St. Vincent & the Grenadines National Sub-Project Document
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Herp. Bulletin 101.Qxd
Colour and pattern polymorphism in Pristimantis shrevei and Eleutherodactylus johnstonei (Leptodactylidae) on St. Vincent, West Indies ALONDRA M. DIAZ-LAMEIRO 1, ROBERT POWELL 2, and CRAIG S. BERG 3 1 Department of Biology, University of Puerto Rico, Mayagüez, PR 00682 2 Department of Biology, Avila University, Kansas City, MO 64145, USA. E-mail: [email protected] [corresponding author] 3 Milwaukee County Zoo, Milwaukee, WI 53220, USA HE genus Eleutherodactylus , with more than versatile E. johnstonei dominates and P. shrevei is 700 species, had been considered to be the absent (Mallery et al ., 2007). mTost speciose vertebrate genus (Pough et al ., As in many eleutherodactylines (e.g., Schwartz 2004). A recent revision (Heinicke et al ., 2007), & Henderson, 1991; Sifers et al ., 2001), both however, revealed three major clades, two of Vincentian species are extremely variable in which are represented in the West Indies. A colour and pattern. Sander et al . (2003) “Caribbean clade” ( Eleutherodactylus ) contains documented considerable variation in E. four subgenera and 170 currently recognised johnstonei from Grenada, identifying colour and species, including all but two West Indian forms. A pattern elements that occurred in varying “South American clade” ( Pristimantis ) contains frequencies in populations at different locations. nearly 400 species, two of which occur on the St. We examined colour, patterns, and sizes of frogs Vincent and Grenada island banks. All of these taken from sites on St. Vincent at high to moderate frogs lay eggs in humid places outside of water elevations, where both species were present, and at and exhibit direct development, with froglets low elevation, where we found only E. -
Vincent Van Gogh, Who Grew up Walking the Dutch Countryside
"Sorrowful yet always rejoicing," Vincent van Gogh, who grew up walking the Dutch countryside, traveled through life seeking the eternal "Light that rises in the darkness"- like these swans readying for flight south of Amsterdam. From the pain and beauty of his journey, he created masterworks of passion, including penetrating self-portraits, such as this one at age 34. Van Gogh likened painting to performing music. "Whether I really sang a lullaby in colors," he wrote, "I leave to the critics." National Geographic, October, 1997 By JOEL L. SWERDLOW, ASSISTANT EDITOR Photographs by LYNN JOHNSON THE LETTERS FROM VINCENT VAN GOGH to his brother Theo are yellowed. Some are torn at the corners or have holes from aging. Acid from ink eats through the cheap paper. I have come to this bombproof vault in the cellar of the Van Gogh Museum in Amsterdam to begin my search for Vincent. Who was this man who said he "sang a lullaby in colors:' and why does he have such a hold on us? His paintings sell for the most money; his exhibitions attract the highest number of visitors; reproductions of his work-on socks, sheets, party napkins, coffee cups-permeate homes and offices; the song "Vincent" has sold more than ten million copies since 1971; movies mythologize his life. No other artist, at any time in any culture, has been more popular. THE 650 LETTERS from Vincent to Theo fill three volumes. Their first surprise is immediate: I knew that Theo financed Vincent's painting and had assumed Theo was the big brother. -
Exempted Trees List
Prohibited Plants List The following plants should not be planted within the City of North Miami. They do not require a Tree Removal Permit to remove. City of North Miami, 2017 Comprehensive List of Exempted Species Pg. 1/4 Scientific Name Common Name Abrus precatorius Rosary pea Acacia auriculiformis Earleaf acacia Adenanthera pavonina Red beadtree, red sandalwood Aibezzia lebbek woman's tongue Albizia lebbeck Woman's tongue, lebbeck tree, siris tree Antigonon leptopus Coral vine, queen's jewels Araucaria heterophylla Norfolk Island pine Ardisia crenata Scratchthroat, coral ardisia Ardisia elliptica Shoebutton, shoebutton ardisia Bauhinia purpurea orchid tree; Butterfly Tree; Mountain Ebony Bauhinia variegate orchid tree; Mountain Ebony; Buddhist Bauhinia Bischofia javanica bishop wood Brassia actino-phylla schefflera Calophyllum antillanum =C inophyllum Casuarina equisetifolia Australian pine Casuarina spp. Australian pine, sheoak, beefwood Catharanthus roseus Madagascar periwinkle, Rose Periwinkle; Old Maid; Cape Periwinkle Cestrum diurnum Dayflowering jessamine, day blooming jasmine, day jessamine Cinnamomum camphora Camphortree, camphor tree Colubrina asiatica Asian nakedwood, leatherleaf, latherleaf Cupaniopsis anacardioides Carrotwood Dalbergia sissoo Indian rosewood, sissoo Dioscorea alata White yam, winged yam Pg. 2/4 Comprehensive List of Exempted Species Scientific Name Common Name Dioscorea bulbifera Air potato, bitter yam, potato vine Eichhornia crassipes Common water-hyacinth, water-hyacinth Epipremnum pinnatum pothos; Taro -
U.S. Forest Service Report
TABLE OF CONTENTS I. EXECUTIVE SUMMARY……………………………………………………………….…...….1 II. CHAPTER 1. INTRODUCTION A. Background..………………………………………………………………………….....4 B. Purpose…..………..…………………………………………………….......................4 III. CHAPTER 2. METHODS A. Changes in Ecosystem Services in Three Municipalities (i-Tree Canopy)............6 B. Fine-scale evaluation of ecosystem services changes in Santurce (i-Tree Eco)...9 C. Fine-scale evaluation of ecosystem services changes in San Juan residential yards (i-Tree Eco)................................................................................................10 D. List and definitions of ecosystem services exported…...…….…...………..……..11 IV. CHAPTER 3. RESULTS A. Percent tree cover area / ecosystem services in three municipalities (i-Tree Canopy)...........................................................................................................….13 B. Changes in ecosystem services at the municipal scale. (i-Tree Canopy)............16 C. Changes in vegetation and ecosystem services in areas with multiple land uses in the Santurce Peninsula (i-Tree Eco)……………………………...……..............17 D. Changes in vegetation and ecosystem services in residential yards of the Río Piedras Watershed (i-Tree Eco)..........................................................................19 V. CHAPTER 4. DISCUSSION A. Meaning of inventory results………………...…………………………………….....21 B. Recommendations………………..…………………….……………………………..24 VI. REFERENCES...…………………..……….………………………………………..………...25 VII. APPENDICES A. App 1. Site Coordinates -
Van Gogh Museum Journal 2002
Van Gogh Museum Journal 2002 bron Van Gogh Museum Journal 2002. Van Gogh Museum, Amsterdam 2002 Zie voor verantwoording: http://www.dbnl.org/tekst/_van012200201_01/colofon.php © 2012 dbnl / Rijksmuseum Vincent Van Gogh 7 Director's foreword In 2003 the Van Gogh Museum will have been in existence for 30 years. Our museum is thus still a relative newcomer on the international scene. Nonetheless, in this fairly short period, the Van Gogh Museum has established itself as one of the liveliest institutions of its kind, with a growing reputation for its collections, exhibitions and research programmes. The past year has been marked by particular success: the Van Gogh and Gauguin exhibition attracted record numbers of visitors to its Amsterdam venue. And in this Journal we publish our latest acquisitions, including Manet's The jetty at Boulogne-sur-mer, the first important work by this artist to enter any Dutch public collection. By a happy coincidence, our 30th anniversary coincides with the 150th of the birth of Vincent van Gogh. As we approach this milestone it seemed to us a good moment to reflect on the current state of Van Gogh studies. For this issue of the Journal we asked a number of experts to look back on the most significant developments in Van Gogh research since the last major anniversary in 1990, the centenary of the artist's death. Our authors were asked to filter a mass of published material in differing areas, from exhibition publications to writings about fakes and forgeries. To complement this, we also invited a number of specialists to write a short piece on one picture from our collection, an exercise that is intended to evoke the variety and resourcefulness of current writing on Van Gogh. -
Van Gogh: Heartfelt Lines
Jane Van Nimmen exhibition review of Van Gogh: Heartfelt Lines Nineteenth-Century Art Worldwide 8, no. 1 (Spring 2009) Citation: Jane Van Nimmen, exhibition review of “Van Gogh: Heartfelt Lines,” Nineteenth- Century Art Worldwide 8, no. 1 (Spring 2009), http://www.19thc-artworldwide.org/ spring09/76-van-gogh-heartfelt-lines. Published by: Association of Historians of Nineteenth-Century Art Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. ©2009 Nineteenth-Century Art Worldwide Nimmen: Van Gogh: Heartfelt Lines Nineteenth-Century Art Worldwide 8, no. 1 (Spring 2009) Van Gogh: Heartfelt Lines Albertina, Vienna, 5 September 2008 – 8 January 2009 Catalogue: Van Gogh: Heartfelt Lines Edited by Klaus Albrecht Schröder and Heinz Widauer, Sjraar van Heugten and Marije Vellekoop; with an introduction by Klaus Albrecht Schröder; with essays by Martin Bailey, Sjraar van Heugten, Fred Leeman, Teio Meedendorp, Marije Vellekoop, and Heinz Widauer. Catalogue entries by Stefanie Chaloupek, Fred Leeman, Heinz Widauer, and Denise Willemstein. Cologne: DuMont, 2008. 455 pages; 338 color illustrations, 32 b-w; bibliography Cost: €24,90 ($36, in museum); €49,90 ($73, in bookstores) ISBN: 978-3-8321-9158-0 (museum edition); 978-3-8321-9133-7 (trade edition) Van Gogh: Gezeichnete Bilder ISBN: 978-3-8321-9157-3 (museum edition); 978-3-8321-9157-2 (trade edition) “To bring the art of drawing out of quarantine” became a mission statement of the new Albertina Director Klaus Albrecht Schröder long before he re-opened the meticulously restored museum. Assuming his post at the beginning of the millennium, Schröder accelerated renovations for the palace of Albert, Duke of Saxe-Teschen (1738–1822); the building behind the opera had housed his remarkable collection for two centuries and had closed for urgent repairs in the 1990s. -
Inventario De Las Plantas Cubanas Silvestres Parientes De Las Cultivadas De Importancia Alimenticia, Agronómica Y Forestal
Inventario de las plantas cubanas silvestres parientes de las cultivadas de importancia alimenticia, agronómica y forestal por Werner Greuter y Rosa Rankin Rodríguez A Checklist of Cuban wild relatives of cultivated plants important for food, agriculture and forestry by Werner Greuter and Rosa Rankin Rodríguez Botanischer Garten und Botanisches Museum Berlin Jardín Botánico Nacional, Universidad de La Habana Publicado en el Internet el 22 marzo 2019 Published online on 22 March 2019 ISBN 978-3-946292-33-3 DOI: https://doi.org/10.3372/cubalist.2019.1 Published by: Botanischer Garten und Botanisches Museum Berlin Zentraleinrichtung der Freien Universität Berlin Königin-Luise-Str. 6–8, D-14195 Berlin, Germany © 2019 The Authors. This work is distributed under the Creative Commons Attribution 4.0 International Licence (CC BY 4.0), which permits unrestricted use provided the original author and source are credited (see https://creativecommons.org/licenses/by/4.0/) Greuter & Rankin – Parientes Cubanos Silvestres de Plantas Cultivadas 3 Inventario de las plantas cubanas silvestres parientes de las cultivadas de importancia alimenticia, agronómica y forestal Werner Greuter & Rosa Rankin Rodríguez Introducción Este Inventario se generó para servir de base a los trabajos de la reunión anual del Grupo de Especialistas en Plantas Cubanas de la Comisión para la supervivencia de las especies de la UICN en La Habana, Cuba, del 13 al 15 de Marzo del 2019. Abarca 57 familias y 859 taxones de plantas vasculares de la flora espontánea cubana congenéricas con las plantas útiles de importancia al nivel global y que puedan servir para enriquecer su patrimonio genético en el desarrollo de nuevas variedades con mejores propiedades de productividad y/o resistencia y cuya conservación por ende es de importancia prioritaria para la sobrevivencia de la raza humana (ver Meta 13 de las Metas nacionales cubanas para la diversidad biológica 2016-2020). -
Evangelii Gaudium”
July-September 2014 GENERAL CURIA CONGREGATION OF THE MISSION Year - N. 3 INCENTIANA th 58 on “Evangelii Gaudium” Vincentian Bishops Reflect Vincentian V VINCENTIANA — 58th Year - N. 3 - July-September 2014 Table of Contents VINCENTIANA Journal Published quarterly Introduction Congregation of the Mission 225 Editor’s Nore General Curia - Rome - Italy In our next 227 About our Authors 58th Year - N. 3 July-September 2014 issue... From the General Curia Editor 229 Meditation Moment. Reflection on the Vow of Obedience by the General Curia John T. Maher, C.M. 236 Tempo Forte Summary (June 2014) Editorial Board 243 New Appointments at the General Curia Jean Landousies, C.M. Javier Álvarez Munguia, C.M. Jorge Luis Rodríguez, C.M. From the Superior General Giuseppe Turati, C.M. 245 Letter to the Vincentian Family for the feast of St. Vicent Publication 249 Letter to the Vincentian Family on the Plight of Christians in Iraq General Curia of the Congregation of the Mission 251 Sunday Mass Homily for JMV Moderators (Paris, 20 July 2014) Via dei Capasso, 30 00164 Rome (Italy) Tel. +39 06 66 13 061 Spotlight Interview The Fax +39 06 66 63 831 255 An Interview with Fr. Manuel Ginete, C.M. Member of Province of the Philippines [email protected] John T. Maher, C.M., with Manuel Ginete, C.M. Authorization Ratio Tribunal of Rome Theme: Vincentian Bishops Reflect on “Evangelii Gaudium” 5 December 1974 - N. 15706 Formationis 263 The Social Dimension of Evangelization Legal Representative Bishop Vicente Bokalic Iglic, C.M. (Argentina) Giuseppe Carulli, C.M. 272 The Social Dimension of Evangelization Bishop George Bou Jaoudé, C.M. -
Vincent Van Gogh in Arles
VINCENT VAN GOGH IN ARLES “Van Gogh sur la route de Tarascon” Known also as “The painter on his way to work”, July 1888, 48 x 44 cm Formerly in the Kaiser-Friedrich-Museum, Magdeburg, Germany (Destroyed by fire in 1945) https://commons.wikimedia.org/wiki/File:Vincent_Van_Gogh_0013.jpg A Walk-Around of Selected Sites L. M. Boring Membre de l’Association des Artistes Alpicois, Le Pecq 28 February 2019 Vincent Van Gogh arrived in Arles by train on Monday, February 20, 1888, with an idea to found an artist colony in the south “Wishing to see a different light, thinking that looking at nature under a bright sky might give us a better idea of the Japanese way of feeling and drawing. Wishing also to see this stronger sun, because one could not understand Delacroix’s pictures from the point of view of execution and technique without knowing it, and because one feels that the colors of the prism are veiled in the mist of the North.” Oddly and by happenstance, when he arrived, he found the countryside covered in snow, and among his first paintings were soft landscapes of snow covered fields. He found lodging in the Hotel-Restaurant Carrel, but his stay ended badly over a billing dispute after only two months. Vincent signed a lease on May 1st for a small four-room two-story semi-detached house on the Place Lamartine, not far from the train station. Its stucco exterior was bright ochre, and it became known by Van Gogh’s paintings as La Maison Jaune, the Yellow House. -
Anolis Equestris) Should Be Removed When Face of a Watch
VOLUME 15, NUMBER 4 DECEMBER 2008 ONSERVATION AUANATURAL ISTORY AND USBANDRY OF EPTILES IC G, N H , H R International Reptile Conservation Foundation www.IRCF.org Central Netted Dragons (Ctenophorus nuchalis) from Australia are popular in captivity due to their striking appearance and great temperament. See article on p. 226. Known variously as Peters’ Forest Dragon, Doria’s Anglehead Lizard, or Abbott’s Anglehead Lizard (depending on subspecies), Gonocephalus doriae is known from southern Thailand, western Malaysia, and Indonesia west of Wallace’s Line SHANNON PLUMMER (a biogeographic division between islands associated with Asia and those with plants and animals more closely related to those on Australia). They live in remaining forested areas to elevations of 1,600 m (4,800 ft), where they spend most of their time high in trees near streams, either clinging to vertical trunks or sitting on the ends of thin branches. Their conservation status has not been assessed. MICHAEL KERN KENNETH L. KRYSKO KRISTA MOUGEY Newly hatched Texas Horned Lizard (Phrynosoma cornutum) on the Invasive Knight Anoles (Anolis equestris) should be removed when face of a watch. See article on p. 204. encountered in the wild. See article on p. 212. MARK DE SILVA Grenada Treeboas (Corallus grenadensis) remain abundant on many of the Grenadine Islands despite the fact that virtually all forested portions of the islands were cleared for agriculture during colonial times. This individual is from Mayreau. See article on p. 198. WIKIPEDIA.ORG JOSHUA M. KAPFER Of the snakes that occur in the upper midwestern United States, Populations of the Caspian Seal (Pusa caspica) have declined by 90% JOHN BINNS Bullsnakes (Pituophis catenifer sayi) are arguably the most impressive in in the last 100 years due to unsustainable hunting and habitat degra- Green Iguanas (Iguana iguana) are frequently edificarian on Grand Cayman. -
Anura: Craugastoridae) with the Description of a New Species from Colombia
Acta Herpetologica 11(1): 31-45, 2016 DOI: 10.13128/Acta_Herpetol-16434 Molecular phylogenetics of the Pristimantis lacrimosus species group (Anura: Craugastoridae) with the description of a new species from Colombia Mauricio Rivera-Correa, Juan M. Daza* Grupo Herpetológico de Antioquia, Instituto de Biología, Universidad de Antioquia, Calle 67 # 53–108, Bloque 7–121, A.A. 1226, Medellín, Colombia. *Correspondig author. E-mail: [email protected] Submitted on 2015, 17th July; revised on 2015, 11thNovember; accepted on 2015, 16th November Editor: Adriana Bellati Abstract. The Pristimantis lacrimosus species group, with 24 species distributed in the Neotropics, is a group of arbo- real frogs commonly inhabiting bromeliads. Previous studies have claimed the group to be monophyletic but few spe- cies have been included in phylogenetic analyses. In this paper, we included five additional species from the northern Andes in Colombia and tested the monophyly of this phenetic group using genetic data under a Bayesian approach. Our results show that the P. lacrimosus group represents two distant and unrelated clades. Clade “A” is endemic to Colombia while Clade “B” encompasses species distributed in Central America, Ecuador and Peru. For the first time, we reveal the phylogenetic position of P. boulengeri and a new species is described. The new taxon is most closely related to P. brevifrons from southwestern Colombia with a genetic distance of 4.3% for 16S and 10.6% for COI. Our results suggest, one more time, that morphological similarity among species in the most diverse vertebrate genus not necessarily agree with its evolutionary history and that more effort in alpha taxonomy needs to be done in order to understand the tremendous radiation of this lineage in the Neotropics. -
Teen Study Guide and Extension Activities
“Well, then, what can I say: does what goes on inside, show on the outside?” -Vincent to Theo, June 1880 Vincent van Gogh is among the world’s most famous artists, known for his vibrating colors, thick, encrusted paint, exhilarating brushstrokes and very brief career. In a mere ten years he managed to create an astonishing 900 paintings and 1000 drawings! The art he suffered to create tried to answer the introspective question he put forth in a letter from 1880, “does what goes on inside, show on the outside?” Born in The Netherlands on March 30, 1853, he never knew fame for his art while he was alive. Neither did he know prosperity or much peace during his frenetic life. Vincent was known to be emotionally intense, highly intelligent and socially awkward from the time he was a young boy, and though he never married, he had a deep and driving desire to connect with others. Unfortunately, he was unable to maintain most of his relationships due to his argumentative, obsessive nature and bouts of depression. But it was a divided temperament Vincent possessed - disagreeable, melancholy and zealous on one hand; sensitive, observant and gifted on the other. His beloved brother Theo thought that he had “two different beings in him” and that Vincent often made his life “difficult not only for others, but also for himself.” This disconnect was obviously painful to Vincent, as he once compared himself to a hearth - as someone who “has a great fire in his soul and nobody ever comes to warm themselves at it, and passers-by see nothing but a little smoke at the top of the chimney and then go on their way.” It was this friction of selves that created a lonely lifetime of seeking - for home, family, truth, balance and acceptance, which he ultimately never found.