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St. Paul's Episcopal Church 6050 North Meridian Street - Indianapolis, IN 46208 • 317.253.1277 • www.stpaulsindy.org For the past thirty four years, St. Paul's Episcopal Church has become a hospitable place where the human spirit speaks through the arts. St. Paul's Music, a self-supporting 501(c)(3) not for profit organization, has a three-fold purpose. First, the organization supports mission projects such as recordings and tours. Second, St. Paul's Music supports the Choral Scholar Program of St. Paul's Choir School that underwrites private music lessons to deserving youth. Third, the organization continues to feature choral masterworks performed by St. Paul's Choir with orchestra, as well as professional artists from the Indianapolis area and around the world. St. Paul's Music is an organization dedicated to sharing the arts with all people in our community.

St. Paul's Music and Indianapolis Early Music present

Director: Peter Phillips

Monday at 7:30 p.m. March 18, 2013

Soprano Tenor Janet Coxwell Chris Watson Amy Haworth George Pooley Ruth Provost Amanda Morrison Bass Alto Rob Macdonald Patrick Craig Tim Whiteley Caroline Trevor

Magnificat for double choir Giovani Pierluigi da Palestrina Magnificat anima mea Dominum. (1525-1594) Et exultavit spiritus meus in Deo salutari meo. Quia respexit humilitatem ancillae suae: Ecce enim ex hoc beatam me dicent omnes generationes. Quia fecit mihi magna qui potens est: et sanctum nomens eius. Et misericordia eius a progenie in progenie timentibus eum. Fecit potentiam in brachio suo: dispersit superbos mente cordis sui. Deposuit potentes de sede; et exeltavit humiles. Esurientes implevit bonis: et divites dimisit inanes. Suscepit Israel, puerum suum, recordatus misericordiae suae. Sicit locutus est ad patres nostros, Abraham et semini eius in saecula. Gloria Patri, et Filio, et Spiritui Sancto. Sicut erat in principio, et nunc, et semper, et in saecula saeculorum. Amen.

My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour. For he hath regarded: the lowliness of his handmaiden. For behold, from henceforth: all generations shall call me blessed. For he that is mighty hath magnified me: and holy is his Name. And his mercy is on them that fear him: throughout all generations. He hath showed strength with his arm: he hath scattered the proud in the imagination of their hearts. He hath put down the mighty from their seat: and hath exalted the humble and meek. He hath filled the hungry with good things: and the rich he hath sent empty away. He remembering his mercy hath holpen his servant Israel: as he promised to our forefathers, Abraham and his seed, forever. Glory be to the Father, and to the Son, and to the Holy Ghost; As it was in the beginning, is now, and ever shall be, world without end. Amen. Magnificat Arvo Part Magnificat anima mea Dominum. (b.1935) Et exultavit spiritus meus in Deo salutari meo. Quia respexit humilitatem ancillae suae: Ecce enim ex hoc beatam me dicent omnes generationes. Quia fecit mihi magna qui potens est: et sanctum nomens eius. Et misericordia eius a progenie in progenie timentibus eum. Fecit potentiam in brachio suo: dispersit superbos mente cordis sui. Deposuit potentes de sede; et exeltavit humiles. Esurientes implevit bonis: et divites dimisit inanes. Suscepit Israel, puerum suum, recordatus misericordiae suae. Sicit locutus est ad patres nostros, Abraham et semini eius in saecula. Magnificat anima mea Dominum.

The Lamb John Tavener Little Lamb, who made thee? Little Lamb, I'll tell thee, (b.1944) Dost thou know who made thee? Little Lamb, I'll tell thee; Gave thee life, and bid thee feed He is called by thy name, By the stream and o'er the mead; For he calls himself a Lamb. Gave thee clothing of delight He is meek and he is mild; Softest clothing, woolly, bright; He became a little child. Gave thee such a tender voice, I, a child, and thou a lamb, Making all the vales rejoice? We are called by his name. Little Lamb, who made thee? Little Lamb, God bless thee! Dost thou know who made thee? Little Lamb, God bless thee!

As One Who Has Slept John Tavener As one who has slept, (b. 1944) the Lord has risen, and rising He has saved us. Alleluia.

Quemadmodum John Taverner (1495-1545) Quemadmodum desiderat cervus ad fontes aquarum: Like as the hart desireth the waterbrooks: ita desiderat anima mea ad te Deus. so longeth my soul after thee, 0 God. Sitivit anima ad Deum fortem vivum: My soul is athirst for God, yea, even the living God: quando veniam et apparebo ante faciem Dei? when shall I come before the presence of God? Mater Christi John Taverner (1495-1545) Mater Christi sanctissima, Virgo sacrata Maria, tuis orationibus benignum redde Filium, unica spes nostra Maria; nam precibus nitentes tuis rogare audemus Filium. Ergo, Fili, decus Patris, Jesu, fons fecundissime a quo vivae fluunt aquae rigantes fida pectora, 0 Jesu, vitalis cibus te pure manducantibus, salutari potu et cibo pavisti nostra corpora. Tua pasce animam gratia; tibi consecratos Spiritu tuo fove munere. Quin et nostras, Jesu bone, mentes illustra gratia, et nos pie fac vivere ut dulci ambrosia tuo vescamur in palatio. Amen.

Most holy Mother of Christ, blessed Virgin Mary, through you prayers move your Son to kindness, Mary, our only hope, for, depending on your prayers, we dare to entreat your Son. Therefore O Son, the Father's glory, Jesus, most plenteous fountain from which flow living waters refreshing the hearts of the faithful, 0 Jesus, food of life for those who purely feed on you, you have nourished our bodies with the food and drink that brings salvation. Nourish the soul with your grace, support with your gift those who are consecrated to you by the Spirit. Even more, good Jesus, illuminate our minds with grace, and make us live so piously that we may feast upon the sweet food of heaven in your palace. Amen.

Miserere Gregorio Allegri Miserere mei Deus, Have mercy upon me, O God, (1582 - 1652) secundum magnam misericordiam tuam. according to your great mercy Et secundum multitudinem and according to the abundance miserationum tuarum dele iniquitatem meam. of your compassion blot out my transgressions. Amplius lava me ab iniquitate mea Wash me thoroughly from my iniquity et a peccato meo munda me. and cleanse me from my sin. Quoniam iniquitatem meam ego cognosco For I acknowledge my offence et peccatum meum contra me est semper. and my sin is ever before me.

Tibi soli peccavi Against you only have I sinned, et malum coram te feci, and done what is evil in your sight ut justificeris in sermonibus tuis that you may be justified in your sentence et vincas cum judicaris. and vindicated when you judge. Ecce enim in iniquitatibus conceptus sum Behold, in guilt was I conceived et in peccatis concepit me mater mea. and in sin did my mother conceive me. Ecce enim veritatem dilexisti: Behold, your delight in sincerity of heart incerta et occulta sapientiae tuae and in my inmost being manifestasti mihi. you teach me wisdom. Asperges me hyssopo et mundabor; Cleanse me with hyssop and I shall be purified; lavabis me et super nivem dealbabor. wash me and I shall be whiter than snow.

Auditui meo dabis gaudium et laetitiam Let me hear the sounds of joy and gladness; et exsultabunt ossa humiliata. the bones which you have crushed shall rejoice. Averte faciem tuam a peccatis meis Avert your face from my sins, et omnes iniquitates meas dele. and blot out all my iniquity. Cor mundum crea in me, Deus, Create in me a clean heart, O God, et spiritum rectum innova in visceribus meis. And renew in me a righteous spirit. Ne projicias me a facie tua, Cast me not out from your presence, et spiritum sanctum tuum ne auferas a me. and take not your Holy Spirit from me.

Redde mihi laetitiam salutaris tui Give me the joy of your salvation et spiritu principali confirma me. and sustain in me a willing spirit. Docebo iniquos vias tuas I shall teach transgressors your ways, et impii ad te convertentur. and sinners shall return to you. Libera me de sanguinibus, Deliver me from blood-guiltiness, Deus, Deus salutis meae, O God, God of my salvation, et exsultabit lingua mea justitiam tuam. and my tongue shall exalt your justice. Domine labia mea aperies, 0 Lord, open my lips, et os meum annuntiabit laudem tuam. and my mouth shall proclaim your praise.

Quoniam si voluisses sacrificium For you are not pleased with sacrifices, else would I give dedissem utique; holocaustis non delectaberis. them to you; neither do you delight in burnt offerings. Sacrificium Deo spiritus contribulatus: The sacrifice of God is a contrite heart: cor contritum et humiliatum, a broken and contrite heart, Deus, non despicies. O God, you will not despise.

Benigne fac, Domine, Be favourable and gracious, in bona voluntate tua Sion, unto Sion, O Lord, ut aedificentur muri Jerusalem. build again the walls of Jerusalem. Tunc acceptabis sacrificium iustitiae, Then you shall be pleased with the sacrifice of oblationes, et holocausta: righteousness oblations and burnt offerings; tunc imponent super altare tuum vitulos. they shall offer young bulls upon your altar.

Sainte-Chapelle Eric Whitacre Castissima virgo An innocent girl (b. 1970) Advenit in capellam; Entered the chapel Et angeli in vitro And the angels in the glass Molliter cantaverunt, Softly sang,

"Hosanna in excelsis! "Hosanna in the highest!"

Ilia castissima The innocent girl Susurravit, Whispered,

"Sanctus! Sanctus! Sanctus!" "Holy! Holy! Holy!"

Lux implevit spatium, Light filled the chamber, Multiformis colore; Many-colored light; Et audivit vocem suam She heard her voice Resonare, Echo,

"Sanctus! Sanctus! Sanctus!" "Holy! Holy! Holy!"

Molliter angeli cantaverunt, Softly the angels sang

"Dominus Deus sabaoth, "Lord God of Hosts, Pleni sunt coeli et terra Heaven and earth are full Gloria tua! Of your glory! Hosanna in excelsis! Hosanna in the highest! Hosanna in excelsis!" Hosanna in the highest!"

Vox in lumen se transformat, Her voice becomes light, Et lumen canit, And the light sings,

"Sanctus! Sanctus! Sanctus!" "Holy! Holy! Holy!"

Lumen canit molliter, The light sings softly,

"Dominus Deus sabaoth, "Lord God of Hosts, Pleni sunt coeli et terra Heaven and earth are full Gloria tua!" Of your glory!"

Castissima virgo An innocent girl Advenit in capellam; Entered the chapel Et angeli in vitro And the angels in the glass Molliter cantaverunt. Softly sang. Nunc Dimittis Arvo Part Nunc dimittis servum tuum, Domine, secundum verbum tuum in pace: (b.1935) Quia viderunt oculi mei salutare tuum Quod parasti ante faciem omnium populorum: Lumen ad revelationem gentium, et gloriam plebis tuae Israel. Gloria Patri, et Filio, et Spiritui Sancto: Sicut erat in principio, et nunc, et semper, et in saecula saeculorum. Amen.

Lord, now lettest thou thy servant depart in peace: according to thy word. For mine eyes have seen: thy salvation, Which thou hast prepared: before the face of all people; To be a light to lighten the Gentiles: and to be the glory of thy people Israel. Glory be to the Father, and to the Son: and to the Holy Ghost; As it was in the beginning, is now, and ever shall be: world without end. Amen

Nunc Dimittis for double choir Giovani Pierluigi da Palestrina Nunc dimittis servum tuum, Domine, secundum verbum tuum in pace: (1525 -1594) Quia viderunt oculi mei salutare tuum Quod parasti ante faciem omnium populorum: Lumen ad revelationem gentium, et gloriam plebis tuae Israel.

Gloria Patri, et Filio, et Spiritui Sancto: Sicut erat in principio, et nunc, et semper, et in sascula saeculorum. Amen.

Glory be to the Father, and to the Son: and to the Holy Ghost; As it was in the beginning, is now, and ever shall be: world without end. Amen

Laudate pueri dominum (a 8) Giovani Pierluigi da Palestrina Laudate pueri Dominum: laudate nomen Domini. (1525-1594) Sit nomen Domini benedictum, ex hoc nunc et usque in saeculum. A solis ortu usque ad occasum laudabile nomen Domini. Excelsus super omnes gentes Dominus, super coelos gloria eius. Quis sicut Dominus Deus noster, qui in altis habitat. Et humilia respicit in coelo et in terra. Suscitans a terra inopem, et de stercore erigens pauperem. Ut collocet eum cum principibus, cum principibus populi sui. Qui habitare facit sterilem in domo matrem filiorum laetantem.

Praise, O ye servants of the Lord: praise the name of the Lord. Blessed be the name of the Lord, from this time forth and for evermore. From the rising of the sun unto the going down of the same the Lord's name is to be praised. The Lord is high above all nations, and his glory above the heavens. Who is like unto the Lord our God, who dwelleth on high. Who humbleth himself to behold the things that are in heaven, and in the earth. He raiseth up the poor out of the dust, and lifteth the needy out of the dunghill. That he may set him with princes, even with the princes of his people. He maketh the barren woman to keep house, and to be a joyful mother of children. Program Notes "...the end of all our exploring will be to arrive where we started and know the place for the first time." So writes T.S. Eliot in his Four Quartets, and so it is with tonight's concert. A programme of cycles and circles, of revisions and reinventions, this evening's performance finds history repeating in works from the renaissance and the present day. Setting the music of Palestrina against Part, Taverner against Tavener, exposes the common musical fabric of two ages, exploring the long shadow cast by the polyphonic masters and the values of clarity, expression and drama they share with today's choral composers.

We open with a classic sixteenth century Magnificat from the height of Rome's polyphonic flourishing. Written characteristically for double choir, the punchy, dynamic exchanges of Palestrina's two SATB groups follow the conventions of the composer's later style; each is heard first in antiphonal isolation before coming together climactically in the full eight parts. Unremarkable in its harmony, the piece gains descriptive subtlety and drama through textural manipulation of the vocal forces. The second choir entry, "omnes generationes", for example - the piece's first eight-part section - crowds in unexpectedly upon choir one, joyously enacting the abundant "all generations" described in the text.

Palestrina's Nunc Dimittis employs the same techniques to altogether more contemplative effect. As befits the gentler nature of the text, "Lord, now lettest thou thy servant depart in peace", phrases are longer and more sustained, favouring initially a smooth homophony rather than the rhythmically articulated polyphony of the Magnificat.

In contrast to Palestrina's vivid word-setting, the music of contemporary Estonian composer Arvo Part is stark indeed - an exercise in aural simplicity. Derived, mongrel-like, from his studies of Gregorian chant, renaissance polyphony and Russian Orthodox music, Part's signature technique - a reverberant choral homophony he terms 'tintinnabuli' - places his voices in a constantly shifting yet strangely static harmonic relationship.

Although not originally composed as a set, Part's Canticles work naturally together - a pair of colouristic variations on a spiritual theme. Here in his Magnificat he places a solo soprano voice - less a character than a texture - chanting on a single pitch against a series of homophonic choral ensembles, creating a contemporary take on the renaissance fauxbourdon technique of harmonised chant. The Nunc Dimittis, by contrast, sees Part's voices deployed in rather more flexible units, sustaining by turns a rocking dialogue between upper voices over chanted mens-voice pedal notes, and latterly a denser chorale-like homophony, collapsing ultimately back into the familiar waves of echoing sound for the Gloria.

Another contemporary composer heavily influenced by the music of the Russian Orthodox tradition is John Tavener. Not to be confused with renaissance composer John Taverner (from whom he claims direct descent), Tavener's English origins tell only half the story of his distinctive choral writing, which often takes both text and idiom from the East. The Lamb is a rare exception - an immaculate, organic musical miniature, whose modal harmonies and chant-like refrain hark back to an earlier age, but whose daring concision and chromatic shading epitomise the "new simplicity" of his generation. Although apparently written in a single afternoon, The Lamb represents the peak of the composer's skill, reflecting Blake's multifaceted text in all its artful artlessness.

Written like Allegri's Miserere (heard later tonight) for Easter Week, As One Who Has Slept creates a similarly meditative and timeless atmosphere. Repetition once again is central to the work's impact, using a very gradual shift in dynamics coupled with a series of dramatic key changes to transform the significance of the repeated text. The double-choir format is used rather differently here however, with the second choir sustaining a wordless chordal 'ah' throughout, underpinning but never sharing the melodic movement of the first choir.

The career of John Taverner (c1490-1545) spanned a particularly volatile period of English ecclesiastical history. Political change was mirrored in the swift musical developments of the period, developments that would culminate in the music of Byrd and Tallis. Dating possibly from Taverner's latter years, Quemadmodum is a work of mature skill. Although surviving only in untexted, instrumental sources, the motet's title points us to Psalm 42 "Like as the Hart", whose text has since been editorially added. Although only some five minutes in length, the exquisite ingenuity of the imitative counterpoint, and spacious sonority of the six-part writing give the work a certain grandeur. The psalm-poet yearns after God, and so too do Taverner's rising opening scales, reaching upwards in an impassioned pursuit he sustains all the way through the motet's two sections.

Text is also at the fore in Taverner's Mater Christi Sanctissima - a short, Marian motet possibly intended for use during the Mass. The rather matter-of-fact counterpoint takes heartfelt pause at the first mention of the name "lesu", and voices come together in emphatic chorus for the invocation "nam precibus nitentes". For the most part however Taverner sets his two upper voices in antiphonal opposition to the three lower. But just when we feel as though we have the measure of this motet, the composer produces an unexpectedly lovely "Amen", dominated by the trebles, carrying this musical prayer heavenward.

Of the many settings of Psalm 51 it is Allegri's that casts the longest shadow. Said to date from 1638, the Miserere was the papal choir's greatest musical triumph, its status and mystique heightened out of all proportion by a papal ban preventing any copy from leaving the Sistine Chapel. Composed in traditional fauxbourdon style, it alternates its Holy Week psalm text between a full SSATB choir, a solo SSAB group, and a third ensemble of unison male voices. While all three vocal groups sing what is essentially a harmonised psalm chant, the music of the solo quartet is embellished with melodic ornaments, including the famous top C in the treble part - a nineteenth century addition only adopted as standard as late as the 1930's.

Eric Whitacre says of his new piece - 'I was thrilled and honoured when Peter Philips approached me with an invitation to write a piece in celebration of 40 years of one of the Tallis Scholars. At around the time of the invitation I visited Paris and was captivated by its sheer beauty, and particularly Sainte-Chapelle, the 13th century 'Holy' chapel. Some 6,458 square feet of tall stained glass windows lead relentlessly to an intricate rose window within this mesmerising, Gothic edifice. I turned to my long-time friend, collaborator, poet and historian, Charles Anthony Silvestri to work on the text for the piece, and he crafted the story of an innocent young girl, hearing angels in the stained glass gently singing the 'Sanctus' text.'

We finish, as we began, in 16th-century Rome and the music of Palestrina. The joyous Psalm 112 Laudate Pueri ("Praise the Lord, ye Children") is not entirely typical however. Though written once again for double- choir, Palestrina here rejects antiphonal conventions and instead treats his two choirs as fluid units, dovetailing entries and combining voices from both freely without the customary introductory exchanges. The effect - if less translucent than many polychoral motets - is of far greater fluidity, expressing the text as a single continuous musical gesture of celebration.

Peter Phillips - Director The twelve voices of the Tallis Scholars were ideally focused and blended, and Peter Phillips allowed them to trace long arcs of intensification and resolution. Inspiring and deeply moving.' - The Telegraph, August 2011 following a performance of Victoria's Requiem at the BBC Proms.

The restrained decorations particularly benefited from one of Phillips's special skills: an uncanny ability to increase emotional intensity so subtly that you don't realise it's happening. Then, suddenly, pow! The music's blazing; so are you.' - The Times, October 2011 on The Tallis Scholars' opening performance of the 2011/12 Choral at Cadogan Series.

Peter Phillips has made an impressive if unusual reputation for himself in dedicating his life's work to the research and performance of Renaissance polyphony. Having won a scholarship to Oxford in 1972, Peter Phillips studied Renaissance music with David Wulstan and Denis Arnold, and gained experience in conducting small vocal ensembles, already experimenting with the rarer parts of the repertoire. He founded the Tallis Scholars in 1973, with whom he has now appeared in over 1750 concerts and made over 50 discs, encouraging interest in polyphony all over the world. As a result of his work, through concerts, recordings, magazine awards and publishing editions of the music and writing articles, Renaissance music has come to be accepted for the first time as part of the mainstream classical repertoire.

Apart from the Tallis Scholars, Peter Phillips continues to work with other specialist ensembles. He has appeared with the Collegium Vocale of Ghent and the Netherlands Chamber Choir, and is currently working with the Choeur de Chambre de Namur, Intrada of Moscow, Musica Reservata of Barcelona and the Tudor Choir of Seattle. Peter also works extensively with the BBC Singers with whom he gave a Promenade concert, in collaboration with the Tallis Scholars, from the Royal Albert Hall in July 2007. He gives numerous masterclasses and choral workshops every year around the world - amongst other places in Rimini (Italy), Evora (Portugal) and Barcelona (Spain) - and is also Artistic Director of the Tallis Scholars Summer Schools: annual choral courses based in Uppingham (UK), Seattle (USA) and Sydney (Australia) dedicated to exploring the heritage of renaissance choral music, and developing a performance style appropriate to it as pioneered by The Tallis Scholars.

In addition to conducting, Peter Phillips is well-known as a writer. For 29 years he has contributed a regular music column (as well as one, more briefly, on cricket) to The Spectator. In 1995 he became the owner and Publisher of The Musical Times, the oldest continuously published music journal in the world. His first book, English Sacred Music 1549-1649, was published by Gimell in 1991, while his second, What We Really Do, an unblinking account of what touring is like, alongside insights about the make-up and performance of polyphony, was published in 2003. A revised edition is planned for publication in 2013. Peter Phillips has made numerous television and radio broadcasts. Besides those featuring The Tallis Scholars (which include live broadcasts from the 2001,2003, 2007, 2008 and 2011 Proms, the 2007 Edinburgh Festival, the Aldeburgh Festival and the Bath Festival), he has appeared several times on the BBC's Music Weekly and on the BBC World Service, on Kaleidoscope (BBC Radio 4), on Today (BBC Radio 4), National Public Radio in the US and on German, French and Canadian radio, where he has enjoyed deploying his love of languages. In 1990 ITV's The South Bank Show featured Peter's 'personal odyssey' with the Tallis Scholars; while in 2002 a special television documentary was made for the BBC about the life and times of William Byrd.

Peter has recently been appointed a Reed Rubin Director of Music and Bodley Fellow at Merton College, Oxford, where the new choral foundation he helped to establish began singing services in October 2008. They gave their first live broadcast on BBC Radio Three's Choral Evensong in October 2011. In 2005 Peter Phillips was made a Chevalier de I'Ordre des Arts et des Lettres by the French Minister of Culture, a decoration intended to honour individuals who have contributed to the understanding of French culture in the world.

Peter's personal website is at www.tallisman.wordpress.com

About Tallis Scholars "...The rock stars of Renaissance vocal music. "...an uncanny ability to increase emotional (The New York Times) intensity so subtly that you don't realise it's happening. Then, suddenly, pow! The music's blazing; so are you..." (The Times)

The Tallis Scholars were founded in 1973 by their director, Peter Phillips. Through their recordings and concert performances, they have established themselves as the leading exponents of Renaissance sacred music throughout the world. Peter Phillips has worked with the ensemble to create, through good tuning and blend, the purity and clarity of sound which he feels best serve the Renaissance repertoire, allowing every detail of the musical lines to be heard. It is the resulting beauty of sound for which The Tallis Scholars have become so widely renowned. The Tallis Scholars perform in both sacred and secular venues, giving around 70 concerts each year across the globe Artistic Director giving two performances in the Hall. The group celebrates their 40th anniversary in 2013 with two commissions from Gabriel Jackson and Eric Whitacre, extensive touring and special CD releases. They will also be giving a unique celebratory performance of Tallis' Spem in alium in St Paul's Cathedral, London on 7 March 2013.

The Tallis Scholars' career highlights have included a tour of China in 1999, including two concerts in Beijing; and the privilege of performing in the Sistine Chapel in April 1994 to mark the final stage of the complete restoration of the Michelangelo frescoes, broadcast simultaneously on Italian and Japanese television. The ensemble have commissioned many contemporary composers during their history: in 1998 they celebrated their 25th Anniversary with a special concert in London's National Gallery, premiering a Sir John Tavener work written for the group and narrated by Sting. A further performance was given with Sir Paul McCartney in New York in 2000. The Tallis Scholars are broadcast regularly on radio (including performances from the BBC Proms at the Royal Albert Hall in 2007, 2008 and 2011) and have also been featured on the acclaimed ITV programme The Southbank Show.

Much of The Tallis Scholars reputation for their pioneering work has come from their association with Gimell Records, set up by Peter Phillips and Steve Smith in 1980 solely to record the group. In February 1994 Peter Phillips and The Tallis Scholars performed on the 400th anniversary of the death of Palestrina in the Basilica of Santa Maria Maggiore, Rome, where Palestrina had trained as a choirboy and later worked as Maestro di Cappella. The concerts were recorded by Gimell and are available on both CD and DVD.

Recordings by The Tallis Scholars have attracted many awards throughout the world. In 1987 their recording of Josquin's Missa La sol fa re mi and Missa Pange lingua received GRAMOPHONE magazines Record of the Year award, the first recording of early music ever to win this coveted award. In 1989 the French magazine DIAPASON gave two of its critical Diapason d'Or de I'Annee awards for the recordings of a mass and motets by Lassus and for Josquin's two masses based on the chanson L'Homme arme. Their recording of Palestrina's Missa Assumpta est Maria and Missa Sicut lilium was awarded GRAMOPHONE'S Early Music Award in 1991; they received the 1994 Early Music Award for their recording of music by Cipriano de Rore; and the same distinction again in 2005 for their disc of music by John Browne. Released on the 30th anniversary of Gimell Records in March 2010, The Tallis Scholars' recording of Victoria's Lamentations of Jeremiah received critical acclaim, and to further celebrate the anniversary, the group released three 4 CD box sets of "The Best of The Tallis Scholars", one for each decade. The ongoing project to record Josquin's complete cycle of masses, when completed, will run to 9 discs.

These accolades & achievements are continuing evidence of the exceptionally high standard maintained by The Tallis Scholars, and of their dedication to one of the great repertoires in Western classical music. For the latest opportunities to hear The Tallis Scholars in concert, or for more information on how to purchase CDs or DVDs of the group, please visit their website. www.tallisman.wordpress.com www.thetallisscholars.co.uk www.gimell.com

Future Event at St. Paul's Church March 24, Palm Sunday at 4:00 p.m. The Way of the Cross with Organ Meditations Bruce Neswick, Organist with D. Paul Thomas, narrator Begin your Holy Week with this opportunity to experience the dramatic imagery of Christ's journey to the cross. Readings and poetry of the Passion serve as inspiration for improvised organ meditations to accompany a time of prayer and contemplation. Friends of St. Paul's Music

St. Paul's Music is a self-supporting organization, and is a 501(c)(3) not for profit Tax-exempt Corporation under the umbrella of the Indianapolis Episcopal Diocese. Continuation of concerts depends upon loyal contributors such as those listed below. All contributions are tax-deductible to the extent permitted by law. If you would like to be a contributor or be on our mailing list, please call 253-1277. If you would like to receive notice of events by e-mail, please send your e-mail address to [email protected].

Saints ($1.000 and up) Cherubim ($250 - $499. Cont.) Angels (up to $99). Kate Appel Diana Saltanovitz Armen Avakian Cummings Family Susie & Tom Sams Gail & Ron Bowler Sue Hale Stephen & Linda Segebarth Marian & Stephen Fales Ann Hinson Marsha & Nicholas SerVaas John & Judy Havens, in honor of Gorman R. Jones, III Mary Stanley Marilla Havens Baptism Anniversary Harry Mamlin & Frank Boles Bill & Jan Tindall Joan Henderson John & Lois Pless Marilyn & Ed Vargo Ronald & Elizabeth Jobe Dr. & Mrs. Robert L. Rudesill Ken & Mary Anne Winslow Bill & Susan Johnston The Hon. Mark & Becky Stoner Lorna & David Katz Nancy & Lloyd Utz Archangels ($100 - $249) Mr. & Mrs. George Kimsey Ace & Beth Yakey Tom & Anna Beczkiewicz Marie E. Kingdon Margaret Yergler Sara A. Blakburn Fr. AI&RozMcClure Pamela Coates Joanna & Michael Menke, Mary Davis John Mills Seraphim ($500 - $999) Jan Douglas Jane Nolan Elizabeth A. Anton Pamela Douglas Robert &. Kathryn Riester Gina & Jim Bremner Dick & Evelyn Egan Doug & Cece Rogers John Carvey Bronwen Ferguson Mary Jo Wallace Frank & Pat Hartman Joanna Giesek Col. A. D. Kneessy Judith L. Gustafson Sandi Macdonald C. William Hanke Ruth J. Nelson Steve & Cheri Irmscher Chuck Roemer Annette Johansson St. Paul's Music Foundation Patricia Shea-Carpenter Susan Joiner Cheri & Steve Irmscher In memory of Connie Shea Larry & Joyce Krauser Col. A. D. Kneessy Jim & Cheryl Strain Mrs. & Mrs. Gerry LaFollete, Ruth J. Nelson Carol Wissman & Phyllis Nolen in memory of Ross Kipka, Chuck Roemer Jeffrey Young, in memory of Tom Barnes, and Ed Vargo Melanie & Jack Sokhey Gene Poston Stephen & Candis Lang Katy Mondor Cherubim ($250 - $499) Timothy Needier Simon Atkinson & Joan Duwve Stephen R. Nelson Choral Scholar Scholarships Rick & Carrie Bernhardt Charles & Linda Oehrle One Scholarship given in memory Br. Francis Jonathan Bullock Nalda Powell and honor of many generations of Rusty Broxterman Matt Roesch Carvey family musicians by Carolla Dave & Pam Comer The Rev. & Mrs. Robert A. Schilling J. Carvey, John D. Carvey, and Thomas Gerber Barbara Schubert Virginia J. Chapman Charles Goodlett & Joan Brandt John A. Seest John Herbst Melanie & Jack Sokhey One Scholarship in thanksgiving Liz & John Jenkins Greg & Judy Sutton for the life of Edward G. Vargo, Jane Kenyon & Peter Thuesen Wayne & Karen Turner given by his friends and family. JoAnn & Langdon Kumler John & Elsa VanHekken Gary & Fran Nadzam David A. VanHowe Marion Paris Peter Whitten Steven Pettinga Timothy & Mary Beth Wott Fred & Bev Ruebeck Bernard Wurger

Members of St. Paul's Music Committee: Ann Hinson, Choir, Chuck Roemer, Treasurer, Kate Appel, John Carvey, Jan Douglas, Pam Douglas, Joanna Giesek, Charles Goodlett, Sue Hale, Cheri Irmscher, Susan Joiner, Tracie Lowe, Harry Mamlin, Helen Rudesill, Mark Stoner, Nancy Utz, Frank Boles, ex officio.

Promotions for this concert are thanks in part to WFYI Public Radio, Indianapolis. KFTTJITa

We wish to thank our Corporate Sponsors. Please help us show our appreciation through your patronage. IEM Tributes An event such as the Indianapolis Early Music festival would be impossible without the generous support of many individuals, businesses, and foundations. For your faith in and support of IEM, we sincerely thank you.

Anonymous Gifts - 4 Lucina B. Moxley In memory of Leonard Smith Arts Council of Indianapolis & National Endowment for the Ingrid and David Bellman The City of Indianapolis Arts J. Darrell Baaken Nicholas H. Noyes, Jr., FRANK COOPER Dawn E Baaken Memorial Foundation, Inc. ENDOWMENT GIFTS Jerry D. Badger Andy Palm J. Darrell Baaken Leslie Bartolowits Dorit and Gerald Paul Dawn E. Baaken Ingrid and David Bellman Paul Family Foundation Inc. Suzanne B. Blakeman Suzanne B. Blakeman Penrod Society Gail and Ron Bowler Connie Blood Susan Porter Mark Cudek Ron and Gail Bowler Susan and Glenn Pratt Tom Gerber Dick Brashear and Harriet Ivey Brian and Sabine Quick James and Rosemarie Jeffrey Steve Brockman Stanley Ritchie Mr. and Mrs. Ross A Kipka Marsha and Gregory Brown Neal Rothman Gunter and Ellen Kohlaw Margot Burkes Bob and Rita Schilling Marcia Krieg John and Annette Carr Family Jane and Fred Schlegel Joan and Jordan Leibman Allen Whitehill Clowes Alice and Bob Schloss J. David Litsey DPM Charitable Foundation Inc. J. Henry Schwartz Lucina B. Moxley Mark Cudek Beverly and Sylvia Scott Dorit and Gerald Paul Christel DeHaan Family John A. Seest Andy Palm Foundation Mr. and Mrs. Peter Sehlinger Stanley Ritchie Wendy Enkema Ada Shaum Neal Rothman Sarah Eyerly Patricia Slichenmyer Bob and Rita Schilling Marnie Fechtman Cheryl and Jim Strain Jane and Fred Schlegel Beth Fineberg The Indianapolis Foundation John Seest John and Dawn Fazli Dr. and Mrs. Jay H. Weiss Mr. and Mrs. Peter J. Sehlinger Mr. and Mrs. M. French Mr. and Mrs. Alan Whaley Rosalind Wilgus Dee and David Garrett Roz Wilgus Harriet Wilkins Tom Gerber Harriet Wilkins Mary Anne and Ken Winslow James Glazier Judith and Meredith Wilson Donna Worth Glick Family Foundation Mary Anne and Ken Winslow Sally Zweig Suzanne and John Paul Godich Donna Worth Laurel Goetz Charles Yeager FRANK SPRINGER LEGACY Alexander Gray Sally Zweig FUND James and Rosemary Jeffery Deferred Giving Fund Dorothy Huffman In honor of Gail McDermott- Indiana Arts Commission Bowler We particularly recognize the Regional Arts Partner contribution of the Carr Jackie Kenney In honor of Neal Rothman Family whose gift will ensure Mr and Mrs Ross A Kipka Suzanne Blakeman the success of the Gunter and Ellen Kohlhaw Ron and Gail Bowler Indianapolis Early Music Marcia Krieg Susan and Glen Pratt Festival in perpetuity. Christine Kyprianides G.B. Landrigan MEMORIAL GIFTS Annette and John Carr Joan and Jordan Leibman In memory of Annette Carr Frank Cooper Liberty Fund Suzanne Blakeman Dee and Dave Garrett Lilly Endowment Inc. Gail McDermott-Bowler Lilly Foundation Matching Gift In memory of John Carr Jane and Fred Schlegel Program Suzanne Blakeman J. David Litsey Ron and Gail Bowler Thomas and Flo Mary Mantel Fred and Jane Schlegel Kenneth McCune Welcome to St. Paul's! St. Paul's Choir wants you! Thank you for being our guests today.

\ If you would like to learn more about St. Paul's, you will find information on the welcome table near the church entrance or on our website at www.stpaulsindy.org. Whether you come with faith or doubt, answers or questions, we invite and welcome you to join us.

If you are seeking God, there's a place for you here. May you be filled with ibundant blessings and peace.

The Rev. John E. Denson, Jr., D.Min. Rector St. Paul's Episcopal Church

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************ ********** * * sTsYMP! ORCHESTRA

Winil; rs-'fj! !< u THURSDAY, MAY 30,11AM* FRIDAY, MAY31,8PM SATURDAY, JUNE 1.8PM HILBERT CIRCLE THEATRE Join us for a dynamic all-American program featuring masterworks by Gershwin, plus a world premiere for Time for Three by American composer William Bolcom.

*Kej/$ank Coffee Classical Series - TimeforHiree will not perform. Complimentary coffee and pastfe served.

Tickets from $20. Buy now at lndianapoiisSymphony.org or call 317.639.4300.

LIFE. IT'S BETTER WITH MUSIC.

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iKSSWS: mBmSMi : .; •;;:;;;; ;;.;;;• THE RTOF PERSONAL SERVICE

DOWNTOWN CARMEL 107 North Pennsylvania Street East Carmel Drive Near Keystone Ave.

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KITTLE"" gH ' —mi- MI S_ Ph (317) 396-1026 studio Fax (317) 387-4770 jfcf i P^ter Whitten . Senior Designer Email: [email protected] ' ^ 8600 All^onvilie Road »Indianapolis, IN 46250 P%w 17.84*9.5300 Vox 317.842.3905 VM 31(7,579.7385 exf. 1204 Email pwnitten@klftles»fcofR

ONE-OFA-KIND AND LIMITED EDITION ANTIQUE COIN & RELIGIOUS MEDAL PENDANTS AN EXCITING COMBINATION OF CLASSIC EUROPEAN STYLING MIXED WITH MODERN METALS. TEXTURES. &GEMSTONES

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A rare performance of the complete cycle of Heinrich Biber's Mystery Sonatas for violin performed by an extraordinary line up of musicians One of the most famous women in history is the Virgin Mary, and it is the story of Mary's bravery in the face of adversity that Biber depicts in this sonata cycle. This special concert will benefit Middle Way House, a domestic violence victim services program and rape crisis center. Concurrent with the concert, an exhibit of original works inspired by Biber's music, the person of Mary, and other themes on women will be offered for display and sale by local visual artists.

Soloists Ingrid Matthews, Rachel Barton Pine, Dana Maiben, Julia Wedman, Edith Hines, Gesa Kordes, Janelle Davis, Valerie Gordon, Alice Cuiin-Efson, Valerie Weber Organ and harpsichord: Elisabeth Wright, Janet Scott, Byron Schenkman, Maho Grazzini floss: Wendy Gillespie, Christine Kyprianides, Erica Rubis, Philip Spray, Shelley Taylor Lute: Lyle Nordstrom, David Walker

More information available of www.btemf.org. Call Middle Way House for rickets, (812\ 333-7404.

Tairview United Methodist Church '.S'fc. 600 West 6th St., Bloomington, IN 47404

WWW, Mi-mf.t Performance: 2 pm/ Art exhibit: 1:30 - 6 pm

KUMLER APPRAISALS St. Paul's Choir wants you! Residential/Commercial Taylor C. Kumler RAA GAA Building character Certified General Appraiser "~1 in a caring community

• Intergeneratiorval Choir « Free and open to all 315 N. Senate Avenue 317.955.8790 tei • Choral Scholarships Suite One 317.955.8791 fax Indianapolis, IN 46204 [email protected]

For more information visit stpaulsindy.org/choir.

Contact: Frank — ext 30 fbolesastpaulsindy.org IQII* Larry Krauser |St. Paul's Guild Tested Craftsman Timer since 1977 6050 North Meridian Street Indianapolis, IN 46208 [email protected] 317.253.1277 stpaulsindy.org (317)283-8618 (317) 985-1121 cell Gary A. Lowe, CPSR Associate Sales Producer 11 indianapolis 2012-2013 Adrian T. Smiley Agency • f chamberorchest-ef (CUsh Allstate Insurance Company intimate \gg/ 8280 N, Michigan Road Suite B Caroline Goulding, violin Indianapolis, IN 46268 Spencer Myer Allstate Sat | Sept 29 5:30pm & Steven Stolen Phone 317-228-0707 You're in good hands. Eugene and Marilyn Glick Sat | Feb 16 8:00 pm Fax 317-228-9747 Indiana History Center Athenaeum Theatre [email protected] 24-Hour Customer Service Auto, Home, Business, Life Classically Contemporary Clara-Jumi Kang, violin Sat J OCt 27 8:00 pm . , , s <»»«• « ~> 8:00 pm Christel DeHaan Fine Arts Center Eugene and Marilyn Glick University of Indianapolis Indiana History Center

Alexander Leyvand Handel's Messiah Show People Silent Film with Orchestra Violin Violin Maker - President Sat I Dec 8 7.30 pm Sun [ Dec 9 3:00pm FT! I Apr 19 7:30 pm Tobias Theater Tabernacle Presbyterian Church Shop of looi West Main St Indianapolis Museum of Art Carmel, IN 46032 Old Carmel T: 317.818.2326 Messiah Sing-Along Dudana Mazmanishvili, piano F: 317.814.203g Mon) Dec 10 7:30pm Indiana Landmarks Center TF: 877.291.2464 Howard L. Schrott Center for the Arts Butler University

Tickets: Adults $25, Students $ 12, Show People $30 317-940-9607 or icomusic.org

™~^x. Financial strategies One-on-one advice. Friends of the Family Kelly Hindman, CFP* Financial Advisor 39 West Main Street Carmel, IN 46032 ^ 317-843-2455

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We provide in-home non-medical care for seniors, new moms and post op recuperation Hershbenger Cheri Irmscher VtoHrt Owner/ President Private lessons ages 41/2 through high school Hybrid of traditional pedagogy and Suzuki philosophy Group lessons and masterclasses Phone: 317-775-3333 Performing [email protected] www.fwshbe?fe«ly^»:,£»m * Ka%W#«*t>erpf * Sf7«&&H33' fc*lMN*eniN&e«jmiu

mSm-SMMHmMSmmSg 4913 Pennsylvania St 317.602.8960 June 21 Chatham Baroque presents If Tedesc© delta H Indianapolis, IN 46205 317.431.1950 Cell Tlorba; The music of Giovanni Girolamo Kapsperger studio4 9fitness. com

June 23 Julienne Baird and the Indianapolis Baroque ;:•:':•: Group Fitness • Power Plate Sessions • Personal Training Orchestra - Viva Vlvaidi II IS

June 28 Mr. Jones & the Engines of Destruction present A ballad opera based on the economy featuring soprano Neil Snaidas! June 30 Montreal's ensemble La Nef with tenor ASTEOLUROPE Michael Slattery present Dowland in Dublin IMPORTED - SPECIALTY - FOODS July 12 Wayward Sisters-Winners of the 2011 Early • DELI MEATS • SAUSAGES - BBQ LAMB & PIC - FETA CHEESES K Music America/Naxos recording competition FRESH BAKED SPECIALTIES - PREPARED DINNERS & PARTY TRAYS IMPORTED : COFFEE - CEVAPS - DESSERTS & SWEETS July 14 Flanders Recorder Quartet-the Rolls . "Satisfy Your Semes witft 'Imparted Specialties'' > Royce of recorder consorts! st Tasty Solutions For Home Dining w 4320 West 96th Street Indianapolis, IN 46268 Tel: (317) 334-8797 • Fax: (317) 334-8737 ... • • WE ACCEPT ALL MAJOR CREDIT CARDS

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Seattle University Seattle, WA USA July 20 -27,2013

www.tsss.us

DOUGLAS PENDLETON thewineguy@grape\inecott3ge.com 2013 Theme: Chromatic music in the time of Gesualdo • Choral rehearsals with Peter Phillips • Vocal coaching with Vint Wines • Gourmet Foods • Wine Accessories Tallis Scholar tutors •> Small ensemble singing •> Lectures, workshops, and talks 6i S. Main St. • Zionsville, IN 46077 • (317) 733-1010 •* SHghtlu sung Compline services S902_ E. 96th St. • Fishers, IN 46037 • {317} 288-5316 •ung Eucharist mass at historic Blessed Sacrament Church www .grapevinecottage .com ^'Closing Gala Concert at St. fames Cathedral-Seattle.

HsSfiaflfl : •:•:< •...... •...:..•:...... • •::^v>i^:1:vKv::; Providing a comprehensive musical St. Paul's Choir wants you! education in a nurturing environment for violin, cello, and bass students, ages preschool through high school.

* Professional Instruction * Weekly Private Lessons * Group Lessons * Monthly Recitals * Master Classes

UATTRO NG ACADEMY

Chin Mi Kim, Director For information Call: (317) 513-5414 email: [email protected]

Studio locations in: Carmel, Zionsville and Washington Township (Near Lawrence and Fishers)

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