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Guide to Ella Fitzgerald Papers
Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996................................................................. -
Making Our Own—Two Ethnographies of the Vernacular in New Zealand Music: Tramping Club Singsongs and the Māori Guitar Strumming Style
Making our own—two ethnographies of the vernacular in New Zealand music: tramping club singsongs and the Māori guitar strumming style by Michael Brown A thesis submitted to Victoria University of Wellington/Massey University in fulfilment of the requirements for the degree of Doctor of Philosophy in Music New Zealand School of Music 2012 ii Abstract This work presents two ethnographies of the vernacular in New Zealand music. The ethnographies are centred on the Wellington region, and deal respectively with tramping club singsongs and the Māori guitar strumming style. As the first studies to be made of these topics, they support an overall argument outlined in the Introduction, that the concept of ―vernacular‖ is a valuable way of identifying and understanding some significant musical phenomena hitherto neglected in New Zealand music studies. ―Vernacular‖ is conceptualised as an informal, homemade approach that enables people to customise music-making, just as language is casually manipulated in vernacular speech. The different theories and applications which contribute to this perspective, taken from music studies and other disciplines, are examined in Chapter 1. A review of relevant New Zealand music literature, along with a methodological overview of the ethnographies is presented in Chapter 2. Each study is based upon different mixtures of techniques, including participant-observer fieldwork, oral history, interviews, and archival research. They can be summarised as follows: Tramping club singsongs: a medium of informal self-entertainment among New Zealand wilderness recreationists in the mid-twentieth century. The ethnography focuses on two clubs in the Wellington region, the Tararua Tramping Club and the Victoria University College Tramping Club, during the 1940s-1960s period, when changing social mores, tramping‘s camaraderie and individualism, and the clubs‘ different approaches, gave their singsongs a distinctive character. -
Golden Gate Grooves
THE GOLDEN GATE BLUES SOCIETY NEWSLETTER Issue 6, July 2010 GOLDEN GATE GROOVES FROM THE EDITOR Deb Lubin The period since the last newsletter was published was very busy, with planning for upcoming blues society events, going out to hear our favorite local blues bands, and our annual pilgrimage to Memphis in May for the Blues Music Awards. The BMAs are a wonderful event that all blues lovers should attend at least once. This year in Memphis, we got to see many of our favorite musicians from the Bay Area, among them Rick Estrin and the Nightcats, including Kid Andersen; the entire Tommy Castro Band, which took home several awards; Laura Chavez and Kennan Shaw from Candye Kane's band; Maria Muldaur, and others with Bay Area ties. I had so much fun reconnecting with old friends both on and off the stage. Meanwhile, the GGBS is rolling. We're getting ready for several big events that we're either sponsoring, partnering with, or supporting, including the 5th annual Redwood City Blues Festival in July, the first U.S. events of the European-based charity United by Music , the San Jose Jazz Festival in August, and events to select a member band to compete in the Blues Foundation's International Blues Challenge (IBC) in Memphis in February 2011, among others. Please look for information about all of these events in this issue of the newsletter. In addition, East Bay musician/cat lover/pre-war blues specialist Joel Fritz reviews four CDs by local bands. SF-based singer Cathy Lemons reviews E.C. -
Sexuality Education for Mid and Later Life
Peggy Brick and Jan Lunquist New Expectations Sexuality Education for Mid and Later Life THE AUTHORS Peggy Brick, M.Ed., is a sexuality education consultant currently providing training workshops for professionals and classes for older adults on sexuality and aging. She has trained thousands of educators and health care professionals nationwide, is the author of over 40 articles on sexuality education, and was formerly chair of the Board of the Sexuality Information and Education Council of the United States (SIECUS). Jan Lunquist, M.A., is the vice president of education for Planned Parenthood Centers of West Michigan. She is certified as a sexuality educator by the American Association of Sex Educators, Counselors, and Therapists. She is also a certified family life educator and a Michigan licensed counselor. During the past 29 years, she has designed and delivered hundreds of learning experiences related to the life-affirming gift of sexuality. Cover design by Alan Barnett, Inc. Printing by McNaughton & Gunn Copyright 2003. Sexuality Information and Education Council of the United States (SIECUS), 130 West 42nd Street, New York, NY 10036-7802. Phone: 212/819-9770. Fax: 212/819-9776. E-mail: [email protected] Web site: http://www.siecus.org 2 New Expectations This manual is dedicated to the memory of Richard Cross, M.D. 1915-2003 “What is REAL?” asked the Rabbit one day, when they were lying side by side near the nursery fender before Nana came to tidy the room. “Does it mean having things that buzz inside you and a stick-out handle?” “Real isn’t how you are made,” said the Skin Horse. -
Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”. -
Under the Arch
Summer, 1982 Hours of operation A free publication to May 29-September 6 provide information Visitor Center, 8:00 a.m. under about the Jefferson to 10:00 p.m. National Expansion Tram Ride, 8:30 a.m. to Memorial 9:30p.m. the Museum of Westward Expansion, 8:00 a.m. to 1arc h 10:00 p.m. Inside this GATEWAY ARCH: issue How long does it take to ride to the top? Where do I A Monument purchase tickets? These and other often asked questions are answered in "Riding to For Our Time the Top." The Museum of Westward Expansion recreates one of the country's most colorful eras. The next page provides a map of the museum and two articles that explain how to view it. See It Today May 29-September 6: Monument to the Dream, a 30-minute film, documents the construction of the Gateway Arch. Shows begin at 8:15 a.m., 9:15 a.m., 10:45 a.m., 12:15 p.m., 1:45 p.m., 2:30 p.m., 3:15 p.m., 4:45 •i p.m., 6:15 p.m., 7:45 p.m. and 8:45 p.m. in Tucker Theater adja i cent to the Gateway Arch lobby. Charles M. Russell: American Artist, a 20-minute film, interprets i the life and significance of a well- known artist of the West. Shows s begin at 10:00 a.m., 11:30 a.m., •2 1:00 p.m., 4:00 p.m., 5:30 p.m. CO and 7:00 p.m. -
Son Sealsseals 1942-2004
January/February 2005 Issue 272 Free 30th Anniversary Year www.jazz-blues.com SonSon SealsSeals 1942-2004 INSIDE... CD REVIEWS FROM THE VAULT January/February 2005 • Issue 272 Son Seals 1942-2004 The blues world lost another star Son’s 1973 debut recording, “The when W.C. Handy Award-winning and Published by Martin Wahl Son Seals Blues Band,” on the fledging Communications Grammy-nominated master Chicago Alligator Records label, established him bluesman Son Seals, 62, died Mon- as a blazing, original blues performer and Editor & Founder Bill Wahl day, December 20 in Chicago, IL of composer. Son’s audience base grew as comlications with diabetes. The criti- he toured extensively, playing colleges, Layout & Design Bill Wahl cally acclaimed, younger generation clubs and festivals throughout the coun- guitarist, vocalist and songwriter – try. The New York Times called him “the Operations Jim Martin credited with redefining Chicago blues most exciting young blues guitarist and Pilar Martin for a new audience in the 1970s – was singer in years.” His 1977 follow-up, Contributors known for his intense, razor-sharp gui- “Midnight Son,” received widespread ac- Michael Braxton, Mark Cole, tar work, gruff singing style and his claim from every major music publica- Chris Hovan, Nancy Ann Lee, charismatic stage presence. Accord- tion. Rolling Stone called it ~one of the David McPherson, Tim Murrett, ing to Guitar World, most significant blues Peanuts, Mark Smith, Duane “Seals carves guitar albums of the decade.” Verh and Ron Weinstock. licks like a chain On the strength of saw through solid “Midnight Son,” Seals Check out our new, updated web oak and sings like began touring Europe page. -
Whites Taught Blacks Violence: Evers by Mary Edge and Ity Men Have Died For." Medical Facilities
Whites taught blacks violence: Evers by Mary Edge and ity men have died for." medical facilities. According Evers expressed admiration with him. His job corps gave Jerry Schramm Evers said that blacks sh to Evers, the Fayette area has for former President Johnson jobs to thousands. And thanks of the Post staff ould not use tactics of force only one doctor and one nurse whom he credited with the im to him, a black man can eat and violence as the whites have for ten thousand people. provements in the lives of black in any restaurant in Missis "We just found out this is done. Fayette applied to the nati Mississippians. "Any black sippi. Thanks to him, Miss our country too, and we de "Young blacks are seeing onal government for relief but, man, or any poor man, who do issippi now has ninety-four el cided we're going to have our that white America got where Evers said, "brother Nixon esn't love Lyndon Johnson -- ected black officials." share," Charles Evers, the it is by violence, so they think hasn't answered yet." well there's something wrong Several times duringhis spe first black mayor of Fayette, they should use it too. We tell ech Evers placed the burden Mississippi, and the brother of them no; if they resort to vio of action on whites. Since wh the late Medgar Evers said in lence, the whites will bury us," ites caused the problems be a speech Tuesday. Evers said. hind civil turmoil, it is the Evers criticized white Am "We're all God's children.. -
Acoustic Guitar Songs by Title 11Th Street Waltz Sean Mcgowan Sean
Acoustic Guitar Songs by Title Title Creator(s) Arranger Performer Month Year 101 South Peter Finger Peter Finger Mar 2000 11th Street Waltz Sean McGowan Sean McGowan Aug 2012 1952 Vincent Black Lightning Richard Thompson Richard Thompson Nov/Dec 1993 39 Brian May Queen May 2015 50 Ways to Leave Your Lover Paul Simon Paul Simon Jan 2019 500 Miles Traditional Mar/Apr 1992 5927 California Street Teja Gerken Jan 2013 A Blacksmith Courted Me Traditional Martin Simpson Martin Simpson May 2004 A Daughter in Denver Tom Paxton Tom Paxton Aug 2017 A Day at the Races Preston Reed Preston Reed Jul/Aug 1992 A Grandmother's Wish Keola Beamer, Auntie Alice Namakelua Keola Beamer Sep 2001 A Hard Rain's A-Gonna Fall Bob Dylan Bob Dylan Dec 2000 A Little Love, A Little Kiss Adrian Ross, Lao Silesu Eddie Lang Apr 2018 A Natural Man Jack Williams Jack Williams Mar 2017 A Night in Frontenac Beppe Gambetta Beppe Gambetta Jun 2004 A Tribute to Peador O'Donnell Donal Lunny Jerry Douglas Sep 1998 A Whiter Shade of Pale Keith Reed, Gary Brooker Martin Tallstrom Procul Harum Jun 2011 About a Girl Kurt Cobain Nirvana Nov 2009 Act Naturally Vonie Morrison, Johnny Russel The Beatles Nov 2011 Addison's Walk (excerpts) Phil Keaggy Phil Keaggy May/Jun 1992 Adelita Francisco Tarrega Sep 2018 Africa David Paich, Jeff Porcaro Andy McKee Andy McKee Nov 2009 After the Rain Chuck Prophet, Kurt Lipschutz Chuck Prophet Sep 2003 After You've Gone Henry Creamer, Turner Layton Sep 2005 Ain't It Enough Ketch Secor, Willie Watson Old Crow Medicine Show Jan 2013 Ain't Life a Brook -
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Бинг КроÑÐ ±Ð¸ ÐÐ »Ð±ÑƒÐ¼ ÑÐ ¿Ð¸ÑÑ ŠÐº (Ð ´Ð¸ÑÐ ºÐ¾Ð³Ñ€Ð°Ñ„иÑÑ ‚а & график) High Society https://bg.listvote.com/lists/music/albums/high-society-3785538/songs 101 Gang Songs https://bg.listvote.com/lists/music/albums/101-gang-songs-20685801/songs The Happy Prince https://bg.listvote.com/lists/music/albums/the-happy-prince-23023176/songs Merry Christmas https://bg.listvote.com/lists/music/albums/merry-christmas-1762919/songs How the West Was Won https://bg.listvote.com/lists/music/albums/how-the-west-was-won-5918418/songs https://bg.listvote.com/lists/music/albums/that-travelin%27-two-beat- That Travelin' Two-Beat 7711302/songs Selections from Irving Berlin's White https://bg.listvote.com/lists/music/albums/selections-from-irving-berlin%27s- Christmas white-christmas-17032045/songs Fancy Meeting You Here https://bg.listvote.com/lists/music/albums/fancy-meeting-you-here-5433697/songs Bing 'n' Basie https://bg.listvote.com/lists/music/albums/bing-%27n%27-basie-4914110/songs Bing & Satchmo https://bg.listvote.com/lists/music/albums/bing-%26-satchmo-16243926/songs https://bg.listvote.com/lists/music/albums/on-the-sentimental-side- On the Sentimental Side 21161097/songs Seasons https://bg.listvote.com/lists/music/albums/seasons-7441927/songs https://bg.listvote.com/lists/music/albums/bing-sings-whilst-bregman-swings- Bing Sings Whilst Bregman Swings 4914142/songs On the Happy Side https://bg.listvote.com/lists/music/albums/on-the-happy-side-20858181/songs Under Western Skies https://bg.listvote.com/lists/music/albums/under-western-skies-23020419/songs Songs I Wish I Had Sung the First Time https://bg.listvote.com/lists/music/albums/songs-i-wish-i-had-sung-the-first-time- Around around-7561341/songs St. -
Mcgill CHAMBER ORCHESTRA Boris Brott, Artistic Director Taras Kulish, Executive Director
sm19-7_EN_p01_Cover_sm19-1_FR_pXX 14-05-28 2:25 PM Page 1 sm19-7_EN_p02_ADs_sm19-1_FR_pXX 14-05-28 11:16 AM Page 2 DON’T LEAVE SCHOOL WITHOUT IT! Special La Scena Musicale Subscription for Students ONLY INFO: 514.948.2520 $25 [email protected] • www.scena.org TERRA INCOGNITA Arturo Parra THE GUITARIST AND COMPOSER “Seven magnificent portraits in sound... Great art!” – Mario Paquet, ESPACE MUSIQUE “A journey to inner landscapes replete with impenetrable mysteries...” – ResMusica (FRANCE) AGE WWW.LAGRENOUILLEHIRSUTE.COM July 22 August 12 NEW – Tour de France TrioALBUM Arkaède Emerson String Quartet Beatrice Rana, piano Orion Quartet with Peter Serkin Modigliani String Quartet Sondra Radvanovsky Miloš Toronto Symphony Orchestra Isabelle Fournier, Violin / Viola Julien LeBlanc, Piano TORONTOSUMMERMUSIC.COM Karin Aurell, Flute www.leaf-music.ca sm19-7_EN_p03_AD-ottawachamberfest_sm19-1_FR_pXX 14-05-27 7:02 PM Page 3 CHAMBERFEST JULY 24 JUILLET AUGUST 07 AOÛT OTTAWA OTTAWA INTERNATIONAL CHAMBER MUSIC FESTIVAL FESTIVAL INTERNATIONAL DE MUSIQUE DE CHAMBRE D’OTTAWA SONDRA RADVANOVSKY IN RECITAL TUESDAY 29 JULY 7:00PM One of the preeminent Verdian sopranos of her generation performs a rare and intimate recital. TOP 100 LEVEL OF DISTINCTION FESTIVAL HIGHLIGHTS A FAR CRY JANINA FIALKOWSKA IL TRIONFO DEL TEMPO FRIDAY 25 JULY 7:00PM FRIDAY 01 AUGUST 7:00PM TUESDAY 05 AUGUST 7:00PM ONFESTIVAL SALE PASSES AND NOW! TICKETS 613.234.6306CHAMBERFEST.COM/TICKETS LSM-English-Chamberfest2014.indd 1 23/05/2014 10:30:33 AM sm19-7_EN_p04-6_Orford_sm19-1_FR_pXX 14-05-30 11:23 AM Page 4 “Everyone finds their voice in the ensemble, and by playing together, they tend to pick up certain traits from each other that help the whole become more blended.” PLAYING theNEW ORFORD STRING QUARTET WELL TOGETHER by L.H. -
Daniel Saidenberg Faculty Recital Series
Daniel Saidenberg Faculty Recital Series Paul Jacobs, Organ Photo by Claudio Papapietro Support the next generation of performing artists Thank you for being an important part of this performance as an engaged audience member. You can do even more to support Juilliard’s remarkable young artists by making a tax-deductible gift of scholarship today. Your donation supports financial aid for our dedicated students and encourages their development and growth as performing artists. With more than 90% of students qualifying for financial aid, your donation truly does make a difference. Give now at giving.juilliard.edu/fromyourseat Or call (212) 799-5000, ext. 278 Thank you for your support! The Juilliard School presents The Great French Organ Tradition Paul Jacobs, Organ Part of the Daniel Saidenberg Faculty Recital Series Program 1—Tuesday, September 10, 2019, 7:30 pm Paul Hall MARCEL DUPRÉ Variations sur un Noël, Op. 20 (1886-1971) NADIA BOULANGER Trois pièces pour orgue (1887-1979) Prélude Petite Canon Improvisation CÉSAR FRANCK Pièce héroïque (1822-90) JEHAN ALAIN Le jardin suspendu (1911-40) “The Hanging Garden is that ideal perpetually pursued by the artist, yet ever elusive; it is the inaccessible and inviolable refuge.” NAJI HAKIM Tanets (U.S. premiere) (b. 1955) CAMILLE SAINT-SAËNS “Le Cygne” (“The Swan”), from Carnival of the Animals (1835-1921) ALEXANDRE GUILMANT Sonata No. 1 in D Minor, Op. 42 (1837-1911) Introduction—Allegro Pastorale Finale Performance time: approximately 1 hour and 20 minutes, without an intermission Major funding for establishing Paul Recital Hall and for continuing access to its series of public programs has been granted by The Bay Foundation and the Josephine Bay Paul and C.