Al Purdy Literary Papers
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Defending Writers in Prison for 50 Years
Defending Writers in Prison for 50 Years pen canada annual report 2009–10 1960/1961/1962/1963 PEN Canada is a non-profit literary and human rights organization that works on behalf of the right to /1964/1965/1966/19freedom of expression. We assist imprisoned or otherwise persecuted writers internationally through campaigns combining public awareness and quiet 67/1968/1969/1970/diplomacy. We also work to ensure that those responsible for the deaths of writers are brought to justice. At home, we provide opportunities for writers in exile to find 1971/1972/1973/1974/a place within Canadian society and monitor issues of censorship. PEN Canada 75/1976/1977/1978/is a registered charity. 1979/1980/1981/1982/19 83/1984/1985/1986/ 1987/1988/1989/1990/19 91/1992/1993/1994/ contents 1 Foreword 2 Introduction: Because Writers Speak Their Minds 1995/1996/1997/1998/19 8 PEN International President’s Message 10 President’s Message 18 Writers in Prison Committee Report 20 Honorary Members 99/2000/2001/2002/ 30 Honorary Members Released 36 National Affairs Committee Report 40 Membership Committee Report 03/2004/2005/2006/ 42 Members and Supporters 07/2008/2009/2010PEN CANADA 2 1960/1961/1962/1963 /1964/1965/1966/19 67/1968/1969/1970/ 1971/1972/1973/1974/ 75/1976/1977/1978/ 1979/1980/1981/1982/19 The empty chair on the stage at all PEN events serves as a reminder to the audience that as we are all enjoying an evening of readings and 83/1984/1985/1986/ conversation there are those who cannot be with us because they are in prison simply for having the audacity to express their views. -
Purdy-Al-2071A.Pdf
AL PURDY PAPERS PRELIMINARY INVENTORY Table of Contents Biographical Sketch .................................. page 1 Provenance •••••••••••••••••••••••••••••••• 0 ••••••••• page 1 Restrictions ..................................... 0 ••• page 1 General Description of Papers ••••••••••••••••••••••• page 2 Detailed Listing of Papers ............................ page 3 Appendix •••••••••••••••••••••••••••••••••••••••••••• page 52 • AL f'lJRDY PAPEllS PRELnlI~ARY INVENroRY BIOGRAPHICAL SKETCH Al Purdy was born in 1918 in Hoo ler, Ontario . His formal education eeied after only two years of high scnool. He spent the next years of his life wandering from job to job, spending the war years with the R.C.A.F. He spent some time on the West Coast and in 1956 be returned east.. He has received Canada Council Grants wbich enabled him to t ravel into the interior of British Columbia (1960) and to Baffin Island (1965) and a tour of Greece (1967). He has published 10 books of poetry and edited three books, and has contributed to various magazines. His published books are; The En ch~"ted Echo (1944) Pr. ssed 00 Sand (1955) Emu Remember (1957) Tne Grafte So Longe to Lerne (1959) r Poems for all the AnnetteG (1962) The Blur in Between (1963 earihoo Horses (1965) Covernor Ceneral'5 weda1 North of Summer (1967) ·Wild Grape Wine (1968) The New Romans (1968) Fifteeo Wind. (1969) l've Tasted My Blood. Selected poems of Mil ton Acorn (1969) He has also reviel-.'ed many new books and h&s written some scripts for the C.B.C. PROVENANCE These paperG were purchased from Al Purdy witb fun~from The Chancellor Richardson Memorial Fu.."'\d in 1969. RESTRICTIONS None. -
“To Make a Show of Concealing”: the Revision of Satire in Earle Birney's
“To Make a Show of Concealing”: The Revision of Satire in Earle Birney’s “Bushed” Duncan McFarlane long with “David” and “The Damnation of Vancouver,” “Bushed” stands at the head of Earle Birney’s body of poetic work: in popular fame and literary craft, earnestly revered A“with a rather schoolboyish veneration” (Purdy 75) by critics and poets alike. The poem also marks a turning point in Birney’s career. It came just after the completion of his first novel, Turvey, appearing in the col- lection Trial of a City and Other Verse (1952), of which Northrop Frye says “that for virtuosity of language there has never been anything like it in Canadian poetry” (Bush 16), and in which A.J.M. Smith observes “a distinct advance on the simple and unified narrative ‘David’” (12). Yet to look solely at the finished poem is, in this case, to understand a fraction of its total significance. In the process of drafting and revis- ing “Bushed,” Birney transformed the poem from forthright satire into something else entirely. From its first draft — which has never before been analyzed — to its final version, “Bushed” moves between the two extremes that Frye nominates as central themes in Canadian poetry, “one a primarily comic theme of satire and exuberance, the other a pri- marily tragic theme of loneliness and terror” (Bush 168). The published “Bushed” has more in common with Macbeth than with MacFlecknoe, or with satire at all. The revisionary energies at work in Birney’s creative process are driven by an aesthetic bias expressed most clearly in his criticism on Chaucer, through which he expounds a remarkable and condemnatory view of satire as the adolescence of irony. -
Stories of Canada: National Identity in Late-Nineteenth-Century English-Canadian Fiction" (2003)
The University of Maine DigitalCommons@UMaine Electronic Theses and Dissertations Fogler Library 2003 Stories of Canada: National Identity in Late- Nineteenth-Century English-Canadian Fiction Elizabeth Hedler Follow this and additional works at: http://digitalcommons.library.umaine.edu/etd Part of the Cultural History Commons, Ethnic Studies Commons, and the Literature in English, North America Commons Recommended Citation Hedler, Elizabeth, "Stories of Canada: National Identity in Late-Nineteenth-Century English-Canadian Fiction" (2003). Electronic Theses and Dissertations. 193. http://digitalcommons.library.umaine.edu/etd/193 This Open-Access Dissertation is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of DigitalCommons@UMaine. STORIES OF CANADA: NATIONAL IDENTITY IN LATE-NINETEENTH- CENTURY ENGLISH-CANADIAN FICTION Elizabeth Hedler B.A. McGill University, 1994 M.A. University of Maine, 1996 A THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy (in History) The Graduate School The University of Maine May, 2003 Advisory Commit tee: Marli F. Weiner, Professor of History, Co-Advisor Scott See, Professor of History and Libra Professor of History, Co-Advisor Graham Cam, Associate Professor of History, Concordia University Richard Judd, Professor of History Naorni Jacobs, Professor of English STORIES OF CANADA: NATIONAL IDENTITY IN LATE-NINETEENTH- CENTURY ENGLISH-CANADIAN FICTION By Elizabeth Hedler Thesis Co-Advisors: Dr. Scott W. See and Dr. Marli F. Weiner An Abstract of the Thesis Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy (in History) May, 2003 The search for a national identity has been a central concern of English-Canadian culture since the creation of the Dominion of Canada in 1867. -
Purdy: Man and Poet
PURDY: MAN AND POET George Bowering 1 I. Ν HIS INTRODUCTION to another poet's book, Al Purdy speaks of some possible superficial descriptions of Canadian writers. He says that he himself might be thought of in that mode as "a cynical Canadian nationalist, a lyrical Farley Mowat maybe." It's a disarming suggestion, and a useful one. We should always remember that any single tack we take on a large writer is going to be at least somewhat superficial, and we should especially remember such a thing in Purdy's case, because he makes a habit of surprising a reader or critic with unexpected resources or interests. So I ask you to be careful, too, with my superficialities, such as this one I'll have to begin with: Al Purdy is the world's most Canadian poet. Doug Fetherling, a young Ameri- can refugee who has written that "Al Purdy knows more about writing poetry than anyone else I have ever met, heard or read about,"2 goes on to remark on something I once told him in conversation: "Purdy cannot help but take a lot of Canada with him. He is even so typical looking, as George Bowering points out, that everybody in the interior of British Columbia looks exactly like Purdy." I would like to tell you what Purdy looks like, at least the way this B.C. boy first saw him, but I'll have to begin with an event a half-year before I pressed flesh with him the first time. It was a day or two before Christmas 1962. -
AL PURDY – a PERMANENT TRIBUTE Statue of Canada’S Favourite Poet Unveiled in Queen’S Park
FOR IMMEDIATE RELEASE: May 20, 2008 – Toronto, Canada AL PURDY – A PERMANENT TRIBUTE Statue of Canada’s Favourite Poet Unveiled in Queen’s Park One of Canada’s most beloved poets was honoured today with the unveiling of a statue in his likeness at an historic ceremony at Queen’s Park. This is only the second full-length statue of a poet in Toronto (the other being of Robbie Burns), and one of very few in Canada. The event was presided over by Toronto’s Poet Laureate Pier Giorgio Di Cicco with Purdy’s widow, Eurithe Purdy, unveiling the monument to her late husband. Mayor David Miller spoke to the crowd about the man who was often described as Canada’s national poet. "Al Purdy is one of Canada's greatest poets," said Toronto Mayor David Miller. "This statue, donated to the people of Toronto by the friends of the Poet Laureate and placed in a prominent location in Queen's Park, is a fitting tribute to a person who enriched the lives of so many Canadians." In 2001, Scott Griffin, founder of the Griffin Poetry Prize and a member of the Friends of the Poet Laureate, suggested the statue to Dennis Lee, Toronto’s first Poet Laureate. Together with Lee, Margaret Atwood, Michael Ondaatje and professor Sam Solecki,Griffin commissioned husband and wife sculptors Edwin and Veronica Dam de Nogales to create the memorial artwork after a review of a number of contemporary sculptors. Lee said of the poet, who died in 2000: “Al Purdy is one of the titans; if we have a national poet in English Canada, he’s it. -
Peter Trower Fonds
Peter Trower fonds In Special Collections, Simon Fraser University Library Finding aid prepared by Melanie Hardbattle, January 2007 TABLE OF CONTENTS Fonds Description………………………………………………………. 5 Series Descriptions: Correspondence series………………………………………………… 9 Journals and calendars series………………………………………… 10 Notebooks series……………………………………………………….. 11 Prose – Published books series………………………………………. 12 Grogan’s Café sub-series………………………………………. 12 Dead Man’s Ticket sub-series………………………………….. 12 The Judas Hills sub-series……………………………………… 12 Prose – Unpublished books series……………………………………. 13 Bastions and Beaver Pelts sub-series………………………... 13 The Counting House sub-series………………………………. 13 Gangsterquest sub-series……………………………………… 13 General sub-series……………………………………………… 14 Prose – Articles, short stories and related material series…………. 15 General sub-series…………………………………………….. 15 Chronological files sub-series………………………………… 15 Coast News articles, reviews and poems sub-series………. 16 Poetry – Published books series……………………………………… 17 Poems for a Dark Sunday sub-series………………………… 17 Moving Through the Mystery sub-series……………………... 17 Between the Sky and the Splinters sub-series………………. 17 Ragged Horizons sub-series…………………………………... 18 Bush poems sub-series………………………………………… 18 Unmarked Doorways sub-series……………………………… 18 Hitting the Bricks sub-series…………………………………… 18 Chainsaws in the Cathedral sub-series………………………. 18 A Ship Called Destiny sub-series……………………………... 19 There Are Many Ways sub-series…………………………….. 19 Haunted Hills and Hanging Valleys sub-series……………… -
Total of 10 Pages Only May Be Xeroxed
CENTRE FOR NEWFOUNDLAND STUDIES TOTAL OF 10 PAGES ONLY MAY BE XEROXED (Without Author's Permission) I ) I I AL PURDY: THE CURABLE ROMANTIC BY © SUSAN DRODGE A thesis submitted to the School of Graduate Studies in partial fulfilment of the requirements for the degree of Master of Arts Department of English Memorial University of Newfoundland 1991 St. John's Newfoundland ABSTRACT The poetry of AI Purdy is simultaneously informed by the contrary perspectives of realism and romanticiam. This duality of perspective is necessary in order to satisfy both his involvement with direct, modern experience and his intuition of profound, continuous existence. Realism and romanticism provide the divergent means by which he can support seemingly contradictory possibilities, such as transience and permanence, inconsequence and significance, failure and redemption. The realistic poetic persona intellectually challenges those traditional, social ideals which precipitate a sense of exclusion, failure, and futility. Through the deflation of ideals, he repudiates the conventional assumption of Canadian limitation and suggests faIlure IS the product of a defeatist mentality, rather than an inescapable, modern reality. His characteristic self-deprecation and ironic stance become the subversive means by which he contests societal ideals and the notion of failure as that which falls short of those standards. His intellectual transcendence of failure does not. however, satisfy his emotional and spiritual faculties. His romantic impulse. by contrast, yields the means of emotionally transforming the harshness of realistic experience. He hypothesizes that there is a transcendental continuum of existence which guarantees eternal meaning and significance, substantially eclipsing past and present failures. For Purdy, failure can be most effectively transformed through a synthesis of realism and romanticism which advances. -
EARLE BIRNEY: a Tribute
jihffcr<& EARLE BIRNEY: A Tribute EARLE BIRNEY: A Tribute EDITED BY Sioux Browning and Melanie J. Little COMPILED BY Chad Norman PRODUCTION AND DESIGN BY Sioux Browning COVER AND INTERIOR ILLUSTRATIONS BY Heather Spears PRINTED BY OK Graphics Produced in cooperation with PRISM international. Contents Copyright © 1998 PRISM international for the authors. Net proceeds from the sale of this book will go towards the annual PRISM international Earle Birney Prize for Poetry. PRISM international, a magazine of contemporary writing, is pub lished four times per year by the Creative Writing Program at the University of British Columbia, Vancouver, BC, V6T 1Z1. ISSN 0032.8790 TABLE OF CONTENTS bill bissett life is like a gypsy violin regardless 5 Al Purdy Birney: Dean of Canadian Poets 7 D. G. Jones For Earle Birney 15 Phil Thomas Authors Anonymous 16 Peter Trower Toronto the Moist 18 Janis Rapoport A Personal Memory 19 Louis Dudek from Notebook 1964-1978 22 I.B.Iskov When He Died, He Took One Last Poem With Him 24 Jacob Zilber A Little Shelter 25 Robert Sward The Generous and Humane Voice 27 Jan de Bruyn For My Former Friend and Colleague 30 Hilda Thomas To A Wild Beard 31 Earle Birney A Wild Beard Replies 33 Peter Trower Journeyman 34 Alison Acker Remembering Earle 35 Doug Lochhead An Acquaintance Remembers 38 Chad Norman The Blackened Spine 41 Glen Sorestad Suitcases of Poetry 44 Georgejohnston A Few Personal Notes 45 Fred Candelaria Amazing Labyrinth 47 Wayson Choy Nothing Would Be The Same Again 48 Linda Rogers The Perfect Consonant Rhyme 50 Wail an Low Once High On A Hill 52 Pirn wi**"* ik M m A A * i RISM international POETRY PRiZE EARLE BIRNEY PRIZE FOR POETRY RISM international will enter its fortieth year in 1999. -
Download Full Issue
89646_TXT 2/17/05 9:42 AM Page 1 Canadian Literature/ Littératurecanadienne A Quarterly of Criticism and Review Number , Winter Published by The University of British Columbia, Vancouver Editor: Laurie Ricou Associate Editors: Laura Moss (Reviews), Glenn Deer (Reviews), Kevin McNeilly (Poetry), Réjean Beaudoin (Francophone Writing) Past Editors: George Woodcock (–), W.H. New, Editor emeritus (–), Eva-Marie Kröller (–) Editorial Board Heinz Antor University of Cologne, Germany Janice Fiamengo University of Ottawa Irene Gammel RyersonUniversity Carole Gerson Simon Fraser University Smaro Kamboureli University of Guelph Jon Kertzer University of Calgary Ric Knowles University of Guelph Ursula Mathis-Moser University of Innsbruck, Austria Patricia Merivale University of British Columbia Leslie Monkman Queen’s University Maureen Moynagh St. Francis Xavier University Élisabeth Nardout-Lafarge Université de Montréal Roxanne Rimstead Université de Sherbrooke David Staines University of Ottawa Neil ten Kortenaar University of Toronto Penny van Toorn University of Sydney, Australia Mark Williams University of Canterbury, New Zealand Editorial Réjean Beaudoin and Laurie Ricou De quoi l’on cause / Talking Point Articles Anne Compton The Theatre of the Body: Extreme States in Elisabeth Harvor’s Poetry Réjean Beaudoin La Pensée de la langue : entretien avec Lise Gauvin Susan Fisher Hear, Overhear, Observe, Remember: A Dialogue with Frances Itani Valerie Raoul You May Think This, But: An Interview with Maggie de Vries John Moffatt and Sandy Tait I Just See Myself as an Old-Fashioned Storyteller: A Conversation with Drew Hayden Taylor 89646_TXT 2/17/05 9:42 AM Page 2 Poems Shane Rhodes Michael deBeyer , John Donlan Hendrik Slegtenhorst Jane Munro Books in Review Forthcoming book reviews are available at the Canadian Literature web site: http://www.cdn-lit.ubc.cahttp://www.canlit.ca Authors Reviewed Steven Galloway Jennifer Andrews Barbara T. -
Sincerely Al Purdy
123 Sincerely Al Purdy Sam Solecki, ed. Yours, Al: The Collected Letters of Al Purdy. Madeira Park, B.C.: Harbour, 2004. 560 pp. In a letter to Al Purdy of May 1, 1996, Sam Solecki suggests the possibility of a Selected Letters of Al Purdy, to be published after the two finish Purdy’s Collected Poems: This could draw on the Woodcock, the Bukowski, the Laurence and the mountains of letters in the three archives at Saskatoon, Lakehead, and Queen’s. There’s a lot of really good stuff in there both from you and to you. If the volume included some of the letters by people like Bowering, Glassco, Atwood etc. it would have a really good presentation: i.e. the continuing thread would be your voice, but there would be occasional transitional letters by others to show what it is you are referring to in a letter or what the dialogue is about. (516-17) The passage touches on three of the most unusual features of this wonder- ful book. First, it is really a Selected Letters, as Solecki says in this letter, and not a Collected Letters, as it is now called. But as Solecki hoped, it is a much more rewarding selection than the three earlier collections: The Bukowski / Purdy Letters 1964-1974 (1983); The Purdy—Woodcock Let- ters: Selected Correspondence 1964-1984, edited by George Galt (1987); and Margaret Laurence—Al Purdy: A Friendship in Letters, edited by John Lennox (1993). Second, Solecki is a correspondent as well as an editor, and odd as that is, he plays both roles with gusto. -
Al Purdy Was Here
al purdy was here A FILM BY BRIAN D. JOHNSON World Premiere at the 2015 Toronto International Film Festival TIFF Docs program TIFF SCREENINGS Press & Industry 1 - Sunday, September 13th, 11:45 am: Scotiabank 7 Public 1 - Tuesday, September 15th, 7pm: TIFF Bell Lightbox 2 Public 2 - Thursday, September 17th, 4:45pm: Isabel Bader Theatre Press & Industry 2 - Thursday, September 17th, 7:15pm: Scotiabank 7 MEDIA CONTACT Virginia Kelly / V Kelly & Associates / (416) 466-9799 / [email protected] CANADIAN DISTRIBUTOR Films We Like / Michael Boyuk / (416) 971-9131 [email protected] WORLD SALES Purdy Pictures Inc. / (416) 669-1371 [email protected] Web!alpurdywashere.com !•!!Twitter!@alpurdywashere!!•!!FB!Al!Purdy!Was!Here! ! ! ! ! ! ! ! ! ! ! !!!!RT:!91!minutes ! AL PURDY WAS HERE Al, who had the looks and manner of a brawler, wanted to be a poet. And what is great is that he was a bad poet for a long time and that didn’t stop him. That’s where the heroism comes in. - Michael Ondaatje "I don't know of any good living poets. But there's this tough son of a bitch up in Canada that walks the line." - Charles Bukowski * * * AL PURDY WAS HERE is a Canadian documentary feature produced and directed by BRIAN D. JOHNSON, executive-produced by RON MANN, co-produced by JAKE YANOWSKI, and co-written by MARNI JACKSON and the director. The team also includes Director of Photography NICHOLAS DE PENCIER, Editor NICK TAYLOR and Composer CASEY JOHNSON. The cast features MARGARET ATWOOD, GEORGE BOWERING, JOSEPH BOYDEN, BRUCE COCKBURN, LEONARD COHEN, GORD DOWNIE, MAC FYFE, SARAH HARMER, STEVEN HEIGHTON, DENNIS LEE, KATHERINE LEYTON, DOUG PAISLEY, GORDON PINSENT, BRIAN PURDY, EURITHE PURDY, GERRY SHATFORD, SAM SOLECKI, HOWARD WHITE and TANYA TAGAQ.