A Collective of Female Cinematographers, and a Member of the ICG

UK Representation: My Management | +44 1932 253325 US Representation: Innovative Artists | +1 310 656 5157 FEATURES AGATHA AND THE CURSE OF ISHTAR Sam Yates Emily Dalton, Darlow Smithson Productions SPIDERMAN: FAR FROM HOME Jon Watts/ Jesse James Chisolm Polly Hope / Marvel/Sony (Add’l Photography/VFX Unit/C-Camera) THE HONOR LIST Elissa Down Liz Destro, Lionsgate / Studio L Bentonville Film Festival COVER VERSIONS Todd Berger Mark Korshak, Off the Dock Palm Springs Film Festival NO LIGHT AND NO LAND ANYWHERE Amber Sealey Miranda July, Part Participation **LA Film Festival WISHIN’ AND HOPIN’ Colin Theys Synthetic Cinema Int’l Lifetime LITTLE PARADISE Natan Moss Lee Sacks, Amnesty Pictures New Filmmakers LA NORTHEAST Gregory Kohn Eleanor Meier, Florida Pictures Tribeca Film Festival THE ORGY (Short) Sam Baron Tilly Wilding Coulson Encounters EGG (Short) Benh Zeitlin Michael Gottwald, Court 13 **Slamdance, Cinequest TV DOCTOR WHO (S12- Opening Block) Jamie Stone Nikki Wilson, Matt Strevens, Chris Chibnall, BBC One DUMMY Tricia Brock Cody Heller, David Grace, Jeffrey Katzenberg, wiip/Quibi THE DIARY OF MY BROKEN VAGINA (pilot) Theresa Varga Anne Patterson, Kate Heggie, Shiny Button/ Channel 4 HOUNSLOW DIARIES (pilot) Nida Manzoor Charlie Coombes, Arabella McGuinan, CPL/ BBC3 DOING MONEY (Add’l Photography) Lynsey Miller Mike Dormer, Renegade / BBC2 ABSTRACT: THE ART OF DESIGN (S1 and S2) Morgan Neville Dave O’Connor, Radical Media/ Netflix UGLY DELICIOUS Morgan Neville Caitrin Rogers, Tremolo Productions / Netflix THE BOY WITH THE TOPKNOT (2nd Unit) Lynsey Miller/ Isabella Sieb Nisha Parti / Kudos / BBC2 DOCUMENTARY 20 FEET FROM STARDOM (Add’l Photography) Morgan Neville Tremolo Productions Sundance, SXSW **Winner of the Academy Award and the Independent Spirit Award for Best Feature Documentary DISASTER PLAYGROUND Nelly Ben Hayoun UK Arts Council SXSW, CPH:DOX, Sheffield COMMERCIALS / BRANDS Aldi, Amnesty International, Blue Jeans, Cos, Dove Real Beauty, Fox Comedy, Goldieblox, Jaguar, Mango, Marc Jacobs for Marc Jacobs, Nasty Gal, Neiman Marcus, The New York Times Style Magazine, Pepe Jeans, Save the Children, Sephora, Shell, Snapchat, Starbucks, UN Women, Vestiare Collective (for Vogue), Wallmart, YouTube MUSIC/ ARTISTS Barbara Streisand, Prince, Jurassic 5, The National, Florence Welch, Sonia Stein, Amazons, Another Sky, Hezen, Nines, Judith Hill, Kimberley Anne, Robert Schwartzman, Robert Francis, Eagle and Talon, Keepaway, Pi, Spoon, Rey and Remora, Snowblink, Gothic Tropic DIRECTORS Alicia MacDonald, Ben Fogg, Maya Albanese, Liz Garbus, Morgan Neville, Libby Burke Wilde, Alex Nicholson, Eoin Glaister, Jenn Nkiru, The Unthank Alliance, Bridget Savage Cole, David Fine, Peter Furia, Kai Hasson, Rob Pirouet, Mattias Pettersen, Gemma Atkinson, Columbine Goldsmith, Michael Beddoes, Grace Jackson, Barbara Anastacio, Thaddeus Ruzicka, Peter Glanz, Gabriel Shalom, David Buchanan, Lynsey Miller, Craig Heathcote, Alice Seabright EDUCATION_ AMERICAN FILM INSTITUTE, LA, CA Master of Fine Arts Concentration: Cinematography WESLEYAN UNIVERSITY, Middletown, CT Bachelor of Arts Major: Film Studies, with Honors Ms. Goldschmidt is a co-founder of illuminatrix- a collective of female cinematographers, and a member of the ICG. Partial list of credits to fit on one page- Full list available on request. **Indicates Award .

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Doctor Who Series 12 Episode Five Fugitive of the Judoon Programme
DOCTOR WHO SERIES 12 EPISODE FIVE FUGITIVE OF THE JUDOON PROGRAMME NUMBER: DRAA715N/01 10:00:00 BBC WORLDWIDE STING 10:00:05 OPENING TITLES 10:00:05 Music in ‘M1 Opening Titles’ 10:00:12 Caption 'Jodie Whittaker' 10:00:13 Caption 'Bradley Walsh' 10:00:15 Caption ‘Tosin Cole 10:00:17 Caption ‘Mandip Gill’ 10:00:20 Caption 'BBC Doctor Who' 10:00:27 Caption 'Series Producer Nikki Wilson 10:00:30 Caption 'Director Nida Manzoor’ 10:00:34 Caption ‘Fugitive of the Judoon Written by Vinay Patel Chris Chibnall 10:00:38 Music out ‘M1 Opening Titles’ CUT TO: 10:00:39 INT. RUTH'S FLAT/KITCHEN - DAY 10:00:39 Music in ‘M2 My Guided Tour’ A WATCH on a wrist. Each tick feels mighty. TICK! TICK! Seconds hand cruises past ten. EYES. WATCH. MOUTH. Two to twelve. One to twelve -- BANG! TWO SLICES OF TOAST snap smartly out of a toaster. The hand rescues them, gives them refuge on a plate where a knob of butter on a knife sits waiting, alongside a single hard boiled egg in a floral cup. We see now the architect: RUTH CLAYTON, mid-50s. A woman who knows who she is and loves it. She smiles upon her creation. RUTH CLAYTON Proper. CUT TO: 10:01:02 INT. RUTH'S FLAT/LIVING ROOM - DAY RUTH, eating her toast, looks up to see her partner LEE -- early 50s, slippery, charming, sexy, edge of danger -- stumble in, half-asleep. LEE CLAYTON I said I'd make your birthday breakfast. RUTH CLAYTON Yeah well, I was hungry.
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Doctor Who Series 12 Episode Six Praxeus Programme Number
DOCTOR WHO SERIES 12 EPISODE SIX PRAXEUS PROGRAMME NUMBER: 01/DRAA716H 10:00:00 BBC WORLDWIDE STING 10:00:05 OPENING TITLES 10:00:05 Music in ‘M1 Opening Titles’ 10:00:12 Caption 'Jodie Whittaker' 10:00:13 Caption 'Bradley Walsh' 10:00:15 Caption ‘Mandip Gill’ 10:00:17 Caption ‘Tosin Cole’ 10:00:20 Caption 'BBC Doctor Who' 10:00:27 Caption 'Series Producer Nikki Wilson 10:00:30 Caption 'Director Jamie Magnus Stone’ 10:00:34 Caption ‘Praxeus Written by Pete McTighe Chris Chibnall 10:00:38 Music out ‘M1 Opening Titles’ CUT TO: 10:00:39 EXT. SPACE, ABOVE THE EARTH 10:00:39 Music in ‘M2 Together and Alone’ The Earth hanging in space. Beautiful and majestic. THE DOCTOR (V.O.) Planet Earth. Early in the third decade of the 21st century. Population: seven billion. Seven billion lives, separate and connected. From the depths of the oceans to the edge of the atmosphere. A FIERY OBJECT ROARS THROUGH FRAME. The International Space Station's SOYUZ DESCENT MODULE, hurtling into the atmosphere. CUT TO: 10:01:05 INT. SOYUZ DESCENT MODULE Strapped inside: astronaut ADAM LANG (30s, focussed, brave). Instrument panels are flashing, alarms are blaring. FIRE BLAZES outside the portal as the heat shields melt away. ADAM LANG Soyuz to Control, we have automatic system failure. CONTROL (V.O.) Copy that Soyuz, can you switch to ballistic descent and maintain trajectory? Straining against g-forces -- squeezing a hand controller -- ADAM LANG Negative, I'm way off course - Static from the communications speaker. The module control panel sparks.
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Series 8, Episode 1
Series 8, Episode 1 “DEEP BREATH” By STEVEN MOFFAT Producer NIKKI WILSON Director BEN WHEATLEY DURATION: 79’07” 24FPS UK TX SPOOL NO: TBC PROG ID: DRR B081E/01 DOCTOR WHO - POST PRODUCTION SCRIPT – SERIES 8 10:00:00 EXT. SKY - DAY A beautiful blue sky - no clue where this is. A huge, thunderous impact, earth-shaking - and now, swaying into view the head of a Tyrannosaurus Rex. It roars, it sways its mighty head - And now another sound. The tolling of bell. The Tyrannosaurus, looking around. Now bending to investigate this strange noise. Panning down with the mighty to discover the clock tower of Big Ben. Now there are the cries of terrified Londoners, screams and yells. CUT TO: 10:00:21 EXT. BANKS OF THE THAMES - DAY A row of terrified Victorian Bobbies, cordoning off gob-smacked members of the public. The screams continue, and we see their view of the Tyrannosaur dwarfing Big Ben. At the front is jaw-dropped Inspector Gregson, staring up at the impossible creature. Pushing their way, through the garden, comes the Veiled Detective herself - Madame Vastra. Following, Jenny Flint and Strax. 10:00:37 INSPECTOR GREGSON Madame Vastra, thank God. I'll wager you've not seen anything like this before! Vastra steps forward, looking up at the bellowing creature - VASTRA Well - She throws back her veil, revealing her green, reptile skin. VASTRA (cont'd) - not since I was a little girl. © BBC 2014 PRIVATE AND CONFIDENTIAL DOCTOR WHO - POST PRODUCTION SCRIPT – SERIES 8 Jenny and Strax, stepping forward to join her.
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Sophie Francis Jones Company / Organisation / Freelance Status
Name: Sophie Francis Jones Company / Organisation / Freelance status: Freelance I work in... Television Given my experience, I would be able to assist BAFTA Cymru with... - Operations and Governance - Income generation - Partnership development - Reaching new members - Learning and Events strategy Personal Statement I can bring to BAFTA my 20 years experience at all levels in the television industry in Wales, making drama for both network and local audiences. I have shown commitment to producing quality popular programming and I’d like to work with BAFTA in order to keep the organisation and the industry relevant to its audiences and to ensure that quality and integrity remain at the fore. CV Post Production and Development Producer, including the setting up of production arm Ffilmworks. This autumn Ffilmworks has produced our first commissioned project, a 15’ drama for S4C and the European Broadcast Union entitled “DAD”. 2011 - 2013 – BBC Continuing Drama Series Script Producer CASUALTY Series Producer: Nikki Wilson; Executive Producers: Johnathan Young, Oliver Kent 2008 - 2011 – Fiction Factory Ltd Series Producer GWAITH/CARTREF (HOMEWORK), 10 x 60’ drama series for S4C, series 1 and 2. I devised this series from scratch with writer Roger Williams. It is now in its 4th series. Executive Producer PERFECT SUMMER, 1 x 30’ drama for BBC Wales (nominated in the category of Best Youth Programme at this year’s BAFTA CYMRU Awards) Freelance Development Producer WAY OUT WEST, with Boomerang Ltd. One 30’ script and story bible of this 10 x 30’
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Innovative Artists | +1 310 656 5157 
UK Rep: Independent | +44 (0)207 034 2141 US Rep: Innovative Artists | +1 310 656 5157 www.catherinegoldschmidt.com FEATURES Director Producers / Production Co. AGATHA AND THE CURSE OF ISHTAR Sam Yates Emily Dalton, Carol Harding, Darlow Smithson SPIDERMAN: FAR FROM HOME Jon Watts Polly Hope, Marvel/Sony (Add’l Photography/VFX Unit/C-Camera) Jesse James Chisolm THE HONOR LIST Elissa Down Liz Destro, Lionsgate / Studio L Bentonville Film Festival - Opening Night Film COVER VERSIONS Todd Berger Mark Korshak, Lakeshore / Off the Dock Palm Springs Film Festival - Opening Night Film NO LIGHT AND NO LAND ANYWHERE Amber Sealey Alysa Nahmias, Miranda July, Part Participation **LA Film Festival - Special Jury Award WISHIN’ AND HOPIN’ Colin Theys Synthetic Cinema Int’l LITTLE PARADISE Natan Moss Lee Sacks, Amnesty Pictures New Filmmakers LA - Best Cinematography Nominee NORTHEAST Gregory Kohn Eleanor Meier, Christine No, Florida Pictures Tribeca Film Festival THE ORGY (Short) Sam Baron Tilly Wilding Coulson EGG (Short) Benh Zeitlin Michael Gottwald, Court 13 **Slamdance, Cinequest TV / EPISODIC DOCTOR WHO (S12- Opening Block) Jamie Stone Nikki Wilson, Chris Chibnall, BBC One DUMMY Tricia Brock Cody Heller, Jeffrey Katzenberg, wiip/Quibi THE DIARY OF MY BROKEN VAGINA (pilot) Theresa Varga Anne Patterson, Kate Heggie, Shiny Button/ Ch. 4 HOUNSLOW DIARIES (pilot) Nida Manzoor Charlie Coombes, Arabella McGuinan,CPL/BBC3 DOING MONEY (Add’l Photography) Lynsey Miller Mike Dormer, Renegade / BBC2 nd THE BOY WITH THE TOPKNOT (2 Unit) Lynsey
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Webinar Questions Answered by Presenter Nikki Wilson, Director, Pharmacy Product Development, Mitchell
Webinar questions answered by presenter Nikki Wilson, Director, Pharmacy Product Development, Mitchell 1. What are the current CDC Guidelines for MED Level? Pharmacies such as CVS, Walgreen's are all using different levels through our PBM. a. The recommendation from the CDC is to use the lowest effective dose of opioids for the shortest duration possible, and to carefully reassess evidence of individual benefits and risks when considering increasing the daily dose above 50 MED. The CDC recommends avoiding increasing dosages to 90 morphine milligram equivalents per day and recommends considering consultation with a pain specialist if higher doses are thought to be needed. You are correct, that the MED thresholds are more of a guidance and can vary from resource to resource, but 50 and 90 are those I see most-commonly upheld by the guidelines (like ODG, ACOEM, CDC). 2. Is tramadol an opioid? a. Yes. It is a synthetic opioid that acts on both the opioid receptor and through other mechanisms to manage pain. This is where I think some of the confusion comes in from providers and others with the misconception that tramadol is “safer” than other opioids or is a non-opioid medication. Tramadol’s other mechanisms of action include effects on serotonin and norepinephrine levels, similar to the way tricyclic and SNRI antidepressants work to improve pain. That being said, when used as intended at prescribed therapeutic doses, genuine physical/pharmacological dependence is rare (given the drug’s relatively lower affinity for the opioid receptor vs. other opioids), but psychological dependence and abuse is not uncommon, especially in those with substance abuse history.
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Bcsfazine #531
The Newsletter of the British Columbia Science Fiction Association #531 $3.00/Issue August 2017 In This Issue: This and Next Month in BCSFA..........................................0 About BCSFA.......................................................................0 Letters of Comment............................................................1 Calendar...............................................................................7 News-Like Matter..............................................................11 Seven Science Fiction Haiku (Denny E. Marshall)..........24 LOL: ‘Spy and Pyro’ (Michael Bertrand)..........................25 Art Credits..........................................................................26 BCSFAzine © August 2017, Volume 45, #8, Issue #531 is the monthly club newslet- ter published by the British Columbia Science Fiction Association, a social organiza- tion. ISSN 1490-6406. Please send comments, suggestions, and/or submissions to Felicity Walker (the editor), at felicity4711@ gmail .com or Apartment 601, Manhattan Tower, 6611 Coo- ney Road, Richmond, BC, Canada, V6Y 4C5 (new address). BCSFAzine is distributed monthly at White Dwarf Books, 3715 West 10th Aven- ue, Vancouver, BC, V6R 2G5; telephone 604-228-8223; e-mail whitedwarf@ deadwrite.com. Single copies C$3.00/US$2.00 each. Cheques should be made pay- able to “West Coast Science Fiction Association (WCSFA).” This and Next Month in BCSFA Friday 18 August 2017: Submission deadline for September BCSFAzine (ideally). Sunday 20 August 2017 at 6 PM: August
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Sarah Davies 1St Assistant Director
Sarah Davies 1st Assistant Director Credits include: HIS DARK MATERIALS Director: Harry Wootliff Fantasy Adventure Drama Series Series Producer: Nick Pitt Featuring: Dafne Keen, Amir Wilson, Adewale Akinnuoye-Agbaje Production Co: Bad Wolf / HBO / BBC One THE RISING Director: Ed Lilly Supernatural Crime Drama Series Producer: Julian Stevens Featuring: Clara Rugaard, Matthew McNulty, Daniel Ings Production Co: SKY Studios / NOW TV / Sky One WAR OF THE WORLDS Director: Richard Clark Mystery Sci-Fi Drama Series Producer: Adam Knopf Featuring: Gabriel Byrne, Elizabeth McGovern, Daisy Edgar-Jones Production Co: Urban Myth Films / Canal+ / FX INTERGALACTIC Director: Rebecca Johnson Sci-Fi Thriller Drama Series Producer: Bryony Arnold Featuring: Eleanor Tomlinson, Parminder Nagra, Savannah Steyn Production Co: Tiger Aspect / Moonage Pictures / Sky One LITTLE BIRDS Director: Stacie Passon 1950’s Drama Producer: Ruth McCance Featuring: Juno Temple, Amy Landecker, David Costabile Production Co: Warp Films / Sky Atlantic THE ABC MURDERS Director: Alex Gabassi 1930’s Mystery Crime Thriller Producer: Farah Abushwesha Agatha Christie adaptation Featuring: John Malkovich, Rupert Grint, Shirley Henderson Production Co: Mammoth Screen / ACP / Amazon / BBC One DOCTOR WHO Production Co: BBC One Sci-Fi Adventure Drama Producer: Nikki Wilson THE WOMAN WHO FELL TO EARTH, DEMONS OF THE PUNJAB Director: Jamie Childs Featuring: Jodie Whittaker, Bradley Walsh, Mandip Gill WORLD ENOUGH AND TIME Director: Rachel Talalay Featuring: Peter Capaldi, Matt Lucas, Michelle
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Ascension of the Cybermen
DOCTOR WHO SERIES 12 EPISODE NINE ASCENSION OF THE CYBERMEN PROGRAMME NUMBER: DRAA752W/01 10:00:00 BBC WORLDWIDE STING 10:00:05 EXT. SPACE 10:00:05 Music in ‘M1 That Which is Dead Can Live Again’ Deep space. Hold on it. Stars, distant planets. But mostly, nothingness. A lone male voice on the soundtrack. ASHAD (V.O.) The Cybermen were defeated. (Beat) The victors of a billion battles, broken. An empire of might and terror, fallen. And as we move through space, we see a small distant object. It is gradually moving closer. As it gets closer we realise it is: A Cyberhead floating through space. Disembodied. Smashed up, burned out. It floats slowly closer to us. Slowly. ASHAD Their weaknesses exploited. Their armies outfought. Their conquests surrendered. And now we're closer on the head. Now it's almost looking at us. ASHAD (CONT'D) Every Empire has its time. And every Empire falls. And now we're closing further in on the detail of the Cyber head -- we can see the detail and precision of its work. The thing of beauty, that has been burned out. And we close in even further on the face -- and now slowly closing in on the eyes. Those haunting eyes. Grilles -- and behind them, we see fire -- ASHAD (CONT'D) But that which is dead, can live again. (Beat) In the hands of a believer. And we go through the eyes of the Cyberhead -- and the shape of the eye becomes – 10:00:44 Music out ‘M1 That Which is Dead Can Live Again’ CUT TO: 10:00:44 OPENING TITLES 10:00:44 Music in ‘M2 Opening Titles’ 10:00:51 Caption 'Jodie Whittaker' 10:00:53 Caption 'Bradley Walsh' 10:00:55 Caption ‘Tosin Cole 10:00:56 Caption ‘Mandip Gill’ 10:00:58 Caption 'BBC Doctor Who' 10:01:06 Caption 'Series Producer Nikki Wilson’ 10:01:09 Caption 'Director Jamie Magnus Stone’ 10:01:14 Caption ‘Ascension of the Cybermen, Written by Chris Chibnall’ 10:01:17 Music out ‘M2 Opening Titles’ CUT TO: 10:01:17 EXT.
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The Eleventh Hour
THE ELEVENTH HOUR 6 THE ELEVENTH HOUR Chapter One THE ELEVENTH HOUR Written by: Steven Moffat Directed by: Adam Smith First broadcast: 3 April 2010 “What have you got for me this time?” Running at 65 minutes, the opening episode of Series Five, The Eleventh Hour , covers a lot of ground. Its major task is to introduce a new Doctor, in the form of actor Matt Smith, whose debut had been awaited since the announcement of his casting in January 2009 and his brief appearance at the conclusion of The End of Time – Part Two , broadcast on 1 January 2010. As well as introducing us to the eleventh incarnation of the Doctor, this episode is also our first encounter with a new companion, Amelia Pond, or Amy as she is formally known throughout the series. The episode opens with a pre-titles sequence. This was shot after the production block for this episode had wrapped and was separately produced by Nikki Wilson and directed by Jonny Campbell, who had been working on the production of the episodes The Vampires of Venice and Vincent and the Doctor . The pre-titles pick up directly from the conclusion of The End of Time , with the TARDIS exploding, in flames, and hurtling back to Earth whilst carrying the newly regenerated Doctor. Before the new title sequence crashes in, this opening clearly operates as a ‘handing of the baton’ from one era of the show, that overseen by Russell T. Davies, to the next, the newest as produced by Steven Moffat. With an action sequence that shows the Doctor clinging on to the TARDIS for dear life as it spirals out of control across the cityscape of London at night, Moffat here clearly desires to assure viewers that they are watching the same series that had made its triumphant return back in 2005.
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Doctor Who Series 12 Episode One Spyfall Part One
DOCTOR WHO SERIES 12 EPISODE ONE SPYFALL PART ONE PROGRAMME NUMBER: DRAA769W/01 10:00:00 BBC WORLDWIDE STING 10:00:05 EXT. ROCKY RIDGE - DAY 1 1221 10:00:05 Music in ’M1 The Attacks’ Beating heat. Pan down from blue sky to rocky ridge. Past the ridge, the view is magnificent -- across dusty roads. CAPTION: IVORY COAST, WEST AFRICA We keep moving down and come to rest on -- A SNIPER. On her belly, in front of a large vertiginous wall of rock. Military grade sniper's rifle trained on the distance. Still. Focused. GUNSIGHT POV: a long trailing empty road in the sights. SNIPER Come on. A battered car emerges from round a corner in the distance. GUNSIGHT POV: the car in the gunsights, as it travels. SNIPER (CONT'D) Got you. The car in the sights -- the finger on the trigger -- the Sniper's eye -- the finger tightening -- Close in on the Sniper, awaiting her moment -- PULL FOCUS to behind: The structure of the rock behind her is shifting and moving! Forming into a humanoid shape, but still retaining the surface pattern of the rock, camouflaged, like a chameleon -- A tall slender figure forms out of the rock -- terrifying blank-faced humanoid-ish alien figure, no features -- retaining the surface pattern of the rock -- SNIPER (CONT'D) Just a little closer. Moves past camera towards the sniper -- The rifle falls to the ground. CUT TO: 10:00:43 EXT. AIRCRAFT - NIGHT 1 2122 An aircraft cruises the night sky. CAPTION: PACIFIC OCEAN. CUT TO: 10:00:49 INT.
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The Timeless Children
DOCTOR WHO SERIES 12 EPISODE TEN THE TIMELESS CHILDREN PROGRAMME NUMBER: DRAA753P/01 10:00:00 BBC WORLDWIDE STING CUT TO: 10:00:05 EP 9 RECAP 10:00:05 Music in 'M1 Ep 9 Recap’ THE DOCTOR We are in the very far future RYAN Only seven humans left. THE DOCTOR Cyberdrones. THE DOCTOR (CONT’D) Go with the humans. Help them. Get them out of here. You won’t make it back to the Tardis alive. ASHAD We know where you are. We will find you. BESCOT The Boundary. It’s where we’ve been trying to get to. RAVIO A gateway. A direct route out of here into another random part of the universe. THE MASTER Wow! Be afraid Doctor because everything is about to change. 10:00:35 Music out 'M1 Ep 9 Recap’ 10:00:35 OPENING TITLES 10:00:35 Music in 'M2 Opening Titles' 10:00:41 Caption 'Jodie Whittaker' 10:00:43 Caption 'Bradley Walsh' 10:00:45 Caption ‘Mandip Gill’ 10:00:47 Caption ’Tosin Cole’ 10:00:50 Caption 'BBC Doctor Who' 10:00:57 Caption 'Series Producer Nikki Wilson’ 10:01:00 Caption 'Director Jamie Magnus Stone’ 10:01:04 Caption ‘The Timeless Children’ Written by Chris Chibnall 10:01:07 Music out ‘M2 Opening Titles’ CUT TO: 10:01:07 EXT. SHANTY PLANET/SHORELINE – DAY 10:01:07 Music in ‘M3 Take My Hand’ The distant ruins of Gallifrey. THE MASTER holding out his hand to THE DOCTOR -- The Doctor resisting, in shock, staring at him -- behind her are RYAN, KO SHARMUS and ETHAN.
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