Bang Gang (A Modern Love Story)

MARCH 3–13, 2016 For tickets: filmlinc.org RENDEZ-VOUS WITH FRENCH CINEMA RETURNS WITH ANOTHER EDITION THAT EXEMPLIFIES THE RANGE AND VERVE OF CONTEMPORARY FRENCH FILMMAKING. his year’s titles, by emerging talents and time-honored masters, thrill and surprise, Tand many take audiences to entirely new places. The festival features the latest from established favorites Philippe Faucon, Julie Delpy, Rabah ­Ameur-Zaïmeche, and Catherine Corsini, as well as remarkable debuts from Louis Garrel, Nicolas Pariser, and Eva Husson. Additional highlights include gems from Cannes and beyond: Alice Winocour’s Disorder, Nabil Ayouch’s Much Loved, 21 Nights with Pattie by Jean- Marie and Arnaud Larrieu, and Three Sisters by . For Opening Night, we are proud to present Guillaume Nicloux’s Valley of Love, which reunites Gérard Depardieu and on-screen for the first time in over 35 years, and whose tour-de-force performances are guaranteed to mesmerize. ­­Co-presented with UniFrance, this edition of Rendez-Vous demonstrates that the landscape of French cinema is as fertile as ever, and the voices calling from it never more distinct.

SPECIAL IN-PERSON APPEARANCE! Lolo OPENING NIGHT 21 NIGHTS WITH PATTIE / 21 NUITS AVEC VALLEY OF LOVE PATTIE Guillaume Nicloux, /Belgium, 2015, 92m Jean-Marie & Arnaud Larrieu, France, 2015, 115m Guillaume Nicloux’s sui generis, elegiac road The Larrieu brothers make oddball, tonally mixed movie puts a meta twist on a familiar setup. Titans comedies unlike anything else in French cinema­ Gérard Depardieu and Isabelle Huppert star as today. In their latest, a slightly prim woman famous French actors Gérard and Isabelle, a long- ­Caroline (Isabelle Carré) arrives in a small village divorced couple whose son Michael has commit- in the Pyrénées to bury her estranged mother. ted suicide six months prior to their Californian There, she befriends Pattie (), who rendezvous in Death Valley, occasioned by an ­offers tales of her sexual adventures with the enigmatic letter from Michael that seems to have local men, including a priapic half-man, half-beast Valley of Love 21 Nights with Pattie been written some time after his death. The letter ­creature (Denis­ Lavant). Caroline’s ongoing debate asks them to visit a series of sites in the area; at between pride and pleasure is just one link in a the end of this tour, Michael claims he will appear chain of increasingly wild events: the mysterious before them. What follows is an utterly singular disappearance of her mother’s body, the ensuing trip of a film, by turns melancholic and funny, self- surreal police investigation, and some shocking reflexive and surreal. In their first film together revelations about her mother’s former lover, who since Maurice Pialat’s Loulou in 1980, Depardieu may or not be the writer J.M.G. Le Clézio—played and Huppert astound with their enthralling por- to perfection by André Dussollier. U.S. Premiere trayal of grieving parents who, to an ambiguous Friday, March 11, 1:30pm degree, appear to be versions of themselves, Saturday, March 12, 6:45pm making for a tour de force as moving as it is com- plex. A Strand Releasing release. THE APACHES / DES APACHES Thursday, March 3, 6:00pm (Introduction by Nassim Amaouche, France, 2015, 97m Isabelle Huppert and Guillaume Nicloux) Les Inrocks accounted for the six years it took ­Nassim Amaouche to release his second feature CLOSING NIGHT by calling him “a director with a temperament as DHEEPAN patient, roving and reflective as his films.” He stars Jacques Audiard, France, 2015, 109m as Samir, a young French-Algerian man lured by Jacques Audiard (A Prophet, Rust and Bone) won a dubious “family” lawyer (André Dussollier) into the Palme d’Or at Cannes for this daring, genre- making an occult business deal within a similarly bending portrait of three Sri Lankan refugees—­ marginalized setting: one of ’s largest and Dheepan (Antonythasan Jesuthasan), Yalini most diverse Kabyle communities. Having been (Kalieaswari Srinivasan), and Illayaal (­Claudine drawn into the family bar business by his estranged ­Vinasithamby)—who form a fake family unit to father, Samir still agonizes over the memory of his ­emigrate. When they find themselves living late mother, while falling in love with a beautiful ­together in a violent, gang-dominated housing and mysterious single mom (Laetitia­ Casta).­ The Dheepan project outside Paris, they start to reevaluate the Apaches is a delicate movie that doubles as a terms of their intimacy. Like his character, the tense negotiation drama and a quiet, reflective actor and novelist Jesuthasan was a member memory play. U.S. Premiere of the militant nationalist army LTTE (Liberation Friday, March 4, 4:00pm Tigers of Tamil Eelam) before fleeing the country Sunday, March 13, 1:30pm and settling into a series of odd jobs in Paris, while eventually renouncing all ties to the Tigers. BANG GANG (A MODERN LOVE STORY) When, in its bloody last act, his character has to fall Eva Husson, France, 2016, 98m back on his military training, Dheepan becomes Eva Husson’s debut feature, shot and set in the something darker: a harrowing reckoning with the wealthy coastal suburbs of Biarritz, is an unapolo- past. A Sundance Selects release. getically blissed-out, frankly explicit anthology Sunday, March 13, 6:00pm & 8:30pm of the sexual experiments a cluster of teenagers The Apaches Bang Gang (A Modern Love Story) Disorder undertake over the course of one summer. falling apart after he’s wrongly accused of the crime. ­Determined to keep the attentions of her favorite When the case against Ahmed starts to unravel, boy Alex (Finnegan Oldfield), George (Marilyn Eddy has to go back on the defensive. U.S. Premiere Lima) ­encourages her group of horny friends and Saturday, March 5, 1:00pm (Q&A with Emmanuel ­acquaintances to start hosting elaborate, sunlight- Finkiel) drenched, EDM-filled swingers parties. Husson Monday, March 7, 1:45pm doesn’t ignore the students who abstain, but she’s utterly entranced by the excesses, risks, and temp- DISORDER tations of George’s universe—a pulsating, slow-­ Alice Winocour, France/Belgium, 2015, 101m motion bacchanal pitched somewhere between Alice Winocour’s follow-up to Augustine (Rendez- the world of Spring Breakers and that of Larry Clark. Vous 2013)—her study of the 19th-century neu- A Samuel Goldwyn Films release. U.S. Premiere rologist Jean-Marie Charcot’s fraught relationship Friday, March 4, 9:15pm (Q&A with Eva Husson) with one of his hysteria patients—is another finely Sunday, March 6, 1:00pm (Q&A with Eva tuned drama of unstable intimacy and mental Husson) ­imbalance. Having just returned from Afghanistan, Vincent (Matthias Schoenaerts) suffers from night DARK INCLUSION / DIAMANT NOIR terrors, pummeling headaches, and bouts of para- Arthur Harari, France/Belgium, 2016, 115m noia. To distract himself, he gets a job working “You want them to pay? You have to be lucid, cool, security­ at the extravagant chateau of a Lebanese precise. You go there, you see, and you take—that’s financier, whose beautiful wife (Diane Kruger) he’s payback.” Arthur Harari’s first feature is a poised, soon hired to protect after the husband goes away stylish, and utterly assured revenge thriller in which on business. Disorder evolves from an exercise in violence erupts suddenly amid tense, hushed nervous, slow-burn suspense into a tense domes- stretches of talk. Pier Ulmann (Niels Schneider) tic thriller. A Sundance Selects release. comes from a family of powerful diamond dealers Saturday, March 5, 6:30pm (Q&A with Alice based in Anvers. After his estranged father’s death, Winocour and Diane Kruger) he vows vengeance against his relatives who had Monday, March 7, 4:00pm abandoned him and returns to the business with an elaborate robbery in mind. Featuring menacing FATIMA tracking shots; a cool, metallic color palette; surpris- Philippe Faucon, France, 2015, 79m A Decent Man Fatima ing third-act reversals; and a terrific ensemble cast, Middle-aged single mother Fatima (Soria Zeroual)­ Dark Inclusion is a movie precisely attuned to the lives with her two teenage daughters and works Dark Inclusion logistical and moral complexities that accompany cleaning jobs to pay their way through school. lives of luxurious crime. U.S. Premiere ­Inspired by a true story and the poetry of the North Thursday, March 10, 1:30pm African writer Fatima Elayoubi, who immigrated­ Saturday, March 12, 9:15pm (Q&A with Arthur knowing very little French and slowly taught Harari) herself the language, Faucon’s eighth feature—­ winner of the prestigious Louis Delluc Prize for A DECENT MAN / JE NE SUIS PAS UN SALAUD Best French Film—is a patient, reflective study of a Emmanuel Finkiel, France, 2015, 111m woman pressured by her children and her neigh- “I am not a bastard!” The literal French translation bors alike to assimilate into a culture of which she’s of the title of Emmanuel Finkiel’s taut, intelligent wary. Despite the display of everyday racism, both morality play captures its tone perhaps better veiled and overt; internal domestic disputes; and than its American name. In the film’s first act, Eddy external gestures of inhospitality, Fatima offers (Nicolas Duvauchelle) is in a position of strength. an uplifting experience and one of recent French Having just been injured in a mugging, he’s earned cinema’s most trenchant and moving portraits of the sympathy and attention of his estranged fam- immigrant experience. A Kino Lorber release. ily and gotten back on his feet. The same cannot Friday, March 4, 2:00pm be said for Ahmed (Driss Ramdi), whose life starts Sunday, March 13, 4:00pm THE GREAT GAME / LE GRAND JEU vocative portrait of several female sex workers Nicolas Pariser, France, 2015, 100m in Marrakech.­ “Men are like makes [of cars]: high- Pierre (Melvil Poupaud), a onetime darling novel- end, ­medium, and sons of bitches. All that matters ist disgusted with the publishing world, lets a du- is the cash.” Noha (Loubna Abidar), Randa (Asmaa plicitous government insider (André Dussollier) Lazrak), and Soukaina (Halima Karaouane) are tempt him into ghostwriting a manifesto designed professional, thick-skinned, and practical about to transform the landscape of French public their line of work, which ferries them up and down opinion—a shift with risky consequences for the the city’s class ladder and renders them vulner- activist (Clémence Poésy) with whom he soon be- able to a catalog of possible abuses. Controver- comes involved. Nicolas Pariser’s debut feature is sially banned in Morocco for its “contempt for an elegant political thriller that makes much use of moral values,” Much Loved offers such a candid The Great Game Lolo its stellar cast, particularly with the brittle, uneasy and unblinking picture of a subculture that it’s a rapport between Poupaud—the soulful young perilous job to represent on screen. man at the center of Eric Rohmer’s A Summer’s Thursday, March 10, 7:00pm Tale and Xavier Dolan’s Laurence Anyways—and Friday, March 11, 4:00pm Dussollier, a resourceful and protean actor who commits to his character’s malevolence with relish. MY KING / MON ROI U.S. Premiere Maïwenn, France, 2015, 128m Friday, March 4, 6:30pm (Q&A with Nicolas Tony (Emmanuelle Bercot, in a performance that Pariser and Melvil Poupaud) won her the Best Actress Award at Cannes) and Saturday, March 5, 9:15pm (Introduction by Georgio (Vincent Cassel) are an odd match—or Nicolas Pariser and Melvil Poupaud) so Tony’s brother Solal (Louis Garrel) thinks when she tells him that they’re falling quickly, recklessly LOLO in love. Actor-director Maïwenn’s fourth feature Julie Delpy, France, 2015, 99m captures the couple’s tempestuous 10-year rela- Writer, director, actor, composer: Julie Delpy is tionship in retrospect as a string of flash points, one of current French cinema’s great renaissance eruptions, betrayals, tender reconciliations, and ­talents. In her new movie, a four-string black life-altering decisions. At the center of My King’s comedy that develops on the thinking at work in wide, expansive frames are Bercot and Cassel her recent 2 Days in New York, a world-weary for nearly every second of its runtime, and the fashionista (Delpy) finds her happy new relation- movie stakes itself on their harrowingly commit- ship with a divorced, slightly unpolished computer ted, nerve-fraying performances. Maïwenn’s for- ­programmer (Dany Boon) threatened by the mach- midable new film is one of French cinema’s most inations of her wheeling, malevolent son (Vincent memorable recent amour fous. A Film Movement Lacoste). Delpy is a filmmaker with a wise, prickly release. U.S. Premiere comic sensibility, and her movies often slide—like Wednesday, March 9, 6:30pm (Q&A with screwball comedies—from cerebral verbal banter Maïwenn and Louis Garrel) My King to outright farce. Lolo is no exception, although it’s Thursday, March 10, 9:45pm (Introduction by Much Loved The New Kid also her darkest, riskiest, and most startling movie Maïwenn) to date. A FilmRise release. U.S. Premiere Tuesday, March 8, 6:30pm (Q&A with Julie THE NEW KID / LE NOUVEAU Delpy and composer Mathieu Lamboley) Rudi Rosenberg, France, 2015, 81m Wednesday, March 9, 9:30pm (Introduction In this delectable and vivacious debut feature, shy by Julie Delpy) 14-year-old Benoît (Réphaël Ghrenassia) moves to Paris and a new high school, where he’s rejected MUCH LOVED by his cooler classmates and reluctantly sidelined Nabil Ayouch, France/Morocco, 2015, 104m into a precarious friendship with the “freaks and “What do you know about men?” a voice asks geeks.” The New Kid is a rare case among coming- over the opening credits of Nabil Ayouch’s pro- of-age movies: a portrait of allegiances made and Story of Judas broken among middle-schoolers that calls special A Cohen Media release. attention to the uglier, less picturesque aspects of Sunday, March 6, 3:30pm & 9:00pm (Q&A with passing through puberty. The movie’s rhythm nev- Emmanuelle Bercot at the 3:30pm screening; er stalls and its tone stays charmingly light partly introduction at the 9:00pm screening) thanks to its wonderful cast—a skilled and mag- netic group of first-time young actors. U.S. Premiere STORY OF JUDAS / HISTOIRE DE JUDAS Monday, March 7, 6:30pm (Q&A with Rudi Rabah Ameur-Zaïmeche, France, 2015, 99m Rosenberg) French-Algerian director-actor Rabah Ameur-­ Wednesday, March 9, 1:30pm Zaïmeche boldly renders the final days of Jesus of Nazareth from the perspective of Judas Iscariot in PARISIENNE / PEUR DE RIEN this utterly novel reenvisioning of the key biblical Danielle Arbid, France, 2015, 120m tale. The director himself stars as Judas, Jesus’s The French title of Danielle Arbid’s fourth feature, closest disciple, as the two men find themselves a luminous study of a young Lebanese woman swept up in political tumult amid tensions between restlessly accommodating herself to her new the Jews and the Romans over the escalating home in Paris during the mid-’90s, translates to popularity of the man who claims to be the Son “fear of nothing.” Lina might sometimes be afraid, of God. Story of Judas is both strikingly stylized­ but—as played by the great young actress Manal (with shimmering, physical cinematography by Irina Issa—she’s also intrepid, adventurous, confident, Lubtchansky) and compelling in its engagement independent, and breathtakingly self-possessed. with the myth of Judas, interweaving recent revela- ­Parisienne follows her as she flees the abusive tions about the role he may or may not have played uncle in whose care she’s been placed, flits from in the real-life Passion story. The result is a ravish- bed to bed, passes in and out of university class- ing and genuinely new addition to the Jesus film es, makes friends on both extreme sides of the po- canon. Winner of a Jury Prize in the Forum section litical spectrum, and, in the movie’s climax, fights a at last year’s Berlinale. U.S. Premiere legal battle to stay in the city that’s become hers. Saturday, March 5, 3:45pm Thursday, March 10, 4:00pm (Q&A with Tuesday, March 8, 1:45pm Danielle Arbid) Saturday, March 12, 1:30pm (Q&A with SUMMERTIME / LA BELLE SAISON Danielle Arbid) Catherine Corsini, France/Belgium, 2015, 105m Standing Tall Summertime Acclaimed director Catherine Corsini has made STANDING TALL / LA TÊTE HAUTE melodramas that range in tone from the bleak and Parisienne Emmanuelle Bercot, France, 2015, 119m violent to the tender and emotionally warm. At first Emmanuelle Bercot’s fourth feature, which opened glance, her new film, a prizewinner at Locarno, is last year’s Cannes, is a candid, sympathetic, impas- one of her brightest and most bucolic. Soon after sioned study of a teenage delinquent surrounded Delphine (Izïa Higelin) moves from her conserva- by adults both callous and supportive. On the lat- tive parents’ farm near Limoges to Paris in 1971, ter side is a warm-hearted juvenile court judge she meets the older Carole (Cécile de France), a (­) and a devoted social worker feminist organizer with whom she embarks on a (Benoît Magimel); on the other side stand, it can passionate, mutually invigorating love affair. When seem, most other authority figures. Sixteen-year- a family sickness pulls Delphine back to the farm, old Malony (Rod Paradot) is clearly a victim of his Carole has to decide whether to follow her into circumstances and poor parenting from his basket hostile territory—and Summertime becomes some- case of a mother (Sara Forestier), but he’s also a thing more complicated and fraught than its seduc- bully, a brute, and a sexually violent offender. Part tive, luminous visual palette initially suggests. A of the strength of Standing Tall is that it refuses Strand Releasing release. U.S. Premiere to entirely absolve its central character; instead, it Tuesday, March 8, 9:15pm (Introduction by counts on Paradot, a powerful new actor, to render composer Grégoire Hetzel) him as a convincingly troubled, ­tempestuous soul. Saturday, March 12, 4:30pm Three Sisters Two Friends Winter Song

THREE SISTERS / LES TROIS SOEURS counter in the Gare du Nord (Golshifteh Farahani) Valeria Bruni Tedeschi, France, 2015, 110m enters Vincent’s orbit (and, by extension, Abel’s), “Life is hard. It seems to many of us dull and hope- a comic, manic, and eminently romantic love tri- less; but yet we must admit that it goes on getting angle soon unfolds. Co-written by his frequent clearer and easier, and it looks as though the time collaborator Christophe Honoré, Two Friends SPECIAL EVENTS were not far off when it’ll be full of happiness.” marks an auspicious and heartfelt first feature for For her latest project, commissioned by Arte and Garrel, striking a pitch-perfect balance between starring members of the Comédie-Française, tragedy and charm. U.S. Premiere Free Talks Sponsored by FRENCH COMEDY WITH JULIE DELPY Writer, director, actor, and composer Julie Delpy—­ Valeria Bruni Tedeschi shot an idiosyncratic, Sunday, March 6, 6:30pm (Q&A with Louis All talks will take place in the Elinor Bunin half-modernized adaptation of one of Chekhov’s Garrel) Munroe Film Center Amphitheater who brings her cross-cultural black comedy Lolo to this year’s Rendez-Vous—joins us to discuss greatest, most expansively melancholy plays. Monday, March 7, 9:00pm (Introduction by her experiences with humor on both sides of The three sisters of the title—two unmarried, one Louis Garrel) ISABELLE HUPPERT unhappily married—congregate in their family’s Isabelle Huppert, who co-stars alongside the the camera. Moderated by Time magazine’s Stephanie Zacharek. ancestral house and, along with the additional WINTER SONG / CHANT D’HIVER great Gérard Depardieu in this year’s Opening soldiers, debtors, pensioners, and spouses who Otar Iosseliani, France, 2015, 117m Night film Valley of Love, will sit down to discuss Tuesday, March 8, 5:00pm populate the play, struggle to give their futures There’s no mistaking the tone and structure of her multitudinous career. a shape. From a translation by André Markowicz a film by the 81-year-old Georgian director Otar Friday, March 4, 5:00pm Photo Exhibition: and Françoise Morvan. U.S. Premiere Iosseliani: caustic, mordant, detached, extremely Stars on the Jetway Wednesday, March 9, 3:30pm (Q&A with funny, and dizzyingly panoramic. Like several of MELVIL POUPAUD In the Frieda & Roy Furman Gallery Valeria Bruni Tedeschi) his earlier films,Winter Song doesn’t center on Actor-director Melvil Poupaud will talk about Marlene Dietrich, Sean Connery, Catherine Friday, March 11, 6:30pm (Q&A with Valeria a single figure so much as a dense cluster of his latest role in The Great Game, as well as his ­Deneuve, Marcello Mastroianni, and Elizabeth Bruni Tedeschi) nterrelated characters, all united by objects (an ­collaborations with such visionaries as Raúl Ruiz, ­Taylor are just a few of the iconic actors and executed aristocrat’s skull), places (the apart- Eric Rohmer, François Ozon, and Xavier Dolan. ­actresses featured in this exhibition of photographs TWO FRIENDS / DEUX AMIS ment building where most of them live), histori- Saturday, March 5, 5:00pm produced by Air France. The series showcases Louis Garrel, France, 2015, 102m cal events (from the French Revolution to the black-and-white photos of French and international One of France’s most distinguished and rec- Russo-Georgian War), and pure coincidence. An FRENCH TOUCH COMPOSERS: stars as they step out of Air France planes onto ognizable actors for over a decade now, Louis aging upper-crust patriarch burning his letters; a GRÉGOIRE HETZEL, NICOLAS JAAR, the runway during the 1950s and ’60s. On view Garrel makes his much-anticipated feature- tramp hoping to avoid the advances of a steam- MATHIEU LAMBOLEY, AND MARK SNOW throughout the festival. Free and open to the public. length directorial debut with this clever and roller; an 18th-century nobleman who insists on Composers Grégoire Hetzel (Summertime), moving twist on the ménage à trois. Garrel stars taking his pipe to the guillotine: Winter Song is Nicolas Jaar (Dheepan), Mathieu Lamboley (Lolo), Education Initiative as Abel, a gas-station attendant with literary a well-stocked encyclopedia of human variety, and Mark Snow (best known for The X-Files The 2016 edition of Rendez-Vous will focus on ambitions, an underage girlfriend, and an always- eccentricity, and folly, elevated by an exquisite theme music, as well as his work with Alain educational collaborations with New York City active libido. Abel is all too accustomed to cast that include Rufus, Pierre Étaix, and Mathieu Resnais) will discuss their craft. Moderated by high schools and middle schools, featuring pri- seducing away the crushes of his best friend, Amalric. U.S. Premiere Variety’s Elsa Keslassy. vate screenings and director Q&As. Learn more at movie-extra Vincent (Vincent Macaigne)—but Tuesday, March 8, 4:00pm Monday, March 7, 7:30pm filmlinc.org/RDVeducation. when an incognito convict working at a pastry Friday, March 11, 9:15pm THURSDAY, MARCH 3 WEDNESDAY, MARCH 9 OPENING NIGHT: 1:30 The New Kid 6:00 Valley of Love 3:30 Three Sisters COMING SOON 6:30 My King FRIDAY, MARCH 4 9:30 Lolo 2:00 Fatima 4:00 The Apaches THURSDAY, MARCH 10 5:00 Free Talk: Isabelle Huppert 1:30 Dark Inclusion Golden Days: The Films 6:30 The Great Game 4:00 Parisienne of Arnaud Desplechin 9:15 Bang Gang (A Modern Love Story) 7:00 Much Loved “One of the most intriguing French filmmakers 9:45 My King SATURDAY, MARCH 5 of his generation.” 1:00 A Decent Man FRIDAY, MARCH 11 —A. O. Scott, 3:45 Story of Judas 1:30 21 Nights with Pattie March 11–17 To celebrate the release of his 5:00 Free Talk: Melvil Poupaud 4:00 Much Loved latest­ opus My Golden Days, join us in revisiting 6:30 Disorder 6:30 Three Sisters the remarkable achievements of major French 9:15 The Great Game 9:15 Winter Song auteur Arnaud Desplechin, whose endlessly surprising, gloriously messy movies encompass SUNDAY, MARCH 6 SATURDAY, MARCH 12 all the pathos, romance, comedy, and strange- 1:00 Bang Gang (A Modern Love Story) 1:30 Parisienne ness of real life. 3:30 Standing Tall 4:30 Summertime 6:30 Two Friends 6:45 21 Nights with Pattie 9:00 Standing Tall 9:15 Dark Inclusion MONDAY, MARCH 7 SUNDAY, MARCH 13 New Releases 1:45 A Decent Man 1:30 The Apaches Opens March 18 4:00 Disorder 4:00 Fatima MY GOLDEN DAYS / 6:30 The New Kid CLOSING NIGHT: TROIS SOUVENIRS DE MA JEUNESSE 7:30 Free Talk: French Touch Composers 6:00 Dheepan “[A] marvelously vivid coming-of-age drama.” 9:00 Two Friends 8:30 Dheepan —Justin Chang, Variety

Opens March 25 TUESDAY, MARCH 8 SCREENINGS: VALLEY OF LOVE 1:45 Story of Judas Walter Reade Theater “Tender, touching, funny and sometimes 4:00 Winter Song 165 West 65th Street almost frighteningly intense.”  5:00 Free Talk: French Comedy FREE TALKS: —Geoff Andrew, Time Out London with Julie Delpy Elinor Bunin Munroe Film Center 6:30 Lolo 144 West 65th Street 9:15 Summertime SPECIAL IN-PERSON APPEARANCE!

TICKETS AVAILABLE AT FILMLINC.ORG OR AT THE BOX OFFICE

OPENING NIGHT $25 General Public | $20 Members GENERAL TICKETS  $16 General Public | $12 Seniors (62+) | $10 Members & Students FREE EVENTS Free tickets will be distributed at the Elinor Bunin Munroe Film Center box office on a first-come, first-served basis starting one hour prior to each talk. The line may form in advance of this time. Limit one ticket per person, subject to availability. filmlinc.org . unifrance.org @filmlinc #filmliveshere . @unifrance #frenchcinema

FILM SOCIETY OF LINCOLN CENTER SPONSORS OFFICIAL PREMIUM

MEDIA HOSPITALITY SUPPORTERS

RENDEZ-VOUS WITH FRENCH CINEMA PREMIER SPONSORS

UNIFRANCE SPONSORS