DOCSLIB.ORG

ELT Index IV Select

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

ELT Index III Select Categories Articles of General Interest Reviews: Books of General Interest Bibliographies Rejoinders Special Series No. 3, 1985 Special Series No. 4, 1990 Special Series No. 5, 1991 ARTICLES OF GENERAL INTEREST Adams, Jad. “Gabriela Cunninghame Graham: Deception and Achievement in the 1890s,” 50.3 (2007), 251-68. Adams, Jad. “The Drowning of Hubert Crackanthorpe and the Persecution of Leila Macdonald,” 52.1 (2009), 6-34. Adams, Jad. “Ménie Muriel Dowie: The ‘Modern’ Woman of Choices,” 58.3 (2015), 313-40. Adams, Jad. "Netta Syrett: A Yellow Book Survivor," 62.2 (2019), 206-43. Adams, Jad. “William and Edna Clarke Hall: Private and Public Childhood, ’Your child for ever,” 49.4 (2008), 398-417. Andes, Anna. “The Evolution of Cicely Hamilton’s Edwardian Marriage Discourse: Embracing Conversion Dramaturgy,” 58.4 (2015), 502-21. Avery, Todd P. "Ethics Replaces Morality: The Victorian Legacy to Bloomsbury," 41.3 (1998), 294-316. Barron, Jonathan N. "Robert Frost in Early Twentieth Century London: Harold Monro’s Poetry and Drama and Eros," 62.2 (2019), 186- 205. Bassett, Troy J. "T. Fisher Unwin’s Pseudonym Library: Literary Marketing and Authorial Identity," 47.2 (2004), 143-60. Beckson, Karl. "After Tennyson: The Quest for a Poet Laureate," Special Series No. 4 (1990), 77-89. Bell, Bill. "Arnoldian Culture in Transition: An Early Socialist Reading," 35.2 (1992), 141-61. Bhattacharjee, Shuhita. “The Insurgent Invasion of Anti-Colonial Idols in Late-Victorian Literature: Richard Marsh and F. Anstey,” 61.1 (2018), 66–90. Binckes, Faith, and Kathryn Laing, “Irish Autobiographical Fiction and Hannah Lynch’s Autobiography of a Child,” 55.2 (2012), 195- 218. Bilston, Sarah. "A New Reading of the Anglo-Indian Women’s Novel, 1880-1894: Passages to India, Passages to Womanhood," 44.3 (2001), 320-41. 1 Boumelha, Penny. "The Woman of Genius and the Woman of Grub Street: Figures of the Female Writer in British Fin- de-Siècle Fiction," 40.2 (1997), 164-80. Brack, OM, Jr. "Remembering Hal Gerber," Special Series No. 3 (1985), 3-13. Bradbury, Malcolm. "The Eighteen Nineties: Two Interpreters," Special Series No. 4 (1990), 35-42. Brantlinger, Patrick. "Imperial Gothic: Atavism and the Occult in the British Adventure Novel, 1880-1914," 28.3 (1985), 243-52. Buck, Claire. "First World War English Elegy and the Disavowal of Women’s Sentimental Poetics,"53.4 (2010), 431-50. Bulfin, Ailise. “The Fiction of Gothic Egypt and British Imperial Paranoia: The Curse of the Suez Canal,” 54.4 (2011), 411-43. Bullen, J. B. "John Everett Millais and Charles Dickens: New Light on Old Lamps," Special Series No. 4 (1990), 125-44. Chilcoat, Laura. "How to Make a Heterosexual Romance Queer: Anna Marsden’s Experiment and the Limits of Sexual/Gendered Inversion," 60.2 (2017), 131-51. Clark, Petra. “Bitextuality, Sexuality, and the Male Aesthete in The Dial: ‘Not through an orthodox channel,’” 56.1 (2013), 33-50. Conlon, John J. "Brasenose Revisited: Pater in the 80s," 32.1 (1989), 27-32. Cosslett, Tess. "Revisiting Fictional Italy, 1887-1908: Vernon Lee, Mary Ward, and E. M. Forster," 52.3 (2009), 312- 28. Crane, Ralph, and Lisa Fletcher, “Picturing the Empire in India: Illustrating Henty,” 55.2 (2012), 155-75. Cranfield, J. L. “Arthur Conan Doyle, H. G. Wells and The Strand Magazine’s Long 1901: From Baskerville to the Moon,” 56.1 (2013), 3-32 . Cranfield, Jonathan. "The Submarine in British Periodicals and Fiction, 1901–1914: Death From Below," 62.2 (2019), 147-72.. Csengeri, K. E. "The Intellectual Development of T. E. Hulme," 32.1 (1989), 7-25. D’hoker, Elke, and Stephanie Eggermont “Fin-de-Siècle Women Writers and the Modern Short Story,” 58.3 (2015), 291-312. Davis, William A. “Mary Jeune, Late-Victorian Essayist: Fallen Women, New Women, and Poor Children,” 58.2 (2015), 181-208. Deane, Bradley. "Mummy Fiction and the Occupation of Egypt: Imperial Striptease," 51.4 (2008), 381-410. Demoor, Marysa. “John Middleton Murry’s Editorial Apprenticeships: Getting Modernist ‘Rhythm’ into the Athenaeum, 1919-1921,” 52.2 (2009), 123-43. Despotopoulou, Anna. “Flora Annie Steel’s Ecological Imagination: Narratives of Empire’s Excess,” 62.4 (2019), 506-25 Deutsch, David. “The Pianola in Early Twentieth-Century British Literature: ‘Really it is a wonderful machine,’” 58.1 (2015), 73-90. Eastlake, Laura. “Metropolitan Manliness: Ancient Rome, Victorian London, and the Rhetoric of the New, 1880-1914,” 59.4 (2016), 473- 92. Edwards, Heather. The Irish New Woman and Emily Lawless’s Grania: The Story of an Island: A Congenial Geography," 51.4 (2008), 2 421-38. Eltis, Sos. “The Fallen Woman in Edwardian Feminist Drama: Suffrage, Sex and the Single Girl,” 50.1 (2007), 27-49. Farka, Carol-Ann. "Fictional Medical Women and Moral Therapy in the Late Nineteenth Century: Daughters of Aesculapius, Mothers to All," 54.2 (2011), 139-64. Fluhr, Nicole. “Freud as New Woman Writer: Maternal Ambivalence in Studies on Hysteria,” 53.3 (2010), 283-307. Forman, Ross G. "Coolie Cargoes: Emigrant Ships and the Burden of Representation in Joseph Conrad’s Typhoon and James Dalziel’s 'Dead Reckoning,'" 47.4 (2004), 398-428. Foss, Chris. “Fin-de-Siècle Indian English-Language Poetry: British Imperialism, India and the Irish Question,” 58.3 (2015), 403-18. Fredeman, William E. "Wise and the Trial Book Fallacy: A Review Essay," 40.4 (1997), 437-47. Gagnier, Regenia. “The Decadence of the West in Huysmans and Houellebecq: Decadence in the Longue Durée,” 60.4 (2017), 419-30. Gagnier, Regenia. ”English Literature in Contradiction,” 63.4 (2020), 644-50. Gagnier, Regenia. "Literary Alternatives to Rational Choice: Historical Psychology and Semi-Detached Marriages," 51.1 (2008), 23-43. Gardner, Joann. "A Footnote on the Weekly Review," 26.3 (1983), 198-99. Gerber, Helga. "A Letter of Thanks," Special Series No. 3 (1985), 1. Gerber, Helmut E. "English Literature, 1880-1920: A Speculative Overview," Special Series No. 3 (1985), 14-29. Gillespie, Diane F. "Blake and Bloomsbury: Mental Warfare," 33.1 (1990), 5-28. Gray, F. Elizabeth. “Catholicism and Ideal Womanhood in Fin-de-Siècle Women’s Poetry,” 50.1 (2007), 50-72. Gray, Jessica. “Typewriter Girls in Turn-of-the-Century Fiction: Feminism, Labour and Modernity,” 58.4 (2015) 485-501. Guy, Josephine. "Aesthetics, Economics and Commodity Culture: Theorizing Value in Late Nineteenth-Century Britain," 42.2 (1999), 143-71. Guy, Josephine M., Rebekah Scott, Kathy Conklin, and Gareth Carrol. “Challenges in Editing Late Nineteenth- and Early Twentieth- Century Prose Fiction: What Is Editorial “Completeness”?, 59.4 (2016), 435-55. Guy, Josephine, and Ian Small. "The `Literary,' Aestheticism and the Founding of English as a Discipline," 33.4 (1990), 443-54. Hadjiyiannis, Christos. “Conservative Politics, Modernist Poetics: J. M. Kennedy’s “Tory Democracy,” 58.3 (2015), 385-402. Halloran, Jennifer A. "The Ideology Behind The Sorceress of the Strand: Gender, Race, and Criminal Witchcraft," 45.2 (2002), 176-94. Harsh, Constance. "The Ambivalently Modern Master: Hedges Against the Modern in Meredith’s The Amazing Marriage," 48.4 (2005), 436-458. Harris, Wendell. "H. W. Nevinson, Margaret Nevinson, Evelyn Sharp: Little-Known Writers and Crusaders," 45.3 (2002), 280-305. 3 Hartman, Kabi. “Male Pacifists in British Women’s World War I Novels: Toward an ‘Enlightened Civilization,’” 58.4 (2015), 535-50. Hibbard, Andrea. “Cannibalism and the Late-Victorian Adventure Novel: The Queen v. Dudley and Stephens,” 62.3 (2019), 305-27. Hinojosa, Lynn Walhout. "Shakespeare and (Anti-German) Nationalism in the Writing of English Literary History, 1880-1923," 46.3 (2004), 227-49. Hitchner, Thomas. "Edwardian Spy Literature and the Ethos of Sportsmanship: The Sport of Spying," 53.4 (2010), 413-30. Höglund, Johan. "Black Englishness and the Concurrent Voices of Richard Marsh in The Surprising Husband," 56.3 (2013), 275-91. Holmes, John. " Lucretius at the Fin de Siècle: Science, Religion and Poetry," 51.3 (2008), 266-80. Holt, Jenny. "Japan as an Exemplum of Social Order in Turn-of-the-Century British and American Educational Literature: Filial Paradise," 52.4 (2009), 417-39. Inman, Billie Andrew. "Laurence's Uncle's Book, or Shades of Baron d'Hancarville in Mallock's New Republic," Special Series No. 4 (1990), 67-76. Jackson III, R. Marshall. "North Carolina and World War I: A Season of Remembrance," 62.2 (2019), 173-85. Jagpal, Charn. "'Going Nautch Girl' in the Fin de Siècle: The White Woman Burdened by Colonial Domesticity," 52.3 (2009), 252-72. Jones, Jennifer Vaughan. "An Intriguing Mystery: How Did Editor Harold Monro Come to Know Poet Anna Wickham?" 45.3 (2003), 306-21. Kijinski, John L. "Securing Literary Values in an Age of Crisis: The Early Argument for English Studies," 31.1 (1988), 38-52. Kilcrease, Bethany. "Radical Anti-Catholic Protestantism and When It Was Dark: The Novel and the Historical Context," 57.2 (2014), 210-30. Kilcrease, Bethany. “‘Sensational’ Children’s Literature as a Means of Transmitting Anti-Catholicism in the Era of Transition,” 63.2 (2020), 234-57. Kingstone, Helen. "A Leap of Faith: Abbott, Bellamy, Morris, Wells and the Fin-de-Siècle Route to Utopia," 60.1 (2017), 58-77. Kirchhoff, Frederick. "An End to Novel Writing: Howard Overing Sturgis," 33.4 (1990), 425-41. Klaus, H. Gustav. "Bart Kennedy: Hater of Slavery, Tramp and Professor of Walking," 60.2 (2017), 167-84. Kondrlik, Kristin E. “Caroline Matthews’s Experiences of a Woman Doctor in Serbia: Advocacy for Women Doctors in Early Twentieth Century War Writing,” 62.3 (2019), 328-51. Kopley, Emily. “Virginia Woolf’s Cousin J. K. Stephen: Forgotten But Not Gone,” 59.2 (2016), 191-209. Kramp, Michael. "Richard Jefferies’s After London; or Wild England and the Limits of Liberal Colonial Vision: Reinscribing Hegemonic Masculinity," 62.2 (2019), 244-64.
Recommended publications
  • In South Kensington, C. 1850-1900

    In South Kensington, C. 1850-1900

    JEWELS OF THE NATURAL HISTORY MUSEUM: GENDERED AESTHETICS IN SOUTH KENSINGTON, C. 1850-1900 PANDORA KATHLEEN CRUISE SYPEREK PH.D. HISTORY OF ART UCL 2 I, PANDORA KATHLEEN CRUISE SYPEREK confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. ______________________________________________ 3 ABSTRACT Several collections of brilliant objects were put on display following the opening of the British Museum (Natural History) in South Kensington in 1881. These objects resemble jewels both in their exquisite lustre and in their hybrid status between nature and culture, science and art. This thesis asks how these jewel-like hybrids – including shiny preserved beetles, iridescent taxidermised hummingbirds, translucent glass jellyfish as well as crystals and minerals themselves – functioned outside of normative gender expectations of Victorian museums and scientific culture. Such displays’ dazzling spectacles refract the linear expectations of earlier natural history taxonomies and confound the narrative of evolutionary habitat dioramas. As such, they challenge the hierarchies underlying both orders and their implications for gender, race and class. Objects on display are compared with relevant cultural phenomena including museum architecture, natural history illustration, literature, commercial display, decorative art and dress, and evaluated in light of issues such as transgressive animal sexualities, the performativity of objects, technologies of visualisation and contemporary aesthetic and evolutionary theory. Feminist theory in the history of science and new materialist philosophy by Donna Haraway, Elizabeth Grosz, Karen Barad and Rosi Braidotti inform analysis into how objects on display complicate nature/culture binaries in the museum of natural history.
  • Masterpieces in Colour in M^Moma

    Masterpieces in Colour in M^Moma

    Millais -'^ Mi m' 'fS?*? MASTERPIECES IN COLOUR IN M^MOMA FOR MA>4Y YEARS ATEACKEi;. IN THIS COLLEOE:>r55N.£>? THIS B(2);ClSONE^ANUMB€R FFPH THE LIBRARY 9^JvLK >10JMES PRESENTED TOTKEQMTARIO CDltECE 9^ART DY HIS REIATIVES D^'-CXo'.. MASTERPIECES IN COLOUR EDITED BY - - T. LEMAN HARE MILLAIS 1829--1S96 "Masterpieces in Colour" Series Artist. Author. BELLINI. Georgb Hay. BOTTICELLI. Henry B. Binns. BOUCHER. C. Haldane MacFall. burne.jones. A. Ly3 Baldry. carlo dolci. George Hay. CHARDIN. Paul G. Konody. constable. C. Lewis Hind. COROT. Sidney Allnutt. DA VINCL M. W. B ROCKWELL. DELACROIX. Paul G. Konody. DtTRER. H. E. A. Furst. FRA ANGELICO. James Mason. FRA FILIPPO LIPPI. Paul G. Konody. FRAGONARD. C Haldane MacFall. FRANZ HALS. Edgcumbe Staley. GAINSBOROUGH Max Rothschild. GREUZE. Alys Eyre MackLi.j. HOGARTH. C. Lewis Hind. HOLBEIN. S. L. Bensusan. HOLMAN HUNT. Mary E. Coleridge. INGRES. A. J. FiNBERG. LAWRENCE. S. L. Bensusan. LE BRUN, VIGEE. C. Haldane MacFail LEIGHTON. A. Lys Baldry, LUINL James Mason. MANTEGNA. Mrs. Arthur Bell. MEMLINC. W. H. J. & J. C. Wealb. MILLAIS. A. Lys Baldry. MILLET. Percy M. Turner. MURILLO. S. L. Bensusan. PERUGINO. Sblwyn Brinton. RAEBURN. James L. Caw. RAPHAEL. Paul G. Konody. REMBRANDT. JosEP Israels. REYNOLDS. S. L. Bensusan. ROMNEY. C. Lewis Hind. ROSSETTl LuciBN Pissarro. RUBENS. S. L. Bensusan. SARGENT. T. Martin Wood. TINTORETTO S. L. Bensusan. TITIAN. S. L. Bensusan. TURNER. C. Lewis Hind. VAN DYCK. Percy M. Turner. VELAZQUEZ. S. L. Bensusan. WATTEAU. C. Lewis Hinb. WATTS. W. LoFTUs Hark. WHISTLER. T. Martin Wood Others in Preparation. PLATE I.—THE ORDER OF RELEASE.
  • EDNA CLARKE HALL's POEM PICTURES in the EARLY 1920S

    EDNA CLARKE HALL's POEM PICTURES in the EARLY 1920S

    SELF-ORDERING CREATIVITY AND AN INDEPENDENT WORK SPACE: EDNA CLARKE HALL’S POEM PICTURES IN THE EARLY 1920s by KATHRYN EMMA FLEMING MURRAY A thesis submitted to the University of Birmingham for the degree of MASTERS OF PHILOSOPHY (B) in History of Art College of Arts and Law School of Languages, Cultures, Art History and Music Department of History of Art University of Birmingham January 2012 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis argues that the Poem Pictures made by Edna Clarke Hall (1879-1979) in the early 1920s signify new approaches to the treatment of ‘neuroses’ in British psychiatry following World War One, and contends that the artist’s biography is pertinent to understanding the production and meaning of these works. These hypotheses are demonstrated by considering Dr Henry Head’s responses to Clarke Hall when she sought his aid in 1920, following a period of emotional imbalance and physical illness. The thesis proposes that the philosophies underlying Head’s advice can be traced, via his acquaintance with psychiatrist Dr W.H.R.
  • ELT Index IV Select

    ELT Index IV Select

    ELT Index IV Select ELT Index IV Select Categories Rejoinders Articles of General Interest Bibliographies in ELT Reviews: Books of General Interest Book Reviews ELT Special Series No. 5 ELT Special Series No. 3 ELT Special Series No. 4 (1985) (1990) (1991) ARTICLES OF GENERAL INTEREST Adams, Jad. “Gabriela Cunninghame Graham: Deception and Achievement in the 1890s,” 50:3 (2007), 251-68. Adams, Jad. “The Drowning of Hubert Crackanthorpe and the Persecution of Leila Macdonald,” 52.1 (2009), 6-34. Adams, Jad. “William and Edna Clarke Hall: Private and Public Childhood, ’Your child for ever,” 398–417. Avery, Todd P. "Ethics Replaces Morality: The Victorian Legacy to Bloomsbury," 41:3 (1998), 294-316. Bassett, Troy J. "T. Fisher Unwin’s Pseudonym Library: Literary Marketing and Authorial Identity," 47:2 (2004), 143- 60. Beckson, Karl. "After Tennyson: The Quest for a Poet Laureate," Special Series No. 4 (1990), 77-89. Bell, Bill. "Arnoldian Culture in Transition: An Early Socialist Reading," 35:2 (1992), 141-61. Binckes, Faith, and Kathryn Laing, “Irish Autobiographical Fiction and Hannah Lynch’s Autobiography of a Child,” 55.2 (2012), 195–218. Bilston, Sarah. "A New Reading of the Anglo-Indian Women’s Novel, 1880–1894: Passages to India, Passages to Womanhood," 44:3 (2001), 320-41. Boumelha, Penny. "The Woman of Genius and the Woman of Grub Street: Figures of the Female Writer in British Fin- de-Siècle Fiction," 40:2 (1997), 164-80. Brack, O. M., Jr. "Remembering Hal Gerber," Special Series No. 3 (1985), 3-13. Bradbury, Malcolm. "The Eighteen Nineties: Two Interpreters," Special Series No.
  • To Download the PDF File

    To Download the PDF File

    NOTE TO USERS This reproduction is the best copy available. UMI* A New Matrix of the Arts: A History of the Professionalization of Canadian Women Artists, 1880-1914 Susan Butlin, M.A. School of Canadian Studies Carleton University, Ottawa A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements of the degree of Doctor of Philosophy. 2008 © Susan Butlin, 2008 Library and Archives Biblioth&que et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de ('Edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your Tile Votre r6f6rence ISBN: 978-0-494-60128-0 Our file Notre r6f6rence ISBN: 978-0-494-60128-0 NOTICE: AVIS: The author has granted a non- L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduce, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lntemet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimis ou autrement printed or otherwise reproduced reproduits sans son autorisation.
  • A Study of Winifred Knights, 1915-1933

    A Study of Winifred Knights, 1915-1933

    A Study of Winifred Knights, 1915-1933 Rosanna Eckersley Department of Art History and World Art Studies University of East Anglia A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy November 2015 © This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any formation derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. Abstract Winifred Knights, 1899-1947, was a student at the Slade School of Art from 1915, where she developed a decorative manner of rhythmic, repetitive forms, one form of cautious modernism. In 1920 she was the first woman to win the Rome Prize in Decorative Painting. The award was for three years at the British School at Rome. Knights often chose to base her paintings on biblical subjects, or the lives of saints. She was not religious and I argue that these stories, which were well-known in Britain at the time, were vehicles to represent the lives of women and families in the unsettled years during and after WWI. Many women artists have depicted domestic scenes, but Knights chose the exterior and multi-figure compositions, including many self-portraits. She used these compositions to explore women‟s vulnerability, rebellion against male control, maternity and the self-sufficiency of a women‟s community. Personal material is present in all her work and much of it deals with the traumas she suffered.
  • Biographical Dictionary of Kansas Artists (Active Before 1945)

    Biographical Dictionary of Kansas Artists (Active Before 1945)

    Biographical Dictionary of Kansas Artists (active before 1945) Compiled by Susan V. Craig, Art & Architecture Librarian Univ. of Kansas August 2006 1 This book began with a 1981 reference question about John Noble, a name I did not recognize despite having studied art history and worked as an art librarian for more than 10 years. Learning that John Noble was a Kansas artist, I went looking for the best available book on Kansas art only to learn the resources were few. As a new faculty member at the Univ. of Kansas, I needed to establish a research project so I decided to prepare a dictionary of Kansas artists thus fulfilling both the research requirement and educating myself about the history of the visual arts in my native state; I just didn't intend the project to take 25 years or realize that I would have more than 1750 entries in the dictionary. I began by defining the scope of the work: • "Kansas artist" was loosely defined as artists who were both born in the state as well as artists who were born elsewhere but were artistically active in Kansas. Under this latter definition, I included artists who produced significant artworks such as the murals installed in Kansas post offices. Occasionally, artists who lived or worked primarily in Kansas City, MO may be included. I did not deliberately include all Kansas City artists but neither did I exclude them if the name came from a Kansas source such as the Kansas State Gazetteer. • Another choice I made was to look for artists who were artistically active before 1945.

  • Gender Ideology and Shakespeare's Female Characters

    1 VICTORIAN VOICES: GENDER IDEOLOGY AND SHAKESPEARE’S FEMALE CHARACTERS A dissertation presented by Mary Balestraci to The Department of English In partial fulfillment of the requirements for the degree of Doctor of Philosophy in the field of English Northeastern University Boston, Massachusetts May, 2012 2 VICTORIAN VOICES: GENDER IDEOLOGY AND SHAKESPEARE’S FEMALE CHARACTERS by Mary Balestraci ABSTRACT OF DISSERTATION Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy in English In the Graduate School of Northeastern University May, 2012 3 Abstract The Victorians loved Shakespeare and, during this period, the study of Shakespeare became a popular form of education for middle class women, some of whom began writing about the female characters who populated these plays. Ongoing debates about the inherent nature of womanhood and the role of women in society—collectively known as the Woman Question—were also taking place in England at this time. These two areas converge in the writing produced by nineteenth-century female critics who used their criticism of Shakespeare’s female characters to express their views about Victorian gender ideology. Through their commentary on Shakespeare’s plays, Anna Jameson, Constance O’Brien, Grace Latham, Helena Faucit, and Madeleine Leigh-Noel Elliott reveal their own conceptions of gender by affirming, challenging, or rejecting many of the accepted Victorian gender norms that they identify in Shakespeare’s female characters. Several of the characters that these critics discuss fall into distinct categories: there are the tragic innocents—Ophelia, Desdemona, and Cordelia; the defiant daughters and dutiful wives—Juliet, Katherine, and Lady Macbeth; and the wise and witty women—Portia, Beatrice, and Rosalind.
  • John Ruskin Modern English Writers

    John Ruskin Modern English Writers

    Library of Congress, UNITED STATES OF AMERICA. Shelf. M4 ] ^ OC n^ Modern English Writers JOHN RUSKIN MODERN ENGLISH WRITERS, MATTHEW ARNOLD .... Professor Saintsbury. R. L. STEVENSON L. Cope Cornford. JOHN RUSKIN Mrs Meynell. TENNYSON Andrew Lang. GEORGE ELIOT Sidney Lee. BROWNING C. H. Herford. FROUDE John Oliver Hobbes. HUXLEY Edward Clodd. THACKERAY Charles Whibi.ey. DICKENS W. E. Henley. *** Other Volumes will be ainiozmccd in due course. WILLIAM BLACKWOOD & SONS, Edinburgh and London. JOHN RUSKIN / MRS MEYNELL SECOND IMPRESSION WILLIAM BLACKWOOD AND SONS EDINBURGH AND LONDON M D C C C C All Rights reser-ved a 6 'OO" DEDICATED TO Lieut.-General Sir W. F. BUTLER, K.C.B. "^ British Officer who is singularly of one mind •with me Ofi matters regarding the nation's honour." —PREFACE TO RUSKIN'S "BIBLE OF AMIENS." CONTENTS. CHAP. I. INTRODUCTION .... I II. 'MODERN painters': THE FIRST VOLUME TO III. 'MODERN PAINTERS': THE SECOND VOLUME 38 IV. 'MODERN PAINTERS': THE THIRD AND FOURTH VOLUMES .... 48 ' V. ' MODERN PAINTERS : THE FIFTH VOLUME 67 VI. 'THE SEVEN LAMPS OF ARCHITECTURE* 82 VII. 'THE STONES OF VENICE* 102 ' VIII. ' PRE-RAPHAELITISM . 122 ' IX. ' LECTURES ON ARCHITECTURE AND PAINTING 127 ' X. ' ELEMENTS OF DRAWING * XI. ' THE POLITICAL ECONOMY OF ART 136 XII. 'THE TWO PATHS* 140 XIII. 'UNTO THIS LAST* 152 XIV. 'SESAME AND LILIES* 166 ' XV. ' THE CROWN OF WILD OLIVE . 179 ' ' ' Vlll CONTENTS. ' XVI. ' TIME AND TIDE BY WEARE AND TYNE 183 XVII. 'THE QUEEN OF THE AIR 189 XVIII. 'LECTURES ON ART' 194 XIX. 'ARATRA PENTELICI ' 209 XX. 'THE eagle's NEST 214 XXI.
  • William Shakespeare: the Critical Heritage Volume 6, 1774–1801 the Critical Heritage Series

    William Shakespeare: the Critical Heritage Volume 6, 1774–1801 the Critical Heritage Series

    WILLIAM SHAKESPEARE: THE CRITICAL HERITAGE VOLUME 6, 1774–1801 THE CRITICAL HERITAGE SERIES General Editor: B.C.Southam The Critical Heritage series collects together a large body of criticism on major figures in literature. Each volume presents the contemporary responses to a particular writer, enabling the student to follow the formation of critical attitudes to the writer’s work and its place within a literary tradition. The carefully selected sources range from landmark essays in the history of criticism to fragments of contemporary opinion and little published documentary material, such as letters and diaries. Significant pieces of criticism from later periods are also included in order to demonstrate fluctuations in reputation following the writer’s death. WILLIAM SHAKESPEARE VOLUME 6, 1774–1801 THE CRITICAL HERITAGE Edited by BRIAN VICKERS London and New York First Published in 1981 This edition published in the Taylor & Francis e-Library, 2003. Compilation, introduction, notes and index © 1981 Brian Vickers All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data ISBN 0-203-19803-4 Master e-book ISBN ISBN 0-203-19806-9 (Adobe eReader Format) ISBN 0-415-13409-9 (Print Edition) General Editor’s Preface The reception given to a writer by his contemporaries and near- contemporaries is evidence of considerable value to the student of literature.
  • Reconsidering Professionalism: Women, Space and Art in England, 1880-1914 Maria Patricia Quirk Bachelor of Arts (Hons 1A)

    Reconsidering Professionalism: Women, Space and Art in England, 1880-1914 Maria Patricia Quirk Bachelor of Arts (Hons 1A)

    Reconsidering Professionalism: Women, Space and Art in England, 1880-1914 Maria Patricia Quirk Bachelor of Arts (Hons 1A) A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2015 School of Historical and Philosophical Inquiry 1 Abstract The expansion of women’s participation in the fine and illustrative arts occurred concurrently to the professionalisation of those fields, but women’s relationship with artistic professionalism was fragile and ill defined. Their pathways towards “becoming” professional did not universally conform to the criteria and benchmarks that had come to represent the professional artist ideal. The fact that professional women artists were primarily middle-class in origin further complicated their relationship with traditional understandings of female labour; the working experiences of middle-class, female workers were difficult for their contemporaries to categorise and remain elusive today. This thesis examines what happened when middle-class women artists used their education and talent for the purposes of earning a living, rather than for pleasure and refinement. It defines what qualifications, attributes and achievements women needed to possess in order to separate themselves from the ubiquitous cultural stereotype of female amateurism, and be recognised by their peers and the broader public as professionals—that is, serious practitioners who dedicated their working lives to the production of art. The framework of professionalism is thus utilised for the purposes of assessing which of its standards and markers women had to possess in order to practice and be perceived as viable working artists. This is achieved by evaluating the usefulness and necessity of key professional mechanisms and spaces to women artists’ professional legitimacy: art schools, artistic societies, studio spaces, art dealerships, commercial galleries and publishing houses.
  • The Huguenots Or, Reformed French Church

    The Huguenots Or, Reformed French Church

    1 THE HUGUENOTS OR, REFORMED FRENCH CHURCH. THEIR PRINCIPLES DELINEATED; THEIR CHARACTER ILLUSTRATED; THEIR SUFFERINGS AND SUCCESSES RE- CORDED. IN THREE PARTS: I. THE HUGUENOT IN FRANCE, AT HOME. II. THE HUGUENOT DISPERSED IN EUROPE. III. THE HUGUENOT AT HOME IN AMERICA. WITH AN APPENDIX. WILLIAM HENRY FOOTE. D. D, PASTOR OF THE PRESBYTERIAN CHURCH, ROMNEY, WEST VIRGINIA ; Author of the “Sketches of Virginia and North Carolina," Biographical and Historical, illustrating the "Rise and Progress of the Presbyterian Church in America." RICHMOND: PRESBYTERIAN COMMITTEE OF PUBLICATION. 2 EDITOR'S NOTICE. While this hook was passing through the process of stereotyping, under the supervision of the venerable author, he was called from the toils and labors of the Church on earth to the glories and joys of the upper sanctuary. This sad event, which occurred on the 22nd of last November, delayed the publication of this inter- esting volume for several months. It is now presented to the public in the belief that it will be esteemed a val- uable addition to our ecclesiastical literature, and that it will add to the reputation and will perpetuate the influence of its distinguished and lamented author. September 1, 1870. E. T. B. Entered according to Act of Congress, in the year 1870, by CHARLES GENNET, in trust, in the Office of the Librarian of Congress, Washington, D. C. 3 DEDICATION. To those who love the development of great principles; to those who admire patient continuance in well-doing and endurance of evil; TO ALL WHO ARE IN TROUBLE OR SORROW, this volume, written in times of great personal trouble and national distress, is respectfully dedicated BY THE AUTHOR, WILLIAM HENRY FOOTE, Romney, Hampshire County, West Virginia.