Therme Art Works with Internationally Renowned Artists and Architects, As
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Gallery Guide Is Printed on Recycled Paper
THE PLACE IS HERE 22 JUN – 10 SEP 2017 MAIN & FIRST FLOOR GALLERIES ADMISSION FREE EXHIBITION GUIDE THE PLACE IS HERE LIST OF WORKS 22 JUN – 10 SEP 2017 MAIN GALLERY The starting-point for The Place is Here is the 1980s: For many of the artists, montage allowed for identities, 1. Chila Kumari Burman blends word and image, Sari Red addresses the threat a pivotal decade for British culture and politics. Spanning histories and narratives to be dismantled and reconfigured From The Riot Series, 1982 of violence and abuse Asian women faced in 1980s Britain. painting, sculpture, photography, film and archives, according to new terms. This is visible across a range of Lithograph and photo etching on Somerset paper Sari Red refers to the blood spilt in this and other racist the exhibition brings together works by 25 artists and works, through what art historian Kobena Mercer has 78 × 190 × 3.5cm attacks as well as the red of the sari, a symbol of intimacy collectives across two venues: the South London Gallery described as ‘formal and aesthetic strategies of hybridity’. between Asian women. Militant Women, 1982 and Middlesbrough Institute of Modern Art. The questions The Place is Here is itself conceived of as a kind of montage: Lithograph and photo etching on Somerset paper it raises about identity, representation and the purpose of different voices and bodies are assembled to present a 78 × 190 × 3.5cm 4. Gavin Jantjes culture remain vital today. portrait of a period that is not tightly defined, finalised or A South African Colouring Book, 1974–75 pinned down. -
Serpentine Galleries and WF CENTRAL Officially Open Serpentine Pavilion Beijing
Serpentine Galleries and WF CENTRAL Officially Open Serpentine Pavilion Beijing Designed by Jiakun Architects, the first international Pavilion in Beijing hosts an eclectic programme of art, cultural and lifestyle experiences Beijing, 29th May 2018 – The first international Serpentine Pavilion officially launched today with a spectacular laser and digital media performance curated by acclaimed new media artist Feng Mengbo and singer, musician and producer Zhang Yadong, which followed a ceremonial ribbon cutting attended by Ms Carma Elliot, Minister (Culture and Education), British Embassy Beijing, Mr Raymond Chow, Chairman of Wangfu Central Real Estate Development Company Limited and Executive Director of Hongkong Land, Ms Yana Peel, CEO, Serpentine Galleries and Mr Hans Ulrich Obrist, Artistic Director, Serpentine Galleries, Mr Liu Jiakun, Principal of JIAKUN Architects along with Ms Shirley Lam, Vice President, China Commercial Property of Hongkong Land. Designed by renowned Chinese architect Liu Jiakun, founder of eminent architectural practice JIAKUN Architects, the inaugural Serpentine Pavilion Beijing is the first co-commissioned Serpentine Pavilion presented outside of the UK. It forms the stunning architectural centerpiece to The Green at WF CENTRAL, the world-class, 150,000 sq. m. retail, fine dining and hospitality hub in Wangfujing, in the centre of Dongcheng District. Drawing from both historical and social context of Wangfujing and reflecting the significance of the 18-year history of the Serpentine Pavilion commission, the design of the Serpentine Pavilion Beijing features an arched form that balances the forces of tensions and compression. The Pavilion takes inspiration from Confucianism with an architecture that is a physical representation of the traditional pursuit of Junzi. -
Young Global Leaders Annual Summit List of Participants
Young Global Leaders Annual Summit Yangon & Nay Pyi Taw, Myanmar 3-5 June 2013 List of Participants As of 24 April 2013 Reuben Abraham Executive Director, Centre for Indian School of India Emerging Markets Solutions Business Tony Abrahams Co-Founder and Chief Executive Ai-Media Australia Officer Anu Acharya Founder and Chief Executive Officer mapmygenome.in India Vikram K. Akula Director AgSri Agricultural USA Services Pvt. Ltd Biola Alabi Managing Director, Africa Electronic Media Nigeria Network (M-Net) Suryani Senja Founder and Managing Director CULT Sdn Bhd Malaysia Alias Wilmot Allen Founder 1 World Enterprises USA Jamil Anderlini Beijing Bureau Chief The Financial Times People's Republic of China Martin Aspillaga Managing Director Salkantay Partners Peru Solomon Assefa Research Scientist IBM Thomas J. Watson USA Research Center Alexander Head, Fast Growth Markets and SAP AG People's Republic Atzberger China Strategy of China Asli Ay Managing Partner US Policy Metrics LLC USA Gina Badenoch Founder and Chief Executive Officer Ojos que Sienten AC Mexico Analisa Balares Chief Executive Officer and Founder Womensphere and USA Womensphere Foundation Jeremy Balkin President Karma Capital Australia Miranda A. Director of Sustainability, Wal-Mart Stores Inc. USA Ballentine Renewable Energy and Sustainable Facilities Katinka Barysch Deputy Director Centre for European United Kingdom Reform (CER) Karen Bell Managing Director and Head of Deutsche Bank AG Singapore Regional Management for Group Technology and Operations Jacques Beltran Senior Vice-President, Europe, CIS, Alstom International France Turkey Sasja Beslik Chief Executive Officer, Nordea Nordea Bank AB Sweden Investment Funds Neil Blumenthal Co-Founder and Co-Chief Executive Warby Parker Eyewear USA Officer David Boehmer Regional Managing Partner, Heidrick & Struggles USA Financial Services Jesmane Founder and Director Harvest USA Boggenpoel Bunty Bohra Chief Executive Officer Goldman Sachs India Services Private Limited Thomas J. -
Serpentine Galleries and Wf Central Open the Inaugural
SERPENTINE GALLERIES AND WF CENTRAL OPEN THE INAUGURAL SERPENTINE PAVILION BEIJING JIAKUN Architects have designed first Serpentine Pavilion co-commissioned and built outside the UK 30 May to 31 December 2018 The Serpentine Galleries (London) and WF CENTRAL (Beijing) have launched their major international collaboration: a new temporary architecture Pavilion, designed by JIAKUN Architects, at the WF CENTRAL development in Beijing. Modelled on the Serpentine’s annual Pavilion commission in London’s Royal Park of Kensington Gardens, the inaugural Serpentine Pavilion Beijing opened to the public on 30 May at WF CENTRAL on Wangfujing in Beijing’s Dongcheng District. Located just 600m away from the historic Forbidden City, this bustling area has been home to cultural and commercial activities since the middle of the Ming Dynasty. The Serpentine Pavilion Beijing is a public space for cultural activities, events and social encounters at the very heart of WF CENTRAL, with a programme of cultural activities programmed across five Pavilion Weekends over the summer. The eminent Chinese practice JIAKUN Architects, led by architect Liu Jiakun, has responded to the brief of designing a world-class temporary Pavilion that takes into consideration both the historic and social context of Beijing and the 17-year history of the Serpentine Pavilion commission. Initiated in 2000, the London scheme has showcased renowned architects from Zaha Hadid to Rem Koolhaas. With a focus on society, community and a respect for local context and vernacular craftsmanship, Liu Jiakun aims to address contemporary architectural issues with a sense of realism, an approach inspired by folk wisdom. His vision remains open to China's many traditions and his projects shed light on the reciprocal relation between Chinese public life and urban cultural space. -
Curriculum Vitae Table of Contents
CURRICULUM VITAE Revised February 2015 ADRIAN MARGARET SMITH PIPER Born 20 September 1948, New York City TABLE OF CONTENTS 1. Educational Record ..................................................................................................................................... 2 2. Languages...................................................................................................................................................... 2 3. Philosophy Dissertation Topic.................................................................................................................. 2 4. Areas of Special Competence in Philosophy ......................................................................................... 2 5. Other Areas of Research Interest in Philosophy ................................................................................... 2 6. Teaching Experience.................................................................................................................................... 2 7. Fellowships and Awards in Philosophy ................................................................................................. 4 8. Professional Philosophical Associations................................................................................................. 4 9. Service to the Profession of Philosophy .................................................................................................. 5 10. Invited Papers and Conferences in Philosophy ................................................................................. -
Motiroti Brochure
motiroti motiroti /The Builders Association’s Alladeen was presented as a cross media perfomance for stage, music video and a web project. It toured internationally (2002-05) to numerous venues and received an OBIE Award in New York. Photo: Simone Lynn. motiroti is a London based arts organisation within visual and live art, new technology led by artistic director Ali Zaidi. For over ten and socially engaged practice, our projects years the company has made internationally are accessible to a wide audience through acclaimed and award winning art that multiple layers of interpretation. We foster transforms relationships between people, the development of a lifelong learning communities and spaces. motiroti works at culture. Learning and art production are the forefront of ever-changing global social part of the same process, and offer equally realities, challenging and teasing perceptions potent opportunities to inspire and develop of artists, institutions and audiences alike. a dynamic exchange between artists and communities. Working with a range of collaborators HITTUCK motiroti is one of the few arts organisations truly to stretch between W international cutting edge work and the lives of people in their own communities. They gain their inspiration from life in all its rich forms – it shows. If only more arts had this breadth of vision. Jenny Edwards, CEO Homeless Link ANDREW PHOTO: This page, clockwise from top right: Harvest it! (2007). Kakatsitsi Drummers performing at the autumn festival in Myatt’s Fields Park. Harvest it! Vassall Voices Children’s Choir. The Seed The Root GOEBEL (1995). From a series A of images installed HITTUCK in Brick Lane. -
Studio Drift
GHOST IN THE Written by Stacy Seiler MACHINEART EDITOR STUDIO DRIFT Shylight in the Rijksmuseum, Amsterdam, Netherlands. 34 ofShylight photos courtesy Drift. Studio 35 In 20 Steps from Glasstress 2015 Gotika, Murano, Italy. Bringing Shylight to fruition was a labor of love that required 5-years of research. The process included the development circuit boards and software, along with roughly 60 paper prototypes Just as a child Maybe the experience manner. Yet the true magic appears as Shylight floats comes from our childhood downward filling its layers of precisely constructed silk giggles with fears or having watched facets with air. The expansion of the silk simulates the excitement one too many scary movies, ephemeral experience of a flower transitioning to full when chasing but as you walk into an bloom before your very eyes. unfamiliar room shrouded lightning bugs in darkness and fumble for Bringing Shylight to fruition was a labor of love that on a dark sum- the light switch, there exists required 5-years of research. The process included a moment of uneasiness in the development circuit boards and software, along mer’s evening, which we feel vulnerable. with roughly 60 paper prototypes used to determine with Shylight we Such an experience poses a mathematical pattern that would allow the layered the question, what is pieces of silk to open. Yet, as technical as Shylight understand that missing? Look around you. appears to be on paper, to experience Shylight is we are no lon- How many products or to witness an intangible medicine that heals the In 20 Steps is a homage to flight. -
2016–17 Annual Report
British Fashion Council 2016 –17 Annual Report 1 British Fashion Council 2016–2017 Annual Report 2 3 12 About The British 31 Pillars Fashion Council Contents 32 Five Pillars 15 Our Vision 36 Pillar Presidents 17 Mission Statement 39 Reputation 19 Our Values 42 London Fashion Week 20 Governance: 52 London Fashion Week Festival Executive Board Funding 56 London Collection Men’s / London Patrons Fashion Week Men’s 22 Advisory Board 66 British Fashion Awards 24 Business & Cultural Ambassadors 70 Positive Fashion Press Committee 74 The British Fashion Council Menswear Committee Represents UK Fashion 28 Events and Announcements: 77 Innovation & Digital Events Talent Support Announcements 83 Business Business Support 86 Business Development and Support Supported Events 87 Talent Support Pathway 88 NEWGEN and NEWGEN Men 90 BFC Fashion Trust 92 BFC GQ Designer Menswear Fund supported by Vertu 94 BFC/Vogue designer Fashion Fund 96 Initiatives: Rock Vault Supported Designers BFC Fashion Film Supported Designers Headonsim Supported Designers Fashion Business Network Designer Factfile Funding Talent Fashion Arts Foundation Charity Trustees 99 Investment 102 Fashion Forum 105 Education 109 BFC Education Foundation 110 Scholarship Winners 116 Colleges Council 118 Annual Programme 120 Competitions 4 5 ASHISH AW17 6 7 The UK fashion industry contributes £28 billion to the UK GDP — Oxford Economics, 2016 8 9 London is a global hub for fashion and its influence is felt all over the world 10 11 About The British Fashion Council The British Fashion Council is a not-for-profit organisation that aims to further the interests of the British fashion industry and its designer businesses by harnessing and sharing the collective knowledge, experience and resources of the sector. -
Arts and Culture in Davos 2014
Annual Meeting 2014 Arts and Culture in Davos 2014 Davos-Klosters, Switzerland 22-25 January World Arts Forum Foundation Board Hilde Schwab, Chairwoman and Co-Founder, World Arts Forum Klaus Schwab, Co-Founder, World Arts Forum, and Founder and Executive Chairman, World Economic Forum Alois Zwinggi, Vice-President, World Arts Forum, and Managing Director, World Economic Forum Paola Antonelli, Senior Curator, Architecture and Design, and Director, Research and Development, The Museum of Modern Art, New York Michael Haefliger, Executive and Artistic Director, Lucerne Festival Georges Muller, Lawyer, BMP Associés Yves Paternot, Foundation Member, World Arts Forum Contents Welcome Message 3 Welcome Message The programme of the World Economic Forum 5 The 2014 Crystal Award Recipients Annual Meeting 2014, under the theme, The Reshaping of the World: Consequences for 14 Art Exhibition Society, Politics and Business, provides an 21 Cultural Leaders and Programme opportunity to examine how the arts and culture influence our daily lives. In an increasingly globalized world, there has never been a more important time to re-engage with our roots, our Hilde Schwab traditions and our cultures. We have an Chairwoman and Co-Founder opportunity to explore how the values World Arts Forum embedded in the arts – creativity, determination, communication and imagination, among others – can provide a renewed framework for how we live our personal and professional lives. Artists and cultural leaders push the limits, see things differently and open up systems; in doing so, they make us more open to exploring reality. The full potential of human beings lies in creativity – and this is what artists can teach us. -
2020-About-Concise-CV-Studio-Drift.Pdf
ABOUT DRIFT 2020 BIOGRAPHY DRIFT BIOGRAPHY Dutch artists Lonneke Gordijn (1980) and Ralph Nauta (1978) founded DRIFT in 2007. With a multi-disciplinary team of 64, they work on experiential sculptures, installations and performances. DRIFT manifests the phenomena and hidden properties of nature with the use of technology in order to learn from the Earth’s underlying mechanisms and to re- establish our connection to it. With both depth and simplicity, DRIFT’s works of art illuminate parallels between man-made and natural structures through deconstructive, interactive, and innovative processes. The artists raise fundamental questions about what life is and explore a positive scenario for the future. All individual artworks have the ability to transform spaces. The confined parameters of a museum or a gallery does not always do justice to a body of work, rather it often comes to its potential in the public sphere or through architecture. DRIFT brings people, space and nature on to the same frequency, uniting audiences with experiences that inspire a reconnection to our planet. DRIFT has realized numerous exhibitions and projects around the world. Their work has been exhibited at Victoria & Albert Museum (2009, 2015); Met Museum (2010); Stedelijk Museum (2018); UTA Artist Space (2019); Garage Museum (2019); Mint Museum (2019); Biennale di Venezia (2015); Pace Gallery (2017) amongst others. Their work is held in the permanent collections of the LACMA; Rijksmuseum; SFMOMA; Stedelijk Museum; and Victoria & Albert Museum. In 2014, Drift was awarded the Arte Laguna Prize, Venice. www.studiodrift.com Photo by JW Kaldenbach CURRICULUM VITAE DRIFT SELECTED MEDIA Wallpaper: “Drones flock, concrete hovers and lamps bloom as Studio Drift reimagines science and nature” Whitewall: “The Fragile and Fierce ‘Coded Nature’ of Studio Drift” Elephant: “Dreams of Nature and Concrete with Studio Drift” The New York Times: “In Miami, It’s a Bird. -
Aesthetics of Gentrification of Aesthetics Edited by Christoph Lindner and Gerard F
CITIES AND CULTURES Lindner & Sandoval (eds) Aesthetics of Gentrification Edited by Christoph Lindner and Gerard F. Sandoval Aesthetics of Gentrification Seductive Spaces and Exclusive Communities in the Neoliberal City Aesthetics of Gentrification Cities and Cultures Cities and Cultures is an interdisciplinary book series addressing the inter relations between cities and the cultures they produce. The series takes a special interest in the impact of globalization on urban space and cultural production, but remains concerned with all forms of cultural expression and transformation associated with modern and contemporary cities. Series Editor: Christoph Lindner, University College London Advisory Board: Ackbar Abbas, University of California, Irvine Myria Georgiou, London School of Economics and Political Science Derek Gregory, University of British Colombia Mona Harb, American University of Beirut Stephanie Hemelryk Donald, University of Lincoln Shirley Jordan, Queen Mary, University of London Nicole Kalms, Monash University Geofffrey Kantaris, University of Cambrigde Brandi Thompson Summers, University of California, Berkeley Ginette Verstraete, VU University Amsterdam Richard J. Williams, University of Edinburgh Aesthetics of Gentrification Seductive Spaces and Exclusive Communities in the Neoliberal City Edited by Christoph Lindner and Gerard F. Sandoval Amsterdam University Press Cover illustration: Oliver Wainwright Cover design: Coördesign, Leiden Layout: Crius Group, Hulshout isbn 978 94 6372 203 2 eisbn 978 90 4855 117 0 doi 10.5117/9789463722032 nur 758 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/byncnd/3.0) All authors / Amsterdam University Press B.V., Amsterdam 2021 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). -
The Art of Marketing Luxury
Sotheby's Institute of Art Digital Commons @ SIA MA Theses Student Scholarship and Creative Work 2020 The Art of Marketing Luxury Aiho Tan Sotheby's Institute of Art Follow this and additional works at: https://digitalcommons.sia.edu/stu_theses Part of the E-Commerce Commons, Marketing Commons, Other Business Commons, and the Sales and Merchandising Commons Recommended Citation Tan, Aiho, "The Art of Marketing Luxury" (2020). MA Theses. 82. https://digitalcommons.sia.edu/stu_theses/82 This Thesis - Open Access is brought to you for free and open access by the Student Scholarship and Creative Work at Digital Commons @ SIA. It has been accepted for inclusion in MA Theses by an authorized administrator of Digital Commons @ SIA. For more information, please contact [email protected]. The Art of Marketing Luxury by Aiho Tan A thesis submitted in conformity with the requirements for the Master’s Degree in Art Business Sotheby’s Institute of Art 2020 Word Count: 12,005 The Art of Marketing Luxury By: Aiho Tan Abstract Luxury businesses face the paradoxical challenge of growing a business whilst upholding an aura of exclusivity. The objective of this thesis is to examine the key marketing strategies employed by leading luxury brands ranging from fine art to real estate. This paper examines whether luxury brands need to embrace digital innovation and technology in order to remain leaders of luxury. First-hand insight from industry leaders and case studies reveal that luxury brands need to embrace digital, utilize the power of experiential marketing strategies, invest in creative talent, strategically partner and collaborate with brands and individuals, and craft an authentic narrative that resonates with their consumers.