The Works of Samuel Johnson</H1>

Total Page:16

File Type:pdf, Size:1020Kb

The Works of Samuel Johnson</H1> The Works of Samuel Johnson The Works of Samuel Johnson Scanned by Charles Keller with OmniPage Professional OCR software donated by Caere Corporation, 1-800-535-7226. Contact Mike Lough THE WORKS OF SAMUEL JOHNSON IN SIXTEEN VOLUMES VOLUME IV THE RAMBLER BY SAMUEL JOHNSON CONTENTS No. 171 Misella's description of the life of a prostitute. page 1 / 331 172 The effect of sudden riches upon the manners. 173 Unreasonable fears of pedantry. 174 The mischiefs of unbounded raillery. History of Dicaculus 175 The majority are wicked. 176 Directions to authors attacked by criticks. The various degrees of critical perspicacity. 177 An account of a club of antiquaries. 178 Many advantages not to be enjoyed together. 179 The awkward merriment of a student. 180 The study of life not to be neglected for the sake of books. 181 The history of an adventurer in lotteries. 182 The history of Leviculus, the fortune-hunter. 183 The influence of envy and interest compared. 184 The subject of essays often suggested by chance. Chance equally prevalent in other affairs 185 The prohibition of revenge justifiable by reason. The meanness of regulating our conduct by the opinions of men 186 Anningait and Ajut; a Greenland history 187 The history of Anningait and Ajut concluded 188 Favour often gained with little assistance from understanding. 189 The mischiefs of falsehood. The character of Turpicula. 190 The history of Abouzaid, the son of Morad. 191 The busy life of a young lady. 192 Love unsuccessful without riches. 193 The author's art of praising himself. 194 A young nobleman's progress in politeness.. 195 A young nobleman's introduction to the knowledge of the town. 196 Human opinions mutable. The hopes of youth fallacious. page 2 / 331 197 The history of a legacy-hunter. 198 The legacy-hunter's history concluded. 199 The virtues of Rabbi Abraham's magnet. 200 Asper's complaint of the insolence of Prospero Unpoliteness not always the effect of pride. 201 The importance of punctuality. 202 The different acceptations of poverty. Cynicks and Monks not poor. 203 The pleasures of life to be sought in prospects of futurity. Future fame uncertain. 204 The history of ten days of Seged, emperour of Ethiopia. 205 The history of Seged concluded. 206 The art of living at the cost of others. 207 The folly of continuing too long upon the stage. 208 The Rambler's reception. His design. THE ADVENTURER NO. 34 Folly of extravagance. The story of Misargyrus. 39 On sleep. 41 Sequel of the story of Misargyrus. 45 The difficulty of forming confederacies. 50 On lying. 53 Misargyrus' account of his companions in the Fleet. 58 Presumption of modern criticism censured. Ancient poetry necessarily obscure. Examples from Horace. 62 Misargyrus' account of his companions concluded. page 3 / 331 67 On the trades of Londo. 69 Idle hope. 74 Apology for neglecting officious advice. 81 Incitement to enterprise and emulation. Some account of the admirable Crichton. 84 Folly of false pretences to importance. A journey in a stage coach. 85 Study, composition and converse equally necessary to intellectual accomplishment. 92 Criticism on the Pastorals of Virgil. 95 Apology for apparent plagiarism. Sources of literary variety. 99 Projectors injudiciously censured and applauded. 102 Infelicities of retirement to men of business. 107 Different opinions equally plausible. 108 On the uncertainty of human things. THE WORKS OF SAMUEL JOHNSON IN SIXTEEN VOLUMES VOLUME IV THE RAMBLER BY SAMUEL JOHNSON No. 171. TUESDAY, NOVEMBER 5, 1751 page 4 / 331 Toeet coeli convexa tueri. VIRG. AEn. iv. 451. Dark is the sun, and loathsome is the day. TO THE RAMBLER. SIR, MISELLA now sits down to continue her narrative. I am convinced that nothing would more powerfully preserve youth from irregularity, or guard inexperience from seduction, than a just description of the condition into which the wanton plunges herself; and therefore hope that my letter may be a sufficient antidote to my example. After the distraction, hesitation, and delays which the timidity of guilt naturally produces, I was removed to lodgings in a distant part of the town, under one of the characters commonly assumed upon such occasions. Here being by my circumstances condemned to solitude, I passed most of my hours in bitterness and anguish. The conversation of the people with whom I was placed was not at all capable of engaging my attention, or dispossessing the reigning ideas. The books which I carried to my retreat were such as heightened my abhorrence of page 5 / 331 myself; for I was not so far abandoned as to sink voluntarily into corruption, or endeavour to conceal from my own mind the enormity of my crime. My relation remitted none of his fondness, but visited me so often, that I was sometimes afraid lest his assiduity should expose him to suspicion. Whenever he came he found me weeping, and was therefore less delightfully entertained than he expected. After frequent expostulations upon the unreasonableness of my sorrow, and innumerable protestations of everlasting regard, he at last found that I was more affected with the loss of my innocence, than the danger of my fame, and that he might not be disturbed by my remorse, began to lull my conscience with the opiates of irreligion. His arguments were such as my course of life has since exposed me often to the necessity of hearing, vulgar, empty, and fallacious; yet they at first confounded me by their novelty, filled me with doubt and perplexity, and interrupted that peace which I began to feel from the sincerity of my repentance, without substituting any other support. I listened a while to his impious gabble, but its influence was soon overpowered by natural reason and early education, and the convictions which this new attempt gave me of his baseness completed my abhorrence. page 6 / 331 I have heard of barbarians, who, when tempests drive ships upon their coast, decoy them to the rocks that they may plunder their lading, and have always thought that wretches, thus merciless in their depredations, ought to be destroyed by a general insurrection of all social beings; yet how light is this guilt to the crime of him, who, in the agitations of remorse, cuts away the anchor of piety, and, when he has drawn aside credulity from the paths of virtue, hides the light of heaven which would direct her to return. I had hitherto considered him as a man equally betrayed with myself by the concurrence of appetite and opportunity; but I now saw with horrour that he was contriving to perpetuate his gratification, and was desirous to fit me to his purpose, by complete and radical corruption. To escape, however, was not yet in my power. I could support the expenses of my condition only by the continuance of his favour. He provided all that was necessary, and in a few weeks congratulated me upon my escape from the danger which we had both expected with so much anxiety. I then began to remind him of his promise to restore me with my fame uninjured to the world. He promised me in general terms, that nothing should be wanting which his power could add to my happiness, page 7 / 331 but forbore to release me from my confinement. I knew how much my reception in the world depended upon my speedy return, and was therefore outrageously impatient of his delays, which I now perceived to be only artifices of lewdness. He told me at last, with an appearance of sorrow, that all hopes of restoration to my former state were for ever precluded; that chance had discovered my secret, and malice divulged it; and that nothing now remained, but to seek a retreat more private, where curiosity or hatred could never find us. The rage, anguish, and resentment, which I felt at this account are not to be expressed. I was in so much dread of reproach and infamy, which he represented as pursuing me with full cry, that I yielded myself implicitly to his disposal and was removed, with a thousand studied precautions, through by- ways and dark passages to another house, where I harassed him with perpetual solicitations for a small annuity that might enable me to live in the country in obscurity and innocence. This demand he at first evaded with ardent professions, but in time appeared offended at my importunity and distrust; and having one day endeavoured to sooth me with uncommon expressions page 8 / 331 of tenderness, when he found my discontent immoveable, left me with some inarticulate murmurs of anger. I was pleased that he was at last roused to sensibility, and expecting that at his next visit he would comply with my request, lived with great tranquillity upon the money in my hands, and was so much pleased with this pause of persecution, that I did not reflect how much his absence had exceeded the usual intervals, till I was alarmed with the danger of wanting subsistence. I then suddenly contracted my expenses, but was unwilling to supplicate for assistance. Necessity, however, soon overcame my modesty or my pride, and I applied to him by a letter, but had no answer. I writ in terms more pressing, but without effect. I then sent an agent to inquire after him, who informed me, that he had quitted his house, and was gone with his family to reside for some time on his estate in Ireland. However shocked at this abrupt departure, I was yet unwilling to believe that he could wholly abandon me, and therefore, by the sale of my clothes, I supported myself, expecting that every post would bring me relief.
Recommended publications
  • Pression” Be a Fair Description?
    Saïd Ben Saïd presents Cherchez Hortense a Pascal BONITZER film Saïd Ben Saïd presents Cherchez Hortense A PASCAL BONITZER film Screenplay, adaptation and dialogues by AGNÈS DE SACY and PASCAL BONITZER with JEAN-PIERRE BACRI ISABELLE CARRÉ KRISTIN SCOTT THOMAS with the participation of CLAUDE RICH 1h40 – France – 2012 – SR/SRD – SCOPE INTERNATIONAL PR INTERNATIONAL SALES Magali Montet Saïd Ben Saïd Tel : +33 6 71 63 36 16 [email protected] [email protected] Delphine Mayele Tel : +33 6 60 89 85 41 [email protected] SYNOPSIS Damien is a professor of Chinese civilization who lives with his wife, Iva, a theater director, and their son Noé. Their love is mired in a mountain of routine and disenchantment. To help keep Zorica from getting deported, Iva gets Damien to promise he’ll go to his father, a state department official, for help. But Damien and his father have a distant and cool relationship. And this mission is a risky business which will send Damien spiraling downward and over the edge… INTERVIEW OF PASCAL BONITZER Like your other heroes (a philosophy professor, a critic, an editor), Damien is an intellectual. Why do you favor that kind of character? I know, that is seriously frowned upon. What can I tell you? I am who I am and my movies are also just a tiny bit about myself, though they’re not autobiographical. It’s not that I think I’m so interesting, but it is a way of obtaining a certain sincerity or authenticity, a certain psychological truth. Why do you make comedies? Comedy is the tone that comes naturally to me, that’s all.
    [Show full text]
  • Let It Rain (Parlez-Moi De La Pluie)
    LET IT RAIN (PARLEZ-MOI DE LA PLUIE) A FILM DIRECTED BY AGNÈS JAOUI StudioCanal International Marketing 1, place du Spectacle 92863 Issy-les-Moulineaux Cedex 09 Tel. : 33 1 71 35 11 13 Fax : 33 1 71 35 11 86 Les films A4 presents JEAN-PIERRE BACRI JAMEL DEBBOUZE AGNÈS JAOUI LET IT RAIN (PARLEZ-MOI DE LA PLUIE) A FILM WRITTEN BY AGNÈS JAOUI AND JEAN-PIERRE BACRI AND DIRECTED BY AGNÈS JAOUI French release 17 september 2008 98 minutes synopsis Agathe Villanova is a feminist and recent entrant to the political scene. She returns to her childhood home in the South of France to spend ten days helping her sister Florence sort out their mother’s affairs following her death a year earlier. Agathe doesn’t like the region and left it as soon as she could, but for reasons of gender balance in electoral lists, she’s been parachuted back there for the next elections. The house is home to Florence, her husband and her children. There is also Mimouna, the housekeeper whom the Villanovas brought back from Algeria when it became independent. Mimouna’s son, Karim, and his friend Michel Ronsard decide to make a documentary about Agathe Villanova, for a collection of programs on “Successful Women”. It’s August. It’s grey and it’s raining. It’s not normal. But then again, nothing is normal.... interview with agnès jaoui and jean-pierre bacri LET IT RAIN is your third feature film. Did you approach it to make it well up within a sequence shot, so you’re not differently to the first two? aware of the camera’s presence, but at the same it’s still Agnès Jaoui: Yes and no.
    [Show full text]
  • Films Shown by Series
    Films Shown by Series: Fall 1999 - Winter 2006 Winter 2006 Cine Brazil 2000s The Man Who Copied Children’s Classics Matinees City of God Mary Poppins Olga Babe Bus 174 The Great Muppet Caper Possible Loves The Lady and the Tramp Carandiru Wallace and Gromit in The Curse of the God is Brazilian Were-Rabbit Madam Satan Hans Staden The Overlooked Ford Central Station Up the River The Whole Town’s Talking Fosse Pilgrimage Kiss Me Kate Judge Priest / The Sun Shines Bright The A!airs of Dobie Gillis The Fugitive White Christmas Wagon Master My Sister Eileen The Wings of Eagles The Pajama Game Cheyenne Autumn How to Succeed in Business Without Really Seven Women Trying Sweet Charity Labor, Globalization, and the New Econ- Cabaret omy: Recent Films The Little Prince Bread and Roses All That Jazz The Corporation Enron: The Smartest Guys in the Room Shaolin Chop Sockey!! Human Resources Enter the Dragon Life and Debt Shaolin Temple The Take Blazing Temple Blind Shaft The 36th Chamber of Shaolin The Devil’s Miner / The Yes Men Shao Lin Tzu Darwin’s Nightmare Martial Arts of Shaolin Iron Monkey Erich von Stroheim Fong Sai Yuk The Unbeliever Shaolin Soccer Blind Husbands Shaolin vs. Evil Dead Foolish Wives Merry-Go-Round Fall 2005 Greed The Merry Widow From the Trenches: The Everyday Soldier The Wedding March All Quiet on the Western Front The Great Gabbo Fires on the Plain (Nobi) Queen Kelly The Big Red One: The Reconstruction Five Graves to Cairo Das Boot Taegukgi Hwinalrmyeo: The Brotherhood of War Platoon Jean-Luc Godard (JLG): The Early Films,
    [Show full text]
  • Sensate Focus (Mark Fell) Y (Sensate Focus 1.666666) [Sensate Focus
    Sensate Focus (Mark Fell) Y (Sensate Focus 1.666666) [Sensate Focus / Editions M ego] Tuff Sherm Boiled [Merok] Ital - Ice Drift (Stalker Mix) [Workshop] Old Apparatus Chicago [Sullen Tone] Keith Fullerton Whitman - Automatic Drums with Melody [Shelter Press] Powell - Wharton Tiers On Drums [Liberation Technologies] High Wolf Singularity [Not Not Fun] The Archivist - Answers Could Not Be Attempted [The Archivist] Kwaidan - Gateless Gate [Bathetic Records] Kowton - Shuffle Good [Boomkat] Random Inc. - Jerusalem: Tales Outside The Framework Of Orthodoxy [RItornel] Markos Vamvakaris - Taxim Zeibekiko [Dust-To-Digital] Professor Genius - À Jean Giraud 4 [Thisisnotanexit] Suns Of Arqa (Muslimgauze Re-mixs) - Where's The Missing Chord [Emotional Rescue ] M. Geddes Genras - Oblique Intersection Simple [Leaving Records] Stellar Om Source - Elite Excel (Kassem Mosse Remix) [RVNG Intl.] Deoslate Yearning [Fauxpas Musik] Jozef Van Wissem - Patience in Suffering is a Living Sacrifice [Important Reords ] Morphosis - Music For Vampyr (ii) Shadows [Honest Jons] Frank Bretschneider machine.gun [Raster-Noton] Mark Pritchard Ghosts [Warp Records] Dave Saved - Cybernetic 3000 [Astro:Dynamics] Holden Renata [Border Community] the postman always rings twice the happiest days of your life escape from alcastraz laurent cantet guy debord everyone else olga's house of shame pal gabor billy in the lowlands chilly scenes of winter alambrista david neves lino brocka auto-mates the third voice marcel pagnol vecchiali an unforgettable summer arrebato attila
    [Show full text]
  • Killer Instinct Mesrine
    MESRINE: KILLER INSTINCT (Part 1) MESRINE: PUBLIC ENEMY No. 1 (Part 2) Press Materials: www.musicboxfilms.com Press Contact New York Press Contact Los Angeles Sophie Gluck & Associates Marina Bailey Film Publicity Sophie Gluck Marina Bailey 124 West 79th Street 1615 North Laurel Avenue #201 New York, NY 10024 Los Angeles, CA 90046 Tel: (212) 595-2432 Tel: (323) 650-3627 [email protected] [email protected] 1 MESRINE: KILLER INSTINCT (Part 1) Winner – 3 César Awards Best Actor, Best Director, Best Sound Starring - Vincent Cassel, Gérard Depardieu, Cécile de France, Roy Dupuis, Gilles Lellouche, Elena Anaya, Ludivine Sagnier Based on the Book L’instinct de mort by Jacques Mesrine Screenplay by Abdel Raouf Dafri Written by Jean-François Richet and Abdel Raouf Dafri Produced by Thomas Langmann Directed by Jean-François Richet Running Time: Part 1 – 113 minutes MPAA Rating: R (for strong brutal violence, some sexual content and language) SYNOPSIS Across Canada, the United States and Spain, through France and Algeria, Mesrine: Killer Instinct tells the story of the incredible rise of one of history’s greatest gangsters. Always on the run, a renegade existence only a bullet can stop. MESRINE: KILLER INSTINCT - the first of two parts - charts the outlaw odyssey of Jacques Mesrine (Vincent Cassel), the legendary French gangster of the 1960s and 1970s who came to be known as French Public Enemy No. 1 and The Man of a Thousand Faces. Infamous for his bravado and outrageously daring prison escapes, Mesrine carried out numerous robberies, kidnappings and murders in a criminal career that spanned continents until he was shot dead in 1979 by France's notorious anti- gang unit.
    [Show full text]
  • Punctuation Workbook
    PUNCTUATION WORKBOOK In each sentence below, select the better choice for clarity, grammar, and style. APOSTROPHES QUIZ 1 1. “It’s not that I’m afraid to die. I just don’t want to be there when it happens.” Woody Allen, Without Feathers, “Death (A Play)” (1975) a. It’s b. Its 2. “Do You Always Have to Give Two Weeks’ Notice?” Headline, usnews.com, Mar. 5, 2013 a. Weeks b. Weeks’ 3. “In a few months’ time, an all-new Mustang will be revealed and signed off as a 2015 production.” Sunday Star-Times (Wellington, New Zealand), Sept. 8, 2013 a. months b. months’ 4. The Hundred Years’ War lasted 116 years. a. Years b. Years’ 5. “Curb Your Enthusiasm became a milestone show because of its mostly improvised format.” mentalfloss.com, June 14, 2016 a. it’s 2 b. its QUIZ 2 1. “Who’s afraid of the big bad wolf?” Lyric from the 1933 Disney cartoon Three Little Pigs a. Who’s b. Whose 2. “I’ve been in Who’s Who, and I know what’s what, but it’ll be the first time I ever made the dictionary.” Mae West, after being told that the term “Mae West,” referring to an inflatable life jacket, had been entered into a dictionary; correspondence, 1941 a. Who’s b. Whose 3. It’s the economy, stupid.” James Carville, Bill Clinton campaign slogan, 1992 a. It’s b. Its 4. Amy Schumer, on her boyfriend: “Ben is the first guy who’s really been my boyfriend. There are guys who, if they heard me say that, would want to punch me in the face, but…it’s the truth.’” Quoted in marieclaire.com, July 11, 2016 a.
    [Show full text]
  • LIFE-STUFF with Samuel Johnson & Aaron Williams
    LIFE-STUFF With Samuel Johnson & Aaron Williams Mental Health & Wellbeing Keynote Presentations & Workshops LIFE-STUFF is a live, interactive presentation by accredited mental health social worker and executive coach Aaron Williams and Gold Logie Award winning actor and philanthropist Samuel Johnson. This uniquely structured presentation has been developed to smash the stigma around mental health. Samuel’s personal anecdotal style is complemented by Aaron’s positive, practical strategies. Together they help their audiences to feel happier, healthier and stronger – at work and home. They help people come to the realisation that it’s OK to struggle from time to time, and that it’s equally OK to talk about it. More about Aaron Williams: Aaron Williams started out as an IT Account Executive, but following an unforeseen period of depression and suicidal thinking, was inspired at 32 years of age, to change careers and focus on mental health. As a senior mental health clinician and trainer, he has worked with the Department of Health and has spoken and lectured widely on mental health. He has been a speaker and chair at major clinical conferences including the International Mental Health Conference, National Suicide Prevention Conference, 2016 National AMHSW conference and the Australian National Rural & Remote Telehealth Conference. In 2015, Aaron co-founded Mindstar, the mission for which is to make Australia the happiest, healthiest country in the world. Mindstar works with some of Australia’s leading national organisations. More about Samuel Johnson: Samuel Johnson is a Gold Logie Award winning actor and a committed philanthropist, having established the high profile, successful charity Love My Sister, with his sister Connie, who sadly Celebrity Speakers Australia Inspirational speakers, Telephone +61 2 9251 1333 ABN 36 884 606 155 History entertainers and hosts for your [email protected] House, 133 Macquarie St conference or event.
    [Show full text]
  • Pulp Fiction a Justification for Reading Twilight
    PULP FICTION A JUSTIFICATION FOR READING TWILIGHT JULIA H. THE OXBOW SCHOOL In this project I explore the difference between lowbrow and highbrow literature. It explores why enjoying oneself is shunned as “low class” and why the seemingly torturous pursuit of appearing intelligent is celebrated and made out to be “the height of society.” Consuming media for the purpose of pleasure and emotional release has been stigmatized as “trashy,” while highbrow media is focused more on aesthetics, and is elitist, often requiring an education (often the product of high social positions) to fully understand. My paper considers the development of the taste of classes via exploring the tenets of “pulp” versus “literature” and the motivations and benefits of consuming each. Romance novels are a perfect example of lowbrow literature that provides emotional gratification and, despite being formulaic and stigmatized into trash, are the best-selling genre of literature. This installation explores the trope-laden 80s romance novel. I compiled the most typical and representative (as well as amusingly typical or self-unaware) covers I could find and then put them together to make multiple composite covers, using the stock positions and shared layouts to my advantage. I included such title combination gems as “Forbidden Magic Bride” and “Temptation Temptress.” I converted two of the composite covers into large scale oil paintings made to look like books. This work is both subversive in nature and critical of performative subversion, as I am turning the lowbrow novel into something highbrow, especially given the historical connotations of oil painting as a medium. Now that the pulp novel has been garnished with the social draperies of old money and put on display, it is acceptable and the viewer is “allowed” to enjoy it; it is supposed to be revered and admired, rather than laughed at.
    [Show full text]
  • 88Th Annual Academy Awards® Oscar® Nominations Fact
    88TH ANNUAL ACADEMY AWARDS® OSCAR® NOMINATIONS FACT SHEET Best Motion Picture of the Year: The Big Short (Paramount Pictures) [Produced by Brad Pitt, Dede Gardner and Jeremy Kleiner.] - This is the sixth nomination and the third in this category for Brad Pitt, who won for 12 Years a Slave (2013). His other Best Picture nomination was for Moneyball (2011). He received Acting nominations for his supporting role in 12 Monkeys (1995) and his leading roles in The Curious Case of Benjamin Button (2008) and Moneyball. This is the fourth nomination for Dede Gardner, who won for 12 Years a Slave (2013). Her other Best Picture nominations were for The Tree of Life (2011) and Selma (2014). This is the third nomination for Jeremy Kleiner, who won for 12 Years a Slave (2013) and was nominated last year for Selma. Bridge of Spies (Walt Disney and 20th Century Fox) [Produced by Steven Spielberg, Marc Platt and Kristie Macosko Krieger.] - This is the ninth nomination in this category for Steven Spielberg, who won the award in 1993 for Schindler's List. His other Best Picture nominations were for E.T. The Extra-Terrestrial (1982), The Color Purple (1985), Saving Private Ryan (1998), Munich (2005), Letters from Iwo Jima (2006), War Horse (2011) and Lincoln (2012). He has seven Directing nominations, for Close Encounters of the Third Kind (1977), Raiders of the Lost Ark (1981), E.T. The Extra-Terrestrial, Schindler's List, Saving Private Ryan, Munich and Lincoln. He won Oscars for Schindler's List and Saving Private Ryan. He also received the Irving G.
    [Show full text]
  • Information to Users
    INFORMATION TO USERS The most advanced technology has been used to photograph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information C om pany 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 313 761-4700 800/521-0600 Order Number 9031153 The utilitarian object as appropriate study for art education: An historical and philosophical inquiry grounded in American and British contexts Sproll, Paul Anthony, Ph.D.
    [Show full text]
  • TWEED HEADS & Fuel Efficiency
    THE TWEED SHIRE Volume 1 #30 Thursday, April 2, 2009 Advertising and news enquiries: Phone: (02) 6672 2280 Fax: (02) 6672 4933 [email protected] [email protected] www.tweedecho.com.au LOCAL & INDEPENDENT p14-15 Mum Govt won’t determined to restore beat cancer rail services Ken Sapwell An internal document analysing submissions to the Cross Border Transport Taskforce re- veals the NSW government has no intention of restoring rail services to the Tweed, says Greens MP Lee Rhiannon. Ms Rhiannon, who is the party’s transport spokesman, said a copy of the taskforce’s final report was leaked to her after the government again refused to release it publicly. ‘The analysis in this leaked document sug- gests the government has been sitting on the report because it knows that its findings would be extremely unpopular with voters who want rail services restored,’ Ms Rhiannon said. ‘It shows the taskforce’s complete disregard for the community’s desire for the revitalisation of rail services in the region by clearly favouring bus services as the silver bullet for the region’s transport problems. Carolyn Sforcina (pictured left, with scarf) plans to run in the local Relay for Life organised by Di Endicott (right). Photo: Jeff Dawson ‘Its analysis of submissions concludes that rail is too costly, inefficient, time consuming and Roxanne Millar has battled misdiagnosis, had a mastectomy, ‘If people understand there is support out cannot be justified on demographic grounds.’ undergone chemotherapy, battled infections there, it may make it easier because bottling it One of the suggested ‘next steps’ in the report Carolyn Sforcina may be undergoing daily ra- and is now receiving radiotherapy.
    [Show full text]
  • Samuel Johnson Oam
    SAMUEL JOHNSON OAM Samuel Johnson OAM has been working in the entertainment industry for over 20 years as an actor, radio presenter, voiceover artist and philanthropist. Until recently, he was best known for his role in the cult hit The Secret Life Of Us, for which he won the AFI Award for Best Actor in a Leading Role in a Television Drama Series. More recently he has become known for his portrayal of Ian Meldrum in Seven’s ratings smash Molly for which he won the 2017 Gold Logie for Most Popular Personality on Television, Silver Logie Award for Best Actor and the 2016 AACTA Award for Best Lead Actor. In 2019 Samuel competed and won the 16th season of Dancing with the Stars and raised $50,000 in prize money for his charity Love Your Sister. Other television credits include The Secret River, Paper Giants 2 Magazine Wars, Small Time Gangsters, Underbelly II, Rush, the HBO mini-series The Pacific, Wilfred and After the Deluge which earned him his second AFI nomination, this time for Best Actor in a Supporting Role. Samuel has also appeared in several popular Australian films, including the lead role of Dave in Crackerjack. In 2021 Samuel will star in eight-part Stan Original series Eden. As an accomplished voiceover artist, has narrated talking books including Tim Winton's Scission, numerous television series and has voiced several commercial campaigns for various products, companies and organisations. In 2001 Samuel was awarded the Australian Centenary Medal, Queen's New Year’s Honours List, for his services to Australian society and Australian film production.
    [Show full text]