Medical Eponyms of Mythological Origin
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H-Diplo ARTICLE REVIEW 1021 24 February 2021
H-Diplo ARTICLE REVIEW 1021 24 February 2021 Stephen Buono. “Merely a ‘Scrap of Paper’? The Outer Space Treaty in Historical Perspective.” Diplomacy & Statecraft 31:2 (2020): 350-372. DOI: https://doi.org/10.1080/09592296.2020.1760038. https://hdiplo.org/to/AR1021 Article Review Editors: Thomas Maddux and Diane Labrosse | Production Editor: George Fujii Review by David T. Burbach, U.S. Naval War College1 longside the technological achievements of the Apollo era was a related diplomatic achievement: the 1967 Outer Space Treaty,2 an American-initiated, globally-negotiated treaty prohibiting nuclear weapons in space and A establishing a basic framework of international law that to this day guides the exploration and exploitation of outer space. In this article Stephen Buono offers a timely historical analysis and reassessment of the Treaty. Buono provides the best available account of Treaty negotiations and the U.S. ratification debate, and he shows that ‘North-South’ diplomacy was an often-overlooked but important part of those negotiations. The article better connects discussions of the Treaty in the diplomatic history literature, which is mostly limited to its arms control aspects, with the much wider discussions about it in space law, political science, and contemporary policy debates. Buono’s basic argument is that the Outer Space Treaty has been misunderstood in several ways (352). First, that the Treaty has often been viewed – when it is considered at all – merely as a nuclear arms control treaty, and a minor one at that. Buono also argues the Treaty has been misunderstood in that evaluations tend to either extreme of dismissing it as a ‘scrap of paper’ that imposed nothing meaningful, or to exalt it as if it were a successful Kellogg-Briand pact of the heavens. -
Thiele's Biblical Chronology As a Corrective for Extrabiblical Dates
Andm University Seminary Studies, Autumn 1996, Vol. 34, No. 2,295-317. Copyright 1996 by Andrews University Press.. THIELE'S BIBLICAL CHRONOLOGY AS A CORRECTIVE FOR EXTRABIBLICAL DATES KENNETH A. STRAND Andrews University The outstanding work of Edwin R. Thiele in producing a coherent and internally consistent chronology for the period of the Hebrew Divided Monarchy is well known. By ascertaining and applying the principles and procedures used by the Hebrew scribes in recording the lengths of reign and synchronisms given in the OT books of Kings and Chronicles for the kings of Israel and Judah, he was able to demonstrate the accuracy of these biblical data. What has generally not been given due notice is the effect that Thiele's clarification of the Hebrew chronology of this period of history has had in furnishing a corrective for various dates in ancient Assyrian and Babylonian history. It is the purpose of this essay to look at several such dates.' 1. i%e Basic Question In a recent article in AUSS, Leslie McFall, who along with many other scholars has shown favor for Thiele's chronology, notes five vital variable factors which Thiele recognized, and then he sets forth the following opinion: In view of the complex interaction of several of the independent factors, it is clear that such factors could never have been discovered (or uncovered) if it had not been for extrabiblical evidence which established certain key absolute dates for events in Israel and Judah, such as 853, 841, 723, 701, 605, 597, and 586 B.C. It was as a result of trial and error in fitting the biblical data around these absolute dates that previous chronologists (and more recently Thiele) brought to light the factors outlined above.= '~lthou~hmuch of the information provided in this article can be found in Thiele's own published works, the presentation given here gathers it, together with certain other data, into a context and with a perspective not hitherto considered, so far as I have been able to determine. -
Eponyms in Medicine
20 Personally Speaking By Dr Cuthbert Teo Eng Swee, Editorial Board Member Eponyms in Medicine he word ‘eponym’ is derived from the Greek ‘epi’ which roughly means ‘upon’ T or ‘in addition’, and ‘onyma’ which "... in the Sciences, and means ‘name’. particularly in Medicine, the Strictly speaking, an eponym is the name of term eponym is generally the person who can be real or imaginary, from which the name of something else is derived. understood to mean Thus, Romulus is the eponym for Rome; the something (like a disease or Emperor Constantine I or Constantine the device in medicine) which Great is the eponym of Constantinople; and has been named after a Queen Victoria is the eponym for Victorian person." architecture. Some of the earliest uses of eponyms were by the ancient Greeks and ancient Romans, who named their years after their magistrates and consuls, respectively. Thus, the year 59 BC would robotics, who first introduced them in his 1942 have been known to the Greeks as Leucius, and to short story Runaround. Sometimes, eponyms are the Romans as Marcus Bibulus and Julius Caesar used to honour not the discoverer, but to honour (two consuls were elected each year). someone who is prominent in a particular field. In contemporary English, the term eponym For instance, the Hale telescope at the Palomar has also been used to refer to something which Observatory in California was not built by the is self-titled, for example, the book My Life: astronomer Gregory Hale in the 1940s, but he Bill Clinton could be described as Bill Clinton’s was instrumental in securing a grant to build Dr Teo is a eponymous book; and Gray’s Anatomy could be it. -
12Th Grade Senior English IV and Dual Enrollment 2021 Summer
Summer Reading List: Senior English and Dual Enrollment Pride and Prejudice 1. Read and annotate this novel. Take note of literary elements, characterization, plot, setting, tone, and vocabulary. 2. Choose one of the following options below. The piece must be 500 words (about two pages, typed, double-spaced, 12-point Times New Roman) Due date: This assignment will be submitted electronically via TEAMS as well as TurnItIn.com during the first week of school. Be sure the assignment is completed when you arrive the first day of classes so that you are able to submit it as soon as TEAMS and TurnItIn.com are launched. a. Quote, cite, and analyze three passages from the novel that represent or discuss gender, social norms, or class and status-based ideas addressed in the novel. b. Write an original letter from any character to another character that reveals his or her personality, fears, desires, prejudices, and/or ways of dealing with conflict. c. Write a skit or scene based on your own rendition of the customs and values of the time and place in which the novel takes place. This would be an added scene in the story. Make sure you inform me where this scene would take place if it were actually in the novel. d. Write an original poem (30-line minimum) about the ideals, values, or concerns of the Bennet family or the society in which people live. Examples: the soldiers, fate, religion, upper class, etc. Mythology by Edith Hamilton 1. Read the novel. You do not have to annotate. -
Extracting and Quantifying Eponyms in Full-Text Articles Guillaume Cabanac
Extracting and quantifying eponyms in full-text articles Guillaume Cabanac To cite this version: Guillaume Cabanac. Extracting and quantifying eponyms in full-text articles. Scientometrics, Springer Verlag, 2014, vol. 98 (n° 3), pp. 1631-1645. 10.1007/s11192-013-1091-8. hal-01123700 HAL Id: hal-01123700 https://hal.archives-ouvertes.fr/hal-01123700 Submitted on 5 Mar 2015 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Open Archive TOULOUSE Archive Ouverte (OATAO) OATAO is an open access repository that collects the work of Toulouse researchers and makes it freely available over the web where possible. This is an author-deposited version published in : http://oatao.univ-toulouse.fr/ Eprints ID : 12594 To link to this article : DOI :10.1007/s11192-013-1091-8 URL : http://dx.doi.org/10.1007/s11192-013-1091-8 To cite this version : Cabanac, Guillaume Extracting and quantifying eponyms in full-text articles. (2014) Scientometrics, vol. 98 (n° 3). pp. 1631-1645. ISSN 0138-9130 Any correspondance concerning this service should be sent to the repository administrator: [email protected] Extracting and quantifying eponyms in full-text articles Guillaume Cabanac Abstract Eponyms are known to praise leading scientists for their contributions to sci- ence. -
A Guide to Post-Classical Works of Art, Literature, and Music Based on Myths of the Greeks and Romans
DOCUMENT RESUME ED 112 438 CS 202 298 AUTHOR Smith, Ron TITLE A Guide to Post-Classical Works of Art, Literature, and Music Based on Myths of the Greeks and Romans. PUB DATE 75 NOTE 40p.; Prepared at Utah State University; Not available in hard copy due to marginal legibility of original document !DRS PRICE MF-$0.76 Plus Postage. HC Not Available from EDRS. DESCRIPTORS *Art; *Bibliographies; Greek Literature; Higher Education; Latin Literature; *Literature; Literature Guides; *Music; *Mythology ABSTRACT The approximately 650 works listed in this guide have as their focus the myths cf the Greeks and Romans. Titles were chosen as being (1)interesting treatments of the subject matter, (2) representative of a variety of types, styles, and time periods, and (3) available in some way. Entries are listed in one of four categories - -art, literature, music, and bibliography of secondary sources--and an introduction to the guide provides information on the use and organization of the guide.(JM) *********************************************************************** Documents acquired by ERIC include many informal unpublished * materials not available from other sources. ERIC makes every effort * * to obtain the best copy available. Nevertheless, items of marginal * * reproducibility are often encountered and this affects the quality * * of the microfiche and hardcopy reproductions ERIC makes available * * via the ERIC Document Reproduction Service (EDRS). EDRS is not * responsible for the quality of the original document. Reproductions * * supplied -
The Role of Aphrodite in Sappho Fr. 1 Keith Stanley
The Rôle of Aphrodite in Sappho Fr.1 Stanley, Keith Greek, Roman and Byzantine Studies; Winter 1976; 17, 4; ProQuest pg. 305 The Role of Aphrodite in Sappho Fr. 1 Keith Stanley APPHO'S Hymn to Aphrodite, standing so near to the beginning of Sour evidence for the religious and poetic traditions it embodies, remains a locus of disagreement about the function of the goddess in the poem and the degree of seriousness intended by Sappho's plea for her help. Wilamowitz thought sparrows' wings unsuited to the task of drawing Aphrodite's chariot, and proposed that Sappho's report of her epiphany described a vision experienced ovap, not v7rap.l Archibald Cameron ventured further, suggesting that the description of Aphrodite's flight was couched not in the language of "the real religious tradition of epiphany and its effect on mortals" but was "Homeric and conventional"; and that the vision was not, therefore, the record of a genuine religious experience, but derived rather from "the bright world of Homer's fancy."2 Thus he judged the tone of the ode to be one of seriousness tempered by "a vein of prettiness and almost of playfulness" and concluded that there was no special ur gency in Sappho's petition itself. While more recent opinion has tended to regard the episode as a poetic fiction which serves to 'mythologize' a genuine emotion, Sir Denys Page has not only maintained that Aphrodite's descent is a "flight of fancy, with much detail irrelevant to her present theme," but argued further that the poem as a whole is a lightly ironic melange of passion and self-mockery.3 Despite a con- 1 Sappho und Simonides (Berlin 1913) 45, with Der Glaube der Hellenen 3 II (Basel 1959) 109; so also J. -
Worksheet 4. Orpheus and Eurydice (Teacher)
Ovid’s Metamorphoses: A Common Core Exemplar Worksheet 4. Orpheus and Eurydice (teacher) Comparing two versions of the Orpheus and Eurydice story (teacher version) Directions: Use the space below to identify the main similarities of the Orpheus and Eurydice story in the accounts by Ovid and H.D. The basic plot is the same: Orpheus has gone down to the underworld to rescue his wife Eurydice. Because he looks back as they are climbing up, contrary to the mandate of the god, she must return. Now list their differences, using the criteria in the chart below. Under the column headed “So What?” explain why each difference is significant. Additional cells have been included to allow students room to add their own criteria. Ovid’s “Orpheus and Criterion Eurydice” H.D.’s “Eurydice” So What? Begins with the wedding Begins with Eurydice’s Ovid tells the full story Opening of the poem and failure of Hymen to bitter anger at Orpheus from beginning to end. bless it for his arrogance Hymen’s appearance and actions are a foreshadowing of what will happen. H.D. is more focused, telling only a few minutes of the story. Ovid is the omniscient Eurydice speaks in first Ovid is classical, Narrator narrator, telling the story person, clearly expressing relatively restrained in in a measured, her anger and frustration emotion, even in a tale unemotional tone. and using elaborate, involving the underworld, heartfelt descriptions. death, and lost love. H.D. exhibits more of a modern, romantic tone, bursting with resentment and feeling. Orpheus is loving and Orpheus’s personality is Good example of how Attitude of Eurydice brave; he even declares only conveyed through point of view can radically his willingness to die Eurydice’s eyes, and she alter the interpretation of himself if he can’t have views him as “arrogant” a narrative. -
Aspects of the Demeter/Persephone Myth in Modern Fiction
Aspects of the Demeter/Persephone myth in modern fiction Janet Catherine Mary Kay Thesis presented in partial fulfilment of the requirements for the degree of Master of Philosophy (Ancient Cultures) at the University of Stellenbosch Supervisor: Dr Sjarlene Thom December 2006 I, the undersigned, hereby declare that the work contained in this thesis is my own original work and that I have not previously in its entirety or in part submitted it at any university for a degree. Signature: ………………………… Date: ……………… 2 THE DEMETER/PERSEPHONE MYTH IN MODERN FICTION TABLE OF CONTENTS PAGE 1. Introduction: The Demeter/Persephone Myth in Modern Fiction 4 1.1 Theories for Interpreting the Myth 7 2. The Demeter/Persephone Myth 13 2.1 Synopsis of the Demeter/Persephone Myth 13 2.2 Commentary on the Demeter/Persephone Myth 16 2.3 Interpretations of the Demeter/Persephone Myth, Based on Various 27 Theories 3. A Fantasy Novel for Teenagers: Treasure at the Heart of the Tanglewood 38 by Meredith Ann Pierce 3.1 Brown Hannah – Winter 40 3.2 Green Hannah – Spring 54 3.3 Golden Hannah – Summer 60 3.4 Russet Hannah – Autumn 67 4. Two Modern Novels for Adults 72 4.1 The novel: Chocolat by Joanne Harris 73 4.2 The novel: House of Women by Lynn Freed 90 5. Conclusion 108 5.1 Comparative Analysis of Identified Motifs in the Myth 110 References 145 3 CHAPTER 1 INTRODUCTION The question that this thesis aims to examine is how the motifs of the myth of Demeter and Persephone have been perpetuated in three modern works of fiction, which are Treasure at the Heart of the Tanglewood by Meredith Ann Pierce, Chocolat by Joanne Harris and House of Women by Lynn Freed. -
Names of Botanical Genera Inspired by Mythology
Names of botanical genera inspired by mythology Iliana Ilieva * University of Forestry, Sofia, Bulgaria. GSC Biological and Pharmaceutical Sciences, 2021, 14(03), 008–018 Publication history: Received on 16 January 2021; revised on 15 February 2021; accepted on 17 February 2021 Article DOI: https://doi.org/10.30574/gscbps.2021.14.3.0050 Abstract The present article is a part of the project "Linguistic structure of binomial botanical denominations". It explores the denominations of botanical genera that originate from the names of different mythological characters – deities, heroes as well as some gods’ attributes. The examined names are picked based on “Conspectus of the Bulgarian vascular flora”, Sofia, 2012. The names of the plants are arranged in alphabetical order. Beside each Latin name is indicated its English common name and the family that the particular genus belongs to. The article examines the etymology of each name, adding a short account of the myth based on which the name itself is created. An index of ancient authors at the end of the article includes the writers whose works have been used to clarify the etymology of botanical genera names. Keywords: Botanical genera names; Etymology; Mythology 1. Introduction The present research is a part of the larger project "Linguistic structure of binomial botanical denominations", based on “Conspectus of the Bulgarian vascular flora”, Sofia, 2012 [1]. The article deals with the botanical genera appellations that originate from the names of different mythological figures – deities, heroes as well as some gods’ attributes. According to ICBN (International Code of Botanical Nomenclature), "The name of a genus is a noun in the nominative singular, or a word treated as such, and is written with an initial capital letter (see Art. -
Worshipping Virtues
Worshipping Virtues Personification and the divine in Ancient Greece ISBN: 9780715630440 (hb) by Emma Stafford 9781914535246 (pdf) DESCRIPTION: PRICE: The Greeks, in Dr. Johnson's phrase, 'shock the mind by ascribing effects to non-entity'. The culture $80.00 (hb) of ancient Greece was thronged with personifications. In poetry and the visual arts, personified $64.00 (pdf) figures of what might seem abstractions claim our attention. This study examines the logic, the psychology and the practice of Greeks who worshipped these personifications with temples and PUBLICATION DATE: sacrifices, and addressed them with hymns and prayers. Emma Stafford conducts case-studies of 31 December 2000 (hb) deified 'abstractions', such as Peitho (Persuasion), Eirene (Peace) and Hygieia (Health). She also 31 December 2000 (pdf) considers general questions of Greek psychology, such as why so many of these figures were female. Modern scholars have asked, Did the Greeks believe their own myths? This study BINDING: contributes importantly to the debate, by exploring widespread and creative popular theology in the Hardback & PDF eBook historical period. SIZE: TABLE OF CONTENTS: 6 x9 List of illustrations Acknowledgements Abbreviations and conventions 1. Personification, allegory and belief 2. Themis: archaic personification and the epithet theory 3. Nemesis: 'myth into logos?' 4. PAGES: Peitho: the seductive power of rhetoric 5. Hygieia: 'not a goddess but a gift of God'? 6. Eirene: 274 propaganda and allegory 7. Eleos: the Athenian 'altar of Pity' and its god 8. Conclusion Appendix: bibliographic note Bibliography Index ILLUSTRATIONS: 27 b/w pls, figs. CONTRIBUTORS BIOGRAPHIES: Emma Stafford is the author of numerous papers on Greek mythology and iconography, and is PUBLISHER: currently preparing a source book on Greek religion. -
Hesiod Theogony.Pdf
Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on.