"JFK" - Production Notes
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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Lawyer Says He Knows the Real 'Clay Bertrand'
'HE NEW Yad'ioli? TIMES, THURSDAY, JUNE 29, 1967 Lawyer Says He Knows the Real 'Clay Bertrand' By GENE ROBERTS ' Mr. Andrews's testimony to a convicted burglar, was being Special to Tee New York Timex the Warren Commission about truthful when he charged re- NEW ORLEANS, June 28- the mysterious "Mr. Bertrand" cently that a member of Mr. A New Orleans lawyer said to- was one of the developments Garrison's staff had asked him day he knows the true identity that led Mr. Garrison to con- to "put something into" Mr. of a mystery figure who has, clude that President Kennedy's Shaw's apartment. played a major role in District death was the result of a con- He said he could not vouch Attorney Jim Garrison's investi- spiracy. for the story "words for word." gation of the Kennedy assassi- Mr. Andrews, a rotund man But, he said, "somebody In the nation. who talks in Damon Runyon district attorney's office told Dean A. Andrews, the lawyer. style, told Warren Commission me a long time back that Can- said the real "Clay Bertrand" lawyers that Clay Bertrand sent cler had been asked to break Is the operator of a local bar Lee Harvey Oswald to his law Into Shaw's apartment." and not Clay L. Shaw, a busi- office in the summer of 1983. He also said he was "con- nessman arrested after he was Oswald is the man who, accord- stantly surprised" at the way accused by Mr. Garrison of par- ing to the commission, killed An which Mr. -
Blockbusters: Films and the Books About Them Display Maggie Mason Smith Clemson University, [email protected]
Clemson University TigerPrints Presentations University Libraries 5-2017 Blockbusters: Films and the Books About Them Display Maggie Mason Smith Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/lib_pres Part of the Library and Information Science Commons Recommended Citation Mason Smith, Maggie, "Blockbusters: Films and the Books About Them Display" (2017). Presentations. 105. https://tigerprints.clemson.edu/lib_pres/105 This Display is brought to you for free and open access by the University Libraries at TigerPrints. It has been accepted for inclusion in Presentations by an authorized administrator of TigerPrints. For more information, please contact [email protected]. Blockbusters: Films and the Books About Them Display May 2017 Blockbusters: Films and the Books About Them Display Photograph taken by Micki Reid, Cooper Library Public Information Coordinator Display Description The Summer Blockbuster Season has started! Along with some great films, our new display features books about the making of blockbusters and their cultural impact as well as books on famous blockbuster directors Spielberg, Lucas, and Cameron. Come by Cooper throughout the month of May to check out the Star Wars series and Star Wars Propaganda; Jaws and Just When you thought it was Safe: A Jaws Companion; The Dark Knight trilogy and Hunting the Dark Knight; plus much more! *Blockbusters on display were chosen based on AMC’s list of Top 100 Blockbusters and Box Office Mojo’s list of All Time Domestic Grosses. - Posted on Clemson University Libraries’ Blog, May 2nd 2017 Films on Display • The Amazing Spider-Man. Dir. Marc Webb. Perf. Andrew Garfield, Emma Stone, Rhys Ifans. -
Principia Discordia.Pdf
RAW Intro | Omar Intro | Title Page | Index | Version Notes | INTRODUCTION You hold in your hands one of the Great Books of our century fnord. Some Great Books are recognized at once with a fusillade of critical huzzahs and gonfolons, like Joyce’s Ulysses. Others appear almost furtively and are only discovered 50 years later, like Moby Dick or Mendel’s great essay on genetics. The Principia Discordia entered our space-time continuum almost as unobtrusively as a cat-burglar creeping over a windowsill. In 1968, virtually nobody had heard of this wonderful book. In 1970, hundreds of people from coast to coast were talking about it and asking the identity of the mysterious author, Malaclypse the Younger. Rumors swept across the continent, from New York to Los Angeles, from Seattle to St. Joe. Malaclypse was actually Alan Watts, one heard. No, said another legend – the Principia was actually the work of the Sufi Order. A third, very intriguing myth held that Malaclypse was a pen-name for Richard M. Nixon, who had allegedly composed the Principia during a few moments of lucidity. I enjoyed each of these yarns and did my part to help spread them. I was also careful never to contradict the occasional rumors that I had actually written the whole thing myself during an acid trip. The legendry, the mystery, the cult grew very slowly. By the mid- 1970’s, thousands of people, some as far off as Hong Kong and Australia, were talking about the Principia, and since the original was out of print by then, xerox copies were beginning to circulate here and there. -
Televisionweek Local Listing for the Week of August 29-September 4, 2015
PRESS & DAKOTAN n FRIDAY, AUGUST 28, 2015 PAGE 9B TelevisionWeek Local Listing For The Week Of August 29-September 4, 2015 SATURDAY PRIMETIME/LATE NIGHT AUGUST 29, 2015 3:00 3:30 4:00 4:30 5:00 5:30 6:00 6:30 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 12:00 12:30 1:00 1:30 BROADCAST STATIONS America’s Victory Prairie America’s Classic Gospel “At- The Lawrence Welk Doc Martin “The Keeping As Time Father Brown Violet No Cover, No Mini- Austin City Limits Front and Center Brit- Globe Trekker Influ- PBS Test Garden’s Yard and Heartlnd lanta Homecoming” Show “You’re Never Admirer” Louisa has a Up Goes hopes to prove her in- mum “Jami Lynn” The Avett Brothers and ish songwriter Richard ence of Sicilian cuisine. KUSD ^ 8 ^ Kitchen Garden Inspirational songs. Too Young” rival. Å By Å nocence. Å Nickel Creek. Thompson. (In Stereo) KTIV $ 4 $ Horse Racing Estate News News 4 Insider American Ninja Warrior “Military Finals” Hannibal (In Stereo) News 4 Saturday Night Live Å Extra (N) Å 1st Look House Horse Racing Travers Stakes and Sword Paid Pro- NBC KDLT The Big American Ninja Warrior “Military Finals” Hannibal Will hopes to KDLT Saturday Night Live Taraji P. The Simp- NBC Pri- KDLT (Off Air) NBC Dancer Invitational. From Saratoga Race gram Nightly News Bang Obstacles include Doorknob Arch. (In Stereo) slay Francis Dolarhyde. News Henson; Mumford & Sons. (In sons metime News Å KDLT % 5 % Course in Saratoga Springs, N.Y. -
Glengarry Glen Ross Free
FREE GLENGARRY GLEN ROSS PDF David Mamet | 144 pages | 26 Aug 2004 | Bloomsbury Publishing PLC | 9780413774187 | English | London, United Kingdom Glengarry Glen Ross movie review () | Roger Ebert When an office full of New York City real estate salesmen is given the news that all but the top two will be fired at the end of the week, the atmosphere begins to heat up. Shelley Levene, who has a sick daughter, does everything in his Glengarry Glen Ross to get better leads from his boss, John Williamson, but to no avail. When his coworker Dave Moss comes up with a plan to steal the leads, things get complicated for the tough-talking Glengarry Glen Ross. Joseph M. Caracciolo Jr. Jerry Tokofsky Stanley R. William Barclay Bob Shaw. Five minutes into the picture and there's so much awesomeness on the screen that it's almost overwhelming. Second time through and just as enjoyable as the first. First-rate cast, first-rate dialogue. Feels like a modernized Glengarry Glen Ross of a Salesman, with matching commentary on working class life "we work too hard"on shifting power structures the young managing the oldand on the emotional economics of capitalism subjection vs satisfaction. I didn't remember the characters being so consistently foul-mouthed, and this time through was slightly distracted by the film's heavy reliance on vulgarity. Nonetheless, this is an absolutely captivating film recommended to anyone who loves great actors, great characters, or great dialogue. It's amazing how a film focused exclusively on people talking can be so engrossing. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Sophistic Synthesis in JFK Assassination Rhetoric. 24P
DOCUMENT RESUME ED 400 532 CS 215 483 AUTHOR Gilles, Roger TITLE Sophistic Synthesis in JFK Assassination Rhetoric. PUB DATE Apr 93 NOTE 24p.; Paper presented at the Annual Meeting of the Conference on College Composition and Communication (44th, San Diego, CA, April 1-3, 1993). PUB TYPE Reports Evaluative/Feasibility (142) Speeches /Conference Papers (150) Historical Materials (060) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS Higher Education; Historiography; Popular Culture; *Presidents of the United States; *Rhetorical Criticism; *Rhetorical Theory; *United States History IDENTIFIERS 1960s; *Assassinations; Classical Rhetoric; Garrison (Jim); *Kennedy (John F); Rhetorical Stance; Social Needs ABSTRACT The rhetoric surrounding the assassination of John F. Kennedy offers a unique testing ground for theories about the construction of knowledge in society. One dilemma, however, is the lack of academic theorizing about the assassination. The Kennedy assassination has been left almost exclusively in the hands of "nonhistorians," i.e., politicians, filmmakers, and novelists. Their struggle to reach consensus is an opportunity to consider recent issues in rhetorical theory, issues of knowledge and belief, argument and narrative, history and myth. In "Rereading the Sophists: Classical Rhetoric Refigured," Susan C. Jarratt uses the sophists and their focus on "nomos" to propose "an alternative analytic to the mythos/logos antithesis" characteristic of more Aristotelian forms of rhetorical analysis. Two basic features of sophistic historiography interest Jarratt: (1) the use of narrative structures along with or opposed to argumentative structures; and (2) the rhetorical focus on history to creative broad cultural meaning in the present rather than irrefutable fact,about the past. Jarratt's book lends itself to a 2-part reading of Jim Garrison's "On the Trail of the Assassins"--a rational or Aristotelian reading and a nomos-driven or myth-making reading. -
The New Hollywood Films
The New Hollywood Films The following is a chronological list of those films that are generally considered to be "New Hollywood" productions. Shadows (1959) d John Cassavetes First independent American Film. Who's Afraid of Virginia Woolf? (1966) d. Mike Nichols Bonnie and Clyde (1967) d. Arthur Penn The Graduate (1967) d. Mike Nichols In Cold Blood (1967) d. Richard Brooks The Dirty Dozen (1967) d. Robert Aldrich Dont Look Back (1967) d. D.A. Pennebaker Point Blank (1967) d. John Boorman Coogan's Bluff (1968) – d. Don Siegel Greetings (1968) d. Brian De Palma 2001: A Space Odyssey (1968) d. Stanley Kubrick Planet of the Apes (1968) d. Franklin J. Schaffner Petulia (1968) d. Richard Lester Rosemary's Baby (1968) – d. Roman Polanski The Producers (1968) d. Mel Brooks Bullitt (1968) d. Peter Yates Night of the Living Dead (1968) – d. George Romero Head (1968) d. Bob Rafelson Alice's Restaurant (1969) d. Arthur Penn Easy Rider (1969) d. Dennis Hopper Medium Cool (1969) d. Haskell Wexler Midnight Cowboy (1969) d. John Schlesinger The Rain People (1969) – d. Francis Ford Coppola Take the Money and Run (1969) d. Woody Allen The Wild Bunch (1969) d. Sam Peckinpah Bob & Carol & Ted & Alice (1969) d. Paul Mazursky Butch Cassidy & the Sundance Kid (1969) d. George Roy Hill They Shoot Horses, Don't They? (1969) – d. Sydney Pollack Alex in Wonderland (1970) d. Paul Mazursky Catch-22 (1970) d. Mike Nichols MASH (1970) d. Robert Altman Love Story (1970) d. Arthur Hiller Airport (1970) d. George Seaton The Strawberry Statement (1970) d. -
Painting En Abyme: Tracing the Uses of Painting in New Hollywood Cinema
PAINTING EN ABYME: TRACING THE USES OF PAINTING IN NEW HOLLYWOOD CINEMA By MICHELLE LYNN RINARD Bachelor of Arts in Art History Southern Illinois University Carbondale, Illinois 2010 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF ARTS May, 2015 PAINTING EN ABYME: TRACING THE USES OF PAINTING IN NEW HOLLYWOOD CINEMA Thesis Approved: Dr. Louise Siddons Thesis Adviser Dr. Jeff Menne Dr. Rebecca Brienen ii Name: MICHELLE L. RINARD Date of Degree: MAY 2015 Title of Study: PAINTING EN ABYME: TRACING THE USES OF PAINTING IN NEW HOLLYWOOD CINEMA Major Field: ART HISTORY Abstract: In the period of the New Hollywood in cinema, four directors created films that incorporated paintings and artworks within their scenes: Mike Nichols’ The Graduate (1967); John Frankenheimer’s Seconds (1966); Stanley Kubrick’s A Clockwork Orange (1971); and Paul Mazursky’s An Unmarried Woman (1978). In four close readings, I demonstrate that these filmmakers incorporated painting to contribute to the emotions and narrative, to reflect the institutional power or ideological positions of characters and organizations, and as cultural or anti-cultural capital. The incorporation of painting in film creates a mise en abyme, doubling the forms and meanings of art within the film medium. The use of painting in cinema in the period between 1966 and 1978 is characteristic of an artistic trend in New Hollywood filmmaking. Earlier uses of art in film were overwhelmingly narrative and diegetic, while in New Hollywood film it becomes a mode of editorializing and extra diegetic commentary. -
Production Designer Jack Fisk to Be the Focus of a Fifteen-Film ‘See It Big!’ Retrospective
FOR IMMEDIATE RELEASE PRODUCTION DESIGNER JACK FISK TO BE THE FOCUS OF A FIFTEEN-FILM ‘SEE IT BIG!’ RETROSPECTIVE Series will include Fisk’s collaborations with Terrence Malick, Brian De Palma, Paul Thomas Anderson, and more March 11–April 1, 2016 at Museum of the Moving Image Astoria, Queens, New York, March 1, 2016—Since the early 1970s, Jack Fisk has been a secret weapon for some of America’s most celebrated auteurs, having served as production designer (and earlier, as art director) on all of Terrence Malick’s films, and with memorable collaborations with David Lynch, Paul Thomas Anderson, and Brian De Palma. Nominated for a second Academy Award for The Revenant, and with the release of Malick’s new film Knight of Cups, Museum of the Moving Image will celebrate the artistry of Jack Fisk, master of the immersive 360-degree set, with a fifteen-film retrospective. The screening series See It Big! Jack Fisk runs March 11 through April 1, 2016, and includes all of Fisk’s films with the directors mentioned above: all of Malick’s features, Lynch’s Mulholland Drive and The Straight Story, De Palma’s Carrie and Phantom of the Paradise, and Anderson’s There Will Be Blood. The Museum will also show early B- movie fantasias Messiah of Evil and Darktown Strutters, Stanley Donen’s arch- affectionate retro musical Movie Movie, and Fisk’s directorial debut, Raggedy Man (starring Sissy Spacek, Fisk’s partner since they met on the set of Badlands in 1973). Most titles will be shown in 35mm. See below for schedule and descriptions. -
Characters Reunite to Celebrate South Dakota's Statehood
2 x 2" ad 2 x 2" ad May 24 - 30, 2019 Buy 1 V A H A G R Z U N Q U R A O C Your Key 2 x 3" ad A M U S A R I C R I R T P N U To Buying Super Tostada M A R G U L I E S D P E T H N P B W P J M T R E P A Q E U N and Selling! @ Reg. Price 2 x 3.5" ad N A M M E E O C P O Y R R W I get any size drink FREE F N T D P V R W V C W S C O N One coupon per customer, per visit. Cannot be combined with any other offer. X Y I H E N E R A H A Z F Y G -00109093 Exp. 5/31/19 WA G P E R O N T R Y A D T U E H E R T R M L C D W M E W S R A Timothy Olyphant (left) and C N A O X U O U T B R E A K M U M P C A Y X G R C V D M R A Ian McShane star in the new N A M E E J C A I U N N R E P “Deadwood: The Movie,’’ N H R Z N A N C Y S K V I G U premiering Friday on HBO.