Judith Linhares
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George Adams Gallery, New York, 2019
38 Walker Street New York, NY 10013 tel: 212-564-8480 www.georgeadamsgallery.com ROBERT ARNESON BORN: Benicia, CA, 1930. DIED: Benicia, CA, 1992. EDUCATION: College of Marin, Kentfield, CA California College of Arts & Crafts, Oakland, CA: B.A., 1954. Mills College, Oakland, CA: M.F.A.,1958. AWARDS: Fellow, American Craft Council, 1992. Academy-Institute Award in Art, American Academy and Institute of Arts and Letters, 1991. Honorary Doctor of Fine Arts, San Francisco Art Institute, 1987. Honorary Doctor of Fine Arts, Rhode Island School of Design, 1985. SOLO EXHIBITIONS: “Robert Arneson: The Anti-War Works 1982-1986,” George Adams Gallery, New York, 2019. Robert Arneson and William T Wiley, George Adams Gallery, New York, NY, 2017. “Guardians of the Secret II” Brian Gross Fine Art, San Francisco, CA, 2016. “Fatal Laughs: The Art of Robert Arneson” Cantor Arts Center, Stanford University, Stanford, CA, 2014-15. “Robert Arneson: Troublesome Subjects: Three Decades of Paintings, Sculpture, and Works on Paper,” George Adams Gallery, New York, NY, 2013. “Robert Arneson: Playing Dirty,” Allan Stone Gallery, New York, NY, 2012. “Robert Arneson: Installation of Works from the Collection,” San Francisco Museum of Modern Art, San Francisco, CA, 2012. “Robert Arneson: Self Portraits in Bronze” Brian Gross Fine Art, San Francisco, CA, 2012. “Robert Arneson: Founding Funk: Sculptures and Drawings 1956-66,” George Adams Gallery, New York, NY, 2010. “Robert Arneson from the 60's," Brian Gross Fine Art, San Francisco, CA, 2008. “Robert Arneson: The Black Series, Selected Works 1988-1990," George Adams Gallery, New York, NY, 2007. “Robert Arneson: Sculpture, Paintings and Drawings 1958-1992," George Adams Gallery at the ADAA Art Show, Seventh Regiment Armory, New York, NY, 2006. -
PATRICK RYOICHI NAGATANI *Collaborative Work with Andrée Tracey
PATRICK RYOICHI NAGATANI *collaborative work with Andrée Tracey BORN August 19, 1945 Chicago, IL, U.S.A. EDUCATION M.F.A. 1980 University of California, Los Angeles B.A. 1968 California State University, Los Angeles SOLO EXHIBITIONS 2015 Patrick Nagatani: Themes and Variations, Curated by Barbara Hitchcock, The Griffin Museum, Boston, MA 2014 Patrick Nagatani: Outer/Inner - Contemplation on the Physical and the Spiritual, Andrew Smith Gallery, Santa Fe, NM 2012 Medium, Meditation, and Mu (33 Buddhist tapestries), Collaboration with Carol Chase Bjerke, Common Wealth Gallery, Madison, WI Desire for Magic: Patrick Nagatani 1978 – 2008, Clay Center for the Arts and Sciences, Charleston, WV Desire for Magic: Patrick Nagatani 1978 – 2008, UNM Art Museum, Albuquerque, New Mexico, Desire for Magic Chromatherapy, Lycoming College Art Gallery, Williamsport, PA 2011 Desire for Magic: Patrick Nagatani 1978-2008, UNM Art Museum, Albuquerque, NM 2010 Chromatherapy, International Museum of Surgical Sciences, Gallery A, Chicago, IL 2009 Nuclear Enchantment: Photographs by Patrick Nagatani, Akron Art Museum, Fred and Laura Ruth Bidwell Gallery, OH Desert Secrets: Photography from the UMFA’s Permanent Collection and Nuclear Enchantment, Utah Museum of Fine Arts,University of Utah, Salt Lake City, UT Ryoichi / Nagatani Excavations, Lehigh University, Rauch Gallery, Bethlehem, PA 2007 Chromatherapy, Collaboration with Julie Anand & Damon Sauer, Northlight Gallery, Arizona State University, Tempe, AZ Chromatherapy, American Institute of Architecture Gallery -
Ulteriors Curated by Dennis Kardon
Ulteriors Curated by Dennis Kardon When I look at art, I follow my gaze. What is the Dog and Flag is more absurdly erotic. Nathalie is first thing I see? Where do I go from there and wearing a navy pea coat sitting on a personified, why? Noticing the play of my own attention has pale flesh-colored wiener squirting ketchup and become my principle preoccupation when painting mustard on its head in front of an American flag. and looking at art. Artists deliberately orchestrate But note the bruise marring one of Nathalie’s attention through particular decisions they make, alabaster naked legs. Chin resting on fist, wearing a and these decisions reflect motivations interior to crystal necklace, red hair flowing like the flag what is simply depicted. Ulteriors, while similar to stripes, coat buttons echoing flag stars, Nathalie interiors, is an attempt to explore the way this play (years later, now Nathan) dangles their left hand of attention constructs meaning. All the works in provocatively between their parted legs. It isn’t Ulteriors are on a spectrum from total abstraction simply that Ethridge blurs the lines between art, to photographic representation. Their connection fashion, and editorial photography but that he with the interiority of viewers’ minds is through the questions what constitutes the boundaries between ways they bodily engage their attention. those categories in the first place. Ambiguities arise in this process, whose motivations, while not exactly hidden, are not The formal structures that call attention to the always readily apparent either. While I have met, abstract nature of representational images also known and even written about most of the artists unite the long wall. -
WANXIN ZHANG Born and Educated in China Lives and Works in San Francisco, California
WANXIN ZHANG Born and educated in China Lives and works in San Francisco, California EDUCATION 1992-96 Academy of Art University, MFA Sculpture, San Francisco, California 1980-85 Lu Xun Academy of Fine Art, BA Sculpture. ShengYang City, LiaoNing Province, China 1984 Stone Carving Workshop with Master Hosoi Yoshio, ShengYang City, China 1978-80 Jilin Art School, Diploma of Fine Art, ChangChun City, Jilin Province, China TEACHING EXPERIENCE 2015- Department of Sculpture, San Francisco Art Institute, San Francisco, California 2012-13 Ceramics Department, California College of The Arts, Oakland, California 2010-12 Department of Art Practice, University of California, Berkeley, California 1996-10 Academy of Art University, San Francisco, California 1985-92 Jilin Art College, ChangChun City, China SELECTED SOLO EXHIBITIONS 2019 Wanxin Zhang: The Long Journey, The Museum of Craft and Design, San Francisco California 2017 Fahrenheit 華氏, Catharine Clark Gallery, San Francisco, California 2015 Clay Nation: Wanxin Zhang, Peninsula Museum of Art, Burlingame, California 2014 Totem, Catharine Clark Gallery, San Francisco, California 2013 Wanxin Zhang: Ceramic Sculptures, Sanchez Art Center, Pacifica, California Wanxin Zhang's New Works, Turner Carroll Gallery, Santa Fe, New Mexico 2012 Wanxin Zhang, Melissa Morgan Fine Art, Palm Desert, California Wanxin Zhang's New Works, Art Beatus Gallery, Hong Kong, China Richmond Art Center, Main Gallery, Richmond, California Holter Museum of Art, High Gallery, Helena, Montana 2011 Wanxin Zhang, Pacini Lubel Gallery, Seattle, Washington Bellevue Arts Museum, Bellevue, Washington Morean Art Center, St, Petersburg, Florida 2010 Boise Art Museum, Boise, Idaho. May 22- September 19, 2010. Wanxin Zhang: A Ten Year Survey: 1999-2009, Arizona State University Art Museum, Tempe, Arizona (A Ten Year Survey then traveling to above five venue in Idaho, Florida, Washington, Montana and California, from 2010 to 2012. -
Squeak Carnwath 10/17/2016 Personal Born in Abington, PA in 1947, Squeak Received Her MFA from California College of Arts and Crafts in 1977
Squeak Carnwath 10/17/2016 Personal Born in Abington, PA in 1947, Squeak received her MFA from California College of Arts and Crafts in 1977. Education 1977-77 California College of Arts and Crafts, MFA, Oakland, CA 1970-71 California College of Arts and Crafts, Oakland, CA 1968-69 Goddard College, Plainfield, VT 1966-68 Monticello Junior College for Women, AA, Godfrey, IL Awards and Honors 2008 National Academy Museum, Emil and Dimes Carlsen Award, 183rd Annual: An Inivitational Exhibition of Contemporary Art, New York, NY 2006 University of California, Berkeley, Research Enabling Grant, Berkeley, CA 2005 University of California, Berkeley, Research Enabling Grant, Berkeley, CA University of California, Berkeley, Teaching Mini Grant, Berkeley, CA 2004 University of California, Berkeley, Research Enabling Grant, Berkeley, CA University of California, Berkeley, Teaching Mini Grant, Berkeley, CA 2003 University of California, Berkeley, Faculty Research Award, Berkeley, CA 2002 Flintridge Foundation Award for Visual Artists, Pasadena, CA University of California, Berkeley, Faculty Research Award, Berkeley, CA 2001 Precita Eyes Muralists Association, Inc., Special Recognition Award for the SFO Art Enrichment project, Fly, Flight, Fugit, San Francisco, CA 1998 Modern Master, Museum of Art and the Environment, Marin, CA 1996 Alma B.C. Schapiro Residency for a Woman Painter, Yaddo, Saratoga Springs, NY Hometown Heroes, Oakland Artists Who Have Made a Difference,” Office of the Mayor, Oakland, CA 1994 Guggenheim Fellowship 1992 Rosenkranz Family -
Manuel Neri CV
MANUEL NERI BORN: 1930, Sanger, CA EDUCATION: 1949-50 San Francisco City College, San Francisco, CA 1951-52 University of California, Berkeley 1951-56 California College of Arts and Crafts, Oakland 1956-58 California School of Fine Arts, San Francisco TEACHING: 1959-65 California School of Fine Arts, San Francisco, CA 1963-64 University of California, Berkeley, CA 1965-90 University of California, Davis, CA GRANTS AND AWARDS: 1953 Oakland Art Museum, First Award in Sculpture 1957 Oakland Art Museum, Purchase Award in Painting 1959 Nealie Sullivan Award, California School of Fine Arts, San Francisco 1963 San Francisco Art Institute, 82nd Annual Sculpture Award 1965 National Art Foundation Award 1970-75 University of California at Davis, Sculpture Grant 1979 John Simon Guggenheim Memorial Foundation Fellowship 1980 National Endowment for the Arts, Individual Artist Grant 1982 American Academy and Institute of Arts and Letters, Academy-Institute Award in Art 1985 San Francisco Arts Commission, Award of Honor for Outstanding Achievement in Sculpture 1990 San Francisco Art Institute, Honorary Doctorate for Outstanding Achievement in Sculpture 1992 California College of Arts and Crafts, Honorary Doctorate 1995 Corcoran School of Art, Washington, DC, Honorary Doctorate 2004 International Sculpture Center, Lifetime Achievement Award in Contemporary Sculpture COMMISSIONS: 1980-82 Office of the State Architect, State of California, Commission for marble sculpture "Tres Marias" for The Bateson Building, Sacramento, CA 1987 North Carolina National Bank, Commission for marble sculpture "Española" for NCNB Tower, Tampa, FL The Linpro Company, Commission for marble sculpture "Passage" for the Christina Gateway Project, Wilmington, DE U.S. General Services Administration, Commission for marble sculpture "Ventana al Pacifico" for U.S. -
ADAA: the Art Show February 28 – March 3, 2019 Booths C10 &
ADAA: The Art Show February 28 – March 3, 2019 Booths C10 & D11 Anglim Gilbert Gallery and P.P.O.W are pleased to announce a two-person booth featuring paintings by Judith Linhares and ceramic sculptures by Annabeth Rosen. The presentation will span early and recent works by both artists, demonstrating the consistency and contemporary influence of their decades-long pioneering practices. While both artists are engaged with the specific histories and techniques of their respective media, Linhares and Rosen share a determination to pare down their work to integral, visceral gestures, giving free rein to their own intuition and wit. Furthermore, both artists, who formed their careers in California and New York, are receiving growing critical recognition with solo exhibitions on both coasts. Both Linhares and Rosen are represented by Anglim Gilbert Gallery and P.P.O.W. Rooted in the California Bay Area Counter Culture of the 60s and 70s, Judith Linhares’ practice combines modes of abstract expressionism with Bay Area figuration to create uniquely irradiant paintings. Beginning each work with an exploration of the paint itself, Linhares utilizes abstract fields of color to gradually pull out her subjects. Approaching figuration through abstracted forms Linhares depicts, with distinctly lush, almost edible, colors, mythological women communing with nature alongside colorful portraits of farm animals and floral still lives. Sexual without being sexy, her nude female figures lay claim to their domestic and natural landscape. Whether climbing trees, riding on horseback, or delighting in drunken revelry, Linhares’ sirens toil together to build fairy tales and mythologies all their own. Judith Linhares’ first solo exhibition with P.P.O.W entitled Hearts on Fire will coincide with our ADAA presentation. -
B E V E R L Y R a Y N E R
B E V E R L Y R A Y N E R beverlyrayner.com EDUCATION San Jose State University, San Jose, CA, Master of Fine Arts ONE PERSON EXHIBITIONS 2017 Blind Spots, Themes + Projects, San Francisco, CA 2016 The Museum of Mesmerism & Psychic Art, Russell Fine Arts Gallery, Arkadelphia, AR 2014 The Museum of Mesmerism & Psychic Art, Triton Museum of Art, Santa Clara, CA 2012 The Museum of Mesmerism, Eleanor D. Wilson Museum, Hollins University, Roanoke, VA 2011 Illusionistic Devices, G. Gibson Gallery, Seattle, WA 2010 MontereyNOW: Beverly Rayner, Monterey Museum of Art, Monterey, CA Accretion, Braunstein/Quay Gallery, San Francisco, CA 2009 Beverly Rayner, Cherry Center for the Arts, Carmel, CA Accretion, San Jose State University, Gallery 3 cabrilloArt, cabrilloArtists, Pajaro Valley Arts Center, Watsonville, CA 2008 State of Worry, Braunstein/Quay Gallery, San Francisco, CA 2007 Optical Allusions, G. Gibson Gallery, Seattle, WA 2006 Balancing Acts, Braunstein/Quay Gallery, San Francisco, CA 2005 Mind Over Matter, G. Gibson Gallery, Seattle, WA 2004 Specimens, G. Gibson Gallery, Seattle, WA 2003 Head Above Water, Couturier Gallery, Los Angeles, CA Toying with Human Nature, Braunstein/Quay Gallery, San Francisco, CA 2001 Genetic Decoder & Other Pseudoscientific Explorations, G. Gibson Gallery, Seattle, WA 2000 More Observations & Experiments, Braunstein/Quay Gallery, San Francisco, CA 1999 Couturier Gallery, Los Angeles, CA Observations & Experiments, G. Gibson Gallery, Seattle, WA 1998 New Work, Braunstein/Quay Gallery, San Francisco, CA 1997 New Work, G. Gibson Gallery, Seattle, WA New Works, San Jose Institute of Contemporary Art, San Jose, CA 1996 Shadow Worship, G. Gibson Gallery, Seattle, WA New Work, Braunstein/Quay Gallery, San Francisco, CA 1995 d.p. -
Resume D'art 2017
G AIL WIGHT CURRICULUM VITAE EDUCATION 1991 - 1994 M.F.A. Jacob K. Javits Fellow, New Genres, San Francisco Art Institute, San Francisco, CA 1984 - 1988 B.F.A. Studio for Interrelated Media, Massachusetts College of Art, Boston, MA SOLO & TWO-PERSON EXHIBITS 2017 Cerulean Blues Stanford Art Gallery, Stanford, CA Homage to the Wind Plexus Projects, New York, NY 2016 Raw Materials Grizzly Grizzly, Philadelphia, PA (2 person) Te Hexapodarium SFO Museum, San Francisco International Airport, CA 2015 Te Hexapodarium: extreme photography Peninsula Museum of Art, Burlingame, CA 2014 Te Spider and the Fly Patricia Sweetow Gallery, San Francisco, CA Te Spider and the Fly First Street Gallery, Eureka, CA 2013 All the Time in the World Clay Center for Art & Science, Charleston, WV (2 person) All the Time in the World McColl Center for Visual Art, Charlotte, NC (2 person) 2012 Hydraphilia Nevada Museum of Art, Reno, NV Ground Plane Patricia Sweetow Gallery, San Francisco, CA 2011 Unspecifed Patricia Sweetow Gallery, San Francisco, CA 2010 Restless Dust, a ghost-walk with Darwin San Francisco Center for the Book, San Francisco, CA 2009 Intertidal Zone Patricia Sweetow Gallery, San Francisco, CA Night Moves : Gail Wight San Jose Institute of Contemporary Art, San Jose, CA 2007 Te Evolution of Disarticulation University of New Mexico Art Museum, Albuquerque, NM Te Anatomies Ontario Science Museum, Toronto, Ontario 2006 Sliding Scale Tomas Whelton Gallery, Stanford University, Stanford, CA 2004 Rodentia Chamber Music Cornerhouse, Manchester, England when the cats are away... Studio for Interrelated Media, Massachusetts College of Art, Boston, MA 2003 Te Evolution of Disarticulation Walter & McBean Galleries, San Francisco Art Institute, San Francisco, CA Supertramps Headlands Center for the Arts, Sausalito, CA (collaboration with Dr. -
George Adams Gallery, New York, NY 2020
38 Walker Street New York, NY 10013 tel: 212-564-8480 www.georgeadamsgallery.com JOAN BROWN BORN: San Francisco, CA, 1938. DIED: Prasanthinilayam, India, 1990. EDUCATION: San Francisco Art Institute, San Francisco, CA, BFA 1959; MFA 1960. AWARDS: James D. Phelan Award, 1962. Louis Comfort Tiffany Award, 1965. Adeline Kent Award, 1973. National Endowment for the Arts Grant, 1976, 1980. Guggenheim Fellowship, 1977. Honorary Doctor of Fine Arts, San Francisco Art Institute, California, 1986. SOLO EXHIBITIONS: “Drawn from Life: Works on Paper, 1970-1976,” George Adams Gallery, New York, NY 2020. “Joan Brown,” Venus Over Manhattan, New York, NY, 2020. “Spotlight: Joan Brown,” George Adams Gallery at Frieze New York, NY, 2019. “The Students,” George Adams Gallery, New York, NY 2019. “Joan Brown: The Authentic Figure,” Anglim Gilbert Gallery, San Francisco, CA, 2019. “Joan Brown,” George Adams Gallery, New York, NY, 2017. "Joan Brown: In Living Color," Richmond Art Center, Richmond, CA, 2017. “Joan Brown: Presence Known,” Anglim Gilbert Gallery, San Francisco, CA, 2016. “Joan Brown Herself: Paintings and Construction, 1970-1980” George Adams Gallery at CB1-G, Los Angeles, CA 2016. “Joan Brown: Major Paintings from the 1950’s, 1960’s, and 1970’s” George Adams Gallery, New York, NY 2015. “Joan Brown: The Early 1970’s” George Adams Gallery at Art Dealers Association of America: The Art Show, New York, NY, 2015. “Joan Brown” Gallery Paule Anglim, San Francisco, CA, 2014. “Joan Brown: Paintings and Works on Paper,” Texas Gallery, Houston 2013. “Joan Brown: This Kind of Bird Flies Backwards,” San Jose Museum of Art, CA, 2011. “Joan Brown: Selected Drawings, 1957-1987," George Adams Gallery, New York, NY, 2011. -
JUDITH LINHARES B
JUDITH LINHARES b. 1940, Pasadena, CA Lives and works in Brooklyn, NY EDUCATION 1970 M.F.A., Painting, California College of Arts & Crafts, Oakland, CA 1964 B.F.A., Painting, California College of Arts & Crafts, Oakland, CA SOLO EXHIBITIONS 2019 Hearts on Fire, P·P·O·W, New York, NY 2018 The Way She Goes to Town, Various Small Fires, Los Angeles, CA Out of My Head, Anglim Gilbert Gallery, San Francisco, CA 2017 Spotlight Presentation: Judith Linhares, Anglim Gilbert Gallery, Frieze New York, NY 2016 Retrospective, Anglim Gilbert Gallery, San Francisco, CA 2011 Riptide, Edward Thorp Gallery, New York, NY 2010 Mona Whispering, from The New Museum Bad Painting Exhibition, Tom Jancar Gallery, Los Angeles, CA 2008 Judith Linhares: Gouaches, The New York Public Library, Mid-Manhattan Branch, New York, NY 2007 A Garland for Judith Linhares 2002 - 2007, University Art Museum, Albany, NY Judith Linhares, Tom Jancar Gallery, Los Angeles, CA Judith Linhares, Gallery Paule Anglim, San Francisco, CA 2006 Rowing in Eden, Edward Thorp Gallery, New York, NY Divine Intoxication, Chapman University Guggenheim Gallery, Orange, CA 2003 Judith Linhares, Gallery Paule Anglim, San Francisco, CA Judith Linhares: Monotypes, Cheryl Pelavin, New York, NY 2002 Judith Linhares, Linda Schwartz Gallery, Cincinnati, OH 2001 Sweet Talk, Edward Thorp Gallery, New York, NY Swimmers, Linda Schwartz Gallery, Cincinnati, OH 2000 Judith Linhares, Linda Schwartz Gallery, Cincinati, OH 1999 Monotypes, Pelavin Editions, New York, NY 1998 Judith Linhares, Linda Schwartz Gallery, -
SFMOMA Library & Archives 151 Third Street San Francisco, CA 94103
SFMOMA Library & Archives 151 Third Street San Francisco, CA 94103 Finding Aid to the San Francisco Museum of Modern Art Publications Collections, 1935-ongoing Collection Number: ARCH.ADM.009 Funding for the processing of this collection was provided by the Getty Foundation. Finding Aid written by: Jessica Lemieux (updated: Jason Hosford) Completed: 2008 Last updated: May 2012 ©2012 San Francisco Museum of Modern Art. All rights reserved. TABLE OF CONTENTS Collection Summary p. 2 Information for Researchers p. 3 Administrative Information p. 4 Processing Note p. 5 Scope and Content Note p. 6 Series Description p. 8 Container List p. 9-43 Series 1: Example Publications, 1944-2008 p. 9 Series 2: SFMA/SFMOMA Activities, 1948-2009 p. 9-10 Series 3: Women’s Board and MAC, 1947-2009 p. 10-11 Series 4: Periodicals, 1935-ongoing p. 11 Series 5: Other Publications, 1942-ongoing p. 11-12 Series 6: Exhibition Publications, 1935-ongoing p. 12-43 Subseries 6.1: Exhibition Ephemera, 1948-ongoing p. 12-13 Subseries 6.2: Exhibition Catalogs, 1935-ongoing p. 13-43 Appendix A: Catalog Title to Exhibition Name Crosswalk p. 44-81 San Francisco Museum of Modern Art 1 COLLECTION SUMMARY Collection Title San Francisco Museum of Modern Art, Publications collection, 1935-ongoing Collection number ARCH.ADM.009 Creator San Francisco Museum of Modern Art. This collection includes records of this same body under its earlier name, San Francisco Museum of Art (name changed in 1975). Extent 43 linear feet (25 boxes, 32 oversize boxes, 7 flat boxes, 2 tubes, 91 vol.) Repository SFMOMA Library & Archives 151 Third Street San Francisco, CA 94103 Abstract The San Francisco Museum of Modern Art Publications collection documents the museum’s publications from 1935 to the present.