That May Be Correä in Theory, but It Is of No Use in Practice
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'The Supreme Principle of Morality'? in the Preface to His Best
The Supreme Principle of Morality Allen W. Wood 1. What is ‘The Supreme Principle of Morality’? In the Preface to his best known work on moral philosophy, Kant states his purpose very clearly and succinctly: “The present groundwork is, however, nothing more than the search for and establishment of the supreme principle of morality, which already constitutes an enterprise whole in its aim and to be separated from every other moral investigation” (Groundwork 4:392). This paper will deal with the outcome of the first part of this task, namely, Kant’s attempt to formulate the supreme principle of morality, which is the intended outcome of the search. It will consider this formulation in light of Kant’s conception of the historical antecedents of his attempt. Our first task, however, must be to say a little about the meaning of the term ‘supreme principle of morality’. For it is not nearly as evident to many as it was to Kant that there is such a thing at all. And it is extremely common for people, whatever position they may take on this issue, to misunderstand what a ‘supreme principle of morality’ is, what it is for, and what role it is supposed to play in moral theorizing and moral reasoning. Kant never directly presents any argument that there must be such a principle, but he does articulate several considerations that would seem to justify supposing that there is. Kant holds that moral questions are to be decided by reason. Reason, according to Kant, always seeks unity under principles, and ultimately, systematic unity under the fewest possible number of principles (Pure Reason A298-302/B355-359, A645- 650/B673-678). -
July 23, 2021 the Musicrow Weekly Friday, July 23, 2021
July 23, 2021 The MusicRow Weekly Friday, July 23, 2021 Taylor Swift’s Fearless (Taylor’s Version) SIGN UP HERE (FREE!) Will Not Be Submitted For Grammy, CMA Award Consideration If you were forwarded this newsletter and would like to receive it, sign up here. THIS WEEK’S HEADLINES Fearless (Taylor’s Version) Will Not Be Submitted For Grammy, CMA Awards NSAI Sets Nashville Songwriter Awards For September Big Loud Records Ups 5, Adds 2 To Promotion Team Dylan Schneider Signs With BBR Music Group Taylor Swift will not be submitting Fearless (Taylor’s Version), the re- recorded version of her 2008 studio album that released earlier this year, Dan + Shay Have Good for Grammy or CMA Awards consideration. Things In Store For August “After careful consideration, Taylor Swift will not be submitting Fearless (Taylor’s Version) in any category at this year’s upcoming Grammy and Scotty McCreery Shares CMA Awards,” says a statement provided to MusicRow from a Republic Details Of New Album Records spokesperson. “Fearless has already won four Grammys including album of the year, as well as the CMA Award for album of the Chris DeStefano Renews year in 2009/2010 and remains the most awarded country album of all With Sony Music Publishing time.” Natalie Hemby Announces The statement goes on to share that Swift’s ninth studio album, Evermore, New Album released in December of 2020, will be submitted to the Grammys for consideration in all eligible categories. Niko Moon’s Good Time Slated For August Release Evermore arrived only five months after the surprise release of Folklore, Swift’s groundbreaking eighth studio album. -
Prolegomena to Any Future Metaphysics CAMBRIDGE TEXTS in the HISTORY of PHILOSOPHY
CAMBRIDGE TEXTS IN THE HISTORY OF PHILOSOPHY IMMANUEL KANT Prolegomena to Any Future Metaphysics CAMBRIDGE TEXTS IN THE HISTORY OF PHILOSOPHY Series editors KARL AMERIKS Professor of Philosophy at the University of Notre Dame DESMOND M. CLARKE Professor of Philosophy at University College Cork The main objective of Cambridge Textsin the History of Philosophy is to expand the range, variety and quality of texts in the history of philosophy which are available in English. The series includes texts by familiar names (such as Descartes and Kant) and also by less well-known authors. Wherever possible, texts are published in complete and unabridged form, and translations are specially commissioned for the series. Each volume contains a critical introduction together with a guide to further reading and any necessary glossaries and textual apparatus. The volumes are designed for student use at undergraduate and postgraduate level and will be of interest not only to students of philosophy, but also to a wider audience of readers in the history of science, the history of theology and the history of ideas. For a list of titles published in the series, please see end of book. IMMANUEL KANT Prolegomena to Any Future Metaphysics That Will Be Able to Come Forward as Science with Selections from the Critique of Pure Reason TRANSLATED AND EDITED BY GARY HATFIELD University of Pennsylvania Revised Edition cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo Cambridge University Press The Edinburgh Building, Cambridge cb2 2ru, UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521828246 © Cambridge University Press 1997, 2004 This publication is in copyright. -
German Editions of Adam Smith's Wealth of Nations
GERMAN EDITIONS OF ADAM SMITH’S WEALTH OF NATIONS HARALD HAGEMANN UNIVERSITÄT HOHENHEIM STUTTGART, GERMANY [email protected] The first German edition of Adam Smith’s Wealth of Nations was already published as early as 1776-78 in two volumes. The editor and translator of this edition, which was entitled Untersuchungen der Natur und Ursachen von Nationalreichthümern, was Johann Friedrich Schiller (1737-1814), a cousin of the famous poet Friedrich Schiller. However, the quality of the translation was heavily criticized, and until the early 1790s Smith’s Wealth of Nations, which was largely ignored by the cameralists, had only little impact on German economic discourse. Due to the effects of the French Revolution and a new and better German translation by Christian Garve, entitled as Untersuchung über die Natur und die Ursachen des Nationalreichthums and published in two volumes in 1794-96, the Smithian doctrines were now perceived and discussed on a much broader scale. A particular role was played in this process by the two universities of Göttingen and Königsberg (see Winkel 1986). Georg Sartorius (1765-1828) taught Smithian ideas from 1792 onwards. He wrote a long review essay of the new German edition of the Wealth of Nations whose essential ideas entered into his own textbook (Sartorius 1806). As the University in the Kingdom of Hanover, Göttingen had a high number of British students, including princes, for which special lectures had to be given. However, among the students were also many Germans who later became liberal reformers or well-known economists such as Johann Heinrich von Thünen (1783- 1850) who studied with Sartorius in 1803-04. -
A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar. -
Leonie Koch- Schwarzer Christian Garve: Buchmarktorientierung Und Selbstverständnis Als Autor
Leonie Koch- Christian Garve: Schwarzer Buchmarktorientierung und Selbstverständnis als Autor* In der zweiten Hälfte des 18. Jahrhunderts versuchten deutschsprachige Autoren erstmals frei und selbstständig nur von ihrer schriftstellerischen Tätigkeit und den daraus resultierenden Verdiensten zu leben. Aus welchen Gründen heraus und mit welchem Selbstverständnis taten sie dies? Welche ökonomischen Voraussetzungen fanden diese sogenannten freien Schrift- steller in der literarischen Szene und vor allem am Buchmarkt? Und wie genau definierten sie dabei ihren Begriff vom »Schriftstellersein« und ihre konkreten Aufgaben gegenüber dem Publikum? Die folgenden Ausführungen wollen diese Fragen am Beispiel des Essay- isten und Popularphilosophen Christian Garve (1742-1798) verfolgen. Für die Zeitgenossen waren vor allem in den 1760er und 1770er Jahren Leipzi- ger und Berliner Autoren wie Christian Garve oder Moses Mendelssohn, Georg Forster oder Friedrich Nicolai, Johann Jacob Engel oder Johann Erich Biester, sowohl philosophische wie auch schriftstellerische Vorbilder. Ihre Philosophierichtung und ihre Schreibart --- kondensiert in Zeitschriften wie dem »Philosoph für die Welt« --- wurden als Popularphilosophie be- zeichnet, d. h. in essayistisch-reflektierender Schreibweise nahmen diese Autoren ihre Themen direkt aus der konkreten Lebenswelt und deren Problemlagen auf, um sie dann mit Blick auf ein interessiertes Publikum in einer klaren, verständlichen (»popularen«) sowie präzisen Sprache darzustel- len und kritisch zu analysieren. Ziel und »Nutzen« dieser Schriften war, ei- ne sich im Prozess der fortschreitenden Vervollkommnung befindende Ge- sellschaft in diesem Prozess der moralischen Verbesserung, der geistigen Bildung und ökonomischem Fortschritt zu unterstützen und zu beför- dern.271 Typisch für diese Schriftsteller waren hierbei die »kleine Formen« des Schreibens: Essays, Aufsätze, Rezensionen, Kommentare in Zeitschriften * Meiner Mutter zum 81. -
Experiencing Music in the North German Enlightenment
SENSITIVITY, INSPIRATION, AND RATIONAL AESTHETICS: EXPERIENCING MUSIC IN THE NORTH GERMAN ENLIGHTENMENT Kimary E. Fick, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF PHILOSOPHY University of North Texas December 2015 APPROVED: Hendrik Schulze, Major Professor Peter Mondelli, Committee Member Christoph Weber, Committee Member Paul Leenhouts, Related Field Committee Member and Director of Early Music Studies Benjamin Brand, Director of Graduate Studies, College of Music James Scott, Dean of College of Music Costas Tsatsoulis, Dean of Toulouse Graduate School Fick, Kimary E. Sensitivity, Inspiration, and Rational Aesthetics: Experiencing Music in the North German Enlightenment. Doctor of Philosophy (Musicology), December 2015, 295 pp., 2 tables, 3 figures, 19 musical examples, references, 166 titles. This dissertation examines pre-Kantian rational philosophy and the development of the discipline of aesthetics in the North German Enlightenment. With emphasis on the historical conception of the physiological and psychological experience of music, this project determines the function of music both privately and socially in the eighteenth century. As a result, I identify the era of rational aesthetics (ca.1750-1800) as a music-historical period unified by the aesthetic function and metaphysical experience of music, which inform the underlying motivation for musical styles, genres, and means of expression, leading to a more meaningful and compelling historical periodization. The philosophy of Alexander Baumgarten, Johann Georg Sulzer, and others enable definitions of the experience of beautiful objects and those concepts related to music composition, listening, and taste, and determine how rational aesthetics impacted the practice, function, and ultimately the prevailing style of music in the era. -
Mediated Music Makers. Constructing Author Images in Popular Music
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Laura Ahonen Mediated music makers Constructing author images in popular music Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 10th of November, 2007 at 10 o’clock. Laura Ahonen Mediated music makers Constructing author images in popular music Finnish Society for Ethnomusicology Publ. 16. © Laura Ahonen Layout: Tiina Kaarela, Federation of Finnish Learned Societies ISBN 978-952-99945-0-2 (paperback) ISBN 978-952-10-4117-4 (PDF) Finnish Society for Ethnomusicology Publ. 16. ISSN 0785-2746. Contents Acknowledgements. 9 INTRODUCTION – UNRAVELLING MUSICAL AUTHORSHIP. 11 Background – On authorship in popular music. 13 Underlying themes and leading ideas – The author and the work. 15 Theoretical framework – Constructing the image. 17 Specifying the image types – Presented, mediated, compiled. 18 Research material – Media texts and online sources . 22 Methodology – Social constructions and discursive readings. 24 Context and focus – Defining the object of study. 26 Research questions, aims and execution – On the work at hand. 28 I STARRING THE AUTHOR – IN THE SPOTLIGHT AND UNDERGROUND . 31 1. The author effect – Tracking down the source. .32 The author as the point of origin. 32 Authoring identities and celebrity signs. 33 Tracing back the Romantic impact . 35 Leading the way – The case of Björk . 37 Media texts and present-day myths. .39 Pieces of stardom. .40 Single authors with distinct features . 42 Between nature and technology . 45 The taskmaster and her crew. -
Chasing the Light the CLOUD CULT STORY Mark Allister
Chasing the Light Chasing the Light THE CLOUD CULT STORY Mark Allister Foreword by Mark Wheat University of Minnesota Press Minneapolis • London Interview excerpts from the film No One Said It Would Be Easy are repro- duced by permission of John Paul Burgess. Cloud Cult lyrics are reproduced by permission of Cloud Cult/Craig Minowa. Photographs reproduced by permission of Cloud Cult/Craig Minowa unless otherwise credited. Thanks to Jeff DuVernay, Cody York (http://www.cody yorkphotography.com), and Stacy Schwartz (http://www.stacyannschwartz. com) for contributing photographs to the book. Copyright 2014 by Mark Allister Foreword copyright 2014 by Mark Wheat All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Published by the University of Minnesota Press 111 Third Avenue South, Suite 290 Minneapolis, MN 55401– 2520 http://www.upress.umn.edu {~?~IQ: CIP goes here.} Printed in the United States of America on acid- free paper The University of Minnesota is an equal- opportunity educator and employer. 20 19 18 17 16 15 14 10 9 8 7 6 5 4 3 2 1 For Meredith Coole Allister, partner extraordinaire When your life is finished burning down, You’ll be all that’s left standing there. You’ll become a baby cumulus, And fly up to the firmament. No one gets to know the purpose, We need to learn to live without knowing. But all we are saying is Step forward, step forward. -
“Writing About Music” Vol
UCLA Department of Musicology presents MUSE An Undergraduate Research Journal “Writing About Music” Vol. 1, No. 1 “Dissonant Ones: The Harmony of Lou Reed and “Waitress! Equalitea and Pie, Please” John Cale” Irena Huang Gabriel Deibel “Boy Band: Intersecting Gender, Age, Sexuality, “A Possible Resolution for the Complicated and Capitalism” Feelings Revolving Around Tyler, the Creator” Grace Li Isabel Nakoud “Being the Cowboy: Mitski’s Rewriting of Gender Roles in Indie Rock” Jenna Ure Winter 2020 2 3 UCLA Department of Musicology presents MUSE An Undergraduate Research Journal Volume 1, Number 1 Winter 2020 Contents Introduction from the Editors 4 Being the Cowboy: Mitski’s Rewriting of Gender Roles in Indie 6 Rock Editor-in-Chief Jenna Ure Matthew Gilbert Waitress! Equalitea and Pie, Please 16 Managing Editor Irena Huang Alana Chester Dissonant Ones: The Harmony of Lou Reed and John Cale 26 Review Editor Gabriel Deibel Karen Thantrakul Boy Band: Intersecting Gender, Age, Sexuality, and Capitalism 36 Technical Editors Grace Li J.W. Clark Liv Slaby A Possible Resolution for the Complicated Feelings Revolving 46 Gabriel Deibel Around Tyler, the Creator Isabel Nakoud Faculty Advisor Dr. Elisabeth Le Guin Closing notes 62 4 Introduction Introduction 5 Introduction Li’s discussion of the exploitation of boy band One Direction, Gabriel Deibel’s essay on the influence of John Cale on the Velvet Underground’s experimental sound, a feminist exploration by Irena Huang of the musical Alana Chester, Matthew Gilbert, and Karen Waitress (composed by a UCLA alumnus, Sara Bareilles), and a critique Thantrakul of the music industry through indie singer Mitski’s music by Jenna Ure. -
Guidance for the Selection and Use of PPE in the Healthcare Setting
Guidance for the Selection and Use of Personal Protective Equipment (PPE) in Healthcare Settings 1 PPE Use in Healthcare Settings: Program Goal Improve personnel safety in the healthcare environment through appropriate use of PPE. PPE Use in Healthcare Settings The goal of this program is to improve personnel safety in the healthcare environment through appropriate use of PPE. 2 PPE Use in Healthcare Settings: Program Objectives • Provide information on the selection and use of PPE in healthcare settings • Practice how to safely don and remove PPE PPE Use in Healthcare Settings The objectives of this program are to provide information on the selection and use of PPE in healthcare settings and to allow time for participants to practice the correct way to don and remove PPE. 3 Personal Protective Equipment Definition “specialized clothing or equipment worn by an employee for protection against infectious materials” (OSHA) PPE Use in Healthcare Settings Personal protective equipment, or PPE, as defined by the Occupational Safety and Health Administration, or OSHA, is “specialized clothing or equipment, worn by an employee for protection against infectious materials.” 4 Regulations and Recommendations for PPE • OSHA issues workplace health and safety regulations. Regarding PPE, employers must: – Provide appropriate PPE for employees – Ensure that PPE is disposed or reusable PPE is cleaned, laundered, repaired and stored after use • OSHA also specifies circumstances for which PPE is indicated • CDC recommends when, what and how to use PPE PPE Use in Healthcare Settings OSHA issues regulations for workplace health and safety. These regulations require use of PPE in healthcare settings to protect healthcare personnel from exposure to bloodborne pathogens and Mycobacterium tuberculosis. -
Stoic Ethics in Kant's Religion
A version of this paper is forthcoming in the European Journal of Philosophy; please cite the published version. Nature, Corruption, and Freedom: Stoic Ethics in Kant’s Religion Melissa Merritt, University of New South Wales 1. Introduction This paper is an invitation to take seriously Kant’s debt to Stoic ethics and moral psychology. Scholars have given some attention to this connection, though often in the form of drive-by remarks, where, often for perfectly good reasons, the matter cannot be fully taken up.1 When it is taken up, scholarly caution sometimes recommends a deflationary verdict, citing either uncertainty about Kant’s access to Stoic texts, or systematic differences. 2 But there is no great mystery about Kant’s access to Stoicism, which comes primarily through Seneca and Cicero, as it has for most philosophers since the Renaissance. And while there are genuine systematic differences — Kant, for example, is not a eudaimonist3 — I would argue that his moral psychology, in particular, has clear and profound Stoic roots. Of course, a full argument for the influence of Stoicism on Kant’s ethics and moral psychology is a bigger project than can be undertaken here: my present aim is to make a case for Kant’s debt to the Stoics on one topic, in one work. Kant’s account of “the radical evil in human nature” in Part 1 of Religion within the Bounds of Reason Alone is typically interpreted as a reworking of the Augustinian doctrine of original sin, in a manner intended to establish its compatibility with Enlightenment morality.