Crime, Detection & Espionage
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Foreign Women Authors Under Fascism and Francoism
Foreign Women Authors under Fascism and Francoism Foreign Women Authors under Fascism and Francoism: Gender, Translation and Censorship Edited by Pilar Godayol and Annarita Taronna Foreign Women Authors under Fascism and Francoism: Gender, Translation and Censorship Edited by Pilar Godayol and Annarita Taronna This book first published 2018 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2018 by Pilar Godayol, Annarita Taronna and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-0665-7 ISBN (13): 978-1-5275-0665-7 This book is the result of work by the consolidated research group “Gender Studies Research Group: Translation, Literature, History and Communication” (GETLIHC) (2014 SGR 62) of the University of Vic– Central University of Catalonia (UVic-UCC) (C. de la Laura, 13, 08500, Vic, Spain), and the R&D project “Traducción y censura: género e ideología (1939-2000)” (ref. FFI2014-52989-C2-2-P), financed by the Ministry of Economy and Competitivity. This book is also the result of work by the research group “Archivio di Genere Carla Lonzi” of the University of Bari. TABLE OF CONTENTS Acknowledgments ..................................................................................... vii Introduction ................................................................................................. 1 Pilar Godayol and Annarita Taronna Part One: FASCISM (1922-1940) Notes on the Fascist Censorship ................................................................ 10 Annarita Taronna Chapter One .............................................................................................. -
Beyond the Scene of the Crime
Beyond the Scene of the Crime: Investigating Place in Golden Age Detective Fiction Brittain Bright Goldsmiths, University of London English and Comparative Literature PhD Submission I hereby declare that this thesis is my own work and that it has not been submitted anywhere for any award. Where external sources of information have been used, they have been acknowledged. Brittain Bright 2 Acknowledgements Writing is a solitary endeavor, but it is impossible to do it alone. I am deeply grateful to Dr. Caroline Blinder for her belief in the value of my work and for teaching me to ask (and answer) complex questions; however, I appreciate at least as much her willingness to read, and maintain enthusiasm about, a daunting pile of detective novels! I would also like to thank Jessie, for her practical and insightful comments, and David, for his support and encouragement throughout the seemingly endless writing process. Finally, and most of all, I thank my parents for their constant patience with my educational meanderings, and for their belief in me. 3 Abstract Place is both physical and conceptual; in fiction, place offers an initial basic orientation, but also fulfills many more complex roles. This thesis considers place in the Golden Age detective novels of Agatha Christie, Gladys Mitchell, and Dorothy L. Sayers to establish place as a point of critical engagement, and uses place to re-consider influential works in the genre. The exploration of place uncovers textual clues that are not necessarily detective clues, complicating these novels and dismantling deceptive assumptions about the homogeneity of the Golden Age. -
1 INTRODUCTION Charteris and His Work Every Year the UK Crime
1 INTRODUCTION Charteris and His Work Every year the UK Crime Writers' Association holds its prestigious “Diamond Dagger” ceremony. The Diamond Dagger is awarded annually to crime writers whose careers have been marked by sustained excellence, and who have made a significant contribution to crime fiction published in the English language. Winners have included Ian Rankin, Eric Ambler, John le Carré and Ruth Rendell. On 7 May 1992 the Chairman of the Association presented the Diamond Dagger to the 84-year old Leslie Charteris, whose fiction featuring the gentleman warrior, vigilante adventurer and modern knight-errant Simon Templar, known as the Saint, first appeared in 1928 and is still being published today. Outperforming both heroes and villains and a destroyer of society's enemies for decades, the central protagonist of Charteris’ twelve novels, thirty-four novellas and twelve volumes of short stories excelled in popularity. As Clive Bloom has warned, figures relating to book sales, at least in Britain, “must always be approached with considerable caution,”1 but based on known editions and reprints, publishers’ remarks and information from Charteris’ letters, it has been estimated that Charteris’ sales have topped forty million.2 While small in relation to the huge output and marketing of authors like the early twentieth-century thriller writer Edgar Wallace, or the famous Agatha Christie whose sales run into billions, Charteris’ sales record for his more modest output remains very substantial. Publication of his fiction tailed off in the 1980s, but from December 2012 Mulholland Books at Hodder and Stoughton commenced republication of thirty-five Saint titles. -
Agatha Christie's Shakespeare
“Three ordinary, normal old women”: Agatha Christie’s Uses of Shakespeare Dr. Jem Bloomfield University of Nottingham The Version of Record of this manuscript has been published and is available in Shakespeare (18th Dec 2018, online first) http://www.tandfonline.com/, https://doi.org/10.1080/17450918.2018.1553891 Abstract: This article draws on recent scholarship on Shakespearean allusions and crime fiction to develop an in-depth exploration of Agatha Christie’s quotations from the playwright. These quotations do not tend to point to the murderer or give clues to the plot, but fall into three major categories. In some novels she uses them to interpolate the reader within the layers of intertextuality within crime fiction, aligning them with the author and with the detective rather than other characters. In other novels she uses discussions of Shakespeare to position her characters in the midcentury “feminine middlebrow” mode of novels identified by Nicola Humble. In a trio of late novels, her characters use reflections on how Macbeth should be staged to gain insights about the dangerous worlds they inhabit. The article examines how the novels engage with the Shakespearean text, but also with the shifting conceptions of Shakespeare which developed during the twentieth century. It reveals a sophisticated set of textual strategies within Christie’s novels, which debate the meaning of Shakespeare’s plays, and stage controversies over the ways in which those meanings should be accessed and reproduced. Keywords: Shakespeare, detective fiction, Agatha Christie, allusion, Golden Age, In her latter decades, Agatha Christie wrote a loose trilogy of novels, in each of which a different character from Macbeth turns out to have committed the murder. -
Crime/Mystery: Reinventing Tropes
University of Central Florida STARS Honors Undergraduate Theses UCF Theses and Dissertations 2021 Crime/Mystery: Reinventing Tropes Gabrielle Santiago University of Central Florida Part of the Fiction Commons Find similar works at: https://stars.library.ucf.edu/honorstheses University of Central Florida Libraries http://library.ucf.edu This Open Access is brought to you for free and open access by the UCF Theses and Dissertations at STARS. It has been accepted for inclusion in Honors Undergraduate Theses by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Santiago, Gabrielle, "Crime/Mystery: Reinventing Tropes" (2021). Honors Undergraduate Theses. 1040. https://stars.library.ucf.edu/honorstheses/1040 CRIME/MYSTERY: REINVENTING TROPES by GABRIELLE SANTIAGO A thesis submitted in partial fulfillment of the requirements for the completion for the Honors Undergraduate Thesis program in the Department of English in the Burnett Honors College at the University of Central Florida Orlando, Florida Summer Term 2021 ABSTRACT Throughout the ages, the crime/mystery genre has stayed marginally the same with a variety of tropes making their debut as time went on. Many of these tropes were introduced by notable writers, such as, Agatha Christie, Arthur Conan Doyle, Wilkie Collins, Patricia Highsmith, Dorothy L. Sayers, and others. Due to this, the researcher decided to pinpoint the most common or overexposed tropes within this genre and reinvent them within the narrative that the researcher has created. The tropes that will be utilized are the ones with a remote location and limited suspects, having every person connected to the victim to have a viable motive for murder, and the appearance of ordinary objects on or near the victim at the time of their murder that hold the answers to who did it. -
Agatha Christie's Uses of Shakespeare
CORE Metadata, citation and similar papers at core.ac.uk Provided by Repository@Nottingham “Three ordinary, normal old women”: Agatha Christie’s Uses of Shakespeare Dr. Jem Bloomfield University of Nottingham Abstract: This article draws on recent scholarship on Shakespearean allusions and crime fiction to develop an in-depth exploration of Agatha Christie’s quotations from the playwright. These quotations do not tend to point to the murderer or give clues to the plot, but fall into three major categories. In some novels she uses them to interpolate the reader within the layers of intertextuality within crime fiction, aligning them with the author and with the detective rather than other characters. In other novels she uses discussions of Shakespeare to position her characters in the midcentury “feminine middlebrow” mode of novels identified by Nicola Humble. In a trio of late novels, her characters use reflections on how Macbeth should be staged to gain insights about the dangerous worlds they inhabit. The article examines how the novels engage with the Shakespearean text, but also with the shifting conceptions of Shakespeare which developed during the twentieth century. It reveals a sophisticated set of textual strategies within Christie’s novels, which debate the meaning of Shakespeare’s plays, and stage controversies over the ways in which those meanings should be accessed and reproduced. Keywords: Shakespeare, detective fiction, Agatha Christie, allusion, Golden Age, In her latter decades, Agatha Christie wrote a loose trilogy of novels, in each of which a different character from Macbeth turns out to have committed the murder. This was the culmination of a long engagement with the plays of Shakespeare over her career, during which Christie reacted to the different ideas and images of the playwright which developed during the twentieth century. -
Donald and Katharine Foley Collection of Penguin Books, 1935-1965
http://oac.cdlib.org/findaid/ark:/13030/kt096n97b6 No online items Guide to the Donald and Katharine Foley Collection of Penguin Books, 1935-1965 Processed by The Bancroft Library staff The Bancroft Library. University of California, Berkeley Berkeley, California, 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu © 1998 The Regents of the University of California. All rights reserved. Guide to the Donald and A26 1 Katharine Foley Collection of Penguin Books, 1935-19... Guide to the Donald and Katharine Foley Collection of Penguin Books, 1935-1965 A26 The Bancroft Library University of California, Berkeley Berkeley, California Contact Information: The Bancroft Library. University of California, Berkeley Berkeley, California, 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu Processed by: The Bancroft Library staff Date Completed: June 1998 Encoded by: Gabriela A. Montoya; revised by Jeanne Gahagan © 1998 The Regents of the University of California. All rights reserved. Collection Summary Collection Title: Donald and Katharine Foley Collection of Penguin Books Date (inclusive): 1935-1965 Collection Number: A26 Collector: Foley, Donald L. and Foley, Katharine Extent: circa 2,500 vols. Repository: The Bancroft Library Berkeley, California 94720-6000 Physical Location: Many of the Bancroft Library collections are stored offsite and advance notice may be required for use. For current information on the location of these materials, please consult the library's online catalog. Abstract: Includes more than 2,550 Penguin books published from 1935 through 1965, as well as about 175 reference items–books, serials, catalogs, and articles. -
16Th June: Bodies from the Library: a Conference at the British Library “Unearthing Bodies from the Library”
16th June: Bodies from the Library: A conference at the British Library “Unearthing Bodies from the Library”. After a brief welcome to all, Martin Edwards introduced a discussion of Golden Age Short Story Anthologies which was chaired by Christine Poulson and included Martin Edwards and Tony Medawar. Both writers were started on the path by Sherlock Holmes; Martin wrote his first short story at aged 10 and it is “thankfully unpublished”! They lamented the reduced outlet for short stories despite the fact that this form is still very popular. A minority of writers are better at short stories than at full length novels. Martin and Tony then discussed the output of some writers, such as Vincent Cornier, who wrote excellent short stories with unbelievable plots, but they are great fun. Tony said that sometimes stories are uncollected for a reason; a mixed anthology is bound to include some stories that deserve to forgotten but will be included for sake of completeness for author’s work. When they are composing anthologies both writers found that old authors are often difficult to access because agents and publishers have digitized, lost or thrown out records. They have both found examples of forgotten authors in the archives of strange places, for example in (often long deceased) newspapers. Martin made a point of saying that he was indebted to people making suggestions about where works might be found; he especially mentioned his friend the late Bob Adey who was full of inspiring ideas for places to look. The discussion moved on to why some authors write short stories: it can be the subject material, or the characters or for some other reason. -
FRONT COVER to FOLLOW Contents
FRONT COVER TO FOLLOW Contents 04 • Commercial Fiction 28 • Literary & Poetry 35 • Historical Fiction 41 • Classic & Historical Crime 47 • Contemporary Crime & Police Procedurals 54 • Suspense & Psychological Thrillers 62 • Sci-Fi, Fantasy & Dystopian 64 • Tolkien 72 • Saga 78 • Backlist Highlights Commercial Fiction The Last Goodbye Fiona Lucas A beautiful, poignant and compelling story of love, loss and hope, perfect for fans of Jojo Moyes and Cecelia Ahern. Imprint: HQ The Last Goodbye is the profoundly moving story of a young woman finding Editor: Emily Kitchin the courage to love again, after her life has been shattered by grief. Publication: 18 Mar 2021 Format: Paperback 198x129 Two years, nine months and eight days – that's how long it's been since her Extent: 400pp beloved husband Spencer died, and Anna is still finding it hard to move on. How can she, when she’s lost the love of her life? On New Year's Eve, Anna Genre: Love story, romance phones Spencer’s number, just so she can hear his voicemail greeting. She pours out her heart to him – but then a voice replies. Someone has inherited Themes: Grief, romance, her husband’s old number. friendship Brody has lost someone too, and is the first person who truly understands For: Fans of Jojo Moyes Me Before You, Cecelia Ahern Ps I what Anna’s going through. As she becomes more reliant on their calls, Anna Love You begins to feel like there can be life after loss after all. However, Brody hasn’t been entirely truthful with Anna. Will they be able to help each other The author: Fiona Lucas is an overcome their secrets and heartbreak, and will they be brave enough to truly award-winning author of love again? contemporary women’s fiction.