D19 Synth&Treat 04Update

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D19 Synth&Treat 04Update Diamonds & DiamondGrading Synthetics and Treatments19 Table of Contents Subject Page Synthetic Diamonds . 2 Early Research . 3 Success and Progress . 3 Applications in Industry and Jewelry . 9 Chemical Vapor Deposition . 12 Detecting Synthetic Diamonds . 13 Detecting CVD Synthetic Diamonds . 20 Color Treatments . 21 Irradiation . 22 Annealing . 26 Heat and Pressure . 26 Coatings . 31 Recognizing Color Modifications . 31 Clarity Treatments . 34 Laser Drilling . 34 Internal Laser Drilling . 35 Fracture Filling . 35 Detecting Fracture Filling . 36 Disclosing Fracture Filling . 38 Treated Diamonds and the Marketplace . 39 Key Concepts . 41 Key Terms . 42 ©2002 The Gemological Institute of America All rights reserved: Protected under the Berne Convention. No part of this work may be copied, reproduced, transferred, or transmitted in any form or by any means whatsoever without the express written permission of GIA. ©Printed in the United States. Reprinted 2004 Revised and updated 2008 Cover photos: (clockwise from left) Tino Hammid/GIA, Christie’s Images Inc., John Koivula/GIA, Vincent Cracco/GIA. Back cover: Glodiam Israel Ltd. Facing page: The diamonds in this stunning brooch and earring suite are all natural, but they feature both treated and natural colors. ©1998 Tino Hammid SYNTHETICS AND TREATMENTS People have revered the diamond as a precious product of nature for Key Concepts thousands of years. By now, you’ve learned about its progress from Diamond’s beauty, rarity, and value simple carbon atoms to rough diamond to finished gem. You understand how diamond’s rarity gives it exceptional value in the gem world. Is it inspire research into synthesis and any wonder that, through the ages, alchemists and researchers have made treatment. countless attempts to duplicate and enhance diamond’s unique properties and structure? Through careful research, scientists have discovered ways to make natural diamond “better”—to hide its imperfections or to make it a more attractive color. Benvenuto Cellini, the sixteenth-century Italian goldsmith and gem historian, wrote about early gemstone color treatments. He described the heating of sapphire, topaz, amethyst, and other gem minerals in fire until they lost their color—and imitated diamond. Those early searches for diamond look-alikes later developed into searches for techniques to make diamonds. Researchers tried to find just ©2002 GIA. All rights reserved. 1 DIAMONDS AND DIAMOND GRADING 19 the right combination of ingredients, temperature, and pressure that would allow technology to do nature’s work. In the 1950s, scientists began making synthetic diamonds. Now they’re widely used in industry, mostly in cutting instruments and abrasives. A few have been produced for the gem market. In this assignment, you’ll learn about synthetic diamonds and about color and clarity treatments, along with some basic detection skills. Now that synthetics and treatments have become part of the diamond industry, gem professionals who can detect them will be in demand at every level. By the end of this assignment, you’ll have gained valuable knowledge to help you meet that demand. SYNTHETIC DIAMONDS I When was synthetic diamond first successfully grown? I How do synthetic diamonds fit into industry and the jewelry market? I What are some basic detection methods for synthetic diamonds? Michael Nicholson/Corbis Sixteenth-century Florentine sculptor As you learned in Assignment 18, there’s an important difference between and goldsmith Benvenuto Cellini wrote synthetic diamonds and simulants. Synthetic diamonds are made in the some of the earliest descriptions of laboratory, and they have essentially the same chemical composition and gemstone treatments. crystal structure as natural diamonds—or at least as close as researchers can make them. Their physical and optical properties are nearly the same as natural diamonds. Simulants, on the other hand, only look like diamonds. They can be natural or made in a lab from a variety of materials, and their chemical compositions and physical and optical properties are different from those of diamond. Synthetic diamond— Manufactured diamond with essentially the same physical, chemical, and optical properties as natural diamond. Joseph Schubach Although this manmade material—synthetic moissanite—imitates the look of diamond, it doesn’t share its properties. 2 SYNTHETICS AND TREATMENTS It wasn’t until the development of giant presses, like this one at GE, that scientists were able to create the high levels of heat and pressure needed to synthesize diamonds. EARLY RESEARCH In 1797, English chemist Smithson Tennant demonstrated that diamond was nothing more than a very dense form of pure carbon. The fact that carbon was plentiful inspired researchers to explore the possibility of turning some of it into much rarer diamond. Through the 1800s and early 1900s, many researchers and chemists tried to create synthetic diamond from a variety of carbon-containing com- pounds. Early technical realities stopped them from making much progress: They knew they needed high levels of heat and pressure for diamond formation, but didn’t have the technology to produce the right conditions. SUCCESS AND PROGRESS Then, in 1941, Dr. Percy W. Bridgman, an American researcher who specialized in high-pressure physics, came to an agreement with the General Electric Corporation (GE) and other commercial parties. GE assigned 3 DIAMONDS AND DIAMOND GRADING 19 Hulton-Deutsch Collection/Corbis Percy Williams Bridgman was one of the pioneers of diamond synthesis research. Bridgman to design a laboratory especially for the production of synthetic diamonds. Before World War II interrupted the project, Bridgman and his colleagues made important advances in high-pressure technology—but no diamonds. In 1951, GE formed another research group to expand on Bridgman’s work. By 1953, they had designed equipment capable of reaching and maintaining extreme pressures and temperatures. After that, the only modifications they made were to the apparatus that actually held and compressed the raw materials. Finally, a belt-type apparatus designed by team member Dr. Tracy Hall succeeded. GE scientists created their first batch of synthetic industrial diamonds in December 1954. After careful testing of the products and successful repetition of the process, they announced the achievement to the world on February 15, 1955. 4 SYNTHETICS AND TREATMENTS Key Concepts Research into diamond synthesis began before 1800, but producers didn’t succeed until the 1950s. Bettmann/Corbis Although Swedish researchers also succeeded in synthesizing diamonds, GE was the first to document the process. These tiny diamonds represent that first success. A Swedish electric company—Allmana Svenska Elektriska Aktiebolaget—had actually made diamonds two years earlier. Their scientists started some diamond-making projects in the 1940s, then abandoned them. They began again in the early 1950s. In February 1953, they made several tiny synthetic diamonds. Even better, they were able to repeat their success in May and November of the same year. But the Swedish scientists decided that their method was too difficult, too slow, and too costly to be commercially feasible. They didn’t announce their accomplishment until two years after GE’s success. By then, it was too late for them to be recognized as the first diamond makers. Today, almost all synthetic diamonds are grown using the process developed by the diamond synthesis pioneers. This process is called high- pressure, high-temperature, or HPHT. GE began marketing synthetic diamond grit in late 1957. They kept their process secret for the next two years under federally enforced secrecy regulations. GE filed worldwide patents in 1959, and the team published details of its procedures. De Beers soon followed with their High pressure, high temperature own patent for diamond synthesis. (HPHT)—Diamond synthesis You might think that the step from growing experimental batches of method that mimics the pressure tiny synthetic diamond crystals to creating large, high-quality crystals and temperature conditions that would be a relatively small one. But progress was limited. Larger crystals lead to natural diamond take a lot longer to form than tiny ones. The challenge for researchers formation. 5 DIAMONDS AND DIAMOND GRADING 19 carbon source heating anvil element metal flux high-pressure cell seed crystal There’s a container—or high-pressure cell—at the center of the diamond press. Within the cell, carbon atoms are sub- jected to intense heat and pressure. The atoms travel though the growth medium— a metal flux—and crystallize on the seed crystal as synthetic diamond. Both by Peter Johnston/GIA All diamond presses work on the same principle: extremely high pressures and temperatures applied to the necessary ingredients. This illustration shows the six anvils in a modern diamond press. They’re pushed inward by pistons—that aren’t shown here—and exert enormous pressures on a tiny central container where crystal growth takes place. was to increase crystal size and, at the same time, control the quality of the crystals. The size of the necessary equipment was also a limiting factor. The GE research team worked on solving these problems and, in 1970, announced the creation of the first cuttable, gem-quality synthetic diamonds. In 1970 and 1971, Lazare Kaplan and Sons of New York cut some of those first gem-quality synthetic diamonds, which weighed about 1 ct. each in rough form. Fashioned stones cut from those crystals ranged from 0.26 ct. to 0.46 ct. in weight, and from F to J in color. There were also some yellows and blues, and the highest clarity was VS. Over the next 14 years, a few synthetic gem-quality diamonds were used for research and for special scientific uses. During this period, re- searchers solved the technical problems preventing large-scale manufacture. 6 SYNTHETICS AND TREATMENTS Robert Weldon/GIA Most synthetic diamonds are small and yellow in color. These specimens—produced in Russia—range from 0.14 ct. to 0.88 ct. In 1985, Japan’s Sumitomo Electric Industries began commercial produc- tion of large, high-quality synthetic diamonds.
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