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Thinking About the Animals in Canada
TWO DAYS OF THINKING ABOUT ANIMALS IN CANADA BROCK UNIVERSITY FEBRUARY 24&25, 2005 THURSDAY FEBRUARY 24: 8:30-9:00 am Pond Inlet Opening Remarks: David Atkinson, President, Brock University Murray Wickett, Director of Canadian Studies, Brock U. John Sorenson, Department of Sociology, Brock U. 9:00–11:00 am Pond Inlet- ANIMAL RIGHTS: HISTORY, LAW & ACTIVISM Rod Preece, Wilfred Laurier University, “Getting History Right.” Joan Reddy, York University, “All Creatures Great & Small: Legal Rights of Animals.” Lauren Corman, York University, “The Ventriloquist’s Burden (?): Speaking for Animal Others.” 11:00-12:30pm Pond Inlet- MEAT, VEGETARIANISM & SOCIAL CHANGE Tony Weis, University of Western Ontario, “Meat and Social Change.” Catriona Rae, University of Guelph, “The Role of Social Networks in Continuing Vegetarianism.” 12:30-1:30pm Pond Inlet- LUNCH 1:30-3:00pm Pond Inlet- VIVISECTION & ALTERNATIVES (ONE) David Ruffieux, “Use of Human Tissues & Cells in Research.” Stacey Byrne, Brock University, “Dissection in Schools.” Florence Berreville, Interniche, “Replacement of Harmful Animal Use in Life Science Education.” 1:30-3:00pm Senate Chambers- RELATING TO ANIMALS Gavan Watson, York University, “Common Wild Animal Others: Children Making a Connection to the More Than Human World.” Paul Hamilton, Brock University, “Animal Welfare & Liberal Democracy.” Marisa King, “Contextual Action Research.” 3:00-3:30pm Coffee Break 3:30-5:00pm Pond Inlet- VIVISECTION & ALTERNATIVES (TWO) Beth Daly, University of Windsor, “Anthrozoophilia & Empathy.” Nadja -
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Oregon Cultural Trust fy2011 annual report fy2011 annual report 1 Contents Oregon Cultural Trust fy2011 annual report 4 Funds: fy2011 permanent fund, revenue and expenditures Cover photos, 6–7 A network of cultural coalitions fosters cultural participation clockwise from top left: Dancer Jonathan Krebs of BodyVox Dance; Vital collaborators – five statewide cultural agencies artist Scott Wayne 8–9 Indiana’s Horse Project on the streets of Portland; the Museum of 10–16 Cultural Development Grants Contemporary Craft, Portland; the historic Astoria Column. Oregonians drive culture Photographs by 19 Tatiana Wills. 20–39 Over 11,000 individuals contributed to the Trust in fy2011 oregon cultural trust board of directors Norm Smith, Chair, Roseburg Lyn Hennion, Vice Chair, Jacksonville Walter Frankel, Secretary/Treasurer, Corvallis Pamela Hulse Andrews, Bend Kathy Deggendorfer, Sisters Nick Fish, Portland Jon Kruse, Portland Heidi McBride, Portland Bob Speltz, Portland John Tess, Portland Lee Weinstein, The Dalles Rep. Margaret Doherty, House District 35, Tigard Senator Jackie Dingfelder, Senate District 23, Portland special advisors Howard Lavine, Portland Charlie Walker, Neskowin Virginia Willard, Portland 2 oregon cultural trust December 2011 To the supporters and partners of the Oregon Cultural Trust: Culture continues to make a difference in Oregon – activating communities, simulating the economy and inspiring us. The Cultural Trust is an important statewide partner to Oregon’s cultural groups, artists and scholars, and cultural coalitions in every county of our vast state. We are pleased to share a summary of our Fiscal Year 2011 (July 1, 2010 – June 30, 2011) activity – full of accomplishment. The Cultural Trust’s work is possible only with your support and we are pleased to report on your investments in Oregon culture. -
The Sexual Politics of Meat by Carol J. Adams
THE SEXUAL POLITICS OF MEAT A FEMINISTVEGETARIAN CRITICAL THEORY Praise for The Sexual Politics of Meat and Carol J. Adams “A clearheaded scholar joins the ideas of two movements—vegetari- anism and feminism—and turns them into a single coherent and moral theory. Her argument is rational and persuasive. New ground—whole acres of it—is broken by Adams.” —Colman McCarthy, Washington Post Book World “Th e Sexual Politics of Meat examines the historical, gender, race, and class implications of meat culture, and makes the links between the prac tice of butchering/eating animals and the maintenance of male domi nance. Read this powerful new book and you may well become a vegetarian.” —Ms. “Adams’s work will almost surely become a ‘bible’ for feminist and pro gressive animal rights activists. Depiction of animal exploita- tion as one manifestation of a brutal patriarchal culture has been explored in two [of her] books, Th e Sexual Politics of Meat and Neither Man nor Beast: Feminism and the Defense of Animals. Adams argues that factory farming is part of a whole culture of oppression and insti- tutionalized violence. Th e treatment of animals as objects is parallel to and associated with patriarchal society’s objectifi cation of women, blacks, and other minorities in order to routinely exploit them. Adams excels in constructing unexpected juxtapositions by using the language of one kind of relationship to illuminate another. Employing poetic rather than rhetorical techniques, Adams makes powerful connec- tions that encourage readers to draw their own conclusions.” —Choice “A dynamic contribution toward creating a feminist/animal rights theory.” —Animals’ Agenda “A cohesive, passionate case linking meat-eating to the oppression of animals and women . -
Vegetarian Summerfest 2013 Program
VEGETARIAN SUMMERFEST 2013 PROGRAM Celebrating 39 Years of Advocating Healthy, Compassionate and Ecological Living July 3 – 7 ★ Johnstown, PA 39th Annual Conference of the North American Vegetarian Society G ENERAL INFORMATION ANNOUNCEMENTS MEALS Such as class changes, will be posted on bulletin Meals will be served Wednesday lunch through boards in the Student Union Building and Living Sunday lunch in the cafeteria located on the 2nd Learning Center. Please consult them daily. floor of the Student Union. Meals will be served at the following times: NAVS’ INFORMATION DESK 1st floor lobby of the Student Union Building. Breakfast: 7:30 – 8:30 AM SUMMERFEST BADGES Lunch: 12:30 – 1:30 PM Must be worn for admission to all sessions. Dinner: 5:30 – 6:30 PM Farewell Dinner: 5:30 – 7:00 PM SUMMERFEST SESSIONS WILL be HELD IN THE foLLOWING LOCATIONS: We’re sorry, food and beverages may NOT be taken out of the dining hall. Classes, Lectures, Workshops Living Learning Center: Heritage Hall A and B, Meals are prepared by the Food Service of the University Room, Campus Room, Scholars University of Pittsburgh at Johnstown, under Room, President’s Room, Board Room, College the direction of Executive Chef Mark Reinfeld of Room, Engineering and Science Building: Vegan Fusion and assisted by Chef Chris Jolly Auditorium, Room 200 of Live Jolly Foods and Chef Kevin Archer with guidance from NAVS. All food and meal related Plenary Presentations questions should be directed to the NAVS staff Pasquerilla Performing Arts Center members at the (signed) NAVS table, and not to the University’s food service personnel. -
10. How Star Wars Became Museological
10. How Star Wars Became Museological Transmedia Storytelling in the Exhibition Space Beatriz Bartolomé Herrera and Philipp Dominik Keidl Star Wars’s production and reception histories—not to mention the millennia-long history of the storyworld itself—have been documented across books, television specials, DVD extras, interviews, articles, wikis, and fan-run websites. Another important site to encounter the franchise’s history is the museum. In fact, with the sale of Lucasfilm to Disney in 2012, George Lucas has turned his attention from filmmaking and producing to the Lucas Museum of Narrative Art, which is set to open in Los Angeles and will house his collection of paintings, illustrations, comics, props, films, and digital art.1 This museum project is not the first time that Lucas has appeared in the role of art collector, philanthropist, and museologist. Since the early 1990s, Lucasfilm has licensed and co-curated several themed exhibitions for muse- ums, science centers, and other exposition venues, offering visitors detailed insights into the production process through the display of various objects from Lucas’s cinematic oeuvre. Star Wars-themed exhibitions have been the most popular of Lucasfilm’s exhibitions by far, bringing large numbers of visitors into many different institutions. For instance, throughout its fifteen-month run from October 1997 to January 1999, The Magic of Myth drew more than 900,000 visitors to the Smithsonian’s National Air and Space Museum (NASM), becoming one of the most popular shows in the institution’s history.2 However, despite the franchise’s growing museum presence, the study of exhibitions has only played a minor role in Star Wars scholarship. -
An Inquiry Into Animal Rights Vegan Activists' Perception and Practice of Persuasion
An Inquiry into Animal Rights Vegan Activists’ Perception and Practice of Persuasion by Angela Gunther B.A., Simon Fraser University, 2006 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the School of Communication ! Angela Gunther 2012 SIMON FRASER UNIVERSITY Summer 2012 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for “Fair Dealing.” Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Approval Name: Angela Gunther Degree: Master of Arts Title of Thesis: An Inquiry into Animal Rights Vegan Activists’ Perception and Practice of Persuasion Examining Committee: Chair: Kathi Cross Gary McCarron Senior Supervisor Associate Professor Robert Anderson Supervisor Professor Michael Kenny External Examiner Professor, Anthropology SFU Date Defended/Approved: June 28, 2012 ii Partial Copyright Licence iii Abstract This thesis interrogates the persuasive practices of Animal Rights Vegan Activists (ARVAs) in order to determine why and how ARVAs fail to convince people to become and stay veg*n, and what they might do to succeed. While ARVAs and ARVAism are the focus of this inquiry, the approaches, concepts and theories used are broadly applicable and therefore this investigation is potentially useful for any activist or group of activists wishing to interrogate and improve their persuasive practices. Keywords: Persuasion; Communication for Social Change; Animal Rights; Veg*nism; Activism iv Table of Contents Approval ............................................................................................................................. ii! Partial Copyright Licence ................................................................................................. -
Partner Brochure
PARTNER BROCHURE AN EXHIBITION BY IN COOPERATION WITH SC-EXHIBITIONS.COM/MARVEL SC EXHIBITIONS ON SOCIAL MEDIA: @SHOWBIZCULTURE © MARVEL 2020 IT SETS A NEW BAR FOR MUSEUM A NEW EXHIBITION SHOWS OF COMIC ART. CELEBRATING ICV2 80 YEARS OF The Museum of Pop Culture (MoPOP), SC Exhibitions and Marvel Entertainment SUPER HEROES, have teamed up to produce an inventive, exciting show celebrating the artistic FROM EYE- production of »The House of Ideas.« World Premiere Exhibition opened POPPING PRINT 21 April 2018 in Seattle. TO BIG-SCREEN 780,000+ VISITORS 376,000 visitors at the MoPOP, 300,000 at Spider-Man is one of Marvel's most BLOCKBUSTERS iconic characters, and occupies The Franklin Institute in Philadelphia and a central role in this exhibition. This friendly neighborhood hero 105,000 at TELUS World of Science in Edmonton. first appeared in print in 1962, and joined the Marvel Cinematic Uni- verse in 2016's Marvel Studios' AND BEYOND. Coming to Dearborn and Chicago in 2020/2021. Captain America: Civil War. 2 THE EXHIBITION BROADLY APPEALS TO PARENTS AND KIDS, FANS AND NEWBIES. IT IS SUPER FUN FOR COMICS NERDS AND NOVICES ALIKE. THE SEATTLE TIMES For people around the world, Marvel conjures up images of one thing: Super Heroes. Whether in the vibrant colors of comic books, or the all-consum- ing brilliance of the big screen, Marvel characters have captured imaginations for the past 80 years. Readers and viewers alike have been catapulted into a vibrant alternate universe of characters and stories that defy belief. The launch of Marvel’s am- bitious movie franchise has only heightened this fascination, and as comic books gain a firm foot- hold as a legitimate part of our visual culture and heritage, there’s a unique opportunity to look back on the publisher’s enduring, and incomparable, legacy. -
Oregon State Bar Business Law Section Executive Committee Meeting Minutes
Oregon State Bar Business Law Section Executive Committee Meeting Minutes June 14, 2017 12:00 p.m. Meeting Location: Samuels Yoelin Kantor LLP, 111 SW 5th Ave Ste 3800, Portland, OR 97204 Present in Person: Valerie Sasaki, Tyler Volm, Jeffrey Tarr, Justin Denton, Benjamin Lenhart, Kara Tatman, David Post, David Ludwig and Kenneth Haglund. Present by Phone: Kyle Wuepper and Douglas Lindgren. Also Present: Carole Barkley, Dani Edwards (OSB Liaison), Susan Grabe (OSB Director of Public Affairs), Michael Levelle (OSB President) and Jana Hayashi (Law Clerk, Samuels Yoelin Kantor). Absent: Thomas Tongue, Genevieve Kiley, Lorie Harris Hancock and Benjamin Kearney. A quorum was present. Mr. Denton called the meeting to order at 12:00 p.m. 1. Treasurer’s Report Valerie Sasaki circulated information regarding the budget for the Oregon State Bar, Business Law Section (“Section”), and the Section’s financial statements for the period ended April 30, 2017. Ms. Sasaki described certain line items and compliance with the Section’s budget. 2. Approve Prior Minutes The Executive Committee (“Committee”) reviewed the draft minutes for the monthly meeting held on May 10, 2017. After motion duly made and seconded, the Committee unanimously approved the minutes for the monthly meeting held on May 10, 2017. 3. Bar Liaison Report Dani Edwards described the status of certain proposed changes to the Oregon State Bar’s CLE policy, the implementation of which has been delayed due to feedback from certain Bar sections. A compromise solution is being considered that would require sections to co-sponsor a CLE with the Bar only once every three years. -
Paul Allen's EMP Museum Changes Name to Museum of Pop Culture
Online Articles Meet MoPOP: Paul Allen’s EMP Museum changes name to Museum of Pop Culture The Museum of Pop Culture, formerly EMP Museum, near Seattle’s Space Needle. (Kurt Schlosser / GeekWire) Update: The museum shared a news release about the name change late Tuesday. This story has been updated to reflect additional information. Department of Information Resources Promotion http://arit.npru.ac.th/ Page 1 The branding department responsible for putting the name of Seattle’s EMP Museum onto merchandise should just take a deep breath. They’re probably just as confused as the rest us who are tasked with remembering what to call the colorful blob at the base of the Space Needle. For the fifth time in its 16-year history, the museum founded by Microsoft billionaire Paul Allen has undergone a name change and will now be called the Museum of Pop Culture, or MoPOP. The change isn’t yet reflected in the website URL for the museum, but banners at the top of the site announce the change. And over on Twitter, @EMPMuseum has given way to @MoPOPSeattle. The museum was designed to incorporate Seattle’s monorail. (Kurt Schlosser / GeekWire) Department of Information Resources Promotion http://arit.npru.ac.th/ Page 2 “MoPOP reflects who we are today and the future of the museum,” Patty Isacson Sabee, CEO and director of MoPOP, said in a news release. “Pop culture is a platform that resonates with audiences in a powerful way. And at MoPOP we provide avenues through our exhibits and programs for people to explore, learn, create, and celebrate pop culture in all of its diversity.” Founded in 2000 as the Experience Music Project, the museum was originally christened as a home to celebrate rock ‘n’ roll. -
Fall 2006 Advocate.Revised
Fall 2006 TheADVOCATE Lewis & Clark Law School Inside: Rising Costs of Legal Education A Commitment to Public Service A Legacy of Scholarship Contents Board of Visitors Mark Tratos ’79 Features 2006-07 Isao Tom Tsuruta ’89 Professor Thomas Ambrose ’75 Adele Waller ’85 Meeting the Rising Costs of Legal Larry Amburgey ’75 Dennis Whittlesey Education . 3 Professor Stephen Dow Beckham Steven Wildish ’85 A Legacy of Scholarship . 7 Bowen Blair Jr. ’80 Michael Williams Brian Booth Lawrence Wilson ’75 Bryan Scott ’91: A Commitment Monte Bricker Russell Winner to Public Service . 15 Thomas Brown ’80 Hon. Alex Bryner Alumni Board of Directors Why Jessup Moot Court Matters . 17 David Case 2006-07 The Commerce Clause Keith Coe ’85 Shareefah Adbdullah ’96 in Gonzales V. Raich . 18 Jonathan Cole ’76 Janet Noelle Billups ’79 Bruce Crocker ’76 Thomas Bittner ’89 Tom Miller ’01: Riding Jeff Curtis ’86 William Brunner ’53 at the Law . 22 John DesCamp Jr. ’74 Adam Cornell ’01 Stephen Doherty ’84 Raymond Crutchley ’99 Contributions Report . insert Barnes Ellis Gilion Dumas ’92 David Ernst ’85 Adina Flynn ’96 Lawyers With Families Maintain M. Carr Ferguson Hon. Dennis Hubel ’76 a Delicate Balance. 25 Paul Fortino Craig Jacobson ’95 Hon. Julie Frantz ’75 Hon. Edward Jones ’75 Departments Edwin Harnden John Kodachi ’92, Vice President Steven Hopp ’75 Krista Koehl ’99 Law School News . 26 James Hubler ’72 Donna Maddux ’02 Faculty and Staff News . 40 Judith Johansen ’83 Richard Maizels ’66 Class Notes . 45 Elizabeth Johnson ’77 Doreen Margolin ’81, President Jack Kennedy ’51 Connie McKelvey ’83 In Memoriam . -
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NPS Form 10-900 QMS No. 1024-0018 (Rev. M6) United States Department of the Interior National Park Service National Register of Historic Places NATIONAL Registration Form REGISTER This form is for use in nominating or requesting determinations of eligibility for individual properties or districts. See instructions in Guidelines for Completing National Register Forms (National Register Bulletin 16). Complete each item by marking "x" in the appropriate box or by entering the requested information. If an item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, styles, materials, and areas of significance, enter only the categories and subcategories listed in the instructions. For additional space use continuation sheets (Form 10-900a). Type all entries. 1. Name of Property historic name Schulmerich. Edward. House other names/site number 2. Location street & number 614 Fast Main -N, , I not for publication city, town Hi 11 shorn vicinity state Oregon code -OR. .county——Washington zip code 97123 3. Classification Ownership of Property Category of Property Number of Resources within Property |%~ private E building(s) Contributing Noncontributing I public-local district 1 ____ buildings I public-State site ____ ____ sites I public-Federal structure ____ ____ structures object ____ ____ objects 1 Q Total Name of related multiple property listing: Number of contributing resources previously ________N/A___________ listed in the National Register 4. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this [x] nomination EH request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. -
Oregon Historical Quarterly | Winter 2019 "White Supremacy
Oregon Historical Quarterly Winter 2019 SPECIAL ISSUE White Supremacy & Resistance in this issue Violence on Tribal Peoples of the Oregon Coast; Settler Sovereignty Formation in Oregon; White Egalitarianism and the Oregon Donation Land Claim Act; George Williams’s Anti-Slavery Letter; Abolitionists in Oregon; Labor and White Right; Liberty Ships and Jim Crow Shipyards; Struggle to Admit African Americans into ILWU, Local 8; Nativism to White Power; The Murder of Mulugeta Seraw THIS PROGRAM, from the St. Rose Church Men’s Club’s ninth annual minstrel show, is an example of how OHS Research Library, Coll. 835 Library, OHS Research racism and White supremacy can take many forms that are accepted in mainstream society. As detailed in the program, participants dressed in blackface and performed skits for audiences in Portland, Oregon. Programs in the OHS Research Library collection indicate the church performed minstrel shows from the 1940s until at least 1950. During that time, the church moved the show from a single performance at Grant High School to two performances at Civic Auditorium. ON THE COVER: On May 26, 2017, White supremacist Jeremy Christian verbally attacked two young women, one wearing a hijab, on a light-rail train in Portland, Oregon. Three men intervened, and Christian killed Ricky Best and Taliesin Namkai-Meche, while severely injuring Micah Fletcher. In the days following the attack, a powerful, tangible response from the community developed at the Hollywood MAX station — a memorial to the victims that included chalk messages, photographs, candles, and flowers. Jackie Labrecque, then a reporter for KATU News, took this photograph at dawn after someone wrote, in pink chalk, Taliesin Namkai-Meche’s final words: “Please tell everyone on this train I love them.” The memorial, a response to tragedy, also provided hope through a resounding denouncement of hate.