Twenty-One Million Blaokmrds Or Eating Crows
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Nils Landgren
Nils Landgren Redhorn Collection ACT 6013 -2 CD 1: The Funk Unit / CD 2: The Ballads German Release Date: October 10, 2014 Two hours musical enjoyment with Mr. Redhorn and "Siggi Loch gave me the power to surpass myself, Maceo Parker, Brecker Brothers, Joe Sample, Roy and that is bearing a lot of fruits now," Landgren Hargrove, Fred Wesley, Ray Parker Jr., Bernard summarises their joint success story, but he isn't only active Purdie, Till Brönner, Rigmor Gustafsson, Ida Sand, for ACT as a musician, he is also a producer and scout. Esbjörn Svensson, Lars Danielsson, Per Ruskträsk Through Funk Unit, Loch's attention was called to Esbjörn Johansson, Magnum Coltrane Price, Magnus Svensson, and the singers Viktoria Tolstoy, Rigmor Lindgren, Wolfgang Haffner, Michael Wollny, NDR Gustafsson and Ida Sand also came to ACT from Bigband amongst others. Landgren's sphere of activity. Today, ACT is the biggest exporter of jazz from Sweden; thanks in no small degree to Nils Landgren is a name that has become Landgren. synonymous with versatility, curiosity and vigour. Whether with his Funk Unit, his jazz ballad projects, big Mr. Redhorn is one of the most active live artists in bands or his countless other contributions as sideman, contemporary jazz, in part also thanks to his concert soloist and bandleader – the likable Swede with the bright management partner Karsten Jahnke Konzertdirektion. He red trombone has constantly been on the move for more averages 200 days a year on the road around the music than 30 years. He is one of the most successful European world, and is one of a small number of jazz artists who jazz musicians, born Värmland in 1956, Landgren has made reach an audience that by far transcends the jazz "scene", around 550 records and received a plethora of jazz awards without making personal or artistic compromises. -
From King Records Month 2018
King Records Month 2018 = Unedited Tweets from Zero to 180 Aug. 3, 2018 Zero to 180 is honored to be part of this year's celebration of 75 Years of King Records in Cincinnati and will once again be tweeting fun facts and little known stories about King Records throughout King Records Month in September. Zero to 180 would like to kick off things early with a tribute to King session drummer Philip Paul (who you've heard on Freddy King's "Hideaway") that is PACKED with streaming audio links, images of 45s & LPs from around the world, auction prices, Billboard chart listings and tons of cool history culled from all the important music historians who have written about King Records: “Philip Paul: The Pulse of King” https://www.zeroto180.org/?p=32149 Aug. 22, 2018 King Records Month is just around the corner - get ready! Zero to 180 will be posting a new King history piece every 3 days during September as well as October. There will also be tweeting lots of cool King trivia on behalf of Xavier University's 'King Studios' historic preservation collaborative - a music history explosion that continues with this baseball-themed celebration of a novelty hit that dominated the year 1951: LINK to “Chew Tobacco Rag” Done R&B (by Lucky Millinder Orchestra) https://www.zeroto180.org/?p=27158 Aug. 24, 2018 King Records helped pioneer the practice of producing R&B versions of country hits and vice versa - "Chew Tobacco Rag" (1951) and "Why Don't You Haul Off and Love Me" (1949) being two examples of such 'crossover' marketing. -
Funk Is Its Own Reward": an Analysis of Selected Lyrics In
ABSTRACT AFRICAN-AMERICAN STUDIES LACY, TRAVIS K. B.A. CALIFORNIA STATE UNIVERSITY DOMINGUEZ HILLS, 2000 "FUNK IS ITS OWN REWARD": AN ANALYSIS OF SELECTED LYRICS IN POPULAR FUNK MUSIC OF THE 1970s Advisor: Professor Daniel 0. Black Thesis dated July 2008 This research examined popular funk music as the social and political voice of African Americans during the era of the seventies. The objective of this research was to reveal the messages found in the lyrics as they commented on the climate of the times for African Americans of that era. A content analysis method was used to study the lyrics of popular funk music. This method allowed the researcher to scrutinize the lyrics in the context of their creation. When theories on the black vernacular and its historical roles found in African-American literature and music respectively were used in tandem with content analysis, it brought to light the voice of popular funk music of the seventies. This research will be useful in terms of using popular funk music as a tool to research the history of African Americans from the seventies to the present. The research herein concludes that popular funk music lyrics espoused the sentiments of the African-American community as it utilized a culturally familiar vernacular and prose to express the evolving sociopolitical themes amid the changing conditions of the seventies era. "FUNK IS ITS OWN REWARD": AN ANALYSIS OF SELECTED LYRICS IN POPULAR FUNK MUSIC OF THE 1970s A THESIS SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THEDEGREEOFMASTEROFARTS BY TRAVIS K. -
Jack Dejohnette's Drum Solo On
NOVEMBER 2019 VOLUME 86 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Parliament Gold Mp3, Flac, Wma
Parliament Gold mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Gold Country: Europe Released: 2005 Style: P.Funk MP3 version RAR size: 1479 mb FLAC version RAR size: 1961 mb WMA version RAR size: 1108 mb Rating: 4.5 Votes: 622 Other Formats: DXD AA VQF ADX MP4 VOC WMA Tracklist 1-1 Up For The Down Stroke 5:08 1-2 Testify 3:54 1-3 All Your Goodies Are Gone 5:04 1-4 Chocolate City 5:37 1-5 Ride On 3:34 1-6 P. Funk (Wants To Get Funked Up) 7:40 1-7 Give Up The Funk (Tear The Roof Off The Sucker) 5:46 1-8 Mothership Connection (Star Child) 6:12 1-9 Handcuffs 4:00 1-10 Do That Stuff 4:48 1-11 Dr. Funkenstein 5:45 1-12 Funkin' For Fun 5:55 Dr. Funkentstein's Supergroovalistic-Prosifunkstication Medley: Let's Take It To The 1-13 5:06 Stage/Take Your Dead Ass Home (Say Som'n Nasty) (Live) 1-14 Fantasy Is Reality 5:55 2-1 Flash Light (12-inch Version) 10:45 2-2 Bop Gun (Endangered Species) 8:30 2-3 Funkentelechy 10:54 2-4 Mr. Wiggles 6:43 2-5 Aqua Boogie (A PsychoAlphaDiscoBetaBioAquaDoLoop) (12" Version) 9:23 2-6 Rumpofsteelskin 5:34 2-7 Party People (Single Edit) 4:46 2-8 Theme From The Black Hole 4:38 2-9 The Big Bang Theory 7:10 2-10 Agony Of DeFeet (Single Edit) 4:25 Companies, etc. Phonographic Copyright (p) – Island Def Jam Music Group Copyright (c) – Island Def Jam Music Group Record Company – UMG Recordings, Inc. -
THE LIVING YEARS 1 Timbaland
Artist - Track Count mike & the mechanics - THE LIVING YEARS 1 timbaland - nelly furtado - justin - GIVE IT TO ME 1 wet wet wet - LOVE IS ALL AROUND 1 justin timberlake - MY LOVE 1 john mayer - WAITING ON THE WORLD TO CHANGE 1 duran duran - I DON'T WANT YOUR LOVE 1 tom walker - LEAVE A LIGHT ON 1 a fine frenzy - ALMOST LOVER 1 mariah carey - VISION OF LOVE 1 aura dione - SOMETHING FROM NOTHING 1 linkin park - NEW DIVIDE (from Transformers 2) 1 phil collins - GOING BACK 1 keane - SILENCED BY NIGHT 1 sigala - EASY LOVE 1 murray head - ONE NIGHT IN BANGKOK 1 celine dion - ONE HEART 1 reporter milan - STAJERSKA 1 michael jackson - siedah garrett - I JUST CAN'T STOP LOVING YOU 1 martin garrix feat usher - DON'T LOOK DOWN 1 k'naan - WAVIN' FLAG (OFFICIAL 2010 WORLD CUP SONG) 1 jennifer lopez & pitbull - DANCE AGAIN 1 maroon 5 - THIS SUMMER'S GONNA HURT 1 happy mondays - STEP ON 1 abc - THE NIGHT YOU MURDERED LOVE 1 heart - ALL I WANNA DO IS MAKING LOVE 1 huey lewis & the news - STUCK WITH YOU 1 ultravox - VIENNA 1 queen - HAMMER TO FALL 1 stock aitken waterman - ROADBLOCK 1 yazoo - ONLY YOU 1 billy idol - REBEL YELL 1 ashford & simpson - SOLID 1 loverboy - HEAVEN IN YOUR EYES 1 kaoma - LAMBADA 1 david guetta/sia - LET'S LOVE 1 rita ora/gunna - BIG 1 you me at six - ADRENALINE 1 shakira - UNDERNEATH YOUR CLOTHES 1 gwen stefani - LET ME REINTRODUCE MYSELF 1 cado - VSE, KAR JE TAM 1 atomic kitten - WHOLE AGAIN 1 dionne bromfield feat lil twist - FOOLIN 1 macy gray - STILL 1 sixpence none the richer - THERE SHE GOES 1 maraaya - DREVO 1 will young - FRIDAY'S CHILD 1 christina aguilera - WHAT A GIRL WANTS 1 jan plestenjak - lara - SOBA 102 1 barry white - YOU'RE THE FIRST THE LAST MY EVERYTHING 1 parni valjak - PROKLETA NEDELJA 1 pitbull - GIVE ME EVERYTHING TONIGHT 1 the champs - TEQUILA 1 colonia - ZA TVOJE SNENE OCI 1 nick kamen - I PROMISED MYSELF 1 gina g. -
YO MAMA's BIG FAT BOOTY BAND Funk Is
YO MAMA'S BIG FAT BOOTY BAND Funk is more than a musical genre, it’s a way of life. And since that mindset is what Yo Mama’s Big Fat Booty Band embodies every day, the collective titled its fourth studio album Funk Life. The new record is as sassy and self-possessed as lead track “24/7,” a fearless plunge into contagious rhythms and bold horn hits. Recorded at Echo Mountain Studios in the Booty Band’s hometown, Asheville, N.C., Funk Life paired the musicians with engineer Julian Dryer. The band was still arranging a couple of songs when tracking began, leaving room for the element of surprise. That spirit of excitement is captured on tracks like “Quick E,” an instrumental with plenty of swagger and vintage cool; the bold, woman-power manifesto “Mama Feelgood”; and “Wake Yo'Self,” a caffeinated dance track that builds to a keys-driven crescendo. Funk Life is as modern as it is rooted in time-tested textures. The album was conceived in the back seat of a 1972 Impala while listening to a mix tape of P-Funk, Sly and the Family Stone, Buddy Miles, Aretha Franklin, Tower of Power, and James Brown. So pervasive are those influences that the track “Living the Dream” came to keyboardist/vocalist Mary Frances-Mama Funk when, in a sleep-charged vision, George Clinton and Garry Shider of P-Funk taught her the melodic riff. But as much as Funk Life offered the Booty Band a chance to zero in on the roots of funk music, it also reflects the band’s never-ending quest to deliver its vision of funk and where the genre is heading. -
An Afrofuturistic Reading of Parliament-Funkadelic Joshua Bird Western Washington University, [email protected]
Occam's Razor Volume 3 (2013) Article 6 2013 Climbing Aboard the Mothership: An Afrofuturistic Reading of Parliament-Funkadelic Joshua Bird Western Washington University, [email protected] Follow this and additional works at: https://cedar.wwu.edu/orwwu Part of the Arts and Humanities Commons Recommended Citation Bird, Joshua (2013) "Climbing Aboard the Mothership: An Afrofuturistic Reading of Parliament-Funkadelic," Occam's Razor: Vol. 3 , Article 6. Available at: https://cedar.wwu.edu/orwwu/vol3/iss1/6 This Research Paper is brought to you for free and open access by the Western Student Publications at Western CEDAR. It has been accepted for inclusion in Occam's Razor by an authorized editor of Western CEDAR. For more information, please contact [email protected]. 29 OCCAM’S RAZOR Bird: Climbing Aboard the Mothership OCCAM’S RAZOR 30 “What’s happening CC? They still call it the White House, but that’s CLIMBING a temporary condition ABOARD too. Can you dig it, CC” THE MOTHERSHIP In his 1994 essay Black to the Future, place I eat” (Heron). Clinton was the group’s newly acquired fortune, George cultural critic Mark Dery coined the term mastermind behind the 1970s funk Clinton assembled a five man backing “Afrofuturism” and defined it as such: collective Parliament-Funkadelic, and band that was dubbed Funkadelic (a “Speculative fiction that treats African- his artistic vision included extensive portmanteau of funk and psychedelic) AN elements of science fiction. Through the to complement the five vocalists. Due to American themes and addresses -
«Ss¡® I E Y , MISTER, GUESS W H a T ?” I Feel a Small Hand Pulling My Coat Sleeve § and Look Down to See a Young Black Kid About Seven Staring up at Me
«ss¡® I E Y , MISTER, GUESS w h a t ?” I feel a small hand pulling my coat sleeve § and look down to see a young black kid about seven staring up at me. It’s October 28, 1976, and I’m in the New Orleans Civic Auditorium, a hall packed with riggers, gaffers, soundmen and musicians. An incredible event B Y TOM V I C K E R S Parliament-Funkadelic, Is about to unfold. “Mister, you The band kicked into the deadly groove of “Dr. Funkenstein.” circa 1974: Calvin know what’s going to happen here As George strutted down the stairway, the audience was groov Simon, Bernie Worrell, tomorrow night? The Mothership ing so hard that the whole arena was shaking. Joints were lit, Grady Thomas, is going to land right on that stage, and the sweet smell of reefer filled the hall as the crowd "Boogie" Mosson, and Dr. Funkenstein himself is screamed, clapped and celebrated as if it had just witnessed the "Fuzzy" Haskins, going to be here,” he continues, Second Coming. It was a moment that I will remember as long George Clinton,"Tiki" unaware that Dr. Funkenstein as I live, and anyone who saw the Mothership land back in the Fulwood, Garry Shider, himself, George Clinton, is stand day had their lives permanently changed. Michael Hampton, ing less than six feet away. The kid And those geepies, like the New Orleans kid, made George guitarist Ron continues rapping to me as the sil one of the most sampled producers in hip-hop. Rappers from Bykowski, Ray Davis ver Mothership is hoisted to a Dr. -
Bootsy's Rubber Band Can't Stay Away Mp3, Flac, Wma
Bootsy's Rubber Band Can't Stay Away mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Can't Stay Away Country: US Released: 1977 Style: P.Funk MP3 version RAR size: 1332 mb FLAC version RAR size: 1130 mb WMA version RAR size: 1400 mb Rating: 4.5 Votes: 660 Other Formats: MP2 DMF AHX AAC FLAC RA MP1 Tracklist Hide Credits Can't Stay Away A 3:58 Written-By – George Clinton, William Collins* Another Point Of View B 5:34 Written-By – P. Collins*, G. Clinton*, W. Collins* Companies, etc. Phonographic Copyright (p) – Warner Bros. Records Inc. Published By – Rubber Band Music, Inc. Credits Producer – George Clinton, William Collins* Notes Side A: From the Warner Bros. Album BS 2972 Ahh... The Name Is Bootsy, Baby Side B: From the Warner Bros. Album BS 2920 Stretchin' Out In Bootsy's Rubber Band Barcode and Other Identifiers Rights Society: BMI Matrix / Runout (Label A): (UMI 1016) VIS Matrix / Runout (Label B): (TMI 1003) VIS Other versions Category Artist Title (Format) Label Category Country Year Bootsy's Rubber Can't Stay Away (7", Warner Bros. WBS 8403 WBS 8403 US 1977 Band Single, Mono, Promo) Records Related Music albums to Can't Stay Away by Bootsy's Rubber Band 1. Bootsy's Rubber Band - Ahh...The Name Is Bootsy, Baby! 2. George Clinton - 6 Degrees Of P-Funk: The Best Of George Clinton And His Funk Family 3. Bootsy Collins - Do The Freak 4. Bootsy Collins - Play With Bootsy 5. Bootsy's Rubber Band - Disciples Of Funk/Jungle Bass 6. -
Funkentelechy in the Panhandle
Funkentelechy in the Panhandle Hey kids. Only 5 months since the last post. Mea culpa. I been busy with many things, not the least of them being a novel that is currently at around 50,000 words and may in fact be an unprecedented work of confounding genius. Or maybe a load of shite. YMMV Also, too, I got to spend a long afternoon with the one true Dr. Funkenstein, George Clinton, for a feature article in Flamingo Magazine‘s Arts and Culture issue.<fn>On newsstands now!</fn> Don’t believe me? Ha! I got evidence. Funk Feast (Photo: Mark Wallheiser) That steak was big as your face. As you might imagine, several hours in the Mothership orbit is pretty heady business. The man can tell stories. I submitted my first draft, full of piss and vinegar and with dreams of Pulitzer dancing in my head. Three days later, an email arrived from the Editor to the effect that my article was “wildly creative” and “very conceptual.” This is the editorial equivalent of “Bless your heart.” So I rewrote. And in the end, I think the final product turned out great, especially after the editor asked for more detail about George’s kind of fiercely incredible wife, Carlon. All’s well &c. Tonight, I was part of a Flamingo Magazine panel at our most excellent local bookstore, Midtown Reader. I was asked to read something. So I went back and re-read my first draft and found some things I still really like about it. So for my reading, I read the parts that were “wildly creative” and so forth. -
Music Library Association No. 205 September-October 2019
Music Library Association No. 205 September-October 2019 "The Smallest Pipes" Table of Contents From the Board Regional Chapter News News & Notes Oral History Insights Transitions & Appointments Institutions & Collections MLA Publications Other Organizations of Note Committee & Interest Group News IAML News Public Libraries Column Music Publications for Free Perusal In Recognition Follow Along MLA Norfolk 2020 From the Board page | 2 The MLA Fund is often a point that, “The fund should allow MLA to pay all of confusion for our expenses from an unanticipated catastrophic loss members, yet is core to and fund at least one fiscal year of operations so MLA’s fiscal stability. I that the association will have enough time to wanted to take a moment to correct fiscal policies and budgets to return MLA to share more information solvency. This suggests the need for a reserve of about that fund, its use, and two times the annual operating budget.” That the Board’s current efforts to recommendation led to austerity measures in our plan for its future. Association that were painful at the time, and included reductions in honoraria and travel Susannah Cleveland, On the MLA site, we define funding. While those measures were not popular, President, MLA the MLA Fund’s purpose very they, along with a healthy stock market in recent simply: “The purpose of the years, have put us into a much more stable MLA Fund is to allow MLA to become financially financial position, and we owe great thanks to Jerry sound and able to sustain unexpected fiscal losses. and the Board of that era for making hard decisions Over time, the Fund’s purpose has also grown to that have led to greater security for MLA.