Superman Vs Batman Parents Guide
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Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
“INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing. -
Batman, Screen Adaptation and Chaos - What the Archive Tells Us
This is a repository copy of Batman, screen adaptation and chaos - what the archive tells us. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/94705/ Version: Accepted Version Article: Lyons, GF (2016) Batman, screen adaptation and chaos - what the archive tells us. Journal of Screenwriting, 7 (1). pp. 45-63. ISSN 1759-7137 https://doi.org/10.1386/josc.7.1.45_1 Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Batman: screen adaptation and chaos - what the archive tells us KEYWORDS Batman screen adaptation script development Warren Skaaren Sam Hamm Tim Burton ABSTRACT W B launch the Caped Crusader into his own blockbuster movie franchise were infamously fraught and turbulent. It took more than ten years of screenplay development, involving numerous writers, producers and executives, before Batman (1989) T B E tinued to rage over the material, and redrafting carried on throughout the shoot. -
Activity Kit Proudly Presented By
ACTIVITY KIT PROUDLY PRESENTED BY: #BatmanDay dccomics.com/batmanday #Batman80 Entertainment Inc. (s19) Inc. Entertainment WB SHIELD: TM & © Warner Bros. Bros. Warner © & TM SHIELD: WB and elements © & TM DC Comics. DC TM & © elements and WWW.INSIGHTEDITIONS.COM BATMAN and all related characters characters related all and BATMAN Copyright © 2019 DC Comics Comics DC 2019 © Copyright ANSWERS 1. ALFRED PENNYWORTH 2. JAMES GORDON 3. HARVEY DENT 4. BARBARA GORDON 5. KILLER CROC 5. LRELKI CRCO LRELKI 5. 4. ARARBAB DRONGO ARARBAB 4. 3. VHYRAE TEND VHYRAE 3. 2. SEAJM GODORN SEAJM 2. 1. DELFRA ROTPYHNWNE DELFRA 1. WORD SCRAMBLE WORD BATMAN TRIVIA 1. WHO IS BEHIND THE MASK OF THE DARK KNIGHT? 2. WHICH CITY DOES BATMAN PROTECT? 3. WHO IS BATMAN'S SIDEKICK? 4. HARLEEN QUINZEL IS THE REAL NAME OF WHICH VILLAIN? 5. WHAT IS THE NAME OF BATMAN'S FAMOUS, MULTI-PURPOSE VEHICLE? 6. WHAT IS CATWOMAN'S REAL NAME? 7. WHEN JIM GORDON NEEDS TO GET IN TOUCH WITH BATMAN, WHAT DOES HE LIGHT? 9. MR. FREEZE MR. 9. 8. THOMAS AND MARTHA WAYNE MARTHA AND THOMAS 8. 8. WHAT ARE THE NAMES OF BATMAN'S PARENTS? BAT-SIGNAL THE 7. 6. SELINA KYLE SELINA 6. 5. BATMOBILE 5. 4. HARLEY QUINN HARLEY 4. 3. ROBIN 3. 9. WHICH BATMAN VILLAIN USES ICE TO FREEZE HIS ENEMIES? CITY GOTHAM 2. 1. BRUCE WAYNE BRUCE 1. ANSWERS Copyright © 2019 DC Comics WWW.INSIGHTEDITIONS.COM BATMAN and all related characters and elements © & TM DC Comics. WB SHIELD: TM & © Warner Bros. Entertainment Inc. (s19) WORD SEARCH ALFRED BANE BATMOBILE JOKER ROBIN ARKHAM BATMAN CATWOMAN RIDDLER SCARECROW I B W F P -
A History of Appalachia
University of Kentucky UKnowledge Appalachian Studies Arts and Humanities 2-28-2001 A History of Appalachia Richard B. Drake Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Drake, Richard B., "A History of Appalachia" (2001). Appalachian Studies. 23. https://uknowledge.uky.edu/upk_appalachian_studies/23 R IC H ARD B . D RA K E A History of Appalachia A of History Appalachia RICHARD B. DRAKE THE UNIVERSITY PRESS OF KENTUCKY Publication of this volume was made possible in part by grants from the E.O. Robinson Mountain Fund and the National Endowment for the Humanities. Copyright © 2001 by The University Press of Kentucky Paperback edition 2003 Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kenhlcky Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com 12 11 10 09 08 8 7 6 5 4 Library of Congress Cataloging-in-Publication Data Drake, Richard B., 1925- A history of Appalachia / Richard B. -
The Evolution of Batman and His Audiences
Georgia State University ScholarWorks @ Georgia State University English Theses Department of English 12-2009 Static, Yet Fluctuating: The Evolution of Batman and His Audiences Perry Dupre Dantzler Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Part of the English Language and Literature Commons Recommended Citation Dantzler, Perry Dupre, "Static, Yet Fluctuating: The Evolution of Batman and His Audiences." Thesis, Georgia State University, 2009. https://scholarworks.gsu.edu/english_theses/73 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. STATIC, YET FLUCTUATING: THE EVOLUTION OF BATMAN AND HIS AUDIENCES by PERRY DUPRE DANTZLER Under the Direction of H. Calvin Thomas ABSTRACT The Batman media franchise (comics, movies, novels, television, and cartoons) is unique because no other form of written or visual texts has as many artists, audiences, and forms of expression. Understanding the various artists and audiences and what Batman means to them is to understand changing trends and thinking in American culture. The character of Batman has developed into a symbol with relevant characteristics that develop and evolve with each new story and new author. The Batman canon has become so large and contains so many different audiences that it has become a franchise that can morph to fit any group of viewers/readers. Our understanding of Batman and the many readings of him gives us insight into ourselves as a culture in our particular place in history. -
The Dollmaker Kindle
THE DOLLMAKER PDF, EPUB, EBOOK Mary Burton | 342 pages | 15 Nov 2016 | Amazon Publishing | 9781503938441 | English | Seattle, United States The Dollmaker PDF Book The Dollmaker opens with intense action that proves to be foreshadowing. It was well written, but you may need to take anti depressants after you are done. Clear your history. Back to School Picks. Cronyn does not appear in this tele-film. Gertie Nevals is a tenant farmer in Appalachia during WW2. Ever since she was a little girl, she believed in fairy tales and far away places…where her dolls would come to life and play, bringing happiness and laughter to everyone that saw them Gertie could hear no rejoicing, no lifting of the heart that all the planned killing and wounding of the men were finished. I came to know every member of the family intimately, their dreams and fears and disappointments. For Gertie is searching for God, for Christ, and even for Judas. Jul 10, Nicole rated it it was amazing. I might be in that club. First published in , the story centers on Gertie, a strong, capable woman who moves with her husband and children to Detroit so he can work in the war industry. This wiki All wikis. The Dollmaker first appeared in current continuity during the Faces of Death storyline when he visited the Joker in Arkham Asylum. To judge from the number of teacher's guides on-line, the novel must also appear on reading lists for a number of high school and junior college English classes. I have been purchasing Precious Moments Dolls for my daughter for years and now for my granddaughter. -
Master Class Superman at 80
Master Class Superman at 80 The iconic superhero, who turned 80 in 2018, has come in and out of fashion. A historian explores why. Interview by Karen McCally ’02 (PhD) The Superman movie, released at the end of 1978, was a turning point. On the one hand, it was the way that it was marketed that I grew up in Australia in the 1960s. The Adventures of Superman made it important, and made Superman important, in my view. television show was on constantly. And I read a lot of comics— They enlisted Marlon Brando in a small role and at a very expen- Superman, Batman, those kind of comics. You could buy black- sive salary, because Christopher Reeve was then an unknown. And and-white reprints of Superman comics, because at the time you they hired several other marquee names, like Gene Hackman. It couldn’t get books published by DC Comics in Australia. So the was one of the first movies to use Dolby sound. And DC Comics superheroes were just there. Just part of the media. was also a very successful licensor of toys and other products. Superman was a product of the Depression, and he was a symbol But I also think the movie came at a moment when America of hope. During the war, it was quite interesting that in the comic was ready for it. I’m pretty sure it wasn’t designed to plug into book, he never really engaged in war. The comic books themselves post-Watergate angst, but it certainly was aware of that. -
Talisman: Batman™ Super-Villains Edition Rules
INTRODUCTION Key Components and The object of the game is to sneak, fight and search your way through Arkham Asylum, and be the first of the Concepts Overview Villains to reach the Security Control Room at the top of This section will introduce new players to the key concepts the Guard Tower. Once there you must subdue Batman and components of Talisman. For players who are familiar and turn off all security systems. The first player to do with Batman Talisman, or the original Talisman game, we this will free all of the Villains and become the leader of recommend jumping ahead to ‘Game Set-up’ on page 6. Gotham City’s underworld, and will win the game. In order to reach the end, you’ll need to collect various Items, gain Followers and improve your Strength and Cunning. Game Board Most importantly, you will need to locate a Security Key Card The game board depicts the Villains’ hand drawn maps of to unlock the Security Control Room. Without one of these Arkham Asylum. It is divided into three Regions: First Floor powerful cards there is no hope of completing your task. (Outer Region), Second Floor (Middle Region), and Tower (Inner Region). Number of Players Up to six players can play Batman Talisman, but the more players that are participating, the longer the game will last. For this reason we suggest using the following rules for faster play. If you have fewer players, or would like to experience the traditional longer Talisman game there are alternative rules provided at the end of this rulebook on page 14. -
“That's Not Funny”: Pages on How the Demon Clown of Gotham City
“That’s Not Funny”: Pages on How the Demon Clown of Gotham City Learned (Not) to Love and What That Has to Do with Anything, Like Maybe the American Zeitgeist Kyle A. Hammonds, University of North Texas “In hindsight, there were signs…” is the belong. I empathize with communication line that begin Scott Snyder’s (2013) scholar and Batman historian, Will Brooker Batman story, Death of the Family. Indeed, (2005), and his statement of disclosure at the there always seem to be little start of his book Batman Unmasked: foreshadowings regarding which life paths – Analyzing a Cultural Icon: “I feel the which stories – people will act out. The cultural experience which has woven me signs are always clearer in retrospect, but into Batman fandom is a benefit to my work, they are usually there – hiding in plain sight. offering me a subject to examine intimately; Humans refer to their past experiences in but this requires a degree of honesty and order to imagine viable options for future self-interrogation here and throughout.” (p. action. Acknowledging education from 5) experience is neither a new concept nor a Of course, I hope to use my subjectivity particularly difficult task (e.g., Dewey, and sense of belonging in Batman fandom to 1938). Learning to locate and attend to provide special insight in my following memory experience as a tool for imagining interpretation of Snyder and Capullo’s future action is the tricky part for academics Death of the Family, even though such and educators. interpretations may not represent an Signs, albeit not necessarily objective attempt to identify, categorize, or “predictors,” and symbols are the stuff that measure how diverse groups may respond excites communication studies scholars. -
The Ideology of Nolan's Batman Trilogy
MM The ideology of Nolan’s Batman trilogy Christopher Nolan’s Batman trilogy messed-up man behind the mask, had has been critically acclaimed and a a number of consequences for the supposedly ‘fun’ franchise. Leaving the huge success at the box office. Pete batsuit out of much of the trilogy and Turner evaluates its exploration setting it in a Gotham City so highly of dark themes, and considers recognisable that it might as well have been called New York, the director seems to have accusations of a reactionary been inviting critics to make comparisons ideology. between the films’ events and their contemporary socio-political context. Nolan stated in a Rolling Stone ‘You have to become an interview that ‘the films genuinely aren’t idea’ intended to be political’ but many have After Joel Schumacher’s Batman and argued otherwise, enforcing their own Robin was a day-glo disaster in 1997, interpretations on the ideas of the trilogy. anyone would think the director had killed Douthat (2012) even goes so far as to argue off comic book icon Batman for good. But that only eight years later, British director Christopher Nolan’s Batman trilogy is notable for being much more explicitly right-wing Christopher Nolan resurrected the dark than almost any Hollywood blockbuster of knight, losing the sidekick, neon lights recent memory. and rubber nipples in favour of enhanced Are these accusations fair or are there realism and contemporary relevance. some alternative interpretations of Batman’s Nolan’s focus on Bruce Wayne, the most recent reincarnation? english and media centre | April 2013 | MediaMagazine 37 MM Some find the moral murkiness of the films to be more about criticising America’s behaviour than celebrating what was achieved through morally dubious tactics. -
Illuminations’, Relaunched for the Digital Era
to the first in a new series of Ace Comics’ magazine Welcome ‘Illuminations’, relaunched for the digital era. The magazine serves as a taster for brand new titles solicited this month, along with some valuable input from the team here at Ace Comics. So without further ado, we kick off with the new offerings from Dark Horse, available in April... STAR WARS: ALABASTER: BLOOD TIES - WOLVES #1 BOBA FETT IS Kiernan / Lieber DEAD #1 International Horror NEW Taylor / Scalf Guild Award winning The news spreads author Caitlín R. from one end of the Kiernan brings one galaxy to the other of her most enduring like wildfire: Boba and popular TITLES Fett, the galaxy’s creations to comics! most feared bounty hunter, is dead. For nearly as long as she can But when members of the team that remember, Dancy Flammarion has killed Fett are themselves picked off fought monsters, cutting a bloody one by one, Connor Freeman--the swath through the demons and dark SHIPPING son of one of Jango Fett’s clones-- things of the world, aimed like a gets pulled into the action in a most weapon by forces beyond her control IN APRIL unexpected way! or questioning. MASS EFFECT: RESIDENT ALIEN RESET #1 HOMEWORLDS #0 Bagge #1 Hogan / Parkhouse If you could relive Walters / Francisco / Surviving a crash major events in your Atiyeh landing that ruins life, would you take Mass Effect 3 his spaceship, a stab at making lead writer Mac a stranded alien things better - and Walters kicks off hopes to quietly would your best a new series of live out his life in attempts only make single-issue stories the sleepy town of things worse? Or featuring heroes and adventures Patience, USA, masquerading as would you use your second chance essential to the story of BioWare’s a semi-retired doctor. -
Danny Elfman: Batman Returns Birth of a Penguin Part 1, Birth of a Penguin Part 2, Batman Vs the Circus, the Rise and Fall from Grace (For Component 3: Appraising)
Danny Elfman: Batman Returns Birth of a Penguin Part 1, Birth of a Penguin Part 2, Batman vs the Circus, The Rise and Fall from Grace (For component 3: Appraising) Background information and performance circumstances The composer Danny Elfman (b. 1953) is a self-taught composer and is unusual because of his parallel career as a rock musician with the band Oingo Boingo. He grew up in Los Angeles and is the youngest son of two teachers. While at school, Elfman wanted to be a filmmaker. ‘I always thought that some way or other I’d end up in film, but somehow I ended up in music.’ Tim Burton and Elfman had a close working relationship and collaborated on a number of films including Beetlejuice (1988), The Nightmare Before Christmas (1993) and Planet of the Apes (2001). Of all the films they have made together, Batman remained Elfman’s biggest grossing film until Spider-man (2002). More importantly, Batman brought Elfman to public attention and established him as a creditable film composer. Elfman often scores much of his music around leitmotifs then develops them through the use of variations. The use of thematic development illustrates Elfman’s influences from composers such as Bernard Herrman (Psycho, 1960) from the Golden Age of films. Having established the main materials of the score, Elfman works through the film chronologically, using the materials he has developed in a manner which is extremely unmethodical. Batman Returns (1992) is the sequel to Batman (1989), directed by Tim Burton with Michael Keaton reprising the role of Bruce Wayne/Batman.