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Walk the Line (2005) Joaquin Phoenix.... John R. Cash Ridge Canipe.... Young J.R. Reese Witherspoon.... June Carter Lucas Till.... Young Jack Cash Directed by James Mangold Ginnifer Goodwin.... Vivian Cash Carly Nahon.... Young Reba Cash Runtime: 136 min Robert Patrick.... Ray Cash Wyatt Entrekin.... Tommy Cash at 5 Johnny Cash Country: USA Shelby Lynne.... Carrie Cash Hailey Anne Nelson.... Roseanne Cash Awards: Nominated for 5 Oscars. Sandra Ellis Lafferty.... Maybelle Carter Kerris Dorsey.... Kathy Cash Another 13 wins & 14 nominations June Carter Dan Beene.... Ezra Carter Delaney Keefe.... Cindy Cash McGhee Monteith.... Reba Cash Victoria Hester.... Carlene Carter Ray Cash 1920 Carrie Cloveree Rivers Ezra J. Carter 1925 Maybelle Addington 1897- 1904-1991 21.10.1898-Jan 1975 10.5.1909-23.10.1978 Roy Margaret Jack Rebecca Anne Joanne Tommy Helen Anita 1921-1993 Louise 1929-1944 1927-1998 1933-1999 John Ray (J. R.) Carl Smith Vivian Liberto Distin 1954-66 (1) Valerie (1) 1952-56 1957 Goldie June 15.3.1927 Hill 1937-2005 “Johnny” Actor, Composer Carter -2005 Cash 3 children 26.2.1932 Kingsland, AR 29.6.1929 Maces Springs, VA Rebecca Carlene 12.9.2003 Nashville, TN 15.5.2003 Nashville, TN 26.9.1955 Countrysinger Rosanne 25.5.1955 Countrysinger (2) 1958-66 Edwin L. “Rip” Nix 15.3.1927 policeman Kathleen 16.4.1956 4 children Cindy Rozanna Lea “Rosie” wedding photo 1968 Philip 29.7.1959 13.7.1958-24.10.2003 Countrysinger Adams (2) (3) 1.3.1968 2 children Tara 24.8.1961 the man in black johnny_cash_ac John Carter-Cash (2) © pjd 02.06 exc. Laura Webber 3.3.1970 www.joachim-dietze.de I walk the line (1956) 1 I keep a close watch on this heart of mine I find it very, very easy to be true As sure as night is dark and day is light You've got a way to keep me on your side I keep my eyes wide open all the time. I find myself alone when each day is through I keep you on my mind both day and night You give me cause for love that I can't hide I keep the ends out for the tie that binds Yes, I'll admit I'm a fool for you And happiness I've known proves that it's right For you I know I'd even try to turn the tide Because you're mine, Because you're mine, Anna Maybelle Joseph Because you're mine, Because you're mine, I walk the line I walk the line 1 I walk the line I walk the line.

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Johnny Cash 1992.Pdf
PERFORM ER S Johnny Cash He s the man in black, “a walking contradiction, partly granted him a solo audition in late 1954, and invited him truth and partly fiction.” His six foot-plus, ebon-draped back with his group. frame has worked itself deep into the American psyche to be On the first day of spring, 1955, the cards were on the table come as familiar to some as Woody Guthrie or Billy the Kid, at Sun. Red Kernodle succumbed to the pressure and disap Geronimo or Luke the Drifter. peared. But Cash rose to the occasion with a song he’d just fin Johnny Cash is a little bit of all those American legends. ished writing. Luther’s unadorned lead guitar picked a sparse During a career that spans five distinct decades, he has created ly melodic pattern, and Marshall came up with a bedrock more than 1,000 compositions that describe a folk hero in rhythm as characteristic of the Sun Sound as that of Elvis, transition, singing in his distinctive baritoned-bass voice of Scotty and Bill. The five masters cut at that session resulted in coal miners and sharecroppers, cowboys and Native Ameri one serviceable B-side, “Hey Porter.” Phillips sent John home cans, families and lovers. Invariably, he returns to his early to write him a hit. years for strength and inspiration. The result was “Cry! Cry! Cry,” recorded in May by the At the height of the Great Depression, on February 26, newly-christened Johnny Cash & the Tennessee Two and is 1932, in the town of Kingsland, Arkansas, Ray Cash and Car- sued as Sun 221 b/w “Hey Porter.” The single took the Mem ric Rivers Cash bore a son named J.R.
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The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Leo T. McCarthy Center for Public Service and McCarthy Center Student Scholarship the Common Good 2020 Changemakers: Biographies of African Americans in San Francisco Who Made a Difference David Donahue Follow this and additional works at: https://repository.usfca.edu/mccarthy_stu Part of the History Commons CHANGEMAKERS AFRICAN AMERICANS IN SAN FRANCISCO WHO MADE A DIFFERENCE Biographies inspired by San Francisco’s Ella Hill Hutch Community Center murals researched, written, and edited by the University of San Francisco’s Martín-Baró Scholars and Esther Madríz Diversity Scholars CHANGEMAKERS: AFRICAN AMERICANS IN SAN FRANCISCO WHO MADE A DIFFERENCE © 2020 First edition, second printing University of San Francisco 2130 Fulton Street San Francisco, CA 94117 Published with the generous support of the Walter and Elise Haas Fund, Engage San Francisco, The Leo T. McCarthy Center for Public Service and the Common Good, The University of San Francisco College of Arts and Sciences, University of San Francisco Student Housing and Residential Education The front cover features a 1992 portrait of Ella Hill Hutch, painted by Eugene E. White The Inspiration Murals were painted in 1999 by Josef Norris, curated by Leonard ‘Lefty’ Gordon and Wendy Nelder, and supported by the San Francisco Arts Commission and the Mayor’s Offi ce Neighborhood Beautifi cation Project Grateful acknowledgment is made to the many contributors who made this book possible. Please see the back pages for more acknowledgments. The opinions expressed herein represent the voices of students at the University of San Francisco and do not necessarily refl ect the opinions of the University or our sponsors.
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• CARLENE CARTER • JERRY LEE LEWIS • ROSANNE CASH • BYRNE & ENO • SMOKEY acMlNSON • MARVIN GAYE THE SONG OF INJUN ADAM Or What's A Picnic Without Ants? .•.•.•••••..•.•.••..•••••.••.•••..••••••.•••••.•••.•••••. 18 tight music by brit people by Chris Salewicz WHAT YEAR DID YOU SAY THIS WAS? Hippie Happiness From Sir Doug ....••..•..••..•.••••••••.•.••••••••••••.••••..•...•.••.. 20 tequila feeler by Toby Goldstein BIG CLAY PIGEONS WITH A MIND OF THEIR OWN The CREEM Guide To Rock Fans ••.•••••••••••••••••••.•.••.•••••••.••••.•..•.•••••••••. 22 nebulous manhood displayed by Rick Johnson HOUDINI IN DREADLOCKS . Garland Jeffreys' Newest Slight-Of-Sound •••••••••••••••••••••••••••••••••••.••..••. 24 no 'fro pick. no cry by Toby Goldstein BLONDIE IN L.A. And Now For Something Different ••••.••..•.••.••.•.•••..••••••••••.••••.••••••.••..••••• 25 actual wri ting by Blondie's Chris Stein THE PSYCHEDELIC SOUNDS OF ROKY EmCKSON , A Cold Night For Elevators •••.••.•••••.•••••••••.••••••••.••.••.•••..••.••.•.•.••.•••.••.••. 30 fangs for the memo ries by Gregg Turner RUSH: BUT WHY ARE THEY IN SUCH A HURRY? What To Do When The Snow-Dog Bites! •••.•.••••..•....••...••••••.•.•••...•.•.•..•. 32 mortgage payments mailed out by J . Kordosh POLICE POSTER & CALENDAR •••.•••.•..••••••••••..•••.••.••••••.•••.•.••.••.••.••..•. 34 LONESOME TOWN CHEERS UP Rick Nelson Goes Back On The Boards .•••.••••••..•••••••.••.•••••••••.••.••••••.•.•.. 42 extremely enthusiastic obsewations by Susan Whitall UNSUNG HEROES OF ROCK 'N' ROLL: ELLA MAE MORSE .••.••••.•..•••.••.• 48 control
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