DOCSLIB.ORG

M U S I C L E S S O N S Summer 2021 C a M P S & P R I V a T

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
M U S I C L E S S O N S Summer 2021 C a M P S & P R I V a T 310 406 1730 SUMMER 2021 www.schoolofdanceandmusic.com/register REGISTER TODAY FOR SUMMER REQUEST YOUR OWN SUMMER CLASS TIME PRE-REGISTER NOW FOR FALL Summer Session is from Jul 12 to Aug 21. Note that 80% of our classes for summer are created Registration is now open to all new and st Privates and created classes may start Jun 21 ! by groups that are currently training. Call or stop by returning students! Register before Jun21st our front desk or call us today to create your class! and we will waive your $50 registration fee! (10yrs) LIVE SEMI PRIVATES DANCE CLASSES 1yr 6mo -10.5yrs locations AVI = Aviation PCH =PCH P RETEEN – TEEN Ballet/Tap/Jazz 1yr 6mo – 2yr 9mo w/ parent Jazz Lyrical with Ballet Mon 3:40 Paige AVI Sat 9:35 Love AVI Lyrical is a mix of ballet jazz & modern interpreting the music lyrics Tue 5:00 Becca AVI Sat 9:35 Aimee AVI Thu 5:35 Becca AVI Sat 9:00 Paige AVI Sat 9:50 Becca AVI for Int, IV, pre-pointe & pointe beg Sat 9:00 Love AVI Sat 9:00 Love AVI Ballet Barre & Strength AVI AVI Mon 5:15 Josh Wed 5:15 Josh Ballet/Tap/Jazz 2yr 6mo – 3yr 6mo w/o parent Mon 3:05 Paige AVI Sat 9:35 Paige AVI Pointe Three times a week recommended, twice a week required for summer Mon 4:15 Paige AVI Sat 10:10 Love AVI BEG Students going on pointe for fall will strengthen on flat through Tue 5:35 Becca AVI Sat 10:25 Becca AVI summer and have a shoe fitting through the school in the fall Sat 9:00 Aimee AVI please register for: Mon 5:15 Josh AVI Wed Josh AVI 5 INT- ADV Mon 6:40 Josh AVI Tue 6:55 Josh AVI Wed 6:40 Josh AVI Ballet/Tap/Jazz 3yr – 4yr 6mo Mon 5:40 Paige AVI Thu 5:15 Jessica PCH Jazz & Contemporary for those going to Jazz IV or Int & up Tue 4:10 Becca AVI Sat 9:00 Becca AVI Tue 4:05 Jessica AVI Int IV - Acc Thu 5:35 Brittany AVI Acc – Adv Wed 4:30 Haley AVI Sat 10:45 Love AVI Tue 5:30 Jessica AVI Acc – Int/Adv privates available Thu 4:30 Paige AVI Sat 11:00 Paige AVI Thu 4:45 Becca AVI Acro for dancers training in multiple ballet & jazz weekly Book your Ballet/Tap/Jazz 4yr – 5yr 6mo Privates available private Mon 3:50 Kristy AVI Thu 5:05 Kristy AVI Check out Hip Hop Preteen/ Teen lesson Mon 4:50 Paige AVI Sat 10:10 Paige AVI our camps Thu 7:00 Paige AVI today! Wed 3:40 Haley AVI Sat 11:00 Aimee AVI below! Thu 4:25 Jessica PCH Sat 11:10 Becca AVI Aerial Preteen/ Teen Camp wk of Aug 2nd Mon- Fri 10-12pm & 1-3pm / Classes offered Thu 3:15-6:15 Ballet/Tap/Jazz 5yr – 7yr Request or Tue 3 :20 Becca AVI Sat 10:10 Aimee AVI More create your Create Classes – Camps -Private Dance Lessons- Rentals – Wedding Prep- Aerial Wed 5:15 Jessica AVI Sat 11:50 Paige AVI own class! AVI Thu 4:15 Kristy Hip Hop Jr 4yr – 6yr 6mo Mon 5:35 Kristy AVI Thu 5:20 Paige AVI Sat 11:50 Becca AVI C A M P S & P R I V A T E S Wed 5:20 Haley AVI Sat 11:35 Love AVI Ballet Barre & Jazz Jumps Turns 6yr – 10yr 6mo open Level I & II Prince & Princess Academy Dance Camp 3.5yr – 6yr Wed 4:00 Jessica AVI Sat 11:50 Aimee AVI Dancers will learn to dream big with Tiana, look for the good with Hip Hop Floor & Beats Level I & II Belle, dress the part with Cinderella, ride the ocean waves with Mon 4:45 Kristy AVI Thu 6:10 Paige AVI Moana and join the action with Elsa & Mulan! Mon-Fri AVI 1.5 hrs. th Ballet, Tap, Jazz. 9am Wk Jul 19 -23rd Thu 3:25 Kristy AVI Pop Star Dance Camp 5yr – 10yr M U S I C L E S S O N S Dreaming of bright lights and the big stage? Come dance along to Jojo Siwa, Miley Cyrus, Selena Gomez & More! Includes MUSIC LESSONS more days will be added upon demand Ballet Jazz Hip Hop. Mon- Fri AVI 2 hours. 11:15am Week Jul 19th -23rd PIANO Min.4 ½ Yrs and up VOICE Min.7 Yrs & up Mon Robert, Athena Mon Robert, Athena All In One Camp 5yr – 10yr Tue Mahsa, Neal, Kelly* Tue Neal, Kelly* A little bit of everything from cartwheels to downward-dogs! Join st Wed Zach, Wed Zach, Faith us for our 21 annual All In One Camp! Hip Hop, Jazz, Musical Theater, Yoga, th Thu Esteban, Faith Thu Esteban, Faith Tumbling Mon-Fri AVI 9:15am- 1pm. Wk of Jul 26 & Aug 16th Thu Mahsa Intensives - preteen thru teen Due to early start school schedules, our intensive including our GUITAR & BASS VIOLIN Min.7 Yrs & up Min.4 ½ Yrs and up company intensives will be postponed to Sundays through our (4 ½ Yrs Jr Guitar) Tue Neal, early fall. If you are not in a company you may still join, ask our desk staff to be added on our invite list! Mon Greg Thu Darius DRUMS Min.7Yrs and up Private Lessons & Class Requests - all ages Wed Sayak Call us with your private groups, class or camp requests! Thu Gerry Dates Mar 15 Summer Reg Opens for all- Fall Pre-Registration begins for current students Jun 22 3 wk Summer – Private Lessons May 3- 9 In Studio Observation Week – Zoom link will be sent to all families Jul 12 6 wk Summer Session - Create Your Own Class Camps & Privates May 23 Mulan & Show Stars all company dancers Aug 23rd First Day Of Our 2021-2022 School Year Jun 1st Current student reservations for the following school year ends. Sep 3rd Dance Company Registration Closes Jun 4-6 Dance Recitals 2021- Guaranteed option to students reg before Nov. 14 Oct 1st Hard Deadline for privates to register to participate in solo show Jun 13 Music Recital RSVP by May 13 Nov 13 Guaranteed Date for dancers participation in Jun recital Jun 21 Last Day Of Our 2020-2021 School Year Holiday Brks Nov 23- 28 Thanksgiving Break Dec 20- Jan 2 Winter Break Dance Tuition Camps per week Music Tuition single Tot & Parent & Me 30 min $19 All In One Camp $390 30 min $46 45 min class a week 45min- $32 Pop Star Camp $290 45 min $69 -- Princess Academy $190 60 min $92 Private 30 min $55 CREATE YOUR CLASS – INTENSIVE – CLASS - PRIVATES O U R S T A F F www.schoolofdanceandmusic.com/register [email protected] Note - Not all of our teachers may be listed as we have many other part - part timers as well! 8 hrs a week 35% off 10+ hrs a week 45% off 2 month minimum for class commitment for this promotion HALEY [email protected] HOEKSTRA EMILY MCQUIRE Haley is from Maple Grove, Minnesota. Her passion for dance started early, Emily McGuire began her dance training at Contemporary Dance Theatre in leading her to train at Minnesota Dance Theatre Ballet School, Larkin Dance Fairless Hills, Pennsylvania. She continued her dance education by receiving Studio and University of Minnesota. In 2019, Haley graduated from Loyola her B.F.A. in Contemporary Dance Performance with a Ballet Emphasis from Marymount University with degrees in dance and psychology. She trained at The Boston Conservatory. While studying at the conservatory, Emily found Alonzo King Lines Ballet, Hubbard Street Dance Chicago, Dana Foglia Dance, and her passion for teaching dancers in all genres of dance and enjoys working TU Dance. Haley is a professional dancer with the Movement Talent Agency. She with students of all levels and ages! Emily moved to Los Angeles in 2018 to has worked for Tyra Banks and has performed in music videos and live pursue her dreams of teaching and performing. She performs professionally performances.8 hrs a week 35% Ballet off has 10 +been hrs a herweek main 45% offfocus and h er training in ballet has throughout the LA area 2with month various minimum styles forof dance class commitment and travels to for the this east promotion helped her be successful in all areas of dance and she looks forward to sharing coast to teach award winning competition dances. that with her students . BRITTANY TURNER REBECCA JACKSON Brittany spent her childhood years training at local dance studio in Nevada and Rebecca graduated from LMU in 2007 with a BA in dance, and in 2017, she graduated from CSULB with her MA in dance. Not only has been after graduation, started to choreograph for their dance company. She spent dancing since the age of four and has a strong background in ballet, tap, two years training and performing with professional hip hop crew “Meccamee” and jazz and Pilates she is a certified yoga instructor. She has performed in Las Vegas. Upon moving to California in 2012, she started working at SDM. In 2015, she assisted “MJ One” dancer and choreographer Jawkeen Howard in the in many dance concerts, parades and special events with Disney. choreography and performance of “9 to 5,” one piece of many in Cirque du Rebecca was a scholarship intern at the Broadway Dance Center in New York City and has been teaching and choreographing for competitive Soleil benefit event “One Night One Drop” at the LOVE Theatre in Las Vegas.
Load more

Recommended publications
  • 2019-2020 Season Overview JULY 2020
    ® 2019-2020 Season Overview JULY 2020 Report Summary The following is a report on the gender distribution of choreographers whose works were presented in the 2019-2020 seasons of the fifty largest ballet companies in the United States. Dance Data Project® separates metrics into subsections based on program, length of works (full-length, mixed bill), stage (main stage, non-main stage), company type (main company, second company), and premiere (non-premiere, world premiere). The final section of the report compares gender distributions from the 2018- 2019 Season Overview to the present findings. Sources, limitations, and company are detailed at the end of the report. Introduction The report contains three sections. Section I details the total distribution of male and female choreographic works for the 2019-2020 (or equivalent) season. It also discusses gender distribution within programs, defined as productions made up of full-length or mixed bill works, and within stage and company types. Section II examines the distribution of male and female-choreographed world premieres for the 2019-2020 season, as well as main stage and non-main stage world premieres. Section III compares the present findings to findings from DDP’s 2018-2019 Season Overview. © DDP 2019 Dance DATA 2019 - 2020 Season Overview Project] Primary Findings 2018-2019 2019-2020 Male Female n/a Male Female Both Programs 70% 4% 26% 62% 8% 30% All Works 81% 17% 2% 72% 26% 2% Full-Length Works 88% 8% 4% 83% 12% 5% Mixed Bill Works 79% 19% 2% 69% 30% 1% World Premieres 65% 34% 1% 55% 44% 1% Please note: This figure appears inSection III of the report.
    [Show full text]
  • View Campaign Brochure
    CAROLINA BALLET’S Carolina Ballet would like to thank the following supporters for their early Pleaseinvestment visit Carolina in Choreographing Ballet’s website for aCarolina list of all Campaign Ballet’s Gifts Future. through October 31, 2018. $1,000,000+ Mr. and Mrs. Andrew Steidinger Ronald and Maryllen Blum Enviromental Control Judy and Steve Zelnak Synergy Face & Body Hal Bowman and Mercedes Auger Liz and Britt Ferrill Ms. Vera Tayeh Richard Catlin and Associates, Inc. Mrs. Mary A. Fisher $250,000+ Beverly Taylor Dr. Margaret K. Champion Ms. Christina Floyd Anonymous NC Family Mr. and Mrs. Richard A. Thomas Matt and Gina Chapin Fonville Morisey Realty Dr. and Mrs. Malcolm McDougal Brown Rob and Sally Tiller Citrix Mr. and Mrs. Stanley H. Fox The John William Pope Foundation Lars and Elisabeth von Kantzow Mr. Brian Cook Dan Gaugert and Terry Harper Stefanie and Douglas Kahn Robert Weiss and Melissa Podcasy Jacobi Daley Nicholas and Carol Gillham Moise Khayrallah Katherine White and Thomas Urquhart Deloitte Alicia and Sean Gilsenan Martin Marietta Materials Brooklyn and Mike Winters Jamie Drake Danielle Greco and Tony Bryant Ms. Patricia Dube Eileen Greenbaum and Larry Mintz $100,000+ $7,500+ George Evans and Karen Monaco Bob and Laura Gutman Anonymous (1) Anonymous (1) Drs. Richard Felder and Rebecca Brent Annette and Richard Hagopian Capitol Broadcasting Company Mrs. Franc A. Barada, Jr. Finnamore Real Estate Ms. Gayla H. Halbrecht Ms. Ellyn E. Daniels Nancy and Christopher Bolen Sharon and J.C. Garbutt Cheryl and Charles Hall Mrs. Jolene B. McGehee Brigs Restaurants Carolyn Happer and Leonard Graham Dr.
    [Show full text]
  • The Shubert Foundation 2020 Grants
    The Shubert Foundation 2020 Grants THEATRE About Face Theatre Chicago, IL $20,000 The Acting Company New York, NY 80,000 Actor's Express Atlanta, GA 30,000 The Actors' Gang Culver City, CA 45,000 Actor's Theatre of Charlotte Charlotte, NC 30,000 Actors Theatre of Louisville Louisville, KY 200,000 Adirondack Theatre Festival Glens Falls, NY 25,000 Adventure Theatre Glen Echo, MD 45,000 Alabama Shakespeare Festival Montgomery, AL 165,000 Alley Theatre Houston, TX 75,000 Alliance Theatre Company Atlanta, GA 220,000 American Blues Theater Chicago, IL 20,000 American Conservatory Theater San Francisco, CA 190,000 American Players Theatre Spring Green, WI 50,000 American Repertory Theatre Cambridge, MA 250,000 American Shakespeare Center Staunton, VA 30,000 American Stage Company St. Petersburg, FL 35,000 American Theater Group East Brunswick, NJ 15,000 Amphibian Stage Productions Fort Worth, TX 20,000 Antaeus Company Glendale, CA 15,000 Arden Theatre Company Philadelphia, PA 95,000 Arena Stage Washington, DC 325,000 Arizona Theatre Company Tucson, AZ 50,000 Arkansas Arts Center Children's Theatre Little Rock, AR 20,000 Ars Nova New York, NY 70,000 Artists Repertory Theatre Portland, OR 60,000 Arts Emerson Boston, MA 30,000 ArtsPower National Touring Theatre Cedar Grove, NJ 15,000 Asolo Repertory Theatre Sarasota, FL 65,000 Atlantic Theater Company New York, NY 200,000 Aurora Theatre Lawrenceville, GA 30,000 Aurora Theatre Company Berkeley, CA 40,000 Austin Playhouse Austin, TX 20,000 Azuka Theatre Philadelphia, PA 15,000 Barrington Stage Company
    [Show full text]
  • The Portland Ballet Dances a Fairytale Holiday
    Contact: Cynthia Kirk [email protected] 503-330-1886 The Portland Ballet Dances a Fairytale Holiday Double Bill Includes World Premiere of John Clifford’s Tales from Mother Goose and His Wildly Popular The Enchanted Toyshop Portland State University Orchestra Plays Ravel and Rossini/Respighi’s Music Live at All Six Performances 5-Dollar-First-Show Presents Generous Holiday Gift to Portlanders The Portland Ballet Presents the World Premiere of John Clifford’s Tales from Mother Goose (2014) with his The Enchanted Toyshop (2003) in partnership with Portland State University Orchestra Performances Open Rehearsal F/Sa/Su, Nov 28/29/30, 1 & 5 PM Led by Artistic Director Nancy Davis Lincoln Hall, 1620 SW Park at Market TPB Studio Runtime: 100 minutes w/intermission 6250 SW Capitol Highway Tickets: F/Nov 28, 1 PM $5 Sa, Nov 1, 3-4 PM All other performances: Free: Reservation/Ticket Not Required Tickets: $15, youth; $35, adults Information: theportlandballet.org $90, family pack (2 youth, 2 503.452.8448 adults); additional youth, $10 PSU Box Office, pdx.edu/boxoffice/tickets 503.725.3307 Limited Arts Card and Arts for All tickets Information: 503.452.8448 For 13 years, THE PORTLAND BALLET (Nancy Davis, artistic director)—the metro area’s premiere youth ballet company—has presented a holiday production to delight the entire family. Taking place over Thanksgiving weekend, the production offers a refreshing change from most holiday fare: it’s not the Nutcracker and it takes place before the December performance rush. In addition, it is danced by THE PORTLAND BALLET’s superbly trained young dancers with an immediate connection to a family audience.
    [Show full text]
  • Nicolle Greenhood Major Paper FINAL.Pdf (4.901Mb)
    DIVERSITY EN POINTE: MINIMIZING DISCRIMINATORY HIRING PRACTICES TO INCREASE BALLET’S CULTURAL RELEVANCE IN AMERICA Nicolle Mitchell Greenhood Major paper submitted to the faculty of Goucher College in partial fulfillment of the requirements for the degree of Master of Arts in Arts Administration 2016 Abstract Title of Thesis: DIVERSITY EN POINTE: MINIMIZING DISCRIMINATORY HIRING PRACTICES TO INCREASE BALLET’S CULTURAL RELEVANCE IN AMERICA Degree Candidate: Nicolle Mitchell Greenhood Degree and Year: Master of Arts in Arts Administration, 2016 Major Paper Directed by: Michael Crowley, M.A. Welsh Center for Graduate and Professional Studies Goucher College Ballet was established as a performing art form in fifteenth century French and Italian courts. Current American ballet stems from the vision of choreographer George Balanchine, who set ballet standards through his educational institution, School of American Ballet, and dance company, New York City Ballet. These organizations are currently the largest-budget performing company and training facility in the United States, and, along with other major US ballet companies, have adopted Balanchine’s preference for ultra thin, light skinned, young, heteronormative dancers. Due to their financial stability and power, these dance companies set the standard for ballet in America, making it difficult for dancers who do not fit these narrow characteristics to succeed and thrive in the field. The ballet field must adapt to an increasingly diverse society while upholding artistic integrity to the art form’s values. Those who live in America make up a heterogeneous community with a blend of worldwide cultures, but ballet has been slow to focus on diversity in company rosters.
    [Show full text]
  • Qurrat Ann Kadwani: Still Calling Her Q!
    1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St.
    [Show full text]
  • Tulsa Ballet Company Culture: the Pursuit of Excellence Mission
    TULSA BALLET COMPANY CULTURE: THE PURSUIT OF EXCELLENCE MISSION To serve as an essential asset of our region through exciting, internationally-acclaimed artistic excellence and exemplary education and outreach. WE COMMIT TO: PRESERVE THE TRADITION OF CLASSICAL BALLET PROMOTE THE APPRECIATION OF CONTEMPORARY DANCE CREATE WORKS OF SUPERIOR AND ENDURING QUALITY EDUCATE THROUGH EXCEPTIONAL DANCE TRAINING, PERFORMANCES AND OUTREACH PROGRAMS. VISION To be an innovative leader, powerful partner and global cultural representative of a community in which the performing arts are valued and promoted as an indispensable resource. OUR CULTURE: THE PURSUIT OF EXCELLENCE At Tulsa Ballet, we ask our Staff, Company, and Students to share in our commitment to the ‘Pursuit of Excellence’ every day. We embrace this cultural pursuit knowing it is not an easy one. However, the work required to achieve excellence brings invaluable reward in the refinement of ourselves, our relationships, our processes & techniques, our performance, and our collective impact. KEY REQUIREMENTS FOR PROMOTING effective communication between individuals and departments ADAPTABILITY to push through challenges, individually and collaboratively INNOVATION in seeking new ways of working together to achieve desired results OWNERSHIP of your performance in your role, and ability to seek out help when needed ASPIRATION beyond the status quo; internal drive to elevate performance for yourself and others STEWARDING a positive culture… showing respect and appreciation for one another THRIVING
    [Show full text]
  • The MTV Generation: 1980S Fashion
    The MTV Generation: 1980s Fashion Nicole Chichilitti Keywords: 1980s fashion / American Style / Madonna / MTV / music videos / Olivia Newton John Abstract This is the story about Monica LaSalle’s style journey through the 1980s. The fashion and trends of the decades made a significant mark on American popular culture as well as the fashion industry as a whole. Using interviews with Monica, as well as popular culture media such as music video and television shows, this essay will analyze whether or not Monica was on trend at the right time. In particular, I will focus heavily on the introduction of the Music Television channel (MTV) and the effect that its music videos by featured artists, Madonna and Olivia Newton, had on Monica’s sense of style. The Birth of MTV On Saturday, August 1, 1981, the youth of America eagerly waited in front of blank television sets for history to be made. At 12:01 a.m., images of the launch countdown for the spaceship Colombia and the launch of Apollo 11 flashed across the screen as a voice, very matter-of-fact, read: “Ladies and gentlemen, rock and roll.” It was the birth of MTV. The first music video featured was appropriately titled “Video Killed the Radio Star” by The Buggles. This marked the beginning of a 24-hour loop of music videos, where enthusiasts young and old could tune in to catch their favorite musicians in action. MTV’s target audience was teenagers, specifically from the twelve to nineteen age range. The channel dubbed these viewers the “MTV generation” (Greenberg 153).
    [Show full text]
  • September 4, 2014 Kansas City Ballet New Artistic Staff and Company
    Devon Carney, Artistic Director FOR IMMEDIATE RELEASE CONTACT: Ellen McDonald 816.444.0052 [email protected] For Tickets: 816.931.2232 or www.kcballet.org Kansas City Ballet Announces New Artistic Staff and Company Members Grace Holmes Appointed New School Director, Kristi Capps Joins KCB as New Ballet Master, and Anthony Krutzkamp is New Manager for KCB II Eleven Additions to Company, Four to KCB II and Creation of New Trainee Program with five members Company Now Stands at 29 Members KANSAS CITY, MO (Sept. 4, 2014) — Kansas City Ballet Artistic Director Devon Carney today announced the appointment of three new members of the artistic staff: Grace Holmes as the new Director of Kansas City Ballet School, Kristi Capps as the new Ballet Master and Anthony Krutzkamp as newly created position of Manager of KCB II. Carney also announced eleven new members of the Company, increasing the Company from 28 to 29 members for the 2014-2015 season. He also announced the appointment of four new KCB II dancers, which stands at six members. Carney also announced the creation of a Trainee Program with five students, two selected from Kansas City Ballet School. High resolution photos can be downloaded here. Carney stated, “With the support of the community, we were able to develop and grow the Company as well as expand the scope of our training programs. We are pleased to welcome these exceptional dancers to Kansas City Ballet and Kansas City. I know our audiences will enjoy the talent and diversity that these artists will add to our existing roster of highly professional world class performers that grace our stage throughout the season ahead.
    [Show full text]
  • 2008, WDA Global Summit
    World Dance Alliance Global Summit 13 – 18 July 2008 Brisbane, Australia Australian Guidebook A4:Aust Guide book 3 5/6/08 17:00 Page 1 THE MARIINSKY BALLET AND HARLEQUIN DANCE FLOORS “From the Eighteenth century When we come to choosing a floor St. Petersburg and the Mariinsky for our dancers, we dare not Ballet have become synonymous compromise: we insist on with the highest standards in Harlequin Studio. Harlequin - classical ballet. Generations of our a dependable company which famous dancers have revealed the shares the high standards of the glory of Russian choreographic art Mariinsky.” to a delighted world. And this proud tradition continues into the Twenty-First century. Call us now for information & sample Harlequin Australasia Pty Ltd P.O.Box 1028, 36A Langston Place, Epping, NSW 1710, Australia Tel: +61 (02) 9869 4566 Fax: +61 (02) 9869 4547 Email: [email protected] THE WORLD DANCES ON HARLEQUIN FLOORS® SYDNEY LONDON LUXEMBOURG LOS ANGELES PHILADELPHIA FORT WORTH Ausdance Queensland and the World Dance Alliance Asia-Pacific in partnership with QUT Creative Industries, QPAC and Ausdance National and in association with the Brisbane Festival 2008 present World Dance Alliance Global Summit Dance Dialogues: Conversations across cultures, artforms and practices Brisbane 13 – 18 July 2008 A Message from the Minister On behalf of our Government I extend a warm Queensland welcome to all our local, national and international participants and guests gathered in Brisbane for the 2008 World Dance Alliance Global Summit. This is a seminal event on Queensland’s cultural calendar. Our Government acknowledges the value that dance, the most physical of the creative forms, plays in communicating humanity’s concerns.
    [Show full text]
  • Guide to Dance 2019-2020 Study Guide
    Dancers: Grace-Anne Powers and Leiland Charles | Photo: Jennifer Zmuda GUIDE TO DANCE 2019-2020 STUDY GUIDE Learn about the art of dance and go behind-the-scenes with a professional dance company. Written and compiled by Ambre Emory-Maier, Director of Education, and other contributors l ©2019 BalletMet Columbus TABLE OF CONTENTS Behind the Scenes ............................................................................................................................................. 2 Brief History of BalletMet ................................................................................................................................. 3 BalletMet Offerings ........................................................................................................................................... 4 The Five W’s and H of Dance .......................................................................................................................... 5 Brief History of Ballet ..................................................................................................................................... 6-7 Important Tutu Facts ......................................................................................................................................... 8 Important Pointe Shoe Facts .......................................................................................................................... 9 Glossary of Dance Terms ........................................................................................................................
    [Show full text]
  • The Fine Arts Department and the Highland Park High School PTO Proudly Present
    The Fine Arts Department and the Highland Park High School PTO Proudly present... FOCUS !" #$% A&#' 2011 "#$%&'(!)*(!+,--&.&/&)&(-12 The mission of Focus is to increase the appreciation and understanding of the arts and of art professionals through more than 250 workshops, performances, and lectures, all free of charge. We seek to educate and entertain people of multicultural and diverse backgrounds by exposing them to the many facets of the arts. The three day and three evening celebration of the arts has been the impetus for careers and the inspiration for lifelong interest in the arts. This is evident by the more than three dozen alumni who are returning to present their talents. It is our goal to continue this tradition at Highland Park High School. We sincerely thank the hundreds of community volunteers who have generously given their time and talents with enthusiasm and grace. It has been a pleasure to work with the parents, students and staff at Highland Park High School in preparing FOCUS ON THE ARTS 2011. This year we are extremely proud to present to you over 250 quality artists who represent a myriad of art mediums inviting everyone to Imagine the Possibilities. HPHS Coordinator . Daniel Kalnes PTO Coordinators . Carrie Codell, Amy Greenebaum, Colleen Kelly, Amy Perlmutter, Deborah Zionts, H('#!&) !* FOCUS !" #$% A&#' In 1964, Highland Park High School through the visionary efforts of Dr. John W. Price, Shirley M. Hartz, and Ruth Esserman developed a program that would expose students and the community to quality visual and performing arts. The goal was to build an appreciation and understanding of the arts and art professionals by the students and the community of Highland Park.
    [Show full text]