematographic techniques. Author: Babak Jani. BA Master of Philosophy (Mphil): Art and Design University of Wales Trinity Saint David. Swansea October 2015 Revised January 2017 Director of Studies: Dr. Paul Jeff Supervisor: Dr. Robert Shail This research was undertaken under the auspices of the University of Wales Trinity Saint David and was submitted in partial fulfilment for the award of a MPhil in the Faculty of Art and Design to the University of Wales Trinity Saint David. Cinematographer as Storyteller How cinematography conveys the narration and the field of narrativity into a film by employing the cinematographic techniques. Author: Babak Jani. BA Master of Philosophy (Mphil): Art and Design University of Wales Trinity Saint David. Swansea October 2015 Revised January 2017 Director of Studies: Dr. Paul Jeff Supervisor: Dr. Robert Shail This research was undertaken under the auspices of the University of Wales Trinity Saint David and was submitted in partial fulfilment for the award of a MPhil in the Faculty of Art and Design to the University of Wales Trinity Saint David. This page intentionally left blank. 4 The alteration Note: The alteration of my MPhil thesis has been done as was asked for during the viva for “Cinematographer as Storyteller: How cinematography conveys narration and a field of narrativity into a film by employing cinematographic techniques.” The revised thesis contains the following. 1- The thesis structure had been altered to conform more to an academic structure as has been asked for by the examiners. -
Amazon and IMDB Sued for Not Respecting Elders | Page 1
Amazon And IMDB Sued FOr Not Respecting Elders | Page 1 Amazon And IMDB Sued FOr Not Respecting Elders By: Jack Greiner on October 19, 2011 on graydon.law Well, sort of. An actress who identifies herself as Jane Doe has sued the Internet Movie Database Web site, and its parent company, Amazon, for revealing her actual age. I’m not making that up. Here’s the actual complaint, which was filed in a federal court in Seattle. In case you haven’t used it, IMDB is a Web site that has detailed information on any movie ever made. I personally love it. I can’t tell you the number of times I’ve watched a movie on TV and wondered who the actor was in some small role, and where I’d seen him before. IMDB has all that information. But I digress. According to the complaint, Jane Doe is of Asian descent, and her given name is difficult for Americans to spell and pronounce. She has for that reason used a stage name throughout her career. She is also very careful not to provide personal information, including her true age. According to the complaint, “[i]n the entertainment industry, youth is king. If one is perceived to be “over-the-hill” i.e., approaching 40, it is nearly impossible for an up-and-coming actress, such as plaintiff, to get work.” IMDB also offers a service called IMDbPro, which offers “industry insider” information to paying customers. Ms. Doe signed up for the service and in so doing, provided her name, birth date and other personal information. -
Eleventh Circuit ______
Case: 17-13780 Date Filed: 08/17/2018 Page: 1 of 27 [PUBLISH] IN THE UNITED STATES COURT OF APPEALS FOR THE ELEVENTH CIRCUIT ________________________ No. 17-13780 ________________________ D.C. Docket No. 1:15-cv-23502-RNS MARLA DIXON and EARL REESE-THORNTON, SR., Individually and as parents and natural guardians of E.R.T., JR., a minor, Plaintiffs-Appellees-Cross Appellants, versus UNITED STATES OF AMERICA, Defendant-Appellant-Cross Appellee. ________________________ Appeals from the United States District Court for the Southern District of Florida ________________________ (August 17, 2018) Case: 17-13780 Date Filed: 08/17/2018 Page: 2 of 27 Before TJOFLAT and ROSENBAUM, Circuit Judges, and URSULA UNGARO,* District Judge. ROSENBAUM, Circuit Judge: The fictional Angus MacGyver’s defining talent is his ability to cobble together a solution when the precise tools he needs to solve a problem are not available.1 As “Mac” has explained, “If you don’t have the right equipment for the job, you just have to make it yourself.” MacGyver: Out in the Cold (ABC television broadcast Feb. 16, 1987). So synonymous with improvising has the name “MacGyver” become that the Oxford Dictionaries added the name to their collection as a verb meaning to “[m]ake or repair (an object) in an improvised or inventive way, making use of whatever items are at hand.” https://premium.oxforddictionaries.com/us/definition/american_english/macgyver. The Federal Tort Claims Act’s (“FTCA”) directive making the federal government liable “in the same manner and to the same extent as a private individual under like circumstances,” 28 U.S.C. -
Regional Overview: Impact of Hurricanes Irma and Maria
REGIONAL OVERVIEW: IMPACT OF MISSION TO HURRICANES IRMA AND MARIA CONFERENCE SUPPORTING DOCUMENT 1 The report was prepared with support of ACAPS, OCHA and UNDP 2 CONTENTS SITUATION OVERVIEW ......................................................................................................................... 4 KEY FINDINGS ............................................................................................................................................ 5 Overall scope and scale of the impact ....................................................................................... 5 Worst affected sectors ...................................................................................................................... 5 Worst affected islands ....................................................................................................................... 6 Key priorities ......................................................................................................................................... 6 Challenges for Recovery ................................................................................................................. 7 Information Gaps ................................................................................................................................. 7 RECOMMENDATIONS FOR RECOVERY ................................................................................ 10 Infrastructure ...................................................................................................................................... -
Using User Created Game Reviews for Sentiment Analysis: a Method for Researching User Attitudes
Using User Created Game Reviews for Sentiment Analysis: A Method for Researching User Attitudes Björn Strååt Harko Verhagen Stockholm University Stockholm University Department of Computer Department of Computer and Systems Sciences and Systems Sciences Stockholm, Sweden Stockholm, Sweden [email protected] [email protected] ABSTRACT provide user ratings and review services, e.g. products on This paper presents a method for gathering and evaluating amazon.com online store, tourist guides such as Yelp.com, user attitudes towards previously released video games. All and TripAdvisor.com, movie reviews such as user reviews from two video game franchise were collected. rottentomatoes.com, and many more. The video game The most frequently mentioned words of the games were community is no different. The content provider service derived from this dataset through word frequency analysis. Steam allows the users to vote and comment on games, and The words, called “aspects” were then further analyzed the website Metacritic.com present both expert- and user through a manual aspect based sentiment analysis. The final created reviews. User created content offers a vast and analysis show that the rating of user review to a high degree varied source of data for anyone who wish to explore the correlate with the sentiment of the aspect in question, if the user sentiment beyond the basic rating of previously data set is large enough. This knowledge is valuable for a released products. developer who wishes to learn more about previous games success or failure factors. In this study, we have performed an Aspect Based Sentiment Analysis (ABSA) [2] based on data gathered Author Keywords from user reviews regarding two video game series, on Sentiment; sentiment analysis; user created content; reviews Metacritic.com. -
Gilbert SHANG NDI Faculty of Social Sciences, Universidad De Los Andes Bogota, Colombia [email protected]
Gilbert SHANG NDI Faculty of Social Sciences, Universidad de los Andes Bogota, Colombia [email protected] WRITING THE WALL, RIGHTING THE WORLD. EXPLORING THE DIONYSIAN DIMENSIONS OF WALL GRAFFITI FROM THE AGORA TO FACEBOOK Recommended Citation: Shang Ndi, Gilbert. “Writing the Wall, Righting the World. Exploring the Dionysian Dimensions of Wall Graffiti from the Agora to Facebook.” Metacritic Journal for Comparative Studies and Theory 4.2 (2018): https://doi.org/10.24193/mjcst.2018.6.07 Abstract: The turn of the current century has witnessed the re-negotiation of materiality and the growing ascendancy of the virtual, the immaterial over the real or tangible. Though it would be presumptuous to claim that the virtual has totally assumed control over the real, it can be asserted that the figure of the wall as a transfusion between the real/virtual and the self/other has emerged between the two. Based on constructions of textuality articulated by theorists such as Roland Barthes and Friedrich Nietzsche, and a pastiche format that mimics the functionality of the wall of scription, this article brings together multiple enactments of mural scriptions that include the concrete, textual, textile, vegetative and the virtual in order to articulate the Dionysian property of wall-effects. It traces successive actualisations of the wall, analysing how the virtual Facebook wall assimilates and re-dynamizes the traits of the tangible walls through an array of intertextual/inter-medial modalities. Keywords: wall, graffiti, scription, wall-effects, abjection. Introduction The turn of the twenty-first century has witnessed the re-negotiation of materiality and the growing ascendancy of the virtual or immaterial over the real or tangible. -
Michael Simons Video Productions
VIDEO PRODUCTION AGREEMENT MICHAEL R. SIMONS 59 New Monmouth Rd michaelsimons Middletown, NJ 07748 VIDEO PRODUCER PRODUCTIONS, LLC DATE OF EVENT VIDEO o _________________ Contract Date ________ Referred NAME NAME STREET STREET CITY, STATE, ZIP CITY, STATE, ZIP HOME PHONE WORK PHONE HOME PHONE WORK PHONE FUTIJRE ADDRESS FUTURE ADDRESS VIDEOGRAPHER REPORT TO LOCATION #1 PHONE TIME A.M. A.M. TO P.M. P.M. ADDRESS LOCATION #2 PHONE TIME A.M. A.M. TO P.M. P.M. ADDRESS LOCATION #3 PHONE TIME A.M. A.M. TO P.M. P.M. ADDRESS LOCATION #4 PHONE TIME A.M. A.M. TO P.M. P.M. ADDRESS LOFT OR NUMBER OF VIDEO LIGHTS WIRELESS PACKAGE CHOICE BALCONY ACCESS? GUESTS ATTENDING PERMITTED MIC PERMITTED STUDIO SERVICES TO INCLUDE VIDEO 1. 2. 3. 4. 5. 6. $ 7. TOTAL $ TOTAL CHARGES FOR VIDEO SERVICES $ TAX $ TAX $ SUB-TOTAL $ TOTAL DUE $ 1/3 Deposit on acceptance of this contract $ Balance on completion IF THERE ARE ANY CHANGES IN THE SCHEDULE. NOTIFY US $ IMMEDIATELY. WE SUGGEST YOU CALL THE STUDIO ONE WEEK DATE BEFORE THE EVENT TO CONFIRM ALL ARRANGEMENTS CLIENT DATE Thank You STUDIO Terms and Conditions This agreement (the “Agreement”), between Michael Simons Productions, LLC, having a business address of 3 Catbird Alley, Holmdel, New Jersey, 07733 (hereafter the “Cinematographer”), and the Client identified above (the “Client”), shall govern the relationship between Cinematographer and Client (collectively, the “Parties”) for the purpose of providing wedding cinematography services, as described more fully herein. Cinematographer will provide the following cinematography services (collectively, the "Services"): 1. -
December 31, 2012 CV 2010 11133 Marks V Directv
STATE OF IDAHO ) County of KOOTENAI )ss FILED______________________ AT___________ O'Clock _____M CLERK OF DISTRICT COURT ___________________________ Deputy IN THE DISTRICT COURT OF THE FIRST JUDICIAL DISTRICT OF THE STATE OF IDAHO IN AND FOR THE COUNTY OF KOOTENAI DAVID K. MARKS, ) Case No. CV 2010 11133 ) Plaintiff, ) MEMORANDUM DECISION AND vs. ) ORDER DENYING PLAINTIFF’S ) MOTION FOR A NEW TRIAL, OR IN DIRECTV, INC., ) THE ALTERNATIVE FOR AN ) ADDITUR, and ORDER ON COSTS Defendant. ) ) I. PROCEDURAL HISTORY AND FACTUAL BACKGROUND. This matter is before the Court on plaintiff David Marks’ (Marks) Motion for a New Trial, or, Alternatively, Motion for an Additur. Marks is an employee for Cheap Cars & Trucks. Complaint, p. 1. In his December 29, 2010, Complaint, Marks alleged that on July 5, 2010, a technician for defendant DirecTV (DirecTV) was at Cheap Cars & Trucks installing DirecTV at that location. Complaint, p. 2. In order to perform the installation, the technician opened a trap door in the floor of a storage room at Cheap Cars & Trucks. Id. Marks walked into the room and fell into the opening in the floor, resulting in severe injuries. Id. Marks pursued a negligence claim against DirecTV, claiming that DirecTV’s technician owed a duty to notify persons at Cheap Cars & Trucks that the trap door had been opened. Complaint, p. 3. MEMORANDUM DECISION AND ORDER DENYING PLAINTIFF’S MOTION FOR NEW TRIAL, OR IN THE ALTERNATIVE FOR AN ADDITUR Page 1 DirecTV filed an answer on November 17, 2011, and denied the allegations in Marks’ Complaint and set forth six affirmative defenses.