A Teachers' Guide for the Exhibition
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Birmingham Science Fiction Group Newsletter
(Honorary Presidents: Brian W. Aldiss Birmingham and Harry Harrison) Science Fiction Group NEWSLETTER 139 MARCH 1983 The Birmingham Science Fiction Group has its formal meeting on the third Friday of each month in the upstairs room of the IVY BUSH pub on the cor ner of Hagley Road and Monument Road, Edgbaston, Birmingham 16. There is also an informal meeting on the first Tuesday of each month at THE OLD ROYAL pub, on the corner of Church Street and Cornwall Street, Birmingham 3, (Church Street is off Colmore Row.) New members are always welcome. Our treasurer is Margaret Thorpe, 36 Twyford Road, Ward End, Birmingham 8. The 12-months subscription is £3.50. MARCH MEETING - Friday 18th March at 7.45 pm. "Through Time and Space With " Pete Weston will lead a discussion (with slides) exploring SF, past, present and future. He would like this meeting to be one of active participation by the members, putting forward their views about authors and SF. Afterwards, interested members are invited to go for a late night meal together. Admission this month: members 30p, non-members 60p. FEBRUARY MEETING John Sladek is an entertaining writer who read us a hilarious short story full of black humour. He answered questions about his career and revealed that he prefers his books to be published first in paperback so that they reach the readership instead of collecting dust on library shelves, as he feels his duty is to entertain. Afterwards by Dean Bisseker. Those of you who did not come missed a great rounding off to the evening. -
LOTR and Beowulf: I Need a Hero
Jestice/English 4 Lord of the Rings and Beowulf: I need a hero! (100 points) Directions: 1. On your own paper, and as you watch the selected scenes, answer the following questions by comparing and contrasting the heroism of Frodo Baggins to that of Beowulf. (The scene numbers are from the extended version; however, the scene titles are consistent with the regular edition.) 2. Use short answer but complete sentences. Fellowship of the Ring Scene 10: The Shadow of the Past Gandalf already has shown Frodo the One Ring and has told Frodo he must keep it hidden and safe. Frodo obliges. But when Gandalf tells him the story of the ring and that Frodo must take it out of the Shire, Frodo’s reaction is different. 1. Explain why Frodo reacts the way he does. Is this behavior fitting for a hero? Why or why not? Is Frodo a hero at this point of the story? 2. How does this differ from Beowulf’s call to adventure? Scene 27: The Council of Elrond Leaders from across Middle Earth have gathered in the Elvish capital of Rivendell to discuss the fate of the One Ring. Frodo has taken the ring to Rivendell for safekeeping. Having already tried unsuccessfully to destroy the ring, the leaders argue about who should take it to be consumed in the fires of Mordor. Frodo steps forward and accepts the challenge. 1. Frodo’s physical stature makes this journey seem impossible. What kinds of traits apparent so far in the story will help him overcome this deficiency? 2. -
The Roots of Middle-Earth: William Morris's Influence Upon J. R. R. Tolkien
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2007 The Roots of Middle-Earth: William Morris's Influence upon J. R. R. Tolkien Kelvin Lee Massey University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Literature in English, British Isles Commons Recommended Citation Massey, Kelvin Lee, "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " PhD diss., University of Tennessee, 2007. https://trace.tennessee.edu/utk_graddiss/238 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in English. David F. Goslee, Major Professor We have read this dissertation and recommend its acceptance: Thomas Heffernan, Michael Lofaro, Robert Bast Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled “The Roots of Middle-earth: William Morris’s Influence upon J. -
The Comforts: the Image of Home in <I>The Hobbit</I>
Volume 14 Number 1 Article 6 Fall 10-15-1987 All the Comforts: The Image of Home in The Hobbit & The Lord of the Rings Wayne G. Hammond Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Hammond, Wayne G. (1987) "All the Comforts: The Image of Home in The Hobbit & The Lord of the Rings," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 14 : No. 1 , Article 6. Available at: https://dc.swosu.edu/mythlore/vol14/iss1/6 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Examines the importance of home, especially the Shire, as metaphor in The Hobbit and The Lord of the Rings. Relates it to the importance of change vs. permanence as a recurring theme in both works. -
Collecting Tolkieniana at the Marquette University Archives
[Slide 1] Title—One Fandom to Rule Them All: Collecting Tolkieniana at the Marquette University Archives. [Slide 2] Marquette University here in Milwaukee has a student population of roughly 8,000 undergraduates and 3,000 graduate students. Our Department of Special Collections and University Archives stands on three pillars: University Records, rare books, and manuscript collections. All three come together to form our department. [Slide 3] Among our manuscript collections, arguably the most notable is the J. R. R. Tolkien Collection. At the heart of this collection are the manuscripts that Marquette purchased from Professor Tolkien in 1957, some of which came into Marquette’s possession around that time; others arrived much later, sent by Tolkien’s son and literary executor, Christopher. This remarkably comprehensive collection of manuscripts documents the creation of four of Tolkien’s imaginary works: in order of their publication, The Hobbit, Farmer Giles of Ham, The Lord of the Rings, and Mr. Bliss. A question cries out here for an answer: Why is this collection at Marquette University? [Slide 4] The 30-seconds sound bite answer is because of the vision of this man – William B. Ready, pictured here in front of the then brand new Memorial Library on Marquette’s campus. In 1956 Marquette hired Ready from Stanford to be its library director and to stock this new library with books and manuscripts. Ready identified Tolkien as somebody whose manuscripts he wanted. He asked Tolkien if he would consider selling them to Marquette. Tolkien agreed. The sale was made. That’s it in a nutshell. -
Tolkien's Creative Technique: <I>Beowulf</I> and <I>The Hobbit</I>
Volume 15 Number 3 Article 1 Spring 3-15-1989 Tolkien's Creative Technique: Beowulf and The Hobbit Bonniejean Christensen Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Christensen, Bonniejean (1989) "Tolkien's Creative Technique: Beowulf and The Hobbit," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 15 : No. 3 , Article 1. Available at: https://dc.swosu.edu/mythlore/vol15/iss3/1 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Asserts that “The Hobbit, differing greatly in tone, is nonetheless a retelling of the incidents that comprise the plot and the digressions in both parts of Beowulf.” However, his retelling is from a Christian point of view. Additional Keywords Beowulf—Influence on The Hobbit; olkien,T J.R.R. -
Small Renaissances Engendered in JRR Tolkien's Legendarium
Eastern Michigan University DigitalCommons@EMU Senior Honors Theses Honors College 2017 'A Merrier World:' Small Renaissances Engendered in J. R. R. Tolkien's Legendarium Dominic DiCarlo Meo Follow this and additional works at: http://commons.emich.edu/honors Part of the Children's and Young Adult Literature Commons Recommended Citation Meo, Dominic DiCarlo, "'A Merrier World:' Small Renaissances Engendered in J. R. R. Tolkien's Legendarium" (2017). Senior Honors Theses. 555. http://commons.emich.edu/honors/555 This Open Access Senior Honors Thesis is brought to you for free and open access by the Honors College at DigitalCommons@EMU. It has been accepted for inclusion in Senior Honors Theses by an authorized administrator of DigitalCommons@EMU. For more information, please contact lib- [email protected]. 'A Merrier World:' Small Renaissances Engendered in J. R. R. Tolkien's Legendarium Abstract After surviving the trenches of World War I when many of his friends did not, Tolkien continued as the rest of the world did: moving, growing, and developing, putting the darkness of war behind. He had children, taught at the collegiate level, wrote, researched. Then another Great War knocked on the global door. His sons marched off, and Britain was again consumed. The "War to End All Wars" was repeating itself and nothing was for certain. In such extended dark times, J. R. R. Tolkien drew on what he knew-language, philology, myth, and human rights-peering back in history to the mythologies and legends of old while igniting small movements in modern thought. Arthurian, Beowulfian, African, and Egyptian myths all formed a bedrock for his Legendarium, and fantasy-fiction as we now know it was rejuvenated.Just like the artists, authors, and thinkers from the Late Medieval period, Tolkien summoned old thoughts to craft new creations that would cement themselves in history forever. -
Gandalf: One Wizard to Lead Them, One to Find Them, One to Bring Them And, Despite the Darkness, Unite Them
Mythmoot III: Ever On Proceedings of the 3rd Mythgard Institute Mythmoot BWI Marriott, Linthicum, Maryland January 10-11, 2015 Gandalf: One Wizard to lead them, one to find them, one to bring them and, despite the darkness, unite them. Alex Gunn Middle Earth is a wonderful but strangely familiar place. The Hobbits, Elves, Men and other peoples who live in caves, forests, mountain ranges and stone cities, are all combined by Tolkien to create a fantasy world which is full of wonder, beauty and magic. However, looking past these fantastical elements, we can see that Middle Earth has many similarities to the society in which we live. The different races of Middle Earth have distinct and deep differences and often keep themselves separate from one another because of mutual distrust or dislike. Due to these divisions, only one person, one who does not belong to any particular race or people, can unite them for the coming war: Gandalf the Wizard who embodies the qualities needed to be an effective leader in our world. As Sue Kim points out in her book Beyond black and White: Race and Postmodernism in Lord of the Rings, Tolkien himself declared that, “the desire to converse with other living things is one of the great allurements of fantasy” (Kim 555). Given this belief, it is no surprise that Tolkien,‘fills his imagined worlds with a plethora of intelligent non human races and exotic ethnicities, all changing over time: Elves, Dwarves, Men, Hobbits, Ents, Trolls, Orcs, Wild Men, talking beasts and embodied spirits’ (Kim 555). This plethora, as Kim puts it, makes Gandalf an important literary tool for Tolkien because to believe that such a varied mix of people, creatures, races and ethnicities live in complete harmony would feel false and perhaps too convenient. -
TOLKIEN‟S the SILMARILLION: a REEXAMINATION of PROVIDENCE by David C. Powell a Thesis Submitted to the Faculty of the Dorothy
TOLKIEN‟S THE SILMARILLION: A REEXAMINATION OF PROVIDENCE by David C. Powell A Thesis Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, Florida August 2009 Copyright by David C. Powell ii ABSTRACT Author: David C. Powell Title: Tolkien‟s The Silmarillion: A Reexamination of Providence Institution: Florida Atlantic University Thesis Advisor: Dr. Thomas Martin Degree Master of Arts Year 2009 Christian providence in the primary (real) world operates as the model for the spiritual movement of Eru/Illuvatar in Tolkien‟s secondary (imaginative) world. Paralleling the Christian God, Illuvatar maintains a relationship with his creation through a three-fold activity: preservation, concurrence, and government. Preservation affirms Eru‟s sovereignty as Creator, and concurrence guarantees creaturely freedom, while paradoxically, government controls, guides, and determines those wills in Time. The union of these three activities comprises the providential relationship of Illuvatar in Tolkien‟s imaginary world. The following thesis endeavors to carry the argument for providence into The Silmarillion with a declarative and analytical detail that distinguishes Illuvatar‟s providence from other temporal manifestations. Finally, the analysis reveals not only the author‟s authentic orthodox perspective, but Illuvatar‟s role in the imaginative world emerges as a reflection of Tolkien‟s authorial role in the real world. iv TOLKIEN‟S THE SILMARILLION: A REEXAMINATION OF PROVIDENCE ABBREVIATIONS . .vi INTRODUCTION . 1 CHAPTER ONE: PRESERVATION . 7 CHAPTER TWO: CONCURRENCE . 17 CHAPTER THREE: GOVERNMENT . 50 WORKS CITED . 66 NOTES . .71 v ABBREVIATIONS Aspects “Aspects of the Fall in The Silmarillion.” Eric Schweicher. -
Minas Tirith Evening-Star Journal of The
ISSN 1063 -0848 Autumn 2017 page 1 Volume 43, Number 2 Autumn 2017 page 2 Minas Tirith Evening -Star Journal of the American TolkienTolkien™ Society Volume 43, Number 2 Autumn 2017 Table of Contents Hugo’s Bookshelf ............................................................... page 3 An American Tolkien Society News and Review Feature Philip W. Helms Fiftieth Anniversary of Minas Tirith Evening -Star ........ page 10 Philip W. Helms A Short History of Minas Tirith Evening -Star ................ page 12 Philip W. Helms In the Hall of Fire .............................................................. page 14 Poetry by Robert Wooten, Matthew Anish and Justin Jay Lorince Front Cover by Lotho Sackville -Baggins (Daniel Smith) Minas Tirith Evening -Star: Journal of the American Tolkien Society is produced for the American Tolkien Society by WereWolf Publications and is available to all without further charge on our website. We will no longer publish in hardcopy. ATS annual dues are $5.00 US. Potential contributors, send self -addressed, stamped envelope for guidelines or refer to guidelines on our website. TOLKIEN is a trade mark of The J R R Tolkien Estate Limited and is used with kind permission. American Tolkien Society Amalie A. Helms P.O. Box 97 Executive Director and Editor Highland MI 48357 -0097 Philip W. Helms, Editor Emeritus http://www.americantolkiensociety.org © Copyright the American Tolkien Society, 2017 ISSN 1063 -0848 Autumn 2017 page 3 Hugo’s Bookshelf An American TolkienTolkien™ Society News and Review Feature edited and selected by Philip W. Helms Beren and Lúthien J.R.R. Tolkien Edited by Christopher Tolkien Illustrated by Alan Lee Houghton Mifflin Harcourt ISBN 978 -1-328 -79182 -5 Hardcover, 288 pages, $30.00 US In his Preface to this volume, Christopher Tolkien succinctly points out, “On the one hand I have tried to separate the story of Beren and Tinúviel (Lúthien) so that it stands alone, so far as that can be done (in my opinion) without distortion. -
The Implied Reader and the Recovery of Childhood: a Study of J.R.R
American University in Cairo AUC Knowledge Fountain Theses and Dissertations 2-1-2019 The Implied Reader and the Recovery of Childhood: A Study of J.R.R. Tolkien’s The Hobbit Georgette Talaat Rizk Follow this and additional works at: https://fount.aucegypt.edu/etds Recommended Citation APA Citation Rizk, G. (2019).The Implied Reader and the Recovery of Childhood: A Study of J.R.R. Tolkien’s The Hobbit [Master’s thesis, the American University in Cairo]. AUC Knowledge Fountain. https://fount.aucegypt.edu/etds/734 MLA Citation Rizk, Georgette Talaat. The Implied Reader and the Recovery of Childhood: A Study of J.R.R. Tolkien’s The Hobbit. 2019. American University in Cairo, Master's thesis. AUC Knowledge Fountain. https://fount.aucegypt.edu/etds/734 This Thesis is brought to you for free and open access by AUC Knowledge Fountain. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of AUC Knowledge Fountain. For more information, please contact [email protected]. The American University in Cairo School of Humanities and Social Sciences The Implied Reader and the Recovery of Childhood: A Study of J.R.R. Tolkien’s The Hobbit A Thesis Submitted to the Department of English and Comparative Literature In Partial Fulfillment of the Requirements For the Degree of Master of Arts Georgette Rizk Under the supervision of Dr. William Melaney October 2018 The American University in Cairo The Implied Reader and the Recovery of Childhood: A Study of J.R.R. Tolkien’s The Hobbit A Thesis Submitted by Georgette Rizk To the Department of English and Comparative Literature October 2018 In partial fulfillment of the requirements for The degree of Master of Arts Has been approved by Dr. -
The Two Epiphanies of Bonnie Eskenazi Clients Compare the Entertainment Attorney to Evander Holyfield and the T-1000
The Two Epiphanies of Bonnie Eskenazi Clients compare the entertainment attorney to Evander Holyfield and the T-1000 BY JUDD SPICER PHOTOGRAPHY BY DUSTIN SNIPES Her dream was the stage. As a teenager, Bonnie Eskenazi trained as a coloratura soprano and studied theater at The American Academy of Dramatic Arts in New York. She loved all of it. But while preparing for college, she had an epiphany. “Going out on auditions and climbing that ladder of competition against people who are really good, I realized that I just wasn’t good enough to make a living in the theater,” says Eskenazi from her Los Angeles office, which overlooks the Avenue of the Stars and one of the two Los Angeles Country Club golf courses. She adds, “But I was a decent student and thought, ‘Well, I really like the study of politics and law, the study of government structures and history,’ so I went in that direction.” At Stanford Law School, she found herself gravitating toward entertainment law; and once she began to practice, she had another epiphany: It turns out the new passion wasn’t that far removed from the old. “As a trial lawyer, you’re really putting on a show,” she says. “You are the director, you are the screenwriter, you do all the special effects. You get to act in it and you really produce a show. It really did marry a lot of my interests.” Now a top entertainment lawyer with Greenberg Glusker in Los Angeles, Eskenazi’s client roster has included Marvel Entertainment, Paramount Pictures, DreamWorks, the Tolkien estate, and classical artists Renée Fleming, Joshua Bell and Itzhak Perlman.