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BULK RATE U. S. POSTAGE PAID Permit No. 2419 Kansas City, M.O

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MAY 1987 KANSAS em'S ENTEIft'AINMENT MACMZINE IS$UE 77

LOS L 0.,.0 S The Best Kept Secret In New Age Pop Music Is On ... Global Pacific Records.

Hear The . .. DOLPHIN SMILES

PAUL HORN, Trave/er-Paul's first new in three STEVE KINDLERlTEJA BELL, Dolphin Smi/es­ years takes you on a musical journey that ranges from Upbeat & rhythmical a la Vollenweider from former jazzy & upbeat to soothing and relaxing with a special Mahavishnu Orchestra violinist SteveKlndrerfind New stunning performance by the San Francisco Boys Choir. Age/ guitarist Taja Bell. Violins, guitars, synthesizers, percussion and dolphins

The Sounds Of . .. JOY GLOBAL PACIFIC ARTISTS, The Fruits Of Our Labor­ Listen To Your . .. INNER VOICES Double album sampler at Single Album Prices! " . a superb intro to Global's talent roster." -Lee Underwood, Pulse

ON SALE

LP & CASSETTE ...... $ 7.19 COMPACT DISC. • • . • . . . 11.99

Audiophile Virgin Vinyl LP's, Compact Discs HxPRO Chrome Cassettes

PAUL GREAVER, Joy-Exquisite acoustic guitars, DAVID FRIESEN, Inner Voices-David's rich warm strings, woodwinds and percussion gets this reaction, "Oregon" bass interplays with Paul Horn's flutes and " ... when we play George Winston, Paul Winter, or Jeff Johnson's synthesizers and percussion creating a Paul Greaver the phones light up!" Jazz/New Age masterpiece! -Linda Yahn, WKSU RadiO

DON'T TELL EVERYONE . .. JUST 5,000 OF YOUR CLOSEST FRIENDS. Distributed by CBS Records, Inc.

2 KC Pitch. MAY 1t~ft~~.;-~~ .. r~-e~~~"'ii,tl.!.,. ~ pITCH ~ the loose i v-'CJ[~ ~ ~·~,f.>i..:l4or.;f.t~r"i1'i:t~.'$?;~~~~~ On ~1~1'1'!4.~~7:~~,!'v:w:.~~~~~~~.~Gt::<..i~:~~~ May 1987 • Issue 77 JACK CASHILL monsters, tecbnolqgy, adventure, and in­ ~: ~~ genuous pride in things American. ftG.~.i;~':j~0~!~~...it;""~~~~b~~~i'\1!:l!:e)'I;:·.'..... Bellwetber films bere include George Lucas' ~ 4128 Broadway ~ ..l I cite these patterns. to establisb tbe context There were two fundamental reasons for tbe as tbose on Godard and 1tuffaut. European ~ KC Pitcb is sponsored by PennyLane it. in whicb 1- and many of my generation-' American failure to appreciate its own work. films, even tbose by Bergman, are being sub- :\~ Records. Copyright • 1987 by Brody ~ Records. All rights reserved. Subscrip- learned about movies. For us, movies were a One is tbe national sense of cultural inferiori- jected to closer scrutiny. Clint Eastwood, at i ~ tions are $5 for one yeat or $9 for two ~~ .total experience, an epic one. They bad to ty tbat bas existed,as long as tbere bas been long last, is being taking seriously as an auteur. :i be. ~i years. PennyLane mail order customers ~ For wben a movie f4illed to capture our im­ a nation. As far back as 200 years ago, men And who knows? Maybe one day soon, we'll . i; aDd Preferred Customers get a .free ~ aginatio!land toJlo,I~:'\lJ:attention, even for like James Fenimore Cooper and Thomas Jet- see a doublebeader of "The Nutty Professor" ~ subscription. . '. ... ' a moment, we rebelled. Ai;tively. We tbrew our ferson were lamenting this pbenomenon. but and "Jobnny.(Jnjtar~' at our own Tivoli.· IdeaI- :~mv~:i'f.::iI;~~N~~':~. Jujy Fruits at tbe screen (hoping, of coune. they lamented in vain. The obsequiousness bas Iy, on a Saturday afternoon. • ~. " ..... _ ....., .....t;:; ••!:f.;~ .. :..... itit"'i!fXD.~.~ d stick)..,'lQld booted derisively persisted .. ..•... A.'·...... •.'.'.... ttoms ~of the empty boxes. we EuropetoW.~ll$to.and.~~ pe~i~t~}On~.~"!'~~ .., if?:.L~S.=-,!,;.f;;; .. ";~;> .~:~. •. ~"i~..,,:~"'~ ~ may not bave been a sqpbisticated audience, Tbe second reason was botb more intense but we were a tough _ And we did bave our and more epbemeral- tbe political self-hatred standards. rife in tbe sixties and the seventies. For instance, These standards would go unexamined and at a 1969 screening of tbe film "Z", Costa­ uncballenged for about a. decade, tbat is until Gavras' popular but empty-beaded parable WESTPORT I took my first official college course on tbe about fascist (read America), my au­ 4128 Broadway movies, or sbould I say "f11m~' For my teacbers dience violently booed an innocuous Kansas City, MO 64111 would not even discuss "movies~' To' tbem, travelogue on Buscb Gardens for its innocent (816)561-1580 "movies" were implicitly too big, too vulgar, implication tbat the USA was a swell place to too popular, too colorful, and mucb too live. on anotber occasion; I watched in awe American .. No, tbey preferred "films;' whicb (borror?) as an academic audience cheered a LO were implicitly small, black and white, esoteric, small film tbat compared Tbe Ellis Island ex­ avant· garde LAWRENCE and very European. perience to Auscbwitz. The political-cultural 844 Massachusetts I generalize very little bere. Tbe attitude I enyironment was truly this distorted! Needless Lawrence, KS 66044 describe above was pervasive. I t dominated to say, tbese audiences were not about to ap­ (913) 749-4211 almost all academic discussion of tbe film dur­ plaud a f11m in whicb Jobn Wayne sbot Indians ing tbe 19608 and early 1970s. Its propogators - no matter wbo made it. eitber actively disliked tbe American movie, But, bappily, tbings began to cbange in tbe SOUTH KC were totally ignorant of it, or botb. I recall one '70s. And tbere is an irony at work bere too. 1201 W. 103rd University film teacber wbo could not Young directors - like Lucas, Coppola, Kansas City, MO 64114 distinguish between Clark Gable and cary Spielberg and Cimino - wbo bad learned tbat (816) 941-3970 Grant. The similarity of names confused him. auteur tbeory in tbe academic environment of Worse, be was not at all disturbed by tbis con­ the sixties, began to apply it to tbe kind of fusion. After all, what could Clark Gable or films tbey bad grown up on in tbe '50s. Cary Grant bave to do with "mm" - its Hollywood films. Big, colorful, action packed OVERLAND PARK Ihe only cool salon in north kansas cily tecbniques, its psycbology, its bistory? From films, films filled with good guys, bad guys, 9641 W. 87th bis perspective, Gable and Grant weren't even Overland Park, KS 66212 great actors like, say, Olivier. In fact, tbey The Classic Cup (913) 341-5255 weren't really actors at all. Tbey were "per­ 221-9590 sonalities:' "Hollywood personalities!' And rest JUST 5 MINUTES FROM DOWNTOWN assured, to an American "devotee" of "film;' take 1'35 north across the PASEO tCl Records • Cassettes there was not more severe a pejorative tban the ARMOUR RD. WEST exit. to ...... Compact Discs • Videos "Hollywood~' . There is, bowever, an irony at work here. The 407 ARMOUR American "film" community bad long since turned to Europe, in particular tbe Cahiers due Cinema crowd --:- 1fuffaut, Godard, Rohmer and otber heavyweights wbo were critiquing film long before tbey started directing - for ••••••••••••• MAY • KC Pitch 3 €JN SAI..E DURING MAYI Record. Tape. Compact Disc NeW's Excellence In New Accoustic Music I nto the new age fray: ed from the beginning, not only by excellent musicianship, but also for the exciting com­ Global Pacific and the positions and that blend both musical modalities and instrumentation from next wave around the world. Don't look now, but new-age music is near­ From 1980 to the present, Global Pacific has ly 10 years old and shows no signs of produced a series of multi-media concerts in diminishing in popularity. In the past decade, Hawaii that combine the label's acts with well­ this musical style has become one of the major known visual artists and leading dancers. The movements in modern music. Despite label is now eyeing an expansion of similar numerous critical knocks ("Muzak for the tours on an international level. '80s;' "Chewing gum for the ears"), the new­ "In the future we'll be exploring world beat age scene has become a true entertainment and world-fusion music as well as the very ac­ force to be reckoned with. Call it what you will cessible "acous-tech" sobnds. That's high-tech - new age, environmental, new acoustic, space synthesizers mixed with various acoustic in­ music - this art form has everything popular struments:' explains Global Pacific co-founder music has, including superstars, fan clubs, Howard Sapper. "I also see vocals becoming magazines, sold out concerts and enthusiastic a more prevalent part of new-age music. fans - not to mention hefty record sales. New "Barriers are breaking down. We are seeing age is here to stay. the mainstream joining with the avant-garde. Enter the Sonoma-based label Global More and more major artists are flocking to Renegade Productions presents Pacific. Founded in 1979 in a small cabin at new-age music because of the opportunities to Narada Recording Artists the base of Mt. Mauna Kea on the island of make unique musical statements that are be­ Hawaii, Global Pacific has, grown to become ing heard by increasingly larger number of Eric Tingstad • Nancv Rumbel • Davi,~ I anz people. -gultar- -woo8winds- "'!I.eY5oards- one of the most important distributors of this musical form. The label's style is, as is the case "In 1978, when we were getting ready to start FollyTheatre - frjdgy May 29,8:00 p.m. with the majority of new age sounds. largely the label to explore this new musiC;' Sapper liberty Hall- Lawrence, KS, Saturday May 30,8:00 p.m. instrumental, with a blending of jazz, folk and continues, "people laughed at us when we sai